‎STUDIA IN MEMORIAM CHRISTOPHORI PLANTINI ( ca. 1520 - 1589).‎

‎, Antverpiae, " Vereeniging der Antwerpsche Bibliophielen", 1989., Gebonden, uitgeversplatten versierd met verguld wapenschilde op de voorplat en vergulde titel op de rug, 25x16,5cm, 692pp, geillustreerd z/w.‎

‎Ex Officina Plantiniana. De Gulden Passer, jaargang 66-67. Plantijns reinaertdrukken, henrick niclaes, albumbijdragen van Plantijn, plantijnstudies,het boekbedrijf etc,‎

‎Layout design. A pattern for understanding the basic motifs in design and how to apply them to graphic and problems. Illustrated.‎

‎N.Y. and London, the Studion Publication Inc. 1950. Bel exemplaire relié, reliure et jaquette ornées d'éd., in-8, 80 pages.‎

‎THE COMPARISON OF TWO NEARLY EQUAL ELECTRICAL RESISTANCES USING A SUBSTITUTION METHOD WITH TWO CURRENT SOURCES,‎

‎Brussel, Paleis der Academien, 1950 Gebrocheerd, papieromslag, 180 x 260mm., 14pp. ‎

‎Mededelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Wetenschappen. Jaargang XII. N? 9. In goede staat.‎

‎LES OBJETS DU CAFE DANS LES SOCIETES DU PROCHE ORIENT & DE LA MEDITERRANEE.‎

‎PRESSES DU CNRS. 1989. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 135 pages - jaquette en bon état - nombreuses illustrations en couleurs et en monochrome dans et hors texte.. Avec Jaquette. . . Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)‎

‎ Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)‎

‎Les Objets du café. Dans les sociétés du Proche-Orient et de la méditerranée‎

‎Paris, Presses du CNRS 1989 In-4, cartonné. Sous jaquette illustrée. Livre en français. 135 p. Très bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎DE SINT - NIKLAASKERK TE GENT. EEN PAAR ARCHEOLOGISCHE GEGEVENS,‎

‎, Brussel, Paleis der Academien, 1978, onder papieromslag, 180 x 270mm., 48pp.‎

‎Mededelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Schone Kunsten - Jaargang XL - 1978 - nr.2. In goede staat.‎

‎Sur la piste du Cancer‎

‎Flammarion. 1984. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 330 pages avec des figures en noir dans le texte. Préface de Jean Bernard.. . . . Classification Dewey : 616.9-Autres maladies‎

‎ Classification Dewey : 616.9-Autres maladies‎

‎La Déesse parole: Quatre figures de la langue des dieux‎

‎FLAMMARION 1993 136 pages 15x1 6x23 8cm. 1993. Broché. 136 pages.‎

‎Bon état couverture défraîichie intérieur propre quelques rousseurs sur tranche‎

‎Fiamminghi a Roma 1508 - 1608. Kunstenaars uit de Nederlanden en het Prinsbisdom Luik te Rome tijdens de Renaissance,‎

‎Brussel / Rome, Schone kunsten, 1995 Gebrocheerd onder geillustreerde kartonomslag in kleur, 24x 29,5 cm, 478 pp. Dutch text, 253 colour ills. , b/w ills. ISBN 978053491652.‎

‎Uitvoerig gedocumenteerde catalogus van 253 werken, allen in kleur afgebeeld. Met vier inleidende essays.‎

‎DE ONZE-LIEVE-VROUWEKERK TE KORTRIJK.‎

‎Tielt, Lannoo, 1973 Gebonden, linnen, zonder stofomslag, 15.5x22 cm., 120 pp., rijkelijk geillustreerd met +/- 160 buitentekstplaten z/w, register, bibliografie. ISBN 9020900706.‎

‎Met voorwoord van Jan De Cuyper. Kunstpatrimonium van West-Vlaanderen, Vol. 6. Deze uitgave handelt over de geschiedenis, beschrijving, inventaris en merken op edelsmeedwerk.‎

‎Her Grace the Duchess of Devonshire (Georgiana Spencer (Cavendish) Duchess of Devonshire, 25 years of age) and viscountess Duncannon. Painted by Angelika Kauffmann. Engraved by W. Dickinson.‎

‎London, Published W. Dickinson, Engraver and Printseller, 1782, 44x33 cm (Lichtmass), Mezzotinto, (color printed copper-engraving), unter übereckvergoldetem Rahmen. (61x50).‎

‎The Duchess of Devonchire, one of the first lady travellers on here own through Switzerland. She published a ‘Sketch of a descriptive journey...’ in London, 1796, a poem written for her children, in memory of her roundtrip in 1793 through Switzerland (cf. de Beer, Travellers in Switzerland). The mezzotinto is a very special technique, costly and with beautiful results, invented in 1642 in Holland by the German artist L. v. Siegen, it became very popular in the 17th and 18th c. in the English portrait-painting.Although a very important list of works of Ang. Kauffmann (Ec. Suisse) and Dickinson are mentionned in ‘Le Blanc’s’ bibliography, this particular beautiful work is not mentionned. This plate is offered in a fine, handmade, gilt frame.‘Die Schabtechnik, auch Mezzotinto oder Schwarzkunst genannt, ist ein Tiefdruckverfahren, das 1642 in Holland von dem Deutschen Ludwig von Siegen entwickelt wurde. Sie erlebte im 17. und 18. Jahrhundert in der englischen Porträtmalerei ihren Höhepunkt.Aufgrund des hohen Arbeitsaufwands, der mit dieser Technik verbunden ist, gibt es wenig moderne Arbeiten in Mezzotinto. Dies gilt umso mehr, als sich mit der geschabten Aquatinta ein zumindest ähnlicher Effekt erzielen lässt. ‘wp.radiertechniken.de’. (Sehe auch S. Obermeier: Die Muse von Rom Angelika Kauffmann und ihre Zeit (1987). Le Blanc, Manuel de l’amateur d’estampes, tome 2, p. 442-3; Benezit, tome 5, 219-20; Maria-Anna-Angelica Kauffmann née à Chur (Grisons. Ecole Suisse), 1741, travaille en Allemagne, en Italie et en Angleterre, mourut à Rome en 1807 / William Dickinson. Londres, 1746, mourut fin du XVIIIè siècle. Malgré une impressionante liste d’oeuvres des deux artistes le tableau de la Duchess of Devonshire n’est pas mentionné. Image disp.‎

‎THE FLEMISH PRIMITIVES. THE MASTERPIECES‎

‎, Antwerp, Fonds Mercator, 2002, hardcover with dust jacket, golden inner platters, 250 x 330mm., 216pp., 220 colour illustrations ISBN 9789061535201.‎

‎The fourteenth and fifteenth centuries witnessed an exceptional flowering of artistry in the Burgundian Netherlands. It was then that the artists who we now call the Flemish Primitives developed their unique style of painting, typified by a strict type of naturalism and an exceptionally detailed representation of form, which brought them immediate international fame. In this book, Dirk De Vos provides a broad introduction to the painting of the Flemish Primitives based on some twenty carefully selected masterpieces. The high-quality illustrations, including dozens of details, offer art lovers the opportunity to take their time over viewing these works (normal access to which is often difficult) and to experience them in all their beauty.‎

‎DE SINT-ELIGIUSKERK TE EINE. EEN ROMAANSE KOLLEGIALE EN HAAR CRYPTE,‎

‎, Provinciebestuur Oost-Vlaanderen, 1993, Gebrocheerd, geillustreerde kartonomslag met flappen, 140 x 210mm., 55pp., zeer mooie en uitgebreide kleurillustratie. ‎

‎Uit het gebouw zelf, en uit de geschiedenis van de heerlijkheid Eine, valt af te leiden dat de Sint-Eligiuskerk in de 11de eeuw gesticht werd en al vroeg de status van kapittelkerk kreeg. Uit de akten van het kapittel weet de auteur een boeiend relaas af te leiden over de uitbreidingen, verbouwingen en stoffering van het gebouw. Dit relaas geeft een vrij scherp beeld van de opeenvolgende periodes waarin de oude romaanse collegiale geleidelijk haar huidig uitzicht kreeg. Nieuw. ‎

‎DE SINT-VINCENTIUSKERK TE EEKLO. EEN SCHATKAMER VAN NEOGOTIEK,‎

‎, Provinciebestuur Oost-Vlaanderen, 1999, softcover geillustreerde kartonomslag met flappen, 140 x 210mm., 40pp., zeer mooie en uitgebreide kleurillustratie. ‎

‎DE HEILIG-KRUISKERK TE HEUSDEN,‎

‎, Provinciebestuur Oost-Vlaanderen, 1995, Geillustreerde kartonomslag met flappen, 140 x 210mm., 72pp., zeer mooie en uitgebreide kleurillustratie. ‎

‎De onopvallende parochiekerk van Heusden is bij nader toezien een kleinood van vroegneogotische bouw- en interieurkunst. Meubilair en decoratie leveren prachtige beelden op voor deze verzorgd geillustreerde gids. Nieuw. ‎

‎Sur la loi de disjonction des hybrides. (The Law of Segregation of Hybrides - Das Spaltungsgesetzt der Bastarde).‎

‎Paris, Gauthier-Villars, 1900. 4to. No wrappers. In: ""Comptes Rendus Hebdomadaires des Séances de L'Academie des Sciences"", Tome 130, No 13. Titlepage to tome 130 a. pp. (809-) 864. (Entire issue offered). De Vries paper: pp. 845-847. Rather poor paperquality, fragile. Small nicks to margins of titlepage.‎

‎First appearance of a milestone paper in genetics being the ""REDISCOVERY"" OF MENDEL'S LAWS OF HEREDITY"" - This paper, together with the two other papers from the same year by Carl Correns and Erich Tschermak, laid the foundations of a new scientific discipline that, in 1906, was given the name ""genetics"", and less than a century later, rose to become the leading science in Western society. This French announcement was published 4 days before his longer paper ""Das Spaltungsgesetzt der Hybride"", in which Mendel is mentioned.De Vries completed most of his hybridization experiments without knowing about Mendel's work. Based on his own results, de Vries drew the same conclusions as Mendel. De Vries published his work in 1900, first in French then in German. In the French report there was no mention of Mendel, but this was amended by de Vries in the German paper. It is possible that de Vries read Mendel's paper before he published his own, and included Mendel's name in the later printing when he realized that other people also knew about Mendel's work. De Vries may have thought that his own conclusions were superior to Mendel's. ""During the 1880s, de Vries became interested in heredity. In 1889 he published Intracellular Pangenesis, in which he critically reviewed previous research on inheritance and advanced the theory that elements in the nucleus, ‘pangenes’, determine hereditary traits. To investigate his theories, he began breeding plants in 1892 and by 1896 had obtained clear evidence for the segregation of characters in the offspring of crosses in 3:1 ratios. He delayed publishing these results, proposing to include them in a larger book, but in 1900 he came across the work of Gregor Mendel, published 34 years earlier, and announced his own findings. This stimulated both Karl Correns and Erich von Tschermak-Seysenegg to publish their essentially similar observations."" (Oxford Dictionary of Scientists).Parkinson ""Breakthroughs"" 1900 B. - PMM 356 (the note).‎

‎Evolution of the Pastoral Novel in Early Modern Spain,‎

‎Turnhout, Brepols, 2009 Hardback, XII+212 p., 175 x 255 mm. ISBN 9782503528946.‎

‎The Evolution of the Pastoral Novel in Early-Modern Spain refreshes and broadens our contemporary view of the intellectual and literary history of Golden Age Spain. It demonstrates that the idealization of love, nature, and country life were not the only motives behind the composition of the pastoral novel. Rather, The Evolution of the Pastoral Novel explores the efforts of the novelists behind these works to establish literary circles, fellowships, and academies, all attempts to revive the literary dialogue of the period. In addition to the novels of Miguel de Cervantes and Lope de Vega, Dominick Finello considers the works of Luis Galvez de Montalvo, Antonio de Lofrasso, Bernardo de Gonzalez de Bobadilla, Gaspar Mercader, Cristobal Suarez de Figueroa, Bernardo de Balbuena, and Gabriel de Corral. These works consistently represent the Spanish pastoral vogues of the late sixteenth and early seventeenth centuries, signalling new combinations of narrative conventions and revealing shifting literary currents hitherto unperceived. This wide range of source material ensures that The Evolution of the Pastoral Novel in Early-Modern Spain is a significant intervention into the history of the novel. New.‎