‎Beschrijvende catalogus boekbinden. Een overzicht van de vakbibliotheek van Geert van Daal, handboekbinder te Dodewaard. ‎

‎Deventer, HAEF Publishers, 2008 Gebonden in Iris-linnen en Khepera-papier, harde omslag, 17x24,5 cm. gedrukt op 115 grams Go Mat, ca. 324 pp., 20 z/w foto's, 16 kleurenfoto's. ISBN 9789073566019.‎

‎ Met legenda, bibliografie van Geert van Daal en personenregister. De catalogus wordt ingeleid door een aantal artikelen van Geert van Daal als verzamelaar, van Jan Storm van Leeuwen als boekbandkenner, van Henk ten Bohmer als, ten tijde van het schrijven van het boek, voorzitter van Stichting Boekbehoud, en van Leo Kerssemakers als bezorger van het werk. Vijftien hoofdstukken worden ingeleid door begeleidende artikelen van Kerssemakers waarin wordt verwezen naar belangrijke en opvallende banden. Waar van toepassing zijn anekdotes opgenomen van Van Daal over de aanschaf van diverse banden, hierdoor krijgt de lezer een goed beeld over hoe het daarbij soms kan verkeren. Wie met de namen van auteurs in het hoofd tenslotte snel naar een bepaald werk wil zoeken kan dit doen aan de hand van een uitgebreid personenregister achterin het boek. De titel van het boek geeft aan dat het boekbinden centraal staat. Toch is deze beschrijvende catalogus voor iedereen die belangstelling heeft voor de vele aspecten van het boekenwezen van grote waarde, of het nu een boekbinder is, een drukker, een (sier)papiermaker, een grafisch vormgever, of een antiquaar. Een grote bron van vakkennis ligt in de beschreven werken opgeslagen en kan aan de hand van deze catalogus makkelijk worden ontsloten. Gepubliceerd door Stichting Handboekbinden, ‎

‎Sciences économiques et sociales - Terminale: Testez vos connaissances pour le Bac‎

‎STUDYRAMA 2021 200 pages 15x19 8x1 2cm. 2021. Broché. 200 pages.‎

‎Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France‎

‎Le Thé du Capitaine Sogoub‎

‎Au Sans Pareil Paris 1926. Nouvelle illustrée d'images hors-texte par Nathalie GONTCHAROVA. (192mmx145). N° 1118 sur vélin d'Annonay des Frères Montgolfier. Couverture rempliée fanée mais bon état.‎

‎Les coeurs purs. Mary de Cork ; Makhno et sa juive ; le thé du capitaine Sogoub.‎

‎Paris, librairie Gallimard / éditions de la Nouvelle Revue Française 1927. Edition originale. Bel exemplaire broché, in-8, 220 pages + table.‎

‎Studies on the Dream in Greek Literature ‎

‎, , 1978 Paperback, 269pp. English 270 pagina's HES & DE GRAAF Publishers ISBN 9789061944911.‎

‎New. 9789061944911 ‎

‎Masters of the Dark Eyes. Late Medieval Manuscript Painting in Holland,‎

‎Turnhout, Brepols, 2009 Hardback, VIII 472 p., 141 b/w ill. 40 colour ill. ills., 190 x 250 mm. ISBN 9782503515106.‎

‎This study deals with the work of the most prolific Dutch book illuminators, the so-called Masters of the Dark Eyes, named after the most conspicuous aspect of their style: the dark, heavily accentuated shadows round the eyes of the figures. With their elaborately illuminated manuscripts, these masters completely dominated book production in the County of Holland during the late fifteenth and early sixteenth centuries. Their work is characterized by an overwhelming wealth of decorative and pictorial richness, which is especially evident in the unusually ornate programmes of the Books of Hours, and a new type of border decoration derived from the Ghent-Bruges School. This style of painting was practised by many artists of differing talents, as demonstrated by the large number of surviving manuscripts. Not all of the illuminators worked in Holland. Some of them settled in the Southern Netherlands, others emigrated to England, where they illuminated manuscripts for members of the English court. This monograph seeks to order, analyze and evaluate the work of the Masters of the Dark Eyes, and to position their achievements within the context of book illumination in the Northern Netherlands during the 'Waning of the Middle Ages'. It explores a virtually uncharted territory of Dutch manuscript painting. The accompanying descriptive catalogue provides complementary information on more than 70 manuscripts, many of which have never been published at length before. The work is illustrated with a wide selection of colour and black-and-white reproductions. New book.‎

‎Masters of the Dark Eyes. Late Medieval Manuscript Painting in Holland,‎

‎Turnhout, Brepols, 2009 Hardback, VIII+472 p., 141 b/w ill. + 40 colour ill. + + ills., 190 x 250 mm. ISBN 9782503515106.‎

‎This study deals with the work of the most prolific Dutch book illuminators, the so-called Masters of the Dark Eyes, named after the most conspicuous aspect of their style: the dark, heavily accentuated shadows round the eyes of the figures. With their elaborately illuminated manuscripts, these masters completely dominated book production in the County of Holland during the late fifteenth and early sixteenth centuries. Their work is characterized by an overwhelming wealth of decorative and pictorial richness, which is especially evident in the unusually ornate programmes of the Books of Hours, and a new type of border decoration derived from the Ghent-Bruges School. This style of painting was practised by many artists of differing talents, as demonstrated by the large number of surviving manuscripts. Not all of the illuminators worked in Holland. Some of them settled in the Southern Netherlands, others emigrated to England, where they illuminated manuscripts for members of the English court. This monograph seeks to order, analyze and evaluate the work of the Masters of the Dark Eyes, and to position their achievements within the context of book illumination in the Northern Netherlands during the 'Waning of the Middle Ages'. It explores a virtually uncharted territory of Dutch manuscript painting. The accompanying descriptive catalogue provides complementary information on more than 70 manuscripts, many of which have never been published at length before. The work is illustrated with a wide selection of colour and black-and-white reproductions. Languages: English.‎

‎DISQUE VINYLE 33T : DOPPELGANGER - The Lifeboat Party, Underachiever, If You Wanna Be Happy, Distractions, Survivors, Call Me The Entertainer, There's Something Wrong In Paradise, It's A Wonderful Life, Bongo Eddie's Lament, Broadway Rhythm, Back In...‎

‎ZE RECORDS / ISLAND. 1983. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs. The Lifeboat Party, Underachiever, If You Wanna Be Happy, Distractions, Survivors, Call Me The Entertainer, There's Something Wrong In Paradise, It's A Wonderful Life, Bongo Eddie's Lament, Broadway Rhythm, Back In The Field Again, The Seven Year Itch.. . . . Classification : 410-33 Tours‎

‎Disque n° 814445 1. Classification : 410-33 Tours‎

‎DISQUE VINYLE 33T THE BEGINNING / SO FAR SO GOOD / BOXED OUT / CALL IT A DAY / EL HIJO / COLD WAVE...‎

‎SIRE. non daté. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. Déchirures sur la pochette mais le disque est en bon état. Photo du groupe sur le dos de la pochette.. . . . Classification : 410-33 Tours‎

‎ Classification : 410-33 Tours‎

‎DISQUE VINYLE 33T : TROPICAL GANGSTERS - Annie, I'm not your daddy, I'm a wonderful thing, baby, Imitation, I'm corrupt, Loving you made a fool out of me, Stool pigeon, The love we have, No fish today‎

‎ZE RECORDS. 1982. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, décollée.. . . . Classification : 410-33 Tours‎

‎Disque n°6313 357 Classification : 410-33 Tours‎

‎DISQUE VINYLE MAXI 45T : JONATHAN - Annie, I'm not your Daddy, Stool Pigeon, Endicott, My Male Curiosity, What a Work of Art is Man‎

‎ATOLL MUSIC - SONY. 1992. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs. Annie, I'm not your Daddy, Stool Pigeon, Endicott, My Male Curiosity, What a Work of Art is Man.. . . . Classification : 420-45 Tours‎

‎Disque n° 2711326 CB 181. Classification : 420-45 Tours‎

‎Friedenspreis des Deutschen Buchhandels - Peace Prize of the German Book Trade - Prix de la Paix des éditeurs et libraires allemands.‎

‎Paris Editions du Regard 2008 In-12 Broché, couverture à rabats ‎

‎Texte en allemand, français et anglais. Illustrations en noir. 64 pp. Très bon 0‎

‎Eloge de la ville de Moukden et de ses environs ; poeme composé par Kien-Long, empereur de la Chine & de la Tartarie, actuellement régnant. Accompagné de notes curieuses sur la géographie, sur l'histoire naturelle de la Tartarie Orientale, & sur les anciens usages des Chinois ; composées par les éditeurs Chinois & Tartares‎

‎Paris, chez N.M. Tilliard 1770 [Suite du titre: " On y joint une pièce de vers sur le Thé, composé par le même empereur. Traduit en françois par le p. Amiot, missionnaire à Peking et publié par m. Deguignes], xxiv + xxxviii + 381 + [iii] pp., avec table de matières détaillée aux pages 339 à 381, première et seule édition, 20cm., reliure plein-cuir d'époque (titre et décorations dorées au dos, vague trace de trois étiquettes enlévées, coins peu fatigués), feuilles de garde marbrées, tranches rouges, cachet d'une bibliothèque de Scheut (congrégation missionnaire très active en Chine) sur la page de titre et au verso de la première feuille de garde, texte frais avec très peu de rousseurs, bon exemplaire de cet ouvrage bien rare et curieux, [AMIOT Joseph Marie, Toulon 1718 - Péking 1793, "partit pour la Chine en 1740, il eut bientôt gagné l'estime et la confiance de l'empereur Kien-Long et il apprit en perfection la langue chinoise et celles des Tatars que parlait l'empereur " (voir De Backer-Sommervogel I-295-6) / KIEN-LONG ou bien CHING KAO-TSUNG, 1710-1786, empereur de Chine en succession de son père en 1736 jusqu'à sa mort], X83682‎

‎De la Situation la plus avantageuse des Planetes pour Découvrir les Irrégularités de leurs Mouvemens. (+ Kies:) Sur les Eclipses des Etoileas fixes par la Lune. (+ Cassini de Thury:) Memoire, dans lequel on examiné, si l'on peut esperer la meme Pre...‎

‎(Berlin, Haude et Spener, 1751). 4to. No wrappers, as issued in ""Mémoires de l'Academie Royale des Sciences et Belles-Lettres"", tome V, Année 1749, pp. 339-372, 1 folded geometrical plate (to the first paper) and 3 fine double-page folded engraved plates showing the quadrant.‎

‎Kies was one of the first to propagate Newton's discoveries in Germany, and dedicated two of his works to the Englishman. The crater Kies on the Moon is named after him.The paper on the instrument describes and depicts the large quadrant in the Berlin observatory invented by Hadley (described in Transactions of the Royal Society in 1732).""From 1742 to 1754, at the recommendation of the mathematician Leonhard Euler, he (Kies) was made professor of mathematics at Berlin's Academy of Sciences and astronomer at its observatory. His reports from this time include De la Situation la plus avantageuse des planètes pour découvrir les irrégularités de leurs mouvemens, Sur les Éclipses des étoiles fixes par la lune, and Description d'un instrument qui se trouve .""‎

‎EXCELSA, JOURNAL OF THE ALOE, CACTUS AND SUCCULENT SOCIETY OF RHODESIA, 1+2‎

‎, Salisbury, The Aloe, Cactus and Succulent Society of Rhodesia, 1971 - 1979, Journal, 1 issue a year, pictorial cardboard wrappers, colour illustrations troughout.‎

‎nrs 1 en 2 van de Taxonomic Series. 1978 -80.‎

‎DISQUE VINYLE 33T CARO NOME, OPERATURE 1, LARGO ET FACTOTUM, CHANSON BOHEME, J'AI PERDU MON EURYDICE, COUPLETS, OPERATURE, AIR DES CLOCHETTES, PREPRISE CARO NOME, OPERATURE 2, COUPLETS, J'AI PERDU MON EURYDICE, COUPLETS, CHANSON BOHEME, OPERATURE 2....‎

‎ARIOLA. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, disque en anglais. The London symphony orchestre. Une petite photo en couleurs derrière la pochette. Produit par STEVE ROWLAND.. . . . Classification : 410-33 Tours‎

‎Disque n° 601417 Classification : 410-33 Tours‎

‎DISQUE VINYLE 33T CARO NOME, OPERATURE1, OVERTURE MADAME BUTTERFLY, AH NON GIUNGE, NUN'S CHORUS, LA DONNA E MOBILE, EXCERPT VESTI LA GIUBBA, HOLLE RACHE, LARGO ET FACTOTUM, OPERATURE 3, SEMPRE LIBERA, THE HUMMING CHORUS, L'AMOUR EST UN OISEAU....‎

‎ARIOLA. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, The London Symphony Orchestra. Disque en anglais.. . . . Classification : 410-33 Tours‎

‎Disque n° 206083 Classification : 410-33 Tours‎

‎DISQUE VINYLE 33T THE LOST OPERA.‎

‎ARIOLA. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, The London Symphony Orchestra, direction d'Orchestre: FRANK POURCEL.. . . . Classification : 410-33 Tours‎

‎Disque n° 601 417 Classification : 410-33 Tours‎

‎Seven Happy Days ‎

‎Une série de dessins par Jessie M.King avec Citation de John Davidson et autre.A Series of Drawings by Jessie M. KIG with Quotation from John Davidson & Other.In 4 broché, couverture blanche,muette,rempliée,titre 15 pages,15 illustrations pleine page dont 7,superbes,en couleurs, avec des petits rehauts d’or ou d’argent.Christmas supplement To the STUDIO 1913.Très bon état.L’ensemble(y compris la couverture )sur papier beau papier couché.RARE.Jessie Marion King est connue pour son style Art Nouveau(école de GLASGOW)elle a également conçu des bijoux,des cartes de vœux,tissus,céramiques et textiles batik,et en particulier, des peintures murales. Jessie Marion KING est née à Bearsden,Glasgow,et,malgré la désapprobation de sa famille,a étudié à la Glasgow School of Art de 1892 à 1899 avec l'intention de devenir professeur d'art.Entre 1899 et 1907,elle a enseigné à l'école de Glascow.Elle a vécu à Paris.Quintessence du Style ART NOUVEAU ‎

19 Images

‎artist by himself. Self-portraits from youth to old age.‎

‎London, Granada publishing, 1980 Bound, green cloth, dustjacket, 224pp., 19.5x25.5cm., b/w. ills., fine copy. ISBN 0236401602.‎

‎Recherches sur le Spectre solaire et sur les Spectres des Corps Simples. Traduit de l'allemand, par M.L. Grandeau. (Premier-) Seconde Partie. (2 Papers).‎

‎Paris, Victor Masson et Fils, 1863 a. 1864. Boundin 2 contemp. hcalf. Gilt spines, raised bands, light wear along edges. In: ""Annales de Chimie et de Physique"", 3e Series - Tome 68 a. 4e Series, tome 1. 512 pp. a. 5 large folded engraved plates. + 512 pp. a. 3 large folded engraved plates. Kirchhoff's papers: pp. 5-45 a. pp. 396-411. 5 plates belongs to K's papers, 4 showing spectra and 1 plate (double page) depicts the famous spectroscope invented by K. and used by K. and Bunsen in their importent analysis of the spectra of the elements.‎

‎First edition in French of Kirchhoff's milestone papers on the interpretation of the dark D lines - noticed by Fraunhofer in 1814 - in the spectrum of the sun, the papers that inspired Max Planck to his theory of quanta (1900). The papers are the French translations of his papers published in Abhandl. d. königl. Akad. d. Wissenscchaften in Berlin in 1861 and 1862.In the course of his preparatory work in the autumn of 1859, Kirchhoff made an unexpected observation. It had long been known that the dark D lines, noticed in the solar spectrum by Fraunhofer (1814), coincided with the yellow lines emitted by flames containing sodium.....Kirchhoff's unexpected discovery was that if the intensity of the solar spectrum increased above a certain limit, the dark D lines were made much darker by the interrposition of the sodium flame. He instantly felt that he had got hold of ""something fundamental"", even though he was at a loss to suggest an explanation. On the day following the surprising observation, Kirchhoff found the the correct interpretation, which wass soon confirmed by new experiments: a substance capable of emittiing a certain spectral line has a strong absorptive power for the same line....The dark D lines in the solar spectrum could accordingly be ascribed to absorption by a solar atmosphere containing sodium. Immense prospects thus opened up of ascertaining the chemical composition of the sun and other stars from the study of their optical spectra. A few more weeks sufficed for Kirchhoff to elaborate a quantitative theory of the relationship between emissive and absorptive poweer.""(DSB VII, pp. 381-82).PMM, 278 b. - Barchas, 1169-70 - Sparrow, 117 - Horbli, 59 - Dibner, 153 (the note).‎

‎Du Rapport entre le pouvoir émissif et le pouvoir absorbant des Corps pou la Chaleur et la Lumière. Traduit de l'allemand par Georges Leclanche.‎

‎Paris, Victor Masson et Fils, 1861. Without wrappers. In: ""Annales de Chimie et de Physique"", 3e Series - Tome 62, Cahier Juin 1861. Titlepage to vol. 62. Pp. 129-256. (The entire issue offered). Kirchhoff's paper: pp. 160-192. Small stamps to verso oftitlepage.‎

‎First French edition of a milestone paper by ""The Grandfather of Quantum Theory"" in which he formulates the law named after him, ""KIRCHHOFF'S LAW"", which was the ""key to the whole thermodynamics of radiation. In the hands of Planck, Kirchhoff's successor to the Berlin chair, it proved to be the key to the new world of the quanta, well beyond Kirchhoff's conceptual horizon.""(DSB, VII, p.382).""Kirchhoff's Law of Thermal Emission was formulated in 1859 (Über das Verhältnis....) - the paper offered here in the first French version. It is at the same time the simplest and least understood law in physics. Kirchhoff's law states that given thermal equilibrium with an enclosure, the radiation inside will be always black, or normal, in a manner which is independent of the nature of the walls, or the objects they contain. This is known as the concept of universality. That is, that radiation within an enclosure can always be described by a universal function dependent only ontemperature and frequency. This universal function was first given us by Max Planck, in 1900. Kirchhoff's law STANDS AT THE HEARTH OF ALL MODERN ASTROPHYSICS. It is the basis for setting the temperature of the stars, for the gaseous model of the Sun, and for believing that we now know the temperature of the entire universe.""(Pierre-Marie Robitaille)..The research background for the paper was his unexpected observation that if the intensity of the solar spectrum increased above a certain limit, the dark D lines were made much darker by the interposition of the sodium flame. he instantly felt, that he had got hold of ""something fundamental"". Another notable, and importent paper in the development of photography, is in the same issue ALPHONSE POITEVIN ""De l'Action chimique de la Lumiere sur les Substances organiques. Son emploi à l'impression photographique.""Pp. 192-210.‎

‎Über das Verhältnis zwischen dem Emissionsvermögen und dem Absorptionsvermögen der Körper für Wärme und Licht. (On the relation between the radiating and the absorbing powers of different bodies for light and heat). (+) Über die Frauenhofer'schen Lin...‎

‎Leipzig, Johann Ambrosius Barth, 1860. Contemp. hcalf, raised bands, gilt spine. A few scratches to spine. In ""Annalen der Physik und Chemie. Hrsg. von J.C. Poggendorff"", Bd. 109. X,660 pp. and 4 folded engraved plates. Kirchhoff's papers: pp. 275-301 and pp. 148-150. Internally clean and fine. Small stamps to verso of titlepage and plates.‎

‎First printing of a milestone paper by ""The Grandfather of Quantum Theory"" in which he formulates the law named after him, ""KIRCHHOFF'S LAW"", which was the ""key to the whole thermodynamics of radiation. In the hands of Planck, Kirchhoff's successor to the Berlin chair, it proved to be the key to the new world of the quanta, well beyond Kirchhoff's conceptual horizon.""(DSB, VII, p.382).""Kirchhoff's Law of Thermal Emission was formulated in 1859 (Über das Verhältnis....) - the paper offered. It is at the same time the simplest and least understood law in physics. Kirchhoff's law states that given thermal equilibrium with an enclosure, the radiation inside will be always black, or normal, in a manner which is independent of the nature of the walls, or the objects they contain. This is known as the concept of universality. That is, that radiation within an enclosure can always be described by a universal function dependent only ontemperature and frequency. This universal function was first given us by Max Planck, in 1900. Kirchhoff's law STANDS AT THE HEARTH OF ALL MODERN ASTROPHYSICS. It is the basis for setting the temperature of the stars, for the gaseous model of the Sun, and for believing that we now know the temperature of the entire universe.""(Pierre-Marie Robitaille)..The research background for the paper was his unexpected observation that if the intensity of the solar spectrum increased above a certain limit, the dark D lines were made much darker by the interposition of the sodium flame. he instantly felt, that he had got hold of ""something fundamental"". These observations are described in the second paper offered here ""Über die Frauenhofer'schen Linien..."" which was published first in 1859 in Monatsschrift der Berliner Academie.The volume contains many other importent papers in physics and chemistry, by C.F. Schönbein, Zöllner, H. Fizeau, Eisenlohr, W. Heine, Knoblauch, K.G. Neumann, W. Siemens etc.‎

‎Ueber die Bewegung der Elektricität in Drähten.‎

‎Leipzig, Johann Ambrosius Barth, 1857. Without wrappers. In ""Annalen der Physik und Chemie. Hrsg. von J.C. Poggendorff"", Bd. 100, No 2 . Pp. 177-252 a. 1 plate. (Entire issue offered). Kirchhoff's paper: pp. 193-217. With titlepage to volume 100.‎

‎First printing of an importent papers on the theory of electricity in conductors, telegraph-cables etc., determining the velocity of the electrical propagation. He found that the propagation velocity of electricity to be ""very close to the velocity of light in empty space"".""The work of Thomson on signalling along cables was followed in 1857 (the paper offered) by a celebrated investigation by Kirchhoff's, on the propagation of electrical disturbance along a telegraph wire of circular cross-section. (Whittaker ""A History of the Theories of Aether and Electricity"", pp. 230 ff.).""The field was still open (the nature of the electric current) when Kirchhoff entered it in 1857 with his own general theory of the motion of electricity in conductors. His first paper, in which he treated linear conductors from the same premises as Weber, turned out to coincide in all essentials with an investigation carried out by Weber shortly before but delayed in publication. Both physicists noticed a remarkable implication of their theory: in a perfectly conducting circuit, oscillating currents could be propagated with a constant velocity, independent of the nature of the conductors, and numerically equal to the velocity of light. Both Kirchhoff and Weber, however, pointing to the extreme character of the condition of infinite conductivity, dismissed this result as a mere accidental coincidence.""(DSB)‎