Louvain, Secrétariat de l'Universté/Leuven Universiteitssecretariaat, 1954. 16 x 24, 39 pp., broché, bon état.
bilingue français/néerlandais.
Leipzig, Johann Ambrosius Barth, 1826. Contemp. hcalf. Gilt spine. A few scratches to spine. In ""Annalen der Physik und Chemie. Hrsg.von Poggendorff"", Bd. 8. (10),526 pp. and 3 folded engraved plates. Small stamps onverso of titlepage. (Entire volume offered). Unverdorben's paper: pp. 253-265, 397-410, 477-487. Clean and fine.
First appearance of the paper in which Unverdorben describes the method by which he discovered Aniline, which became so importent in the manufacture of dyes, plastics, and pharmaceuticals. ""Aniline (from the Portugese anil, applied to indigo, and derived from the Arabic an-nil, the blue substance), was first obtained by Unverdorben by heating indigo, and was given the name 'crystalline'. In 1841 Carl Julius von Fritzsche (1807-71), an assistant to Mitscherlich and, later, a member of the Academy of Sciences in St. petersburg, obtained the same compound from anthranilic acid, which was produced by the action of caustioc alkalis on indigo, and called it 'aniline'... in 1843 Hofmann showed that the three substances, crystalline, aniline and benzidam, were identical with the base isolated from coal tar.""(Findlay ""A Hundred years of Chemistry"", p. 134).Parkinson ""Breakthroughs"" 1826 C.The volume contains other importent papers Antoine Jerome Balard ""Ueber eine besondere Substanz im Meereswasser"" in which he describes his discovery of the element BROMINE, first German edition, pp. 114-124 a. pp. 319-336. (Parkinson ""Breakthroughs"" 1826 C.). And Eilhard Mitscherlich ""Ueber eine neue Klasse von Krystallformen"", pp. 427-442.
Venice, Ferd. Ongania Edit, 1888. In-8 (24,5 cm) (3) feuillets, 57, (1) pages, illustré de 8 planches hors-texte et de 28 figures in-texte. Reliure demi-chagrin havane à coins. Dos à 5 nerfs ornés de filets dorés, plats et gardes marbrés, tête dorée. Étiquette de la Castlecraig Library au revers du plat avant, signature d’un ex-proprio au revers de la garde supérieure, léger frottis aux coupes, petit manque de papier marbré au plat avant, rousseurs aux versos des planches. Édition originale tirée à 100 exemplaires. Numéroté 22. Bel état général.
1944 Invasion Beach Overview Maps (Bigot Panoramic Views of various beaches on the other side).Cartes Bigot américaines datées de Juillet 1944, distribuées aux 1ères vagues d'assault qui vont débarqués sur les côtes de Provence un mois plus tard. Ces cartes servant à renseigner au plus précis sur l'état des points d'appuis allemands dans la zone d'action.Grande carte pliée, double face composée de plusieurs cartes et vues panoramiques, bon état.Tres rare document authentique imprimé recto-verso.Longueur 80cm ; largeur 63cm.BON ETAT.
Cartes Bigot américaines datées de Juillet 1944, distribuées aux 1ères vagues d'assault qui vont débarqués sur les côtes de Provence TOP SECRET- cartes Bigots américaines des plages du Jour-J Provence: au Musée Mémorial du Débarquement de Provence de la Citadelle de St Tropez. http://sudwall.superforum.fr/t5669-invasion-beach-maps-cartes-bigot-debarquementCarte bigot (archives NARA)- National Archives and Records Administration https://www.archives.gov/ Remise de 20% pour toutes commandes supérieures à 200 €
LES BELLES LETTRES 2014 170 pages in8. 2014. Cartonné. 170 pages.
Comme neuf
USSING, N.V. - THE GEOLOGICAL EXPEDITION TO JULIANEHAAB DISTRICT 1900.
Reference : 31945
(1912)
Copenhagen, Reitzel, 1912. Uncut in orig. printed wrappers. Wrappers with soiling. XI,426 pp. and 19 plates (incl. geological maps), textillustrations.
First edition of the main and first geological survey of Southern Greenland. At the end Ussing gives a general account of the expedition (in Danish). - (Meddelelser om Grønland, Bd. 38).
J.-P.Taillandier. 1970. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 129 pages - nombreuses photos en couleurs dans et hors texte - textes sur deux colonnes - quelques illustrations en monochrome dans et hors texte.. . . . Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)
Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)
, Brepols - Harvey Miller, 2016 Hardcover with dusjacket, VIII+536 p., 261 colour ill., 210 x 275 mm,. ISBN 9781905375752.
Cassiano's Antichita Diverse album, here published for the first time in its entirety, is essentially the Paper Museum in embryo. The modest title ('Various Antiquities') hardly does justice to the range of material represented, for almost every category of portable antiquity to be found in the cabinets of Rome is illustrated: gems, coins, gaming pieces, vessels and tableware of all kinds, oil lamps, weights and measures, keys, weapons, military equipment, rings, musical instruments, burial urns, altars and tripods, figurines, statues and reliefs, in every possible material from terracotta and bone to tin, lead, bronze, silver, gold, marble and semi-precious stones. The 500 or so studies, on 108 sheets, date mainly from the early 1620s, and were produced probably with the (unrealised) intention that they would be reproduced as a series of prints to serve the antiquarian interests of the pan-European 'Republic of Letters'. Elena Vaiani is a research fellow in the history of archaeology at the Scuola Normale Superiore, Pisa. Her research interests are concerned with the relationships between the history of art, collections, antiquarian studies and the visual arts in the early modern period, with particular reference to small objects (such as coins, gems and domestic utensils). Amanda Claridge was formerly Professor of Roman Archaeology at Royal Holloway, University of London, specialising in Roman art, topography and architecture, and with a particular interest in antiquarian studies of the early modern period. Table of Contents Acknowledgements The Paper Museum of Cassiano dal Pozzo, Francis Haskell and Henrietta McBurney Summary of known dal Pozzo drawings Royal Library 'Inventory A' of c.1810 Series A: Antiquities and Architecture, Amanda Claridge The Antichit Diverse album, Amanda Claridge with Elena Vaiani Notes for the reader The Catalogue (1-176), Elena Vaiani with contributions by Amanda Claridge Watermarks, Rea Alexandratos Concordances A: Royal Library inventory numbers, catalogue numbers and other data B: Epigraphic corpora numbers and the present catalogue Appendix: Documents relating to the drawings Biographical notes Abbreviations and bibliography Indexes Index of museums, libraries and other collections Index of subjects, materials and iconography General index List of figures and photographic acknowledgements Review "This handsome edition, only one album within the many folios, volumes and other works on paper within Cassiano?s enterprise, is an immense undertaking of impeccable scholarship and, I surmise, many years in the making.(...) Cassiano dal Pozzo?s extraordinary endeavour to encapsulate the knowledge of his time is intriguing on many levels. The publication of the Antichit Diverse album is a crowning achievement, but it is by no means the last word." (Gillian Darley, in: Apollo, September 2017) ?One can only hope that the book under review will become a model for the volumes still to be published in the same series..? (Ingo Herklotz, in Burlington Magazine, 160, June 2018, p. 516)
[VAISSEAU A TROIS PONTS VU DE L'ARRIERE et Détails de gréement / THREE DECK VESSEL seen from the rear and details of the rigging].
Reference : 4815
(1800)
s.l.n.d. [circa 1800]. 1800 1 feuille de papier brun ( 355 x 254 mm) croquis au crayon avec réhauts de craie de couleur, avec légende au crayon en anglais.
Superbe étude de navire, exécutée au crayon, d'un vaisseau à trois ponts montrant le somptueux décors de son tableau arriere, orné de boiseries et de sculptures dorées. Dessiné au niveau de la ligne de flotaison d'une chaloupe (?), il certainement exécuté sur le vif par l'artiste anonyme. Celui-ci ajoute deux petits croquis en marge représentant un détail du gréement et une sculpture ainsi que des notes en anglais, laissant penser à un travail préparatoire. 1 sheet of brown paper (355 x 254 mm) pencil sketch with colored chalk highlights, with manuscript captions in English. Superb study of a ship, executed in pencil, of a three-deck vessel showing the sumptuous decoration of its transom, decorated with woodwork and gilded sculptures. Drawn at the level of the waterline of a rowboat (?), it was certainly executed on the spot by the anonymous artist. He adds two small sketches in the margin representing a detail of the rigging and a sculpture as well as notes in English, suggesting a preparatory work.
, Brepols, 2020 Hardback, 1005 pages, Size:155 x 245 mm, Language: Latin. ISBN 9782503588766.
Summary El Passionarium Hispanicum es una colecci n de relatos hagiogr ficos de m rtires cristianos de diferentes pa ses, localizados, b sicamente, en poca de las persecuciones del Imperio Romano. Los relatos ten an funci n lit rgica, es decir, su lectura en maitines, oficio nocturno o misa. La lectura se hac a siguiendo el orden cronol gico de la festividad de cada m rtir de la colecci n a lo largo del a o. Las narraciones, esto es, las Pasiones de los m rtires incluidas en la colecci n, fueron escritas, casi siempre por autores an nimos, desde el s. IV al XI, siendo recogidas y agrupadas en Espa a en c dices de los siglos X y XI y en algunos del s. XIII. En los manuscritos hispanos del s. X se recogen 63 Pasiones de m rtires. En la de los siglos XI-XIII, 65. En los relatos se contraponen la tica cristiana, representada por los m rtires, v ctimas sometidas a horribles tormentos solamente por su condici n de cristianos, y la pagana, personificada en el poder pol tico, esto es, emperadores, gobernadores, etc. Los protagonistas de los relatos, los m rtires, son de toda edad y condici n, varones y mujeres, adultos y ni os, pudientes y humildes, y pertenecen, como hemos dicho, a diversos pa ses, poni ndose de manifiesto la universalidad de la Iglesia cat lica.
, Brepols, 2020 Hardback, 545 pages, Size:155 x 245 mm, Language: Latin. ISBN 9782503591087.
Summary El Passionarium Hispanicum es una colecci n de relatos hagiogr ficos de m rtires cristianos de diferentes pa ses, localizados, b sicamente, en poca de las persecuciones del Imperio Romano. Los relatos ten an funci n lit rgica, es decir, su lectura en maitines, oficio nocturno o misa. La lectura se hac a siguiendo el orden cronol gico de la festividad de cada m rtir de la colecci n a lo largo del a o. Las narraciones, esto es, las Pasiones de los m rtires incluidas en la colecci n, fueron escritas, casi siempre por autores an nimos, desde el s. IV al XI, siendo recogidas y agrupadas en Espa a en c dices de los siglos X y XI y en algunos del s. XIII. En los manuscritos hispanos del s. X se recogen 63 Pasiones de m rtires. En la de los siglos XI-XIII, 65. En los relatos se contraponen la tica cristiana, representada por los m rtires, v ctimas sometidas a horribles tormentos solamente por su condici n de cristianos, y la pagana, personificada en el poder pol tico, esto es, emperadores, gobernadores, etc. Los protagonistas de los relatos, los m rtires, son de toda edad y condici n, varones y mujeres, adultos y ni os, pudientes y humildes, y pertenecen, como hemos dicho, a diversos pa ses, poni ndose de manifiesto la universalidad de la Iglesia cat lica.
Antwerpen , Snoeck Publishers / Musea, Schonen kunsten, 2008 Hardback,240x170mm, 182 pages, English ENG edition, ISBN-13: 9789053497081 . ISBN 9789053496992.
The exhibition "Heads on shoulders" highlights every aspect of portrait busts in 17th- and 18th-century art in the Low Countries. Portrait sculpture is perhaps associated most readily with famous politicians, dignitaries, scientists and aristocrats. But they were by no means the only ones to be immortalised in marble. From the end of the 18th century, famous actresses were, for example, also commonly depicted. However, this exhibition features not only portrait busts modelled from life, but also head-and-shoulder sculptures representing mythological characters, ancient philosophers and writers, and emperors of the past. Sculptures from classical antiquity were, after all, a source of great inspiration in 17th- and 18th-century art. Artists such as Artus Quellinus I, Lucas Faydherbe and Francois Duquesnoy were unparalleled masters at such realistic sculptures and, not surprisingly, they achieved great international fame in their lifetime. This forthcoming exhibition of busts of mythical heroes and rulers, true-to-life portrait sculptures of famous writers, members of the bourgeoisie and voluptuous actresses will introduce the visitor to the virtuosity of these artists.
WILFRID LAURIER UNIV PR 1981 126 pages 1x23x15cm. 1981. Broché. 126 pages.
bon état de conservation intérieur propre bords un peu frottés intérieur propre
Editions du Collectionneur 1998 59 pages 16 69x23 19x2 82cm. 1998. Cartonnage editeur. 59 pages.
Très bon état
, Brussel, Paleis der Academien, 1964, onder papieromslag, geillustreerde stofwikkel, 180 x 270mm., 91pp.
Mededelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Wetenschappen, Jaargang XXVI, 1964 - nr 8. In goede staat.
W.p., MER Paper Kunsthalle, 2009 Illustrated cardboard cover, 205 x 265mm., 178pp., very profoundly illustrated in colour and b/w. ISBN 9789076979328.
(un)balanced - To float in gravity - Scipio's dream - The works - Curriculum vitae. Boek is in nieuwstaat.
CHEZ L'AUTEUR. NON DATE. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Non paginé.. . . . Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)
Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)
Anvers , Chez tous les libraires,, 1896 relie, 425 pages, + 8 planches depliantes, Texte en Francais
Deuxi me agrandissement g n ral d'Anvers
, Bussum, Van Dishoeck, 1912, Softcover, papieromslag, 135 x 200mm., 115pp.
Eerste definitieve druk. Opgedragen aan Stijn Streuvels. Goede staat.
[Pieter Bruegel the elder] - van Camp, An
Reference : 124073
(2024)
ISBN : 9781910807590
van Camp, An: Bruegel to Rubens: Great Flemish Drawings. Exhibition: Oxford, Ashmolean Museum, 2024. 244 pages with 190 illustrations: 180 colour & 10 black & white. Paperback. 28x22cms. Catalogue of the exhibition held at the Ashmolean Museum in Oxford, in collaboration with the Museum Plantin-Moretus in Antwerp, Rubenshuis and Christ Church Picture Gallery. Presenting over 100 drawings created by Flemish artists in the sixteenth and seventeenth centuries, the three main essays each deal with one of the principal functions of drawings at the time: studies (copies and sketches), designs for other artworks (paintings, prints, tapestries, metalwork, stained glass, sculpture and architecture), and finally the independent drawings. Highlights will include a sketchbook in which a young Rubens has copied Holbein's Dance of Death woodcuts, intricate pen and ink drawings by Pieter Bruegel, miniatures by Joris Hoefnagel, portrait studies by Anthony van Dyck, and a rare survival of a friendship album containing numerous drawings and poems dedicated to its owner. Two recently discovered sheets by Rubens will also be included, a design for a book-illustration on optics and an anatomical study of three legs.
Catalogue of the exhibition held at the Ashmolean Museum in Oxford, in collaboration with the Museum Plantin-Moretus in Antwerp, Rubenshuis and Christ Church Picture Gallery. Presenting over 100 drawings created by Flemish artists in the sixteenth and seventeenth centuries, the three main essays each deal with one of the principal functions of drawings at the time: studies (copies and sketches), designs for other artworks (paintings, prints, tapestries, metalwork, stained glass, sculpture and architecture), and finally the independent drawings. Highlights will include a sketchbook in which a young Rubens has copied Holbein's Dance of Death woodcuts, intricate pen and ink drawings by Pieter Bruegel, miniatures by Joris Hoefnagel, portrait studies by Anthony van Dyck, and a rare survival of a friendship album containing numerous drawings and poems dedicated to its owner. Two recently discovered sheets by Rubens will also be included, a design for a book-illustration on optics and an anatomical study of three legs. Text in English
BD XIII the mystery l'enquête Vance et Van Hamme dargaud 2012 - ref C 15
envoi mondial relay
Tielt, , Lannoo, 1996, 1996 Originele geillustreerde ( ets-aquatint Hedwig Pauwels) uitgeversomslag, 13,5x21,5cm, 367pp, geillustreerd z/w.
Jaarboek II van het Stijn Streuvelsgenootschap. In deze uitgave worden een dozijn studies over Streuvels' Reinaertarbeid gepresenteerd waarbij de auteurs trachten een goed evenwicht te vinden tussen stof voor de wetenschappers en leesbaar materiaal voor geinteresseerde literatuurliefhebbers. In goede staat.
Sint-Niklaas, Reynaertgenootschap, 2008 Softcover, originele uitgeversomslag, 23.9x16.5 cm., 246 pp., geillustreerd in z/w.
Driemaandelijks tijdschrift (lente, zomer, herfst, winter).
Sint-Niklaas, Reynaertgenootschap, 2009 Softcover, originele uitgeversomslag, 23.9x16.5 cm., 493 pp., geillustreerd in z/w.
Driemaandelijks tijdschrift (lente, zomer, herfst, winter).
Sint-Niklaas, Reynaertgenootschap, 2009 Softcover, originele uitgeversomslag, 23.9x17.3 cm., 479 pp., geillustreerd in z/w.
Driemaandelijks tijdschrift (lente, zomer, herfst, winter).