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Wort und Bild in der Niederlandischen Kunst und literatur des 16. und 17. Jahrhunderts,
, Erftstadt, Lukassen Verlag, 1984, Gebunden, Deckeltitelvergoldung, Ruckentitelvergoldung, Original-Schutzumschlag illustriert koloriert, 31x22cm, 314pp, illustriert s/w. ISBN 3923769040.
Contents: J. MULLER HOFSTEDE, "Wort un Bild": Fragen zur Signifikanz und Realitat in der hollandischen Malerei des 17. Jahrhunderts. K. PORTEMAN, Nederlandse embleemtheorie van Marcus Antonius Gillis(1566) tot Jacob Cats (1618). H. MIEDEMA, Tekst en afbeelding als bronnen bij historisch onderzoek. J. BECKER, "De Duystere Sin van de Geschilderde Figueren": zum Doppelsin in Ratsel, Emblem und Genrestuck. B. SCHNACKENBURG, Das Bild des bauerlichen Lebens bei Adriaen van Ostade. Th. VIGNEAU-WILBERG, Hofische Minne und Burgermoral in der Graphik um 1500. P.W.M. VAN DER SLUYS, Invloed van emblematiek, hieroglyfiek en deviezenkunst in het werk van Jonker Jan van der Noot. E. McGRATH, Rubens"s "Susanna and the Elders" and moralizing inscriptions on prints. E. DUVERGER, Voruntersuchungen zur Literatur las Inspirationsquelle fur die flamische Bildteppichkunst des 17.Jahrhunderts. Chr. BROWN, Allegory and symbol in the work of Anthony van Dyck. J. MUYLLE, "Pier den Drol". K. van Mander en P. Breughel. Bijdrage tot de literaire receptie van P. Breughels werk ca. 1600. A.J. GELDERBLOM, Een ereplaats voor een versleten jurk: de interpretatie van de titelgravure in Coornherts "Wercken" van 1630. K. RENGER, Verhaltnis von Text und Bild in der Graphik. (Beobachtungen zu Missverhaltnissen). H. VEKEMAN, Taufe in Feuer und Wasser. Jan Luyken und Jacob Bohme. Chr. TUMPEL, Die Rezeption der judischen Altertumer des Flavius Josephus in den hollandischen Historiendarstellungen des 16. und 17. Jahrhunderts. A. SMITMANS, Probleme des Bildsinns bei Rembrandt. H.J. RAUPP, "Trucidata Innocentia". Die Verurteilung des Oldenbarnevelt bei Joost van den Vondel und Cornelis Saftleven. A. KEERSMAEKERS, Rederijkers-Rebusblazoenen in de 16- en 17e eeuw. G. UNVERFEHRT, Christliches Exempel und profane Allegorie. Zum Verhaltnis von Wort und Bild in der Graphik der Boschnachfolge. J. MULLER HOFSTEDE, Non Saturatur Oculus Visu. Zur Allegorie des Gesichts" von Peter Paul Rubens und Jan Brueghel D.A. REGISTER. Guter Zustand.
The Veliger. A Quaterly published by California Malacozoological Society. Volumes 12-32.
1969-1989 In issues as published. 4to. Missing Vol. 24 (1 & 3), Vol. 26, Vol. 29 & Vol. 30 (1-3).
The Veliger. A Quaterly published by California Malacozoological Society. Volumes 1-25.
1958-1983 25 volumes. 4to. Uniform cloth with gilt-lettered leather label on spine, except volumes 18 and 24 in issues. Long run of this important malacological quarterly. Volumes 1-2 are the rare originals, not the later reprints. Volumes 18 and 24 could be bound to match.
The Veliger. A Quaterly published by California Malacozoological Society. Volumes 11-22.
1968-1980 12 volumes. 4to. Uniform black buckram with gilt title on the spine. Long run of this important malacological quarterly. Nicely bound.
THE VULCHITRUN TREASURE.
, Sofia, Jusautor, 1987, Bound, cloth with gold impression, illustrated dustjacket, frontispice, 240 x 330mm., 102pp., beautiful illustration in colour and b/w.
The treasure as a whole, the composition, the concealer and the owner of the treasure, accumulation, the lids and vessels, the cross and the four-leaved clover, Macedonian bronzes, the handle of the Tripartite vessel, etc. In good condition.
"VENEL, (GABRIEL FRANCOIS). - THE ANALYSIS OF SELTZER-WATER.
Reference : 44935
(1755)
Mémoire sur L'Analyse des Eaux de Selters ou de Seltz. Première - (Seconde) Partie. (2 Mai 1750).
(Paris, Imprimerie Royale, 1755). 4to. Extracts from ""Mémoires fe Mathematique et de Physique, Présentés à l'Academie des Sciences par divers Savans"", Tome II. Pp. 53-112. Clean and fine, wide-margined.
In these two memoirs Venel attempted to prove that effervescent mineral waters contain a quantity of common air in solution, thus seperating carbon dioxyde (he called it air surabondante) without knowing what it really was, thus beeing ""so close to making a discovery without actually making it..."" (Fourcroy). ""In 1750 Venel described his analysis of the effervescent mineral water of Selz, in Germany. Evaporation yielded only common salt and a little lime, and he was more interested in the effervescence, which was, he thought, caused by the escape of common air. All water contained a small amount of dissolved air, but Selzer and other effervescent waters contained superabundant air, as Venel called it. He made artificial Selzer water by adding the correct amounts of marine (hydrochloric) acid and soda to pure water, and he called the product aerated water, a term that is still in use. Stephen Hales had thought that effervescent mineral waters contained “sulphurous spirit"""" Venel’s experiments proved the absence of the gas now called sulfur dioxide, but he failed to notice that the ""superabundant air"" differed in any way from common air. It was, of course, carbon dioxide, characterized in 1754 by Joseph Black, who called it fixed air. Fourcroy later commented that no one had ever been so close to making a discovery without actually making it as was Venel.""(DSB).
Liefde en verleiding in de oudheid.
Amst., Allard Pierson Museum, 1985.
180 p.; ills. Pb. (Exhibition cat.)
Liefde en verleiding in de oudheid.
Amsterdam, Allard Pierson Museum, 1985.
180 p.; illustrations. Paperback. 24 cm (Exhibition cat.)
Liefde en verleiding in de oudheid.
Amsterdam, Allard Pierson Museum, 1985.
180 p.; illustrations. Paperback. 24 cm (Exhibition catalogue)
