‎Marino Marini : l'oeuvre complet.‎

‎Paris XXe Siècle 1970 1 vol. relié in-folio, cartonnage toilé sous jaquette illustrée, 506 pp. (bordures de la jaquette légèrement défraîchis), très nombreuses reproductions en noir et en couleurs. Introduction de Herbert Read. Papillon d'errata joint. Bon état.‎

‎Frédérique Lucien : Introspectives‎

‎Frédérique Lucien LienArt Éditions / Galerie J. Fournier / Musée des beaux-arts de Vannes 30 Couverture rigide 2011 France 192 p.; illustrations en noir et blanc ; exposition au Musée Zadkine, Paris, 31 mars-4 septembre 2011 ; bilingue français-anglais ‎

‎Très bon ‎

‎Aperçu sur la gravure en relief sur pierre‎

‎S. n. | s. l. 1922 | 17 x 25.50 cm | retenu par un lacet‎

‎Edition originale. Bel exemplaire. - Photographies et détails sur www.Edition-Originale.com -‎

‎Borman in Context, Brabantine Sculpture from 1460-1540‎

‎, Brepols - Harvey Miller, 2025 hardcover, Pages: iv + 326 pages; Size:180 x 265 mm, Illustrations:12 b/w, 181 col., Language(s):English, French. **NEW. ISBN 9782503607993.‎

‎In September 2019, ten years of interdisciplinary research culminated in the first-ever monographic exhibition on the Borman family, titled Borman and Sons. The Best Sculptors (20.09.19?26.01.20) at M Leuven. The exhibition was accompanied by a new publication on the Borman family of Brussels sculptors, who were active from the second half of the fifteenth century into the second third of the sixteenth century. The 6th Annual Ards Colloquium, held at M Leuven in November 2019, provided an in-depth contextualisation of the sculptural work of the Borman family. While a document from 1513 refers to the Bormans as ?the best sculptors?, they did not operate in isolation. Brussels was a thriving artistic centre?a cultural hub that hosted numerous talented and influential artists, all working under the patronage of high-profile commissioners. This volume presents papers that explore the Bormans? role within the artistic context of the Duchy of Brabant, alongside discussions of stylistic and iconographical themes, as well as new discoveries concerning their commissions and works. TABLE OF CONTENTS Marjan Debaene and Hannah de Moor, Foreword Part I: Commissions and Commissioners from North to South Magali Briat-Philippe, The Statuary of the Royal Monastery of Brou: An Important and Singular Witness of Brabantine Sculpture between 1513 and 1522 Catheline P rier-D?Ieteren, Emmanuelle Mercier, and Myriam Serck-Dewaide, The Adoration of the Magi in San Nazaro, Milan: An Unknown Work by Jan Borman II? Marjan Debaene and Claire Dumortier, The Bormans and Leuven: An Analysis of Known and Newly Discovered Documents in the Leuven City Archives concerning Jan I Borman, the Borman Family, and Their Artistic Activity in Leuven in the Fifteenth Century Hannah De Moor, In Search of the Patrons of Netherlandish Carved Altarpieces in Sweden Ragnhild M. B , The Resurrected Christ Appearing to His Mother and the Seven Joys of the Virgin: Borman and Beyond Adam Harris Levine, Borman Reliquaries in their Iberian Context Emilio Ruiz de Arcaute Mart nez, Originals or Copies? Interesting Contributions regarding the Technical Study of Some Borman Reliquary Busts Part II: Style, Materials, Techniques, and Workshop Organisation Michel Lefftz, De Rogier van der Weyden Jan Borman I: Transferts, rivalit et mulation dans la peinture et la sculpture des anciens Pays-Bas au XVe si cle Elisabeth Van Eyck and Ria De Boodt, Reunited? Case Study about an Early Sixteenth-Century Carved Wooden Altarpiece and Its Painted Shutters Ingrid Geelen, The Polychromers of the Borman Altarpieces Christel Theunissen, Lost and Found: Tracing the Origin of Scattered Choir Stall Fragments Seppe Roels and Marieke Van Vlierden, Mallets, Flowers, and Circles: Marks on Sculptures Related to the Borman Workshops: A Preliminary Comparison Index ‎

‎Sisyphus dochters. Beeldhouwsters en hun werk in de publieke ruimte (Parijs, Londen en Brussel, ca. 1770-1953). Tekst en Catalogus. ‎

‎Brussel, KVAB Press, 2013 Softcover, 2 delen, Verhandelingen Nieuwe Reeks nummer 25. ISBN 9789065691132.‎

‎Zowel de beeldhouwkunst als de publieke ruimte zijn eeuwenlang als mannelijke domeinen beschouwd. Toch waren er al vroeg, en vooral sinds de late achttiende eeuw, vrouwelijke beeldhouwers aan de slag in de (semi)publieke ruimte, en dit bovendien veel vaker dan men tot nu toe aannam. In Sisyphus? dochters gaat Marjan Sterckx in op deze unieke beeldhouwsters en hun werk in de stedelijke publieke en semipublieke ruimte in de periode ca. 1770-1953. Parijs, Londen en Brussel fungeren als casus. Na een analyse van de fysieke aanwezigheid en vertegenwoordiging van de beeldhouwwerken...... lees meer. Zowel de beeldhouwkunst als de publieke ruimte zijn eeuwenlang als mannelijke domeinen beschouwd. Toch waren er al vroeg, en vooral sinds de late achttiende eeuw, vrouwelijke beeldhouwers aan de slag in de (semi)publieke ruimte, en dit bovendien veel vaker dan men tot nu toe aannam. In Sisyphus? dochters gaat Marjan Sterckx in op deze unieke beeldhouwsters en hun werk in de stedelijke publieke en semipublieke ruimte in de periode ca. 1770-1953. Parijs, Londen en Brussel fungeren als casus.Na een analyse van de fysieke aanwezigheid en vertegenwoordiging van de beeldhouwwerken van vrouwen in de drie onderzochte steden, beschrijft de auteur de toenmalige moeilijkheden en mogelijkheden voor vrouwen met diverse profielen om beeldhouwer te worden, een degelijke opleiding te genieten en openbare opdrachten te bekomen in die steden. Vervolgens gaat ze in op de vormelijke en inhoudelijke kenmerken van het getraceerde beeldhouwwerk, en hun zichtbaarheid in de publieke en semipublieke ruimte. Een laatste deel behandelt de ontvangst, vroeger en nu, van de bestudeerde beeldhouwsters en hun (semi)publieke werken. Een tweede volume, de catalogus, inventariseert en illustreert waar mogelijk 365 niet eerder bijeengebrachte sculpturen van de hand van vrouwen in publieke en semipublieke buiten- en binnenruimtes in Parijs, Londen en Brussel in de periode ca. 1770-1953.‎

‎YVONNE SERRUYS : Beeldhouwer van de nieuwe vrouw‎

‎, Snoeck Publishers (Belgium), 2023 HB, 255 x 210 mm, 304 p, 220 illustraties, NL edition. ISBN 9789461617972.‎

‎Tijdens de eerste helft van de 20e eeuw maakte de Frans-Belgische kunstenaar Yvonne Serruys (1873-1953) carri re in Parijs. Afkomstig uit een kunstminnend burgergezin in Menen kreeg ze een degelijke intellectuele, muzikale en artistieke scholing. Die werd vervolledigd bij de luminist Emile Claus in Astene en bij pointillist Georges Lemmen in Brussel. Vanaf 1898 stelde ze haast jaarlijks tentoon op de Parijse salons. Vanaf haar dertigste betrok ze er een eigen atelier en woonst. Omstreeks 1905, na een succesvolle eerste solotentoonstelling in Parij, maakte ze voorgoed de overstap naar de beeldhouwkunst. Ze realiseerde nu vooral statuettes van naakte jonge vrouwen in spontane poses. Tegelijk ontwierp ze honderden modellen voor decoratieve objecten in glas(pasta), en nog voor de Eerste Wereldoorlog twee monumentale beeldengroepen voor de Parijse openbare ruimte. Tijdens het interbellum kwamen daar nog opdrachten voor publieke monumenten bij, in Belgi , Frankrijk en Tunesi , en enkele kunstintegratieprojecten in de Atlantische Pyrenee n, alle in een art-decostijl. Yvonne Serruys wilde nu ook de 'nieuwe vrouw' weergeven vanuit haar eigen vrouwelijke blik en ervaring, en zo bijdragen aan de vrouwenemancipatie. Wellicht ge nspireerd door haar indrukwekkende netwerk in Parijs en de 'salons du samedi' die ze er organiseerde met haar man, de Franse schrijver Pierre Mille, hield ze er uitgesproken opvattingen over lichamelijkheid en gender op na. Onder meer gebaseerd op haar nieuw ontdekte memoires, belicht dit boek diverse aspecten van het leven en werk van deze veelzijdige kunstenaar, die een scharnierperiode in de moderne tijd beleefde en mee vormgaf.‎

‎Sculpting Abroad Nationality and Mobility of Sculptors in the Nineteenth Century‎

‎, Brepols 2020, 2020 160 p., 28 b/w ills, 39 col. ills, 216 x 280 mm, English, Hardcover,. ISBN 9782503580272.‎

‎An edited volume reflecting upon the transnational mobility of sculptors and its implications for the artists and their art during the long nineteenth century. This volume analyses the international mobility of sculptors and their work in the nineteenth century. The creation of nation-states at that time coincided with an increasingly international outlook shared by artists, their commissioners, sellers, buyers and critics. Sculptors were encouraged to study abroad, and were recognized for their experience and success overseas. As they were very much dependent on commissions, they had to travel to provide for their revenues. While abroad, they were nonetheless expected to represent their nation and showcase their e essays in this collection reflect upon the theoretical and practical implications of the many aspects of transnationality, travel and (cultural) mobility for nineteenth-century sculptors, their work and their careers, by addressing the role of, among others, education, execution, commissions, exhibitions, art criticism and the art market. The main focus is on French, Belgian and Italian sculptors and their works but other countries are represented too, and well-known as well as lesser-known sculptors, through general articles and case studies. Tom Verschaffel is professor in cultural history at KU Leuven. His research concerns the intellectual and cultural history of the eighteenth and nineteenth centuries, and more specifically the history of historical writing, the popular representation of history and cultural nationalism, the history of cultural infrastructure and of cultural transfers. Art historian Marjan Sterckx is associate professor in Art History at Ghent University, where she recently launched the research group ThIS: The Inside Story: Art, Interior design & architecture 1750-1950. Her research concerns the intersections between sculpture, gender, photography and the interior.‎

‎Larmes célestes. ‎

‎Lisbonne, Livraria Bertrand, 1955, in-4to, 138 p., richement ill., cartonnage original.‎

‎Baroque Sculpture in Germany and Central Europe (1600-1770)‎

‎, Brepols, 2022 Hardback, 288 pages, Size:225 x 300 mm, Illustrations:3 b/w, 150 col., Language: English. ISBN 9781909400955.‎

‎Summary Around 1600, a new style of sculpture started to evolve and flourish in Central Europe and in the German-speaking lands. Dramatic wood and stone figures peopled the palaces, gardens and churches of Munich, Berlin, Dresden, D sseldorf, Vienna and Prague. These great works of art are little known outside Germany and Austria, partly because their colour and vivacity are so astoundingly different from the sculpture that was being produced in Italy, France and elsewhere in Northern Europe at that time. They are overpowering, and amongst the greatest works of art produced in Europe in the seventeenth century. This groundbreaking book explores their history and conveys their visual power. TABLE OF CONTENTS List of Illustrations Introduction CHAPTER ONE Sculpture in South Germany 1600-40: Antecedents and International Currents CHAPTER TWO Small-Scale Sculpture and Patronage in Berlin and Vienna: 1630-1700 CHAPTER THREE The Court of Saxony in the Late Sixteenth and Early Seventeenth Centuries CHAPTER FOUR Munich and Bavaria in the Late Seventeenth and First Half of the Eighteenth Century CHAPTER FIVE The Mid-Eighteenth Century in Bavaria CHAPTER SIX Sculpture in Prague c. 1650-1750 CHAPTER SEVEN Sculpture in Vienna, Gurk, W rzburg and Trier. Ceramics. Appendix I: Biographical List of Artists Appendix II: List of Rulers and Patrons Bibliography Index‎

‎C. Stone - Marc Cloet.‎

‎, Borgerhoff & Lamberigts, 2020 Hardcover 260 PAGES, 24x17cm English. ISBN 9789463931380.‎

‎In C.STONE, the artist and authors deliver a kaleidoscopic image of tentative alternative understandings of social and individual phenomena. Art plays its role of catalyst and provocateur of complex human and creative processes. The place in which the book is set is the problematic border area of Mexico and Texas, USA, the goal of the publication is a state-of-the-art scanning of the attracting and repelling forces that appear between intellectual and sensual antipodes. The book's leitmotif is the artist's efforts to change the course of action and thought in the direction of mutual understanding.‎

‎GENETIC EVOLUTION, DIE DUSTERE SEITE, THE DARK SIDE‎

‎Temmen. 2001. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 48 pages. Photo en couleur en frontispice. Illustré de nombreuses photos en couleur dans et hors texte. Text in English and German.. . . A l'italienne. Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Sculptures. Paintings. Classification Dewey : 730-Arts plastiques. Sculpture‎

‎L'Art nègre - Collection Essais - Histoire de l'art.‎

‎Monde global. 2006. In-8. Broché. A relier, Coins frottés, Coiffe en pied abîmée, Pliures. 167 pages, couverture contrepliée, nombreusesphotos en couleur hors texte - plat décollé du corps de l'ouvrage.. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Collection Essais - Histoire de l'art. Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Die flämische malerei der gegenwart‎

‎eugen diederichs 1943 in8. 1943. Broché. reproduction en noir et blanc‎

4 Images

‎couverture défraichie sous papier de soie intérieur qq rousseurs à l'intérieur surtout sur tranche et au abords des plats intérieurs‎

‎VINGT ANNEES DE PEINTURE ET DE SCULPTURE EN BELGIQUE. LA GENERATION DE L' ENTRE- DEUX - GUERRES.‎

‎, Bruxelles, Editions des Artistes, 1942, Broche, couverture papier et page de titre aux vignettes, 200 x 265mm., 140pp., 56 planches n/b.‎

‎Flamands et Brabancons, le paysage, style et sentiment Wallons, les droits de la feerie, la peinture en sourdine, un portraitiste, cinq sculpteurs. Envoi et signature de l'auteur. Etat excellent.‎

‎Collection Paul Bordeaux. Monnaies et Médailles Françaises, depuis la Révolution 1789, jusqu'à nos jours.‎

‎PROTAT FRERES. 1929. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 71 pages + XXVII planches d'illustrations en noir et blanc, hors-texte.. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Catalogue de Vente aux Enchères Numismatiques, des 4, 6, 7 et 8 mai 1929, à l'Hôtel Drouot. Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Many Faces of the Lady of Elche. Essays on the Reception of an Iberian Sculpture‎

‎, Brepols, 2024 Hardback, 155 pages, Size:156 x 234 mm, Illustrations:5 b/w, 36 col., 1 maps b/w, Language: English. ISBN 9782503610306.‎

‎Summary On 4 August 1897, farm workers in Elche - the site of ancient Ilici - discovered an Iberian sculpture of a woman that dated from the fifth- fourth centuries BCE. French archaeologist Pierre Paris dubbed this figure 'the Lady of Elche', and promptly purchased the sculpture on behalf of the Louvre Museum. There, she drew the attention of European scholars who were intrigued by her stylistic features, finally concluding that she bore witness to the existence of a specifically Iberian art. Since her discovery, the Lady of Elche has been a source of fascination not only for scholars, but also for artists, and she has become an icon of regional and national identity across Spain. This volume, co-written by an archaeologist and an anthropologist and translated here into English for the first time, seeks to explore the importance of the Lady of Elche, both for students of the past, and for the peoples of Iberia. The authors here explore not only what we know - and still do not know - about her creation, but also engage with key questions about what she represents for the men and women of our time who have questioned, manipulated, admired, loved, and often reinvented the singular beauty of this iconic figure. TABLE OF CONTENTS List of Illustrations Acknowledgements Chapter 1. Introduction A Unique Work A Remarkable History Actors and their Agendas Chapter 2. The Lady and the Discovery of Iberian Art Ilici in the Iberian World A Newly Defined Art From la Alcudia's Soil to the Louvre: How the Discovery Came about An Exceptional Piece Chapter 3. A Century of Discussions about the Lady The First Attempts at Identification: The Moorish Queen, Apollo The Lady and the Archaeologists Iberian or Mediterranean, Goddess or Queen? Chapter 4. Through Artists' Eyes: The Lady from Orientalism to Primitivism and Art Nouveau Painters' Interpretations: Oriental or Hellenizing Iberians and 'Primitives' Ignacio Pinazo Martinez, Art Nouveau Sculptor Chapter 5. Women in Stone, Women in Flesh and Blood The Iberians and Valencian Identity The Lady as Archetypal Valencian Woman The Venus of Arles and the Lady of Elche Female Beauty A 'Living Lady' in Elche Chapter 6. The Lady between Elche and Madrid Ramon Folqu s's Account of the Discovery of the Statue Reasons for Rewriting the Account An Account that Became the 'Official Account' The Lady and the Virgin: Holiness Transferred After Francoism: The Rise of Heritage Manuel and 'His' Lady From Nationalism to Localism Chapter 7. Conclusion Works Cited‎

‎Rodin.‎

‎Paris, PML Editions, 1993. 27 x 37, 112 pp., 62 planches en couleurs, nombreuses illustrations en couleurs et en N/B, reliure d'édition pleine toile + jaquette, très bon état (sauf jaquette très légèrement défraîchie).‎

‎El Miguel-Angel del siglo XX - Le Michel-Ange du XXème siècle‎

‎Ediciones de nuevo arte Thor Dos carré collé In-8 (15,5 x 21,1 cm), dos carré collé, 118 pages, photos en noir et blanc, texte en espagnol et français, sans date, on joint quelques documents complémentaires ; pliure et pelliculage un peu déchiré au dos, bord du premier plat recourbé, pliure au quatrième plat, premier plat inégalement insolé, réparation au corps d'ouvrage, en l'état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Arno Breker, le michel-ange du XXème siècle / Arno Breker, el miguel-angel del siglo XX.‎

‎ Thor Ediciones de Nuevo Arte Thor, Bartcelona, 1976, 118 p., broché, bords de la couverture frottés, bon état pour le reste et intérieur bien propre.‎

‎Bilingue espagnol/français. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

‎Les statues de Paris‎

‎Librairie Renouard, Henri Laurens éditeur, Paris, s.d. [v. 1890] In-12, livre de prix, fer de la ville de Paris sur le premier plat, dos à 4 nerfs orné de caissons à fleurons, titre en lettres dorées, signet, 256 pp. Préface - Charlemagne, parvis Notre-Dame. - Gutenberg, Imprimerie nationale. - Jeanne d'Arc, place des Pyramides. - Bernard Palissy, square Saint-Germain-des-Près. - Henri IV, Pont-Neuf. - Louis XIII, place des Vosges. - Molière, rue Richelieu. - Pascal, square de la Tour ...‎

‎Ouvrage orné de 35 gravures.Un envoi non identifié sur le premier feuillet. --- Plus d'informations sur le site archivesdunord.com‎

‎Les Statues de Paris. ‎

‎ Paris, Henri Laurens, s.d. Un volume in-8 demi chagrin marine, dos à nerfs orné, titre doré, 256 pages, illustrations in-texte. Rousseurs, néanmoins bel exemplaire. ‎

‎ La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné. ‎

‎Les statues de Paris, orné de 35 gravures‎

‎ 1900 percaline éditeur, fers sur les plats. in-12, 256pp., Paris Henri Laurens (1900)‎

‎Bibliothèque d'histoire et d'art. ‎

‎Les statues de Paris, orné de 35 gravures‎

‎ 1900 demi-basane rouge à c. (fer de Lycée), quelques rousseurs. in-12, 256pp., Paris Henri Laurens (1900)‎

‎Michel-Ange. Une vie.‎

‎ 1974 Editions Gallimard, Collection "Idées" - 1974 - In-12, broché, couverture illustrée - 314 p.‎

‎Bon état - Coins très légèrement émoussés Bon ‎

‎Photographie de la collection Félix Potin (4 x 7,5 cm) représentant : Laurent-Honoré Marqueste, sculpteur.‎

‎- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.‎

‎Photo. Sculpteur né à Toulouse en 1848. Photo Pirou. Félix Potin, Début XXe. Vers 1900.‎