‎Cantate pour une mère.‎

‎Editions C.L.D., 1979, grand in-8 reliure toile éditeur sous jaquette, non paginé, (une cinquantaine de pages), illustré de photos de sculptures de Yves Le Pape. Bon état.‎

‎Iets over Christene beeldhouwkunst, inzonderheid te Antwerpen‎

‎Antwerpen, 1920 40pp.+ 4 platen buiten tekst, 20cm., in de reeks "Verhandelingen van de Algemeene Katholieke Vlaamsche Hoogeschooluitbreiding" nr.185, S79019‎

‎"Formations Déformations - La Stylistique Ornementale dans la Sculpture Romane"‎

‎"1986. Paris Éditions Flammarion 1986. Broché 15 5 cm x 24 cm 243 pages photos noir & blanc hors-texte illustrations noir & blanc in-texte. Texte et dessins de Jurgis Baltrusaitis. Etat neuf" ‎

‎Plumages.‎

‎ La Borne 1985 La Borne, 92p, 1985, in-8 broché avec emboitage. Tirage à 700 exemplaires (N° 119). Très bon état.‎

‎ Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

‎L'ART OCEANIEN.‎

‎Citadelles & Mazenod Paris 1993 Fort in-4 carré ( 320 X 255 mm ) de 637 pages, pleine toile sous jaquette illustrée en couleurs. Superbe et abondante iconographie en couleurs et en noir dans et hors-texte. Très bel exemplaire en parfait état.‎

‎Veit Stoss in Nürnberg‎

‎Germanisches National Museum, Nürnberg, 1983. In-4, broché sous jaquette illustrée en couleur, 366 pp. Contributions de Michael Baxandall, Alfred Schädler, Eduard Isphording, Rainer Brandl, Leonie von Wilckens, Ulrich Schneider, Jôrg Rasmusse, Heinz Stafski, Klaus Pechstein, Rainer Schoch.‎

‎Avec 203 illustrations et planches en noir et en couleur.Texte en langue allemande. --- Plus d'informations sur le site archivesdunord.com‎

‎KAJ-FICAJA-PASSEPORT 93-94 ‎

‎COLLECTION PASSEPORT-38 PAGES-16,2 CM X 21 CM-(E1025)‎

‎FRAGMENTS COUVERTURE SOUPLE ETAT NEUF‎

‎LE MUSEE NATIONAL - ATHENES‎

‎GRANGE BATELIERE. 1973. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 139 pages. Couverture illustrée en couleur, légèrement abîmée. Nombreuses illustrations en couleur dans le texte et hors texte.. Avec Jaquette. . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎ Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Modern art of Japan since 1950 : Sculpture. Masterpieces in the Museum.‎

‎ Keishosha publishing 1985 1 vol. relié in-4, cartonnage sous jaquette et étui illustrés, 215 pp., nombreuses photos en couleurs. Texte bilingue anglais-japonais. Très bon état.‎

‎Espaces et volumes - Collection Créations artistiques.‎

‎Dessain & Tolra. 1972. In-8. Relié. Etat d'usage, Coins frottés, Coiffe en tête abîmée, Papier jauni. 75 pages, nombreuses photos et illustrations en noir et blanc et en couleur dans et hors texte - annotations à l'encre sur la page de garde et quelques pages ne génant pas la lecture - coiffes abimées.. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Collection Créations artistiques. Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Kunstschatten uit Freiburg. Een Keuze uit de Collectie‎

‎Utrecht, Rijksmus.Catharijneconvent, 1987 Originele geillustreerde uitgeversomslag in kleur, 21x29,5cm, 80pp, geillustreerd in kleur en z/w. ISBN 9789071240065.‎

‎Een keuze uit de collectie van het Augustinermuseum.‎

‎Sculptures from Salamis. Vol. 1 ‎

‎Nicosie, Département des Antiquités de Chypre, 1964, in-4 cartonnage toile (24 x 29,5), VII-56 p., texte en anglais, avec la collaboration de Cornelius C. Vermeule, 54 planches, 2 plans dépliants volants sous pochette, jaquette un peu frottée aux coins, livre lui-même en bon état. ‎

‎Ce volume décrit les sculptures qui ont été découvertes dans le Gymnasium et le Théâtre de Salamis. ‎

‎TRAITE PRATIQUE DES PEINTURES SUR ETOFFES. éventails sur soie, peau, gaze, etc. Peintures décoratives sur velours, satin, tissus divers,‎

‎H. LAURENS. Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 78 pages; Frontispice en noir et blanc. Nombreuses illustrations en noir et blanc, hors texte.. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Petite bibliothèque illustrée de l'enseignement pratique des beaux-arts. Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Sculture del Magazzino del Museo Vaticano [2 volumes] I: Testo, II: Tavole‎

‎Citta del Vaticano, 1936-1937 Complete in 2 volumes, I: xxi,315,[2] pp. (text), II: 116 bl/w plates with over 700 ills., 35cm., in the series "Monumenti Vaticani di Archeologia e d'Arte" volume IV, text in Italian, publisher's hardcover bindings in blue cloth (corners and spine's edges slightly used), text and plates clean and bright, good condition, weight: 3.8kg., S102111‎

‎Making of Hispano-Flemish Style Art, Commerce, and Politics in Fifteenth-Century Castile‎

‎, Brepols - Harvey Miller, 2015 Hardcover with dusjacket - X+228 pages., 132 b/w ill. + 34 colour ill., 210 x 297 mm, Languages: English. FINE ISBN 9782503546247.‎

‎This book examines the phenomenon of "Hispano-Flemish" style in fifteenth-century Castile, providing an account of its most important monuments and describing the ways in which it is embedded in specific social and cultural settings. Trade, diplomacy, and immigration account for the widespread presence of art and artists from northern Europe in Castile during the period and these mechanisms of international contact and exchange are the starting point for this inquiry. Chapter one details commercial relations between Castile and the art-producing centers of northern Europe, stressing the dominant role of merchants from Burgos and documenting the prevalence of imported luxuries like tapestries, paintings, and sculpture. The presence of imported artworks in Castile was paralleled by a similarly robust number of immigrant artists, some itinerant and others attached to permanent workshops. Their influence is discussed in chapter two, with emphasis on the establishment of multi-generational family workshops under the direction of immigrant masters. Such workshops rooted foreign styles on Castilian soil and decisively influenced the ways in which visual conventions were learned, transformed, and transferred. The receptivity of patrons to the visual qualities of the imported style is analyzed in relation to its capacity to assert emerging social, political, and spiritual values. The adoption of northern forms in Castile, first detected in the sculptural decoration of funerary chapels of the mid-1430s, was sustained for the rest of the century, culminating in the completion of the monastery of Miraflores under the patronage of Isabel of Castile. Chapter three outlines the religious, commemorative, and political motives that informed the foundation of the monastery by Juan II and those that animated his daughter?s efforts to complete it. It establishes the chronology of works in relation to historical events and details the intervention of Juan and Simon de Colonia, Gil de Siloe, Juan de Flandes, and others. The reelaboration of Siloe?s northern European sculptural idiom at Miraflores was a distinctive process, stimulated by the demands of his royal patron, conditioned by the practices of a heterogeneous workshop, and obliged to visualize a new concept of royal sovereignty. ‎

‎KASPER ‎

‎PREFACE SERGE MOSCHETTI-TEXTE FRANCAIS ET ANGLAIS-192 PAGES-JAQUETTE-1 DECHIRURE 1,5 CM MARGE INF DU DOS DE JAQUETTE SINON ETAT NEUF-(300H)‎

5 Images

‎FRAGMENTS EDITIONS COUVERTURE RIGIDE ETAT COMME NEUF‎

‎Kasper. Préface Serge Moschetti‎

‎Paris Fragments 2005 In-4 (h. 31 cm.) 190 pp/ couverture cartonnée, jaquette illustrée. Nombreuses illustrations en couleurs.‎

9 Images

‎Exemplaire dédicacé par l'artiste et orné d'un dessin représenant une licorne sur la page de garde. Ouvrage de référence sur ce sculpteur. Libraire membre du S.L.A.M. (Syndicat national de la Librairie Ancienne et Moderne) et de la L.I.L.A. (Ligue Internationale de la Librairie Ancienne). N'hésitez pas à prendre contact par mail pour des photographies et des détails supplémentaires, pour des recherches ou des estimations de livres anciens et rares.‎

‎MARIENBILD IN RHEINLAND UND WESTFALEN.‎

‎, Essen, Villa Hugel, 1968., Brosschiert, Original-Umschlag illustriert (photo) koloriert, 24x16,5cm, 194pp + 360 abbildungen s/w.‎

‎MENSCHEN GLEICH. DIE SUCHE NACH DEM CHRISTUSBILD.‎

‎, Trier, Selbstverlag, 1996., Original - Umschlag illustriert koloriert, 23x30cm, 234pp, illustriert koloriert und s/w. ISBN 3980238571.‎

‎HYPER SENSIBLE - HYPER SENSITIVE Un regard sur la sculpture hyperr aliste - A perspective on hyperrealistic sculpture‎

‎, Silvana Editoriale, 2023 PB, 290 x 230 mm, 240 p, 100 illustraties, EN-FR edition, NEW / NOUVEAU,; ***Expo: 07/04/2023 - 03/09/2023, Mus e d'Art de Nantes. ISBN 9788836653638.‎

‎For its major exhibition 2023, the Mus e d'arts de Nantes looks at hyperrealistic sculpture. Since the 1990s there has been a renewed interest in this art form which has rarely been exhibited in France since its birth in the United States during the 1960s. Through over thirty works by eleven international sculptors, some of which have never been exhibited before, the Mus e d'arts explores the profoundly human and sensitive characteristics of these meticulously realistic sculptures, and the striking illusions they create. A sensory experience and not-to-be-missed event! The artists exhibited Gilles Barbier, Berlinde De Bruyckere, John DeAndrea, Daniel Firman, Duane Hanson, Sam Jinks, Tony Matelli, Saana Murtti, Evan Penny, Marc Sijan and Tip Toland‎

‎Riemenschneider in Situ.‎

‎, Brepols - Harvey Miller, 2022 Hardback, 416 pages, Size:225 x 300 mm, Illustrations:33 b/w, 222 col., 1 maps b/w, Language: English. *NEW ISBN 9781912554454.‎

‎Summary Riemenschneider in Situ presents the newest research on the work of one of the most famous late medieval and early Renaissance sculptors, Tilman Riemenschneider. Moving beyond questions of style, date, and workshop practice, this volume investigates the sculptor's programs across the south German region of Franconia that survive in situ, within the particular contexts for which they were designed and in which they were originally experienced. In shifting the focus from fragmentary pieces in museum collections to extant installations in their original church settings, the volume contributes to a wave of scholarship interested in reanimating medieval artistic ensembles by considering them as complex visual environments. Together, the authors?conservators, museum professionals, and art historians?provide an essential and overdue study of Riemenschneider's best-preserved pieces, while also making an important, collaborative addition to the broader discipline of pre-modern art history. TABLE OF CONTENTS Karin and Eike Oellermann, Hartmut Krohm, 1940-2018 Julien Chapuis, Seeing and Exhibiting Riemenschneider Katherine M. Boivin and Gregory C. Bryda, Introduction PART 1: PLACE AND PLACEMENT Chapter 1: Jeffrey Chipps Smith , The Historiography of Place in Early Riemenschneider Scholarship Chapter 2: Katherine M. Boivin, The Topography of a Style Chapter 3: Volker Schaible, The Marian Retable by Tilman Riemenschneider in the Church of Our Lord in Creglingen: Results of a Technical Investigation Chapter 4: Matthias Weniger, Riemenschneider's Altarpieces from the Perspective of a Museum Collection PART 2: DYNAMIC ENVIRONMENTS Chapter 5: Johannes Tripps, Space, Light, and Liturgical Plays as a Source of Inspiration for Riemenschneider's Altarpieces Chapter 6: Thierry Greub, Placement and Replacement: Tilman Riemenschneider's Holy Blood Altarpiece in Rothenburg ob der Tauber and its Function in Liturgical Context Chapter 7: Mitchell B. Merback, Immanence and Intercession: Rooted Sanctity and the Creglingen Marienaltar Chapter 8: Tim Juckes, The Creglingen Altarpiece and its Multimedia Environment: Metamorphoses of a Furnishing Ensemble in Sacred Space ca. 1460-1510 PART 3: SURFACE AND COMPOSITION Chapter 9: Hartmut Krohm, Folding Textures and Rhetoric: Observations on the Manipulation of Light as an Artistic Factor in the Work of Riemenschneider and his Contemporaries Chapter 10: Ruth Ezra, Seeing Stoss in Riemenschneider's Resurrection Chapter 11: Georg Habenicht, Riemenschneider Uncolored Chapter 12: Michele Marincola and Anna Serotta, Riemenschneider's Assumption Altarpiece in the Church of Our Lord, Creglingen: A Review of its Restoration History and the Application of a New Examination Method Chapter 13: Assaf Pinkus, Compilatio at the Portal: The Last Judgment of Bern Minster Afterword: Oliver Gussmann, Riemenschneider's Holy Blood Altarpiece in its Present Ecclesiastical and Touristic Contexts in the Church of St. James in Rothenburg ob der Tauber Bibliography‎

‎Raffaele Riario, Jacopo Galli, and Michelangelo?s Bacchus, 1471*1572‎

‎, Brepols - Harvey Miller, 2025 Hardback, Pages: 407 pages, Size:220 x 280 mm Illustrations:37 b/w, 206 col., 3 maps color Language:English *new. ISBN 9781915487117.‎

‎Summary On Michelangelo?s first day in Rome, in June 1496, Cardinal Raffaele Riario asked him if he could create ?something beautiful? in competition with the antique. The twenty-one-year old sculptor responded to this unique challenge with the statue of Bacchus now in the Bargello museum. This statue, as well as the Sleeping Cupid which first brought Michelangelo to Riario?s attention, have long been shrouded in mystery, and the Bacchus as well as its patron have long suffered from critical censure. Through a comprehensive analysis of overlooked and previously-unpublished sources, this study sheds new light on the Sleeping Cupid, the Bacchus, and a fascinating period in the history of Renaissance Rome when the careers of Riario, Galli, and Michelangelo were closely intertwined. It considers the rise of the Riario dynasty starting with the election of Pope Sixtus IV in 1471, Riario?s partnership with Jacopo Galli in the reconstruction of the palace now known as the Palazzo della Cancelleria, the attempted sale of Michelangelo?s Sleeping Cupid in Rome as an antiquity, Riario?s patronage of the Bacchus, and the Bacchus?s display in the house of the Galli up until its sale to the Medici in 1572. Taking a broad, interdisciplinary perspective, it offers a fundamental reassessment of Cardinal Riario?s career as a patron, of Jacopo Galli?s role as an intermediary for both Riario and Michelangelo, and of Michelangelo?s collaboration with Riario and Galli. TABLE OF CONTENTS Author?s Preface Chapter 1: Introduction Chapter 2: The Rise of the Riario, 1471?1484 Chapter 3: Cardinal Riario, the Galli, and the Reconstruction of San Lorenzo in Damaso, 1484?1499 Chapter 4: Familiars, Humanists, and Preachers, 1480s?1490s Chapter 5: Artists, Antiquities, and a Vigna in Trastevere, 1480s?1490s Chapter 6: The Case of the Sleeping Cupid, 1496 Chapter 7: Raffaele Riario?s Bacchus, 1496?1497 Chapter 8: Jacopo Galli?s Bacchus, 1497?1505 Chapter 9: The Bacchus in the Houses of the Galli, 1505?1572 Epilogue Appendix I: English Translation and Latin Text of Bernardino Capella and Gaspare Manio de Clodiis, Eclogue and Panegyrics for Cardinal Riario Appendix II: Sources and Documents in the Original Language Bibliography Index‎

‎HISTOIRE MONDIALE DE LA SCULPTURE - EGYPTE‎

‎HACHETTE REALITES. 1978. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 191 pages. Nombreuses photos en noir et blanc ainsi qu'en couleurs dans le texte et hors texte.. Avec Jaquette. . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎ Classification Dewey : 730-Arts plastiques. Sculpture‎

‎L'art de l'ancienne Egypte‎

‎Citadelles & Mazenod | Paris 1973 | 25.50 x 32 cm | reliure de l'éditeur‎

‎Edition originale. Reliure de l'éditeur en pleine toile écrue, dos lisse, exemplaire complet de sa jaquette illustrée qui comporte une légère déchirure en tête du dos. Riche iconographie. Bel exemplaire. - Photographies et détails sur www.Edition-Originale.com -‎

‎Ivan Mestrovic.‎

‎New-York etc. ; McGraw-Hill Company, s.d.; in-4, cartonnage entoilé, jaquette illustrée. ‎

‎256 reproductions dont 56 en couleurs.‎