‎GEVECHT OM TE OVERLEVEN,‎

‎Antwerpen , De Vries , Gebonden, 238pp. ISBN 9789074274128.‎

‎Van Wien naar Wiene. De Oostenrijkse gymnasiast E.H. Kampelmacher kijkt met lede ogen toe hoe de Joden van Wenen na de Anschluss en de Kristalnacht worden gediscrimineerd, gekleineerd en geinterneerd. 'De hemel huilt met ons.' Hij besluit te vluchten naar het tolerante Nederland. Zijn ouders laten hem gaan. Hij komt in Nederland aan als achttienjarige illegale vluchteling. Zijn gedwongen internering in gevangenis Veenhuizen is het dieptepunt tijdens zijn vlucht. Na de interneringen in Hellevoetsluis, het slachthuis in Hoek van Holland en vele omzwervingen duikt Dan onder als boerenknecht, waaronder in het Twentse Wiene. In Gevecht om het leven ontrafelt Dan Kampelmacher de mist van zijn verleden. Door zijn gevecht weet hij te ontkomen aan de zee van bloed die de Holocaust heeft aangericht. Na zijn vlucht naar Nederland zal hij zijn ouders niet meer zien. Zijn moeder sterft in 1941 in Engeland tijdens een griepepidemie. Zijn vader wordt in Auschwitz vergast. 'De beschrijving van de begintijd als knecht? is een hoofdstuk als uit een roman die voor mij niet onder doet voor de veel geprezen biografische bestsellers als van Amoz Oz of Geert Mak,' aldus prof. dr. H.W. von der Dunk in het voorwoord. Nieuw.‎

‎1 DISQUE AUDIO 33 TOURS N°ADRIA 417 449-1 - MESSIAH ARIAS ET CHORUSES‎

‎. 1986. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 disque audio 33 tours - pochette en bon état. . . . Classification : 410-33 Tours‎

‎DECCA Disques - P1985 - C1986 / Chicago Symphony Orchestra et chorus - Sir Georg Solti Classification : 410-33 Tours‎

‎The Teti Cemetery at Saqqara. Volume VI : The Tomb of Nikauisesi‎

‎1 vol. in-4 br., The Australian Centre for Egyptology : Reports 8, Sydney, 2000, 73 pp. and 74 plates‎

11 Images

‎Good copy‎

‎Van Dyck and Britain‎

‎, Tate Publishing 2009, 2009 Paperback, 256 pages, English, 295 x 235 mm, In Fine State. ISBN 9781854378583.‎

‎Together with Holbein, Anthony van Dyck (1599 -1641) is one of the most important names in British pre-18th century art. Born in Antwerp he was a precocious talent, rising swiftly to become the chief assistant to Peter Paul Rubens, then Northern Europe's most prominent painter. His importance to British art cannot be overstated; during the turbulent years of the reign of Charles I, he single-handedly reinvented portrait painting, leaving behind a legacy that would influence later generations. Van Dyck first came to Britain in 1620 to work for James I. Between 1621 and 1627 he worked in Italy, adding to his clientele of wealthy patrons. Charles I recognised in van Dyck the potential to be the perfect creator of the royal image. The artist returned to London in April 1632 and was almost immediately knighted and provided with an enviable property and pension, becoming the chief painter of the court. His portraits of the royal family and courtiers, imbued with an understated authority and relaxed elegance, were an instant success. His pictures of Charles especially seemed to represent the king as both a powerful sovereign and 'nature's gentleman'. His popularity stemmed from his ease when moving in aristocratic circles, and his talent for flattering almost all subjects. Thomas Gainsborough famously said on his deathbed 'We are all going to heaven and van Dyck is of the company'. The authors not only explore van Dyck's years in England, but also his enduring influence on British art and culture in the centuries following his death, reflected in the way 18th and 19th century British sitters wanted their portraits to convey the gravitas and sophistication the earlier painter had mastered so well. Extensively illustrated, this is the most thorough examination ever published of van Dyck's English sojourn and the influence it had on the cultural life of the nation.‎

‎ABC du BAC Réussite Physique-Chimie 1re - Le Bac efficace - Nouveau Bac 2020‎

‎NATHAN 2019 256 pages 13 8x18 8x1 4cm. 2019. Broché. 256 pages.‎

‎Comme neuf - livre issu de destockage - pouvant présenter d'infimes traces de stockage - Expédié soigneusement dans emballage adapté‎

‎ABC du BAC Réussite Physique-Chimie 1re - Le Bac efficace - Nouveau Bac 2020‎

‎NATHAN 2019 256 pages 13 8x18 8x1 4cm. 2019. Broché. 256 pages.‎

‎ABC du BAC Réussite Physique-Chimie 1re - Le Bac efficace - Nouveau Bac 2020‎

‎NATHAN 2019 256 pages 13 8x18 8x1 4cm. 2019. Broché. 256 pages.‎

‎Très bon état‎

‎An account of experiments for determining the ariation in the lenght of the pendulum vibrating seconds, at the principal stations of the Trigonometrical Survey of Great Britain. Read June 24, 1819.‎

‎London, W. Bulmer & Co., 1819. 4to. No wrappers as issued in ""Philosophical Transactions of the Royal Society of London for the Year MDCCCXIX."", Part III. With titlepage to Part III. (4), pp. 337-508. Clean and fine.‎

‎First appearance of Kater's great paper, a report of his results as member of ""The Survey of Great Britain"", using his invention, ""Kater's Pendulum"".""On the basis of the principle enunciated by Huygens that the centers of suspension and oscillation are interchangeable, Kater devised a reversible pendulum (which became known as ""Kater’s pendulum"") with knife edges accurately adjusted to lie at the conjugate points. By using the distance between these points as the ""length"" in the formula for a simple pendulum, he was able to determine with great accuracy the length of a pendulum beating seconds under specified conditions. He thereby obtained accurate values for g, the acceleration due to gravity, at several stations of the Trigonometrical Survey of Great Britain and estimated the ellipticity of the earth. Kater performed these experiments as a member of a committee appointed by the Royal Society in response to a request by the governmnet for assistance in standardizing weights and measures.""(DSB).‎

‎Notice respecting a volcanic appearance in the Moon, in a Letter addressed to the President. Read February 8, 1821.‎

‎(London, W. Bulmer and W. Nicol, 1821). 4to. No wrappers as extracted from ""Philosophical Transactions"" 1821 - Part II. Pp. 130-132 and 1 engraved moon-plate. Offsetting from the plate to the last leaf.‎

‎This paper represent the first observation of volcanic-like activity on the Moon, taken place the 4th, the 6th and the 7th Februar 1821. The next year it was confirmed by Olbers. ""I observed a luminous spot in the dark part of the moon, which I was inclined to ascribe to the eruption of a volcano.""(Kater).‎

‎WIJ: VAN ZALIG TOT ZOT: VLAAMSE MEESTERS‎

‎, Hannibal Publishing, 2021 Hardcover , 290 x 250 mm, 304 pages, NL edition. ISBN 9789463887434.‎

‎Wij - Van zalig tot zot is een unieke rollercoaster ride door drie eeuwen kunst- en cultuurgeschiedenis. Honderd adembenemende topstukken uit de collectie van The Phoebus Foun dation, van onder meer Hans Memling, Quinten Metsys, Peter Paul Rubens en Antoon Van Dyck, nemen de lezer mee langs een wereld vol zotheid en zonde, fascinatie en ambitie. Ze vertellen over rijke burgers en arme heiligen, over kunstenaars en wijnkelders, en over Antwerpen als Hollywood aan de Schelde. Dit boek is een meeslepend verhaal over het beeld en zijn betekenis, en over de band tussen cultuur en maatschappij. Want bovenal gaat dit over ons en over wie wij vandaag zijn - als mensen. Publicatie bij de grote tentoonstelling From Memling to Rubens - The Golden Age of Flanders in het Kadriorg Art Museum in Tallinn, Estland, en in het MAS in Antwerpen.‎

‎Perception and Awareness: Artefacts and Imageries in Medieval European Jewish Cultures‎

‎, Brepols, 2024 Paperback, 360 pages, Size:216 x 280 mm, Illustrations:57 b/w, 65 col., 1 tables b/w., Language: English. ISBN 9782503583945.‎

‎Summary What did the world look like for Jews living in medieval Europe? How did they perceive and make use of the elements of their daily life, from items on the street to religious iconography within holy spaces ? in particular synagogues and at the exterior of churches ? and profane elements from the home? And how did they experience the visual and material cultures of their non-Jewish neighbours? These questions form the core of this volume, which explores pre-modern Jewish approaches to images and material objects from a variety of perspectives. From clothing to manuscripts, and from lighting devices to the understanding of the invisible, the chapters gathered together in this multifaceted volume combine analyses of images and artefacts together with in-depth analyses of texts to offer fresh insights into the visual cultures that informed the world of European Jews in the Middle Ages. TABLE OF CONTENTS Preface and Acknowledgements List of Illustrations Introduction Elisheva Baumgarten, Elisabeth Hollender, Katrin Kogman-Appel, and Ephraim Shoham-Steiner Part One: The Perception of the Visual, the Material, and the Tangible in Shared Public Spaces 1. The Writing on the Wall ? A Mahzor, a Bimah, and a Privilege. A Look at Social Processes in the 13th-Century Jewish Community of Cologne Ephraim Shoham-Steiner 2. Illuminations: Lights, Identities, and the Society of Spectacle in the Late Middle Ages Eleazar Gutwirth 3. Materialization of Memoria Memory and Remembrance of Benefactors in Building Inscriptions in Medieval Ashkenaz Rainer Josef Barzen 4. Differing Perceptions of Church Garments and Worship Implements in the Writings and Thought of the Tosafists Ephraim Kanarfogel 5. Not Black and White Clothes and Difference in Medieval Ashkenaz Elisheva Baumgarten Part Two: Utilizing the Faculties of Visual Means 6. Jewish Chivalry in Late Medieval Illuminated Manuscripts Sara Offenberg 7. The Handling of Diagrams in Medieval Scientific Manuscript Transmission The Sefer ha-mar?im le-Eqlides and its First Proposition Sabine Arndt 8. Non-Verbal Aspects of Astrolabe Knowledge (Fifteenth- to Eighteenth-Century Hebrew Manuscripts) Josefina Rodr guez-Arribas 9. Artifacts that Desire Medieval Perspectives Kalman P. Bland (OBM) 10.The Agency of Images The Temple Vessels in Hebrew Bibles from Roussillon (c. 1300) Katrin Kogman-Appel 11.Visualizing the Invisible: Portrayals of Elijah the Prophet in Fifteenth-Century Ashkenazi Haggadot Chana Shaham-Rosby 12.Visualizing Divine Communication in Medieval Jewish Art Shulamit Laderman Index About the Authors‎

‎Guide Pratique Des Premiers Soins. Tout Ce Que Vous Devez Savoir En Cas D'Urgence‎

‎Les Editions de l'Homme 1999 1x20x12cm. 1999. Broché.‎

‎Très bon état‎

‎Pius VI, Pius VII, Pius IX en de vervolging‎

‎Tilburg, E. Goewie Jr. 1862 61pp., 23cm., blinde contemporaine omslag, enkele roestplekjes, deels nog onopengesneden, goed, zeldzaam, R96079‎

‎L'Amateur de Cigare, Hors-Série de Mai 2003 : Les bons plans 2003‎

‎L'AMATEUR DE CIGARE. 2003. In-Folio. En feuillets. Etat d'usage, Couv. convenable, Dos satisfaisant, Pliures. Journal de 44 pages. Nombreuses illustrations en couleurs, dans le texte.. . . . Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)‎

‎ Classification Dewey : 633.7-Plantes alcaloïdes (tabac, thé, cacao, café, pavot)‎

‎Die magnetische Ablenkbarkeit der Kathodestrahlen und ihre Abhängigkeit vom Entladungspotential.‎

‎Leipzig, Johann Ambrosius Barth, 1897. No wrappers. In: ""Annalen der Physik und Chemie, Neue Folge"", Bd. 61, No 7. Titlepager to vol. 61. Pp. 417-640 a. 1 folded plate. (Entire issue offered). Kaufmann's paper: pp. 544-552, textillustrations. A stamp to upper corner of titlepage. Clean and fine.‎

‎First printing of this landmark paper in particle physics, in which Kaufmann found that the cathode are negatively charged particles, that certain properties of the cathode rays are independent of the nature of the gas that they traverse, and determining the ratio e/m. (charge/mass)""To define the 'birth of an era' is perhaps best left for parlor games. Let me write of the BIRTH OF PARTICLE PHYSICS nevertheless, define it to take place in April 1897, and appoint Kaufmann and Thomson as keepers of the gate. Their respective experimental arrangements...are of comparable quality, their experimental results equally good.""(Pais ""Inward Bound"", p. 84.).""In 1897 three physicists, Weichert, Kaufmann, and Thomson, in independent experiments, found that cathode rays are indeed negatively charged particles having the peculiar property that the ratio of the mass and the charge of these particles is in the order of 1000 times smaller than for the lightest ion, the ion of the hydrogen. The term 'electron', which had previously been used to denote the 'elementary charge' , was soon adopted as the name of the new particle. The electron was the first of the later so-called 'elementary particles' to be discovered."" (Siegmund Brandt ""The Harvest of a Century"" No. 4 (p.16 ff.).‎

‎Three Years in Tibet with the original Japanese Illustrations.‎

‎Madras, The Theosophist Office, Benares and London, 1909. Orig. full cloth. Gilt lettering to spine. Frontispiece. XV,719 pp., many textillustr. and plates. 1 folded map.‎

‎First English edition of this classic travel account of Tibet.‎

‎Middle English 'Mirror'. An Edition Based on Bodleian Library, MS Holkham misc. 40,‎

‎Turnhout, Brepols, 2003 Hardback, XLVIII+558 p., 155 x 230 mm. ISBN 9782503514383.‎

‎Robert de Gretham's Mirror is a collection of sixty sermons for Sundays and feast-days throughout the liturgical year. Originally composed in Anglo-Norman (c. 1250-1300), and later translated into Middle English, the texts was dedicated to 'Aline', a lady of high status whose literary tastes ran more towards romaunces & gestes than prayer books. In an attempt to remedy the situation, Gretham proposed that Aline read the Mirror instead. In it, Gretham argued, she would surely find material more profitable for the soul than stories of 'Tristrem [or] Gy of Warrewyk'. The question is this: did Aline find 'better' stories among the tales included in the Mirror? Through an analysis of Gretham's clerical discourse, Blumreich argues that the sermon exempla intended for Aline's spiritual improvement assert different, but not particularly better, virtues than what she might have gleaned from a romance, especially when these moral tales are considered from a feminist perspective. New.‎

‎subjects from history. III. The Constantine Series, Corpus Rubenianum Ludwig Burchard part XIII subjects from history. volume 3.‎

‎, Brepols - Harvey Miller, 2011 Hardback 400 pages ., 180 x 265 mm, Languages: English, ISBN 9781905375868.‎

‎In 1622, Rubens designed his second tapestry series, The Story of Constantine, for which he executed twelve oil sketches, all of which are currently preserved in public and private collections in America and Europe. Tapestries produced after the lost cartoons, which were in turn painted after the oil sketches, were woven in the tapestry factories in the faubourgs of Saint Marcel and Saint Germain in Paris. Based on new archival research and a critical examination of the literature on the Constantine series, this book firmly embeds the genesis, and iconographical and stylistic features of the set in its specific artistic, manufactural, and commercial matrix, and thus develops the first truly inclusive approach to Rubens's Story of Constantine. Analysis of the entrepreneurial strategy of Marc Comans and Francois de la Planche, directors of the factory in the faubourg of Saint Marcel, the correspondence between Rubens and Peiresc, the provenance of the twelve oil sketches, and the iconographical programme reveals that the series was not commissioned by the French king Louis XIII, as has long been believed, but by Comans and de la Planche. A close reading of Rubens?s primary literary source, Caesar Baronius?s Annales Ecclesiastici, shows that the artist must have intended the twelve scenes to hang in a sequence different from the generally accepted one, though seventeenth-century buyers and viewers could have seen and interpreted the Constantine series quite differently, as their view was distorted by the jumble of Constantinian legends and motifs that had lodged in the cultural memory of Latin Christianity. Finally, the book explores the area of tension between the set?s austere monumentality and highly sophisticated aesthetic, which was rooted in Rubens?s profound knowledge of classical and Renaissance art and in his earlier forays into the free and creative application of these sources, contemporary French and Brussels tapestry sets, and the pictorial and decorative qualities, possibilities and challenges inherent in the medium itself‎

‎DISQUE VINYLE 33T DISCO MANIA FLY ROBIN FLY / GET UP BOOGIE / SOUL DRACULA / ROCK COLLECTION / QUIET VILLAGE / I LOVE TO LOVE / GIVE ME MORE LOVE / SPRING RAIN...‎

‎DISCO MANIA. 1978. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Nombreuses photos au dos de la pochette.. . . . Classification : 410-33 Tours‎

‎ Classification : 410-33 Tours‎

‎Unity and Discontinuity. Architectural Relationships between the Southern and Northern Low Countries (1530-1700). ‎

‎Turnhout, Brepols, 2007 Paperback, original editor's jacket, english, 22x28 cm., VIII+428 pp., 342 b/w illustrations. ISBN 9782503513669.‎

‎Architectura Moderna ARCHMOD 5. This study focuses on change and continuity within the architecture of the Southern and Northern Low Countries from 1530 to 1700. Instead of looking at both regions separately and stressing the stylistic differences between the classicist North and the baroque South, the book establishes a new, common history of architecture for both parts of the Low Countries during the 17th century. Their reception of Antiquity in the guise of the Italian Renaissance, first introduced in Court circles in the early 16th century, constituted the common heritage on which they built after the political separation. The book also reassesses the position of Netherlandish architecture in the international debate on the Renaissance north of the Alps. ‎

‎Unity and Discontinuity. Architectural Relationships between the Southern and Northern Low Countries (1530-1700),‎

‎Turnhout, Brepols, 2007 Paperback, VIII+428 p., 342 b/w ill., 220 x 280 mm. ISBN 9782503513669.‎

‎This study focuses on change and continuity within the architecture of the Southern and Northern Low Countries from 1530 to 1700. Instead of looking at both regions separately and stressing the stylistic differences between the classicist North and the baroque South, the book establishes a new, common history of architecture for both parts of the Low Countries during the 17th century. Their reception of Antiquity in the guise of the Italian Renaissance, first introduced in Court circles in the early 16th century, constituted the common heritage on which they built after the political separation. The book also reassesses the position of Netherlandish architecture in the international debate on the Renaissance north of the Alps. New.‎