Collectif Castillo Baltasar Guerrero Mateo Martinez Paco David François
Reference : 500078396
(2018)
ISBN : 9782378150389
TALENT SPORT 2018 175 pages 22 2x29 2x1 6cm. 2018. Broché. 175 pages.
Très bon état - légères marques de lecture et/ou de stockage mais du reste en très bon état- expédié soigneusement depuis la France
Collectif Daugeras Dominique Guary François Starck Josette Stromboni Arièle
Reference : 500186055
(1995)
ISBN : 9782091751382
Nathan 1995 1x30x21cm. 1995. Broché.
Collectif Delmas-Marty Mireille WILL Pierre-Etienne
Reference : 100107660
(2007)
ISBN : 2213631484
Fayard 2007 828 pages 15x4 6x23 4cm. 2007. Broché. 828 pages.
Comme neuf
Collectif Delmas-Marty Mireille WILL Pierre-Etienne
Reference : 100107661
(2007)
ISBN : 2213631484
Fayard 2007 828 pages 15x4 6x23 4cm. 2007. Broché. 828 pages.
Très bon état tache sur la tranche latérale (voir photo) sinon comme neuf
Collectif Delmas-Marty Mireille WILL Pierre-Etienne
Reference : 100108771
(2007)
ISBN : 2213631484
Fayard 2007 828 pages 15x4 6x23 4cm. 2007. Broché. 828 pages.
Comme neuf
1928 un magazine, broché (agraphé) grand in-quarto (22,5 x 30 cm), couverture et intérieur orné de dessins, lithos cubistes par Lozowick et Hugo Gellert (illustrations: cubistic cityscapes by Lozowick and Hugo Gellert) et photographies en noir, légères rousseurs sur la première de couverture (lightly redness marks on the cover), 24 pages, June 1928 New York New Masses Editor,
(Recognizing the need for a magazine that would continue the nonsectarian legacy of the Liberator, the former editors of the Liberator and the Masses founded New Masses in 1926. Like its predecessors, this monthly publication was aimed at liberals sympathetic to the plight of workers.(21) From May 1926 to June 1928, New Masses (May 1926-January 12, 1948) attempted to combine its desire to create an artistic renaissance in America with its sympathy for workers, a union that was reflected in an editorial board that was nearly divided between former editors of the Liberator and the Masses and writers committed to the revival of American letters. In the "prospectus" of the proposed magazine, which was initially to be titled "Dynamo," the organizers set forth its many objectives: The publication will represent no special school of literature or art, and will welcome the expressions of all schools. . . . It will regularly interpret the activities of workers, farmers, strikers, etc., but in such a way as to bring out the general human and cultural significance of particular movements. For it believes that a deeply human interpretation of any event is better than propaganda. . . . It must strike its roots strongly into American reality. It must not be afraid of slang, moving picture |sic~, radio, vaudeville, strikes, machinery or any other raw American facts. Its job will be to assimilate these facts of life into art and satire. It must maintain the highest standard of art and literature of which its editors are capable, but it must also be sympathetic to any crudeness which is the expression of something young, vital and as yet groping and undeveloped. . . . At least half of the pages will consist of pictures. These will be cartoons of our current political and social events, drawings of American life and also, though not ever predominantly, pictures that have no "journalistic" value but are based on the emotion of art.(22) Gold, one of the six original editors, denied that "I, or anyone else, demands of young American writers that they take their 'spiritual' commands from Moscow" and stated that it was "not a magazine of Communism or Moscow, but a magazine of American experiment." He characterized New Masses as "the bridge" to the discovery of "the world of revolutionary labor."(23) Initially, the illustrations were selected by the entire executive board, although Gellert, an ardent supporter of Russia, and John Sloan, a liberal sympathetic to workers, served as art editors.(24) During the first two years, pictorial images in New Masses reflected its diverse goals. The magazine's proletarian orientation was set forth in Gellert's design for the cover of its first issue of May 1926; it showed the head of a miner printed in black, white, and red. Images of dishwashers, linemen, miners, construction workers, and pneumatic-drill workers--the last two quintessential images of American workers--appeared frequently in drawings by David Burliuk, Gan Kolski, Lozowick, Jan Matulka, Morris Pass, Ribak, Robinson, and William Siegel. These images depicted workers actively engaged with machines, as in J. Pleush's cover design for the October 1927 issue. Social criticism was generally confined to satirical captions accompanying drawings and cartoons, such as the caption to Gropper's drawing of a group of socialite women hearing a report of their charitable works: "Ladies, it gives me great pleasure to announce that we have saved 5,000 starving children in the past year. And we hope there will be more next year" (July 1926: 14). Similarly, I|sidore~ Klein titled a drawing of an assembly line in a boiler factory Ballet Mecanique and added the caption, "This Antheil is a genius. Since introducing his theory of orchestration into the boiler factory, our profits have almost doubled" (May 1927: 24). Abstract and semiabstract compositions appeared regularly on the covers or as illustrations: cubistic cityscapes by Lozowick ..RARE last Number But The Most cubistic...) Revue d'art CUBISTE associant le travail ...En bon état malgré le petit défaut signalé (very good condition in spite of the small defect indicated).
Terres ardennaises 1996 96 pages 24x31x1cm. 1996. Broché. 96 pages.
Très bon état
Collectif Lamchichi Abderrahim Martin Munoz Gema
Reference : 100111151
(2000)
ISBN : 2738479979
L'harmattan 2000 192 pages 16 2x1 6x23 8cm. 2000. Broché. 192 pages.
couverture un peu ternie intérieur propre
[COLLECTIF] / LEVINE (Daniel) sous la direction de.
Reference : 20112
ISBN : 2-87692-200-2
[s.l, Metz], Editions Serpenoise, [d.l. 1994] 1 volume 23,8 x 30cm Cartonnage éditeur sous jaquette illustrée couleurs. 132p., 2 feuillets; cartes et nombreuses illustrations in texte, vignettes et pleines pages, la plupart en couleurs. Très bon état.
Catalogue de l'exposition présentée en 1994 à l'Arsenal de Metz par le Conseil général de la Moselle sur le travail, l'utilisation et la mythologie de l'or, symbole divin, des civilisations précolombiennes du Pérou, de l'Equateur et de la Colombie; sous la direction de Daniel LEVINE, du département Amérique du Musée de l'Homme; cartes, nombreuses photos couleurs, croquis techniques en noir; bibliographie. Exemplaire bien complet de sa jaquette.
Liège, Editions BIBLIO, s.d. [1982]. In-8°, 31 pp., nombr. fig. Plaquette agrafée, très bon état général. Document RARE !
COLLECTIF - PIOTROVSKY, Boris et QUONIAM, Pierre (commissaires généraux)
Reference : 72509
(1975)
1975 Editions des Musées Nationaux - 1975 - In-4, broché, couverture illustrée en couleurs - 225 pages - Très nombreuses illustrations en couleurs hors-texte
Bon état - Coins émoussés - Plis de lecture au dos - Couverture frottée
KARTHALA 2007 17 2x3x23cm. 2007. Broché.
Bon état intérieur propre bonne tenue
ROBERT LAFFONT 2019 312 pages 13 2x21 4x3cm. 2019. Broché. 312 pages.
Très bon état
Paris, Editions alsatia , 1946 ; in-8, 176 pp., br. Page non coupé.
Page non coupé.
CONTEMPORARY FRENCH FICTION 2008 144 pages 17 4x1 2x10 2cm. 2008. pocket_book. 144 pages.
Etat correct
Eyrolles 2012 118 pages 13 6x1x21cm. 2012. Broché. 118 pages.
Collin Denis Frondziak Marie-Pierre
Reference : 500103046
(2022)
ISBN : 9782749552408
BREAL 2022 240 pages 13 4x20 8x2 4cm. 2022. Broché. 240 pages.
Très bon état - livre issu de destockage - pouvant présenter d'infimes traces de stockage - Expédié soigneusement dans emballage adapté
Collin Denis Frondziak Marie-Pierre
Reference : 500111718
(2022)
ISBN : 9782749552408
BREAL 2022 240 pages 13 4x20 8x2 4cm. 2022. Broché. 240 pages.
Très bon état
Collodi C. (trans. Murray M. A.) (illus. by Wiese K.)
Reference : 500147139
(1989)
ISBN : 9780721412818
FAYARD 2002 168 pages 12x1 2x18 4cm. 2002. Broché. 168 pages.
Etat correct
Calmann-lévy 1979 224 pages 14x2x20cm. 1979. Broché. 224 pages.
très bon état de conservation intérieur propre bonne tenue
Paris 2002 247 pages in8. 2002. Broché. 247 pages.
tranches légèrement fânées intérieur propre
Dunod 2008 224 pages 13x22x2cm. 2008. Broché. 224 pages.
Comme neuf