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Il Cachemire - Indian and european shawls. Collezione Antonio Ratti Vol.4 - 1995
Collezione Antonio Ratti 1995 Livre en anglais. In-4 relié pleine toile noire sous étui cartonné. 31,5 cm sur 30,8. 208 pages. Très bon état d’occasion.
Très bon état d’occasion
Vernis Cachemires.
1990 Paris, Adam Biro, 1990. Un volume in-4 cartonnage noir sous jaquette illustrée, 92 pp. et table, illustrations en n&b et couleurs. Bon état.
La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné.
MAC ORLAN (Pierre). A LA GRANDE MAISON DE BLANC. REINOSO (Manolo).
Reference : 17174
(1930)
Sous le signe du blanc. Variations sur le blanc.
TOLMER 1930 1 Illustrations de Manolo REINOSO. Paris, A La Grande Maison de Blanc, Tolmer, (1932), in-8, broché couverture rempliée illustrée
Impression sépia en deux tons. Édition publicitaire raffinée de La Grande Maison de Blanc sur un texte de Pierre MAC ORLAN. C'était "la première fois qu'on faisait appel à des gens de lettres pour un objectif commercial" (Tolmer, 60 ans de création graphique dans l'Île Saint-Louis, p .12). Salissures à la couverture, petites piqûres internes.
Material Exchanges in Medieval and Early Modern Europe. Archaeological Perspectives
, Brepols, 2021 Hardback, 264 pages, Size:156 x 234 mm, Illustrations:26 b/w, 17 col., 2 tables b/w., 15 maps b/w, Language: English. *NEW ISBN 9782503593999.
Summary The study of the movement of 'things' - the exchange of objects as gifts or through trade, the itineraries that they followed when on the move, and their changing importance from location to location - can offer unique insights into our understanding of past societies; and archaeology plays a vital role in allowing such movements to be traced. Nonetheless the circulation of objects across time, and between peoples and places, has long been neglected as a field of research in its own right. This volume aims to address this gap in scholarship by drawing on recent archaeological research to provide a detailed study of the moment of objects across Europe in the late medieval and early modern period. The contributions gathered here trace the interactions between peoples, ideas, and objects in order to explore the impact of movement both on the material things themselves, and on the people who manufactured, exchanged, or used such goods. The volume draws on a wide range of archaeological evidence to explore subjects as varied as production and transport, modes of trade, the connections between trade and religion, and the emotional connections between things and people. Together, they offer a pioneering approach to our understanding of objects and their movement in the past. TABLE OF CONTENTS List of Illustrations Introduction - SERGIO ESCRIBANO-RUIZ, MAGDALENA E. NAUM, JETTE LINAA The Same, but Different: Reflections on Some Medieval Stoneware Vessels Found in Norway - VOLKER DEMUTH On How to Keep the Monopoly of Diversity: Itineraries of Foreign Pottery in the Basque Country, AD 1300-1700 - SERGIO ESCRIBANO-RUIZ Memorable, Modern or Mundane? Investigating the Place of Porcelain and Majolica in the Homes and the Hearts in Early Modern Denmark - JETTE LINAA A Mandatory Stop: The Trade of Imported Pottery in Asturias (NW Iberian Peninsula) during the Early Modern Period - MIGUEL BUSTO ZAPICO Pilgrim Badges and the Magical Middle Ages: Aspects of the Cult of Saints, Magical Thinking, and Religious Identity - RACHEL FACIUS ANDERSEN Producers, Intermediaries, and Consumers: The Role of Adriatic Ports in the Venetian Glass Trade - SAMANTHA GARWOOD Clothing Cultures in the Seventeenth-Century Polish-Lithuanian Commonwealth: The Male Footwear from Elblag as an Example of Western-Type Fashion - ALEKSANDRA KULESZ Kilian Stob us and his Fossil Collections: Science, Aesthetics, and Emotions - MAGDALENA E. NAUM, CAJSA SJ BERG, H KAN H KANSSON, ANDERS LINDSKOG, MATS E. ERIKSSON AND PER AHLBERG
Le DICTIONNAIRE des TEXTILES
Un ouvrage de 576 pages, format 150 x 210 mm, illustré, broché couverture couleurs rempliée, publié en 2002, Editions de l'Industrie Textile, bon état
Riche de 8.000 définitions
Phone number : 04 74 33 45 19
Le Cuir
La Margelle 2001 In-8 relié. Jaquette en bon état. Très bon état d’occasion.
Photographies de Peter William Très bon état d’occasion
Catalogue général hiver 1887, robes, manteaux, modes, étoffes nouvelles, trousseaux & layettes, tapis & ameublements, articles de Paris, en un mot toutes nouveautés d'Automne et d'Hiver.
Paris BOLBACH 1905 1 P., imprimerie J. Bolbach, 1905, in-12, broché, couverture illustrée en couleurs.
Catalogue à prix marqués présentant les dernières nouveautés à la mode aussi bien vestimentaire pour la femme, l'homme et l'enfant que décorative avec l'ameublement et les tapis. Bien complet des ses coupons de tissus. Couverture détachée et fendue en deux, manques.
Cachemires Français et de l'Inde. Soieries, dentelles, confection.
Paris Barousse 1861 1 in-4 Paris, Lithographies Barousse Cour du Commerce, 1861, in-4, broché, couverture lithographiée, titre doré.
Rare et bel album entièrement lithographié présentant en deux planches hors-texte, et en noir, des châles Français et des Indes. La Maison toulousaine Lapersonne était spécialisée dans la confection de qualité de la soierie, de la moire, de la dentelle, du jupon fantaisie, de la guipure, de châles en cachemire... Salissures à la couverture et légers plis.
Clans & Tartans
California, Thunder Bay Press Expédition très soignée, tous les mardis et vendredis. . In-16. Cartonné. Livre en Anglais. . Bon état d’occasion. Poids sans emballage : 575 grammes.
Plus de 300 Clans et tarcans décrits. Bon état d’occasion
La dentelle à Valenciennes
Marseille, Laffitte Reprints 1983 In-4 relié 33 cm sur 25,5. 95 pages. XVI + 94p, 30 planches en noir & blanc hors texte. Bon état d’occasion
Réimpression de l’édition de Paris 1927 Bon état d’occasion
Opera Omnia seu thesaurus locupletissimus Botanico - Medico - Anatomicus, viginti quatuor tractatus complectens.
Lugduni Batavorum (Leyde), Petrum Vander Aa, 1687 ; deux tomes reliés en un volume in-4° (218 mm), veau fauve jaspé, dos à nerfs, pièce de titre ancienne tranches rouges (reliure moderne) ; [16] y compris le frontispice, 170, [22] pp. ; 379, [37] pp. et en tout 118 planches hors-texte dont 10 dépliantes (sign. : ( ), **, A-Z, Aa4 ; A-Z, Aa-Zz, A2a-F2f4). Frontispice dessiné et gravé par Adrian Schonebeek (1658-1705), artiste flamand.
Troisième édition, les deux premières à Londres, celle-ci avec plus de planches. Malpighi est considéré comme le fondateur de l’histologie ou anatomie microscopique, “Malpighi was the founder of histology and the greatest of the microscopists. In 1660, he was the first to see the capillary anastomosis between the arteries and the veins, thus helping the completion of Harvey’s work on the circulation. He was a great embryologist ; his name is perpetuated in the “Malpighi’s bodies”, “Mapighian layer”, of the epidermis, “Malpighi’s corpuscles”...” (Garrisson-Morton-66).Il fut aussi le premier à disséquer un ver à soie sous microscope et à publier une monographie sur les organes producteurs de la soie. Avant lui, le ver à soie était considéré comme n’ayant pas d’organes. (GM.293) ; il a également été le premier à étudier l’apparition de l’embryon du poussin et à travailler sur l’embryologie. En botanique, il a été un des pionniers dans l’étude du développement de la plante et de l’étude microscopique des tissus des végétaux. Ses découvertes sur la capillarité de la circulation dans les poumons, sous forme de lettres, trouve ici sa première réédition, la première étant introuvable ! Bel exemplaire.
Phone number : 06 60 22 21 35
Hoards from the European Bronze and Iron Ages. Current Research and New Perspectives
, Brepols, 2025 Paperback, 175 pages, Size:216 x 280 mm, Illustrations:42 b/w, 72 col., 6 tables b/w., 17 maps b/w, 3 maps color, Language: English. *new ISBN 9782503607511.
Summary Hoards are among the most enigmatic of archaeological finds. The term 'hoard' itself has been applied to different assemblages across space and time, from the Stone Age into the modern era, with an inventory that typically includes artefacts made of valuable raw materials, to which significant symbolic meanings can also be assigned. Archaeologists have been trying to understand this phenomenon for much of the last century, sometimes emphasizing the universal nature of hoards, but more typically focusing on specific regions, chronologies, and finds. They have, for the most part, used results derived from typolo-chronological methods. Contemporary archaeology has, however, developed a broad spectrum of paradigms and methods, and hoardresearch in the twenty-first century draws on an increasingly wide range of approaches. This volume presents examples of research that make use of these multi-faceted approaches through a focus on European hoards of metal objects dating to the Bronze and Iron Ages. The contributors to this volume make use of diverse methods, among them archaeometallurgical analyses, studies of use- and production-wear, destruction patterns, and landscape archaeology, but together, their common denominator is the search for a methodological toolkit that will allow researchers to better understand the phenomenon of hoard-deposition more broadly. TABLE OF CONTENTS List of Illustrations 1. Hoards Research - Past, Present, Future. A Few Words of Introduction Marcin Maciejewski, J nos G bor Tarbay, and Kamil Nowak 2. In an Interpretive Triangle. Main Trends in Research on Hoards in the Nineteenth and Twentieth Centuries: A Central European Perspective Wojciech Blajer 3. The Cognitive Development of Prehistoric Wetland Deposition Tradition Through Mnemonics. Case Studies of Iron Age Wales and Scotland Tiffany Treadway 4. There is a Light that Never Goes Out! New and Old Hoards from the Northern Adriatic Martina Ble?i? Kavur 5. The Urnfield Period Metal Hoards in South Bohemia. Find Circumstances, Topography, and Analyses Ond?ej Chvojka, Jan John, Ji? Kmo?ek, and Tereza ? lkov 6. An Active Search for Hoards? Contributions of a Systematic Field Survey to the Knowledge of Bronze Age Metal Hoarding. The Case Study of Salins-les-Bains, Jura, France Estelle Gauthier and Jean-Fran ois Piningre 7. Ice-marginal Valleys and Hoards. Natural Landscapes, Cultural Practices and their Amazing Convergence in Different Regions of Central Europe (Poland) Marcin Maciejewski 8. Twin Hoards and Hoard Selections from the Late Bronze Age Transdanubia J nos G bor Tarbay 9. Late Bronze Age Hoard from Nowe Kramsko. Is there a Method in Fragments? Kamil Nowak and Nicola Ialongo 10. Comparative Technological Analysis of Middle Bronze Age Bronze Objects from Hoards and Burials Szilvia Gy ngy si, P ter Bark czy, Julianna Cseh, Laura Juh sz, and G za Szab 11. Re-theorizing Deposition in Bronze Age Europe Kristian Kristiansen
Hoards from the European Bronze and Iron Ages Current Research and New Perspectives
, Brepols - Harvey Miller, 2025 paperback, Pages: 175 pages, Size:216 x 280 mm,Illustrations:42 b/w, 72 col., 6 tables b/w., 17 maps b/w, 3 maps color. Language(s):English. *new. ISBN 9782503607528.
Hoards are among the most enigmatic of archaeological finds. The term ?hoard? itself has been applied to different assemblages across space and time, from the Stone Age into the modern era, with an inventory that typically includes artefacts made of valuable raw materials, to which significant symbolic meanings can also be assigned. Archaeologists have been trying to understand this phenomenon for much of the last century, sometimes emphasizing the universal nature of hoards, but more typically focusing on specific regions, chronologies, and finds. They have, for the most part, used results derived from typolo-chronological methods. Contemporary archaeology has, however, developed a broad spectrum of paradigms and methods, and hoardresearch in the twenty-first century draws on an increasingly wide range of approaches. This volume presents examples of research that make use of these multi-faceted approaches through a focus on European hoards of metal objects dating to the Bronze and Iron Ages. The contributors to this volume make use of diverse methods, among them archaeometallurgical analyses, studies of use- and production-wear, destruction patterns, and landscape archaeology, but together, their common denominator is the search for a methodological toolkit that will allow researchers to better understand the phenomenon of hoard-deposition more broadly.
Le Livre d'or des fiançailles et du mariage par le bibliophile Jean.
Paris 1 Préface de Maurice Vitrac. Paris, sans date, in-8, percaline bordeaux, 260 pp.
Intéressant livre illustré de nombreuses reproductions sur l'histoire des fiançailles, du mariage, de leurs costumes et accessoires. Petites usures à la couverture.
Les COUSSINS
Un guide de 63 pages, format 180 x 120 mm, broché, illustré, publié en 1978, Editions Solarama
Guide pratique pour la confection des coussins
Phone number : 04 74 33 45 19
Conceptualizing Bronze Age Seascapes. Concepts of the Sea and Marine Fauna in the Eastern Mediterranean in the Second Millennium BCE
, Brepols - 2023, 2023 Paperback, x + 218 pages, Size:216 x 280 mm, Illustrations:20 b/w, 7 col., 13 tables b/w., 3 maps b/w, Language: English. ISBN 9782503606477.
Summary The Mediterranean has, for millennia, formed the heart of an intensive trading network of ideas, goods, and people. For the ancient populations of the Levant, Cyprus, and Southern Anatolia, interactions with the sea ? from fishing to seafaring, and from trade to dye production ? were a constant presence in their life. But how did the coastal peoples of the Bronze Age understand the sea? How did living on the shore influence their lives, from daily practices to mythological beliefs? And what was the impact on their conceptual world? This volume seeks to engage with these questions by addressing the relationship between environment, diet, material production, perception, and thought formation through a combination of archaeological analysis and engagement with primary sources, and in doing so, it offers unique insights into the conceptual world of the ancient Mediterranean maritime cultures of the 2nd millennium BCE. TABLE OF CONTENTS Acknowledgements List of Abbreviations List of Common and Scientific Names of Fish and Molluscs Mentioned in the Text Part I: Framework Chapter 1. Introduction Objectives Organization of the Book Chapter 2. History, Theory, and Methods State of the Art Theoretical Framework Chronological Framework The Evidence Part II: Regional Chapters Chapter 3. Levant Faunal and Material Cultural Evidence Textual Evidence Discussion Chapter 4. Cyprus Faunal and Material Cultural Evidence Textual Evidence Discussion Chapter 5. Southern Anatolian Coast Faunal and Material Cultural Evidence Textual Evidence Discussion Part III: Overarching Analysis Chapter 6. Concepts of Marine Fauna Marine Fauna as Food Fish and Molluscs: Offerings and Purity Marine Fauna as Status or Commodity Visual Concepts of Marine Fauna Chapter 7. Concepts of the Sea The Sea as a Place The Sea as a Supernatural Force The Sea as a Divine Entity Chapter 8. Conclusions: Concepts of Seascapes Works Cited Index
Le Bas à travers les âges suivi de : Ce qu'il est de bon ton d'acheter.
Paris Marny 1925 1 in-16 Paris, Marny, premier bonnetier de Paris, Imprimerie Française de l'Edition,1925, in-16, broché, couverture, titre imprimé en rouge, 128 pp.
Ouvrage indispensable pour tout savoir sur les bas et les chaussettes illustré en noir, écrit et édité par MARNY, premier bonnetier de Paris installé rue Tronchet... Taches et manques à la couverture.
Notre costume.
A LA LAMPE D'ALADDIN 1926 1 Liège, A la Lampe d'Aladdin, 1926, in-12, br., 122 pp.
Réflexion sur l'abandon du Smoking et de l'Habit, sur la chaussure et le chapeau, sur le choix de la cravate et la manière de la nouer, sur la chemise, les cannes et les gants. Ouvrage numéroté sur papier vergé baroque thé. Lég. corné.
Les Cannes de M. Paul Bourget et Le Bon Choix de Philinte. Petit Manuel de l'Homme Elégant.
Paris LE DIVAN 1923 1 in-8 Illustrations d'Henri FARGE. Paris, Le Divan, 1923, in-8, demi veau corail, tête dorée, 288 pp.
"L'homme est le seul animal qui s'habille...le seul être qui ait une idée claire de la beauté". Cet ouvrage n'est que propos encourageant cette quête de l'élégance. Eugène MARSAN y portraitise "quelques artistes littéraires" touchés de dandysme ( BARBEY d'AUREVILLY, BAUDELAIRE, BALZAC,...). Eaux-fortes en couleur et bois racés de Henri FARGE. Un des 240 ex. numéroté sur papier de Monval. Trés légères piqures et taches.
Théorie pratique ou l'art du tailleur.
MARSAUD 1 Paris, Marsaud, (1860), in-4, reliure percaline vert sapin remontée sur reliure cartonnée et toilée, titre doré gravé en reliure sur le plat, 32 planches lithographiés en noir, 62 pages.
Troisième édition d'un manuel de tailleur de costumes pour hommes complété de nombreuses figures et explications sur les mesures, les coupes et les techniques nécessaires à l'exécution des modèles. Reliure postérieure.
Le batik premières notions
Dessain et Tolra 1982 In-8 broché 21 cm sur 18,3. 61 pages. Tranche supérieure touchée par l’humidité, intérieur frais bon état d’occasion.
Traduit de l’anglais par Caroline Cour et Marianick Bourdais Bon état d’occasion
MARTINIANI-REBER, Marielle - Direction des musées de France/Inventaire des collections publiques françaises
Reference : 102462
(1986)
Lyon, Musée historique des tissus. Soieries sassanides, coptes et byzantines Ve-XIe siècles
1986 Editions de la Réunion des musées nationaux, Paris - 1986 - Ministère de la Culture et de la Communication - In-8, broché, couverture illustrée - Illustrations en noir et blanc in et hors-texte dans l'ouvrage.
Bon état
Jan van Eyck?s Crucifixion and Last Judgment: Solving a Conundrum
, , Hardcover Pages: 195 pages, Size:225 x 300 mm Illustrations:170 col. Language(s):English. ISBN 9782503596907.
R p tons-le: Maryan W. Ainsworth propose un ouvrage la pointe de l? rudition et du savoir; f licitons-la aussi pour l?iconographie tr s riche, n?obligeant pas le lecteur rechercher les figures travers le livre. Regrettons cependant l?absence d?index, des personnes, des lieux et des ?uvres. (Jacques Paviot, dans Francia-Recensio, 4, 2023) BIO Maryan Ainsworth is Curator Emerita in the Department of European Paintings, The Metropolitan Museum of Art, New York Sophie Scully is Assistant Conservator in the Department of Paintings Conservation, The Metropolitan Museum of Art, New York Silvia Centeno is Research Scientist in the Department of Scientific Research, The Metropolitan Museum of Art, New York Marc Smith is Professor of Paleography at the cole des Chartes in Paris, France Christina Meckelnborg is Professor Emerita of Classical and Medieval Studies at the University of Osnabr ck, Germany SUMMARY Among the most intriguing and confounding works of Jan van Eyck?s oeuvre are the Crucifixion and Last Judgment in New York?s Metropolitan Museum of Art. Although acquired in 1933 as a diptych, questions have remained about their initial configuration, and how these paintings functioned. The recent technical investigations of the paintings and their original frames added further complexities to these inquiries when a fragmentary text in Middle Dutch was discovered through X-radiography on the frames surrounding the two paintings. The many facets of the ensuing investigation necessitated an interdisciplinary collaboration of researchers involving an art historian, paintings conservator, and museum scientist ? namely, Maryan Ainsworth, Sophie Scully, and Silvia Centeno. Moreover, the new discovery of the formerly hidden text called for the enrichment of the interdisciplinary team by a paleographer and a classical philologist, Marc Smith and Christina Meckelnborg. This book relates the unfolding story of the investigations from in-depth technical research, facilitating the conservation treatment of the frames, to the art historical study that connected these findings to the religious, political, and social contexts of the times. Through considerable interdisciplinary detective work, it was possible to reach a new understanding about the original form and function of the Crucifixion and Last Judgment and their pivotal role concerning devotions to a cherished relic, the Miraculous Bleeding Host, housed in the then collegiate church of Saint Michael and Saint Gudula in Brussels. The implications of these discoveries also shed new light on the relationship between The Met Crucifixion and Van Eyck?s metalpoint drawing of the same theme in the Museum Boijmans Van Beuningen, Rotterdam. Finally, the study of the Crucifixion and the Last Judgment draws attention to commissions Van Eyck received that are somewhat outside of the canon of works usually associated with this esteemed artist. TABLE OF CONTENTS Introduction Maryan W. Ainsworth The Technical Examination and Restoration of the Frames Sophie Scully and Silvia A. Centeno In Search of the Original Form and Function of the Crucifixion and Last Judgment Maryan W. Ainsworth Investigating Van Eyck?s Working Technique Sophie Scully and Silvia A. Centeno Attribution and Dating Questions in Historical Context Maryan W. Ainsworth Reconsidering the Relationship Between The Met Painting and the Rotterdam Crucifixion Drawing Maryan W. Ainsworth Appendix A. Deciphering the Middle Dutch Text on the Crucifixion and Last Judgment Frames Marc Smith ? Appendix B. Transcriptions of the Texts within the Crucifixion and Last Judgment Christina Meckelnborg Bibliography
Patchwork japonais
Soline 1999 In-4 reliure éd. sous jaquette 28,5 cm sur 22,5. 127 pages. Jaquette en assez bon état. Bon état d’occasion.
Bon état d’occasion
TISSUS FRANCAIS D'AMEUBLEMENT. De 1760 à nos jours.
1991 / 223 pages. Relié avec jaquette. Editions Flammarion.
Très bon état.
