‎DISQUE VINYLE 33T / THE STUD / 20 SMASH HITS FROM THE ORIGINAL FILM SOUNDTRACK‎

‎CBS. 1978. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. NOMBREUX ARTISTES : 10CC, MICHAEL ZAGER BAND, LEO SAYER, MANFRED MANN, ODYSSEY... / NOMBREUSES PHOTOS COULEUR DU FILM A L'INTERIEUR / MUSIQUE ORIGINALE PAR BIDDU / ARRANGEUR : JOHN CAMERON / POCHETTE : ALAN BARLOW ET PAULA BROWNE. . . . Classification : 410-33 Tours‎

‎83078 Classification : 410-33 Tours‎

‎AGENDA 2010 - MA PETITE HISTOIRE DU CAFE.‎

‎PAUL DEQUIDT TORREFACTEUR. 2010. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 100-120 pages - nombreuses illustrations en couleurs dans le texte.. . . . Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)‎

‎ Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)‎

‎Über den Zusammenhang des Abschlusses der Elektronengruppen im Atom mit der Komplexstruktur der Spektrum. (On the Connexion between the Completion of Electron Groups in an Atom with the Complex Structure of Spectra).‎

‎Berlin, Julius Springer, 1925. 8vo. Contemp. full cloth. Spine lacks and covers detached (in need of a new spine). A stamp to front free endpaper (chinese). In: 'Zeitschrift für Physik', Volume 31. VIII,952 pp., textillustr. (Entire volume offered). Pauli's paper: pp.765-783.‎

‎First edition of the first announcement of Pauli's Exclusion Principle which gives a criterion for the electronic structure of atoms, and explains the periodic table and the combining properties of the elements.Pauli first formulated his exclusion principle in this article in an attempt to explain the structure of the periodic table. By introducing an additional quantum number, namely the spin of an electron, to the already known three quantum numbers in Bohr's atom model, and by postulating that no two electrons can have the same four quantum numbers, Pauli could explain the number of electrons allowed in the outermost shell, e.g., explaining the varying lengths of successive periods in the table. The exclusion principle turned out to be applicable to all fermions, and thus plays a role in a variety of physical phenomena. For example it explains the formation of degenerate matter in white dwarfs and neutron stars. In 1945 Pauli received the Nobel Prize in physics ""for the discovery of the Exclusion Principle, also called the Pauli Principle"".This volume also contains a paper by Heisenberg: 'Über eine Anwendung des Korrespondenzprinzips auf die Frage der Polarisation des Floureszenzlichtes' , A. Einstein: ""Bemerkung zu P. Jordans Abhandlung ""Zur Theorie der Quantenstrahlung""and another paper by Pauli: 'Über den Einfluss der Geschwindigkeitsabhängigkeit der Elektronenmasse auf den Zeemaneffekt' (Zeeman-Effect and the Dependence of Electron-Mass on the Velocity).‎

‎Über den Zusammenhang des Abschlusses der Elektronengruppen im Atom mit der Komplexstruktur der Spektrum. (On the Connexion between the Completion of Electron Groups in an Atom with the Complex Structure of Spectra).‎

‎Berlin, Julius Springer, 1925. 8vo. Contemp. full cloth. Gilt spine. Wear to top of spine and with 2 tears to hinges at upper spine. Inner backhinge nearly broken. A stamp to foot of a few leaves In: 'Zeitschrift für Physik', Volume 31. VIII,952 pp., textillustr. (Entire volume offered). Pauli's paper: pp.765-783. Internally clean and fine.‎

‎First edition of the first announcement of Pauli's Exclusion Principle which gives a criterion for the electronic structure of atoms, and explains the periodic table and the combining properties of the elements.Pauli first formulated his exclusion principle in this article in an attempt to explain the structure of the periodic table. By introducing an additional quantum number, namely the spin of an electron, to the already known three quantum numbers in Bohr's atom model, and by postulating that no two electrons can have the same four quantum numbers, Pauli could explain the number of electrons allowed in the outermost shell, e.g., explaining the varying lengths of successive periods in the table. The exclusion principle turned out to be applicable to all fermions, and thus plays a role in a variety of physical phenomena. For example it explains the formation of degenerate matter in white dwarfs and neutron stars. In 1945 Pauli received the Nobel Prize in physics ""for the discovery of the Exclusion Principle, also called the Pauli Principle"".This volume also contains a paper by Heisenberg: 'Über eine Anwendung des Korrespondenzprinzips auf die Frage der Polarisation des Floureszenzlichtes' , A. Einstein: ""Bemerkung zu P. Jordans Abhandlung ""Zur Theorie der Quantenstrahlung""and another paper by Pauli: 'Über den Einfluss der Geschwindigkeitsabhängigkeit der Elektronenmasse auf den Zeemaneffekt' (Zeeman-Effect and the Dependence of Electron-Mass on the Velocity).‎

‎prints of Paul Klee, sheets with facsimile printing forty lithographs and etchings by Paul Klee‎

‎Antwerp, MoMa, 2013 Bound Size: 32 x 24 cm. Size: brochure 32 pp. + 40 plates. in luxurious slipcase - case. Texts - in ENGLISH - are set from Elizabeth and New Caledonia. Numbered: 1-500. *** Brandnew in original box and still in cellophane. ISBN 9789491819001.‎

‎Paul Klee (1879-1940) was een uitzonderlijk schilder, tekenaar, graficus, leraar en theoreticus die een beslissende invloed heeft gehad op de ontwikkeling van de kunst in de vorige eeuw. Vooral in zijn grafisch werk is goed te zien hoe zich van de traditie losmaakte en een van de grote vernieuwers van de moderne kunst werd. Deze portfolio werd voor het eerst in 1945 gepubliceerd door de uitgever & kunsthandelaar Curt Valentin en werd vervolgens, twee jaar later, heruitgegeven door het MoMa (New York). De publicatie bestond uit losse platen met facsimile afdrukken van veertig lithografieen en etsen van Paul Klee en was vergezeld van een brochure met een inleidende tekst van James Thrall Soby, Trustee van het MoMa en voormalig afdelingshoofd van het departement Sculptuur en Beeldhouwkunst. In 1947 maakten reeds dertig van de veertig gepubliceerde prenten deel uit van de grafische collectie van het museum. Voor deze nieuwe heruitgave (de derde) zijn alle veertig werken van Paul Klee opnieuw gefotografeerd en gedigitaliseerd - acht zijn in kleur. Speciaal voor deze editie heeft de huidige hoofdconservator van de afdeling Prints and Illustrated Books van het MoMa, Christophe Cherix, een nieuwe inleiding geschreven (Soby's essay werd eveneens behouden) en zijn alle onderschriften gecorrigeerd en vervolledigd. De facsimiles zijn gedrukt op 160 grams papier. Editie bestaat uit een brochure met teksten van Christophe Cherix en James Thrall Soby en 40 platen gedrukt op Magnani Pura Cellulosa 160 g, in een groen linnen doos met zwart lint. Oplage: 500 exemplaren originele prijs; 220.00 euro Paul Klee (1879-1940) was an exceptional painter, draftsman, printmaker, teacher and theorist who has had a decisive influence on the development of art in the last century. Especially in his graphic work is good to see how loosened itself from tradition and became one of the great innovators of modern art. This portfolio was first published in 1945 by the publisher and art dealer Curt Valentin and then, two years later, reissued by the MoMA (New York). The publication consisted of loose sheets with facsimile printing forty lithographs and etchings by Paul Klee and was accompanied by a booklet with an introduction by James Thrall Soby, Trustee of the MoMa and former head of the Department of Sculpture and Sculpture. In 1947 were already thirty of the forty published prints part of the graphic collection of the museum. For this new reissue (the third) are all forty works by Paul Klee re-photographed and digitized - eight are in color. For this special edition, the current chief curator of the Department of Prints and Illustrated Books at MoMA, Christophe Cherix written a new introduction (Soby's essay was also retained) and all captions corrected and completed. The reproductions are printed on 160 gram paper. Edition includes a booklet with texts by Christophe James Thrall Soby Cherix and 40 plates printed on Magnani Pura Cellulosa 160g, in a green linen box with black ribbon. Circulation: 500 copies original price; 220.00 euros + Still in Original publisher's shrink wrap !!! ‎

‎THE CONCEPTS OF SELF-ACCEPTANCE AND SELF-RESPECT IN KAREN HORNEY'S THEORY OF NEUROSIS‎

‎Pontificium Athenaeum Internationale 'Angelicum'. 1961. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 260 pages. Etiquette de code sur le dos. Tampons et annotations de bibliothèque sur le 1er plat et en page de titre.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎Pontificium Athenaeum Internationale 'Angelicum'. Pars Dissertationis ad Lauream. Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎Vieillissement et vieillesse‎

‎Presses Universitaires de France Sans date.‎

‎Bon état‎

‎Representations of Revolution‎

‎Yale University Press 1987 416 pages 15 24x1 27x23 114cm. 1987. Broché. 416 pages.‎

‎Très bon état de conservation intérieur propre bonne tenue‎

‎Paulus des Silentiariers Beschreibung der Hagia Sophia oder des Tempels der göttlichen Weisheit, übersetzt und mit Anmerkungen begleitet‎

‎Leipzig, T.O. Weigel 1875 ix + 77 + [2] pp. + frontispiece (ground plan of the church), 24cm., text in German in Gothic script, original softcover (spine re-inforced), text is clean and bright, R120715‎

‎kleuren van de geest : Dans en Trance in Afro-Europese tradities‎

‎Gent, Snoeck - Ducaju en Zoon, 1997 softcover, ge llustreerde kartonomslag in kleur, 200 x 265mm., 299pp., uitgebreide illustratie in kleur en z/w. ISBN 9053492577.‎

‎Tentoonstelling in het Koninklijk Museum van Schone Kunsten te Antwerpen van 30 augustus tot 30 november 1997. In goede staat.‎

‎DISQUE VINYLE MAXI 45T. LOVE HURTS / I WISH THAT IT WOULB RAIN.‎

‎FAIR PLAY RECORDS. 1984. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. photo des chanteurs sur la couverture et au dos de la pochette. Ecriture sur le dos et sur la couverture.. . . . Classification : 410-33 Tours‎

‎ Classification : 410-33 Tours‎

‎Libertés Publiques et Droits Fondamentaux 5e Editon: Licence - master - CRFPA - ENM‎

‎STUDYRAMA 2014 426 pages 16 8x2 8x23 8cm. 2014. Broché. 426 pages.‎

‎Comme neuf‎

‎Libertés Publiques et Droits Fondamentaux 5e Editon: Licence - master - CRFPA - ENM‎

‎STUDYRAMA 2014 426 pages 16 8x2 8x23 8cm. 2014. Broché. 426 pages.‎

‎Comme neuf - ouvrage issu de destockage jamais lu mais pouvant présenter d'infimes marques de stockage et/ou de manipulation - expédié soigneusement dans emballage adapté‎

‎Libertés Publiques et Droits Fondamentaux 5e Editon: Licence - master - CRFPA - ENM‎

‎STUDYRAMA 2014 426 pages 16 8x2 8x23 8cm. 2014. Broché. 426 pages.‎

‎Comme neuf - ouvrage issu de destockage jamais lu mais pouvant présenter d'infimes marques de stockage et/ou de manipulation - expédié soigneusement dans emballage adapté‎

‎Libertés Publiques et Droits Fondamentaux 5e Editon: Licence - master - CRFPA - ENM‎

‎STUDYRAMA 2014 426 pages 16 8x2 8x23 8cm. 2014. Broché. 426 pages.‎

‎Louage du tabac‎

‎Michèle Trinckvel. 1972. In-4. Relié. Etat d'usage, Couv. convenable, Dos plié, Intérieur frais. 125 pages - nombreuses illustrations en couleurs hors texte et en frontispice. Tranche de tête dorée. Emboîtage légèrement frotté en coins.. Avec Jaquette. . . Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)‎

‎Illust. de Fontanarosa. Ex. N°734/3000, sur grand vélin. Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)‎

‎LOUANGE DU TABAC‎

‎MICHELE TRINCKVEL. 1972. In-4. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 122 pages. Nombreuses illustrations en couleurs dans le texte et en hors-texte. Frontispice en couleur.. . Sous Emboitage. . Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)‎

‎Illustrations de FONTANAROSA. Exemplaire numéro 1606/3000 tiré sur papier grand vélin. Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)‎

‎Les Espions: et autres pièces satiriques‎

‎ACTES SUD 1989 200 pages 14 4x1 8x19 8cm. 1989. broché. 200 pages.‎

‎Bon état‎

‎Istorija Armenii Favstosa Buzanda‎

‎Erevan [Yerevan], Akademija Nauk Armjanskoj SSR 1953 xv + 236 + [3] pp., the text is complete but the title page is missing, 23cm., text in Russian in Cyrillic script, publisher's hardcover, cfr. OCLC 964242032, X116878‎

‎Mémoire sur la diastase, les principaux produits de ses réactions et leurs applications aux arts industriels"" (Memoir on diastase, the principal products of its reactions, and their applications to the industrial arts),‎

‎Paris, Crochard, 1833. Contemp. hcalf. Raised bands, gilt spine with gilt lettering. A few scratches to spine. Stamps to verso of titlepage. In: ""Annales de Chimie et de Physique, Par MM. Gay-Lussac et Arago."", Series 2, tome 53. Entire volume offered. 448 pp. Payen & Persoz's paper: pp. 73-92. Clean and fine.‎

‎First printing of a pioneering paper in industrial chemistry and microbiology, being the discovery of the first Enzyme, Diastase. It catalyses the breakdown of starch into maltose. ‎

‎A State of Mixture: Christians Zoroastrians and Iranian Political Culture in Late Antiquity (Transformation of the Classical Heritage 56 Band 56)‎

‎University of California Press 2015 301 pages 15 8x23 5x2 8cm. 2015. Cartonné jaquette. 301 pages.‎

‎Très Bon Etat sous rhodoïd‎

‎Berchenm, Bol, Cranach, Canaletto, carlo Dolce, Claude Lorrain, Correggio, Guercini, Guido Reni, Metzu, Mieris, Metscher, Ostade, Raphaël, Rembradt, Rubens, Teniers, Vandyke, Wouvermann, etc. etc.-‎

‎Volume the first. Dresden and Liepzig. Payne. London. W. French. (1848). In-4 (220 x 282 mm) dos et coins veau violet, dos à 5 nerfs, délicatement orné or, pièce de titre maroquin violet, de tomaison maroquin vert, plats marbrés, gardes jaspées, tranches marbrées, gravure en page de titre-frontispice: The Chocolate Girl, IV, 164 pages et 64 gravures hors texte, nombreuses rousseurs qui ont le plus souvent en partie épargné les gravures protégées par leurs serpentes. Plats et coins un frottés, mais assez bob aspect extériieur. Volume 1 seul sur 2. Complet des gravures.‎

‎Power and Persuasion , Essays on the Art of State Building in Honour of W.P. Blockmans‎

‎, Brepols, 2010 XLI 364 p., 156 x 234 mm, Languages: English, French, German Paperback. ISBN 9782503532110.‎

‎The transformation of the myriad of medieval kingdoms, principalities, local lordships, city-?states? and peasant ?republics? into ?modern? states, claiming some measure of sovereignty, remains one of the core themes of European history, because it gets down to the very root of the (idea on the) Europe we live in. Some 20 leading experts cast new light on various aspects of this process, such as political communication, foreign diplomacy, dynastic self-representation, political economy, national identities, and military resources. The articles are a tribute to the prominent medieval historian, Wim Blockmans, on the occasion of his retirement as professor of medieval history at Leiden University and rector of the Netherlands Institute for Advanced Study in the Humanities and Social Sciences (NIAS) at Wassenaar.‎

‎Quintessence of Lives, Intellectual Biographies in the Low Countries presented to Jan Roegiers‎

‎, Brepols, 2010 The Quintessence of Lives Intellectual Biographies in the Low Countries presented to Jan Roegiers XXXVII 513 p., 160 x 245 mm, Languages: English,Paperback. ISBN 9782503532103.‎

‎What is the essence of a life? Which elements merit selection by a biographer? Which should be discreetly left out? To what extent can an intellectual?s thoughts and actions be captured in schemes and structures, without distorting or reducing the richness of a multifarious personality? These are the questions which underlie the contributions to the volume The Quintessence of Lives: Intellectual Biographies in the Low Countries presented to Jan Roegiers. More than twenty-five historians have written intellectual biographies of figures who created a ?second life? for themselves on paper. All persons discussed are firmly rooted in the intellectual life of the Low Countries and were active there between the sixteenth and the twentieth century. The volume is offered on the occasion of the retirement of Prof. Dr. Jan Roegiers as full professor at the K.U.Leuven. As head librarian and archivist, also in charge of the university?s art collections, Jan Roegiers played a pivotal role in collecting, preserving and making available the documentary and artistic inheritance of the University of Leuven. His main interest is in the intellectual and ecclesiastical history of the Low Countries in the Modern period, but his curiosity also made him venture far beyond the boundaries of the research group in which he was active as professor ordinarius. Whatever the topic, all his texts show how much he valued the craftmanship of historiography, his great consideration for the wider context which codetermines the acts and writings of committed intellectuals, and his relish for erudition. These same features are variously reflected in the biographical contributions in this volume. They illustrate how social and cultural trends in the surrounding environment affect the actual course of action chosen by individuals who helped shape the intellectual life of our region. Academically trained lay people and clerics, as well as academics from many disciplines are to be encountered here. The authors look at how they react to the Zeitgeist, how they often go against the current and leave their mark on a whole era; or how individuals who enjoyed the same education eventually go opposite ways and proclaim conflicting views. The book will be published in the series Bibliotheque de la Revue d?histoire ecclesiastique, in recognition of the important part Jan Roegiers has played these many years as director of this international academic journal, which has recently started a formal cooperation with Brepols Publishers. The contributions, mainly in English and French, but also in German and Dutch are written by Erik Aerts, Bruno Boute, Rob Brusten and friends, Luc Courtois, Pierre Delsaerdt, Jean-Pierre Delville, Wim Francois, Willem Frijhoff, Lieve Gevers, Craig Harline, Guido Hendrix, Marion Huibrechts, Staf Janssens, Eddy Louchez, Jeroen Nilis, Ernest Persoons, Eddy Put, Toon Quaghebeur, Ludo Simons, Violet Soen, Gilbert Tournoy, Michel van Meerbeeck, Dries Vanysacker, Johan Verberckmoes, Tom Verschaffel, Dries Welkenhuyzen, and Kaat Wils.‎

‎Flemish Primitives IV Masters with Provisional Names‎

‎, Brepols Publishers, 2006 hardcover, 458 pages ., 316 b/w ill. 195 colour ill., 210 x 297 mm, English. ISBN 9782503517438.‎

‎The fourth volume examines all the works attributed to masters with provisional names from the 1470s to the first half of the 16th century (Master of the Joseph Sequence, Master of the Magdalen Legend, Master of the Orsoy Altarpiece, Master of the Saint Barbara Legend, Master of the Saint Catherine Legend, Master of the Saint Lucy Legend, Master of the Saint Ursula Legend, Master of the View of Saint-Gudule, Master of 1473). It was towards 1900 that anonymous works were first grouped, on the basis of stylistic affinities, around certain paintings presenting particular characteristics. Each group is attributed to an anonymous master named after the painting (the eponymous work) which forms the basis for this group. These ensembles serve to give direction to the work of art historians, in the hope of identifying these anonymous painters at a later date. Some of these groups, to which new works have been added over past decades, appear fairly heterogeneous, and merit critical reexamination in the light of modern analysis methods. Like the three previous volumes, it is published in English and abundantly illustrated with colour photographs of the investigated paintings, detail photographs and comparative material. Each of the nineteen paintings has been submitted to exhaustive and detailed examination following a scientific research method which has been fully established over the years. This includes, on the one hand, examination of the supports and the original frames, dendrochronological analysis, infrared reflectography, stereomicroscopic observation, radiographic analysis, ultraviolet fluorescence imaging and, where possible, examination of paint samples and, on the other hand, historical, iconographic and stylistic analysis, dating, attribution and bibliography. Information is drawn from documents in the museum?s archives and supplemented with material held at the Royal Institute for the Study and Conservation of Belgium?s Artistic Heritage (IRPA/KIK) and the Centre for the Study of Fifteenth-Century Painting in the Southern Netherlands and the Principality of Liege. Each group of paintings attributed to a master with a provisional name is introduced with a short status quaestionis evoking the origins of the grouping and the principal publications relating to it. In their notices on the individual paintings, the authors have based their research on comparing them as closely as possible with the works around which each ensemble is grouped. Certain paintings in the Royal Museums of Fine Arts of Belgium are themselves eponymous works. In these cases the authors have made every effort to document these reference works as thoroughly as possible.‎