‎ROSNY SUR SEINE où est né Sully. Notice historique.‎

‎Paris Plon 1889. Grand in-8 broché II 413pp. Orné d'une gravure en frontispice, 1 figure dans le texte, 8 planches hors texte dont 2 sur double page (y compris celle regroupant 11 armoiries en couleurs).‎

‎Dos factice, quelques rousseurs, petits manques de papier en bordure de certaines pages. Bien complet de toutes ses pièces.‎

‎Backstage Pass : Rock & Roll Photography‎

‎, Yale University Press, 2009 Paperback, 128 pages, ENG, 280 x 245 x 10 mm, NEW, illustrated in colour / b/w. ISBN 9780300151633.‎

‎This striking collection of photographs features nearly every important figure in the world of rock & roll, from Elvis to Eric Clapton, the Beatles to Bob Dylan, Jimi Hendrix to John Coltrane. Many of the nearly one hundred images have rarely been published, and all reveal fascinating glimpses of celebrities off stage, away from the glare of the spotlights. Shot from the mid-fifties to the mid-nineties, the portraits often have a spontaneous, informal, and everyday feel, and most record their subjects before they had become immensely famous--and well practiced in posing for photographs. The more than fifty photographers who contribute to the volume are among the most talented in their field, including Lee Friedlander, Lynn Goldsmith, Bob Gruen, Mick Rock, and many more. Three original essays address topics suggested by the photographs. The authors discuss the coded nature of celebrity portraiture, the 1970s music scene in New York City, the frank sexuality of rock musicians, and how the Beatles' look evolved over time. This book will be treasured not only by fans of rock & roll music and admirers of photographic portraits, but also by those who remember the vanished time when photographers had genuine access to performers, and were a crucial element in the worlds they were documenting.‎

‎Frank Lloyd Wright‎

‎Academy Editions 1981 In-8 relié. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎Gli autografi di Tommaso d'Aquino‎

‎, Brepols, 2021 Hardback, xx + 156 pages, Size:155 x 245 mm, Illustrations:291 b/w, 3 col., 1 tables b/w., Language(s):Italian, Latin. ISBN 9782503597898.‎

‎Summary Di Tommaso d'Aquino, il più noto e studiato teologo medievale, ci sono giunti cinque testi autografi, che vengono presentati qui per la prima volta all'interno di uno studio complessivo. La scrittura che li caratterizza è talmente ostica da essersi guadagnata, già nel Medioevo, l'appellativo di littera inintelligibilis, e spesso viene considerata una scrittura assolutamente personale. Quando si studiano le opere di un uomo considerato eccezionale, in effetti, è facile incorrere nell'errore di giudicare anomalo, o straordinario, tutto ciò che egli produsse, anche sul piano materiale. Obiettivo principale di questo lavoro è quello di descrivere la scrittura di Tommaso e di inserirla nel suo contesto, esaminandola come un'espressione della scrittura dei dotti del tempo. Il volume è suddiviso in tre parti. Dopo una descrizione codicologica dei manoscritti conservati, ci si concentra sulla scrittura attraverso una minuziosa descrizione dei fatti grafici. Infine, a partire dagli elementi materiali ricavati dall'esame degli autografi, viene esaminato il metodo di lavoro seguito da Tommaso e dai suoi collaboratori. Il punto di vista privilegiato è quello della storia della cultura scritta: gli autografi di Tommaso sono analizzati nella loro materialità come testimonianze importanti che aprono spiragli di conoscenza sul lavoro intellettuale nel medioevo.‎

‎Constructing Iberian Identities, 1000-1700‎

‎, Brepols, 2022 Hardback, 244 pages, Size:156 x 234 mm, Illustrations:4 col., Language: English. ISBN 9782503596303.‎

‎Summary Over the past several decades, scholars of medieval and early modern Iberia have transformed the study of the region into one of the most vibrant areas of research today. This volume brings together twelve essays from a diverse group of international historians who explore the formation of the multiple and overlapping identities, both individual and collective, that made up the Iberian peninsula during the eleventh through seventeenth centuries. Individually, the contributions in this volume engage with the notion of identity in varied ways, including the formation of collective identities at the level of the late medieval city, the use of writing and political discourse to construct or promote common political or socio-cultural identities, the role of encounters with states and cultures beyond the peninsula in identity formation, and the ongoing debates surrounding the peninsula's characteristic ethno-religious pluralism.Collectively, these essays challenge the traditional dividing line between the medieval and early modern periods, providing a broader framework for approaching Iberia's fragmented yet interconnected internal dynamics while simultaneously reflecting on the implications of Iberia's positioning within the broader Mediterranean and Atlantic worlds. TABLE OF CONTENTS Constructing Iberian Identities, 1000-1700: Introduction ? Thomas W. Barton, Marie A. Kelleher, and Antonio M. Zaldívar Urban Communities Landscapes of Salvation, Landscapes of Power: Jews, Christians, and Urban Space in Fourteenth- Century Seville ? Maya Soifer Irish From the Mediterranean to the Atlantic: The Role of the Town- Ports of Northern Iberia in the First Internationalization of the European Economy in the Middle Ages ? Jesús Ángel Solórzano Telechea The Fiscal Dialogue at the Castilian Cortes of Madrigal of 1438-55 ? Denis Menjot Ethno- Religious Self- Fashionings Ruling Between and Across the Lines: Liminal Identities and Political Legitimacy in al-Andalus ? Travis Bruce The Medieval/Early Modern Divide along the Franco- Spanish Border ? Francesca Trivellato The Declinacion of the Hidden One: Encubertismo during the Reigns of the Later Spanish Habsburgs ? Bryan Givens Writing, History, and Political Authority Reconsidering the Shift from Latin to Romance in the Castilian Chancery: A Historiographic Review ? Antonio M. Zaldívar History Writing in Spain from Humanism to Counter- Reformation: On Deeds, Books, and Truth ?Xavier Gil 'Above all, to thine own self be true': Pedro de Valencia, Self- Censorship, and the (Unwritten) History of Chile ? Richard L. Kagan Mobility and Encounter Medieval Encounters Between Iberia, the Mediterranean, and Asia Myths and Realities ? Francisco García- Serrano Intertwining Granada and North Africa: New Evidence on Diplomatic Contacts, Naval Power, Mobility, and Family Ties in the Late Medieval Western Islamic Mediterranean ? Roser Salicrú i Lluch An Infanta Travels: Catalina of Aragon, 1485-1501 ? Theresa Earenfight Afterword ? Teofilo F. Ruiz *** Index‎

‎Paul Coldwell: A Layered Practice, Graphic Works 1993-2012‎

‎Kent, England,, Studio 3 Gallery, 2012 Original publisher's paper covered boards, 96 pages, 24 x 19 cm. EN. ISBN 9781902671819.‎

‎Paul Coldwell: A Layered Practice, Graphic Works 1993-2012‎

‎Global Gold : Aesthetics, Material Desires, Economies in the Late Medieval and Early Modern World ‎

‎Harvard, Harvard University Press, 2024 Original publishers paper-covered boards, 297 pages, 24 x 17 cm. ISBN 9780674296176.‎

‎The interdisciplinary essays in Global Gold-by scholars of European, American, African, and Asian history and art history-explore gold's monetary, economic, and aesthetic roles within the crucible of a unique historical period of transition, conquest, and the exploitation of natural and human resources.‎

‎O-Luce di Giuseppe Ostuni: A Catalogue Raisonné (2 volumes) O-LUCE ‎

‎, Lumi Press, 2021 hardcovers, 2 volumes, 480 pages 642 illustrations + 612 pages, 736 illustrations, 29,5 x 29,5 cm. text in German / English.‎

‎Ostuni's passion for light and lighting, coupled with his desire to make good lighting affordable for everyone, has resulted in the most beautiful lighting units, presented here in their entirety for the first time. Volume 1 paints a comprehensive picture of O-Luce?s company history and takes a look at the life story of its founder, Giuseppe Ostuni. Originally from Trieste, he founded his company O-Luce in Milan at the age of 40 and went on to become a pioneer of innovative, modern lighting units. Ostuni?s brother Angelo, together with Franco Buzzi, were the first to make O-Luce known beyond the borders of Italy and were key in shaping light design in the early 1950s. New materials, such as Perspex and industrial glass, or new light source technologies such as the Cornalux or halogen light, had a decisive influence on the design of modern lighting and here too Ostuni and his young designers, above all Tito Agnoli, Joe Colombo and Bruno Gecchelin, were at the forefront of lighting design. Volume 2 presents all the sources and historical evidence on which the catalogue raisonné is based. After a detailed overview of Ostuni?s systematics, Biographies introduces the most important of his designers. The main body of the second volume is comprised of the catalogue raisonné, which is divided into four sections: wall lamps, table lamps, floor lamps and ceiling lamps, containing a total of over 560 lamps. Each lighting unit is described with its model number, designer, year of design, materials, dimensions and ? in those cases in which they were published ? bibliographical details. Volume 2 also contains a critical chronological overview of those O-Luce lighting units published in specialised literature, magazines and catalogues at the time. A selected bibliography and a comprehensive index of the relevant figures mentioned concludes the second volume.‎

‎Bibliographie des Pays du Luberon ‎

‎Parc Naturel Régional Du Luberon, Isle sur la Sorgue, 1982. In-8 broché (21,5 x 14,5 cm), 368 pages, Illustrations in-texte et à pleine page. Carte dépliante en fin. Préface, avant propos.-670g.C. - Très bon état‎

‎Revival of Medieval Illumination. Renaissance de l'enluminure médiévale. Nineteenth-Century Belgium Manuscripts and Illuminations from a European Perspective. Manuscrits et enluminures belges du XIXe siecle et leur contexte europeen ENG / FR‎

‎, Leuven University Press / Kadoc, 2007 Hardcover, 336 pages, ENG / FR., 290 x 230 x 27 mm, NEW / NOUVEAU, illustrations in colour / b/w. ISBN 9789058675910.‎

‎The art of illumination, usually associated with the Middle Ages, experienced a spectacular revival in nineteenth-century Western Europe. This completely different context gave the illuminations another import. The output of the lay and religious workshops reveals a great artistic, stylistic, technical, and thematic diversity. The works illuminated go far beyond the world of exceptional and precious manuscripts and include many occasional documents and devotional images.Richly illustrated with unpublished masterworks, The Revival of Medieval Illumination is an overview of the form by fifteen authors who do not limit their approach to the traditional questions of art history. Rather, they explore the historical, sociocultural, ideological and religious components of the revival, which changed according to time and country, in order to understand the evolution and success of the art of illumination in the long nineteenth century. // L'art de l'enluminure, bien connu pour le Moyen Age, fit l?objet d?un regain d?interet spectaculaire au XIXe siecle. Le contexte resolument different leur confere toutefois une autre signification. La production des ateliers civils et religieux presente une grande diversite artistique, stylistique, technique et typologique. Elle excede largement le monde des manuscrits exceptionnels et precieux et comprend nombre de documents de circonstance, de livres d'or, d'images de devotion, etc. Abondamment illustre de chefs-d' oeuvre inedits, le present ouvrage presente pour la premiere fois une vue d?ensemble de l?important phenomene de la renaissance de l?enluminure medievale. Les quinze auteurs n?ont pas voulu se limiter aux questions traditionnelles de l?histoire de l?art. Les composantes historiques, socioculturelles, ideologiques et religieuses de ce phenomene complexe, variant dans le temps et selon les pays, sont essentielles pour comprendre l?evolution et le succes de l?art de l?enluminure au XIXe siecle.‎

‎folios introductifs de l'Antiphonaire de León (Archivo de la Catedral de León, ms. 8, fol. 1-27). Étude et édition‎

‎, Brepols, 2024 Hardback, 500 pages, Size:216 x 280 mm, Illustrations:46 b/w, 44 col., 30 tables b/w., Language(s):French, English, Spanish. ISBN 9782503593913.‎

‎Summary L'Antiphonaire de León, «?joyau des antiphonaires latins?» (dom Louis Brou), est le seul complet de l'ancienne liturgie hispanique. Conservé à la cathédrale de León et daté du dixième siècle, il est introduit par vingt-sept folios qui appartiennent très certainement au manuscrit originel. Encore largement méconnus malgré leur grande richesse, ces folios contiennent des textes littéraires et liturgiques, un calendrier, des miniatures, des tableaux et des roues de comput, ainsi qu'un traité de comput. L'édition de ces pièces - à l'exception du traité - et leur analyse pluridisciplinaire (codicologique, paléographique, iconographique, littéraire, musicologique, liturgique et computistique) permettent d'étudier en profondeur la vie religieuse et la culture de cette époque, l'importance de l'héritage wisigothique, les influences venues du monde ultra-pyrénéen, ainsi que les origines et les remaniements de ce codex. Ces folios introductifs constituent tout à la fois la porte d'entrée et la clef de lecture d'un manuscrit dont l'histoire se trouve au c?ur des grands enjeux de son temps?: réalisé pour le monastère San Cipriano del Condado, il fut vite transféré au monastère Santiago de León puis au chapitre de la cathédrale. Bien que proche des centres de pouvoir - il comporte les seings du roi Ferdinand Ier et de ses fils -, il sombra dans l'oubli lorsque son fils Alphonse VI accepta en 1080 de renoncer à la liturgie hispanique et d'adopter, à la demande du pape Grégoire VII, le rit romain. Cette étude participe à sa redécouverte. TABLE OF CONTENTS Thomas Deswarte, Introduction Études Thomas Deswarte, Origine et vicissitudes de l'Antiphonaire de León: de la codicologie à l'histoire Eva Castro Caridad, Textos proemiales antiguos y nuevos en el Antifonario de León (L8) Ainoa Castro Correa, Los folios introductorios del Antifonario de León (León, Archivo Capitular, MS 8): análisis paleográfico Emma Hornby and Rebecca Maloy, Notated chant in the opening folios of the León antiphoner Miguel C. Vivancos, El calendario y otros contenidos litúrgicos en los folios introductorios del antifonario de León Immo Warntjes, The computistica of the Antiphonary of León in context Soledad de Silva y Verástegui, La iconografia en los prólogos del Antifonario de la catedral de León Édition des folios 1-28 Thomas Deswarte, Immo Warntjes et Alfred Lohr Glossaire Sources & bibliographie Planches‎

‎Espaces publics, architecture et urbanité de part et d'autre de l'Atlantique. François Thomas (Coordinateur).‎

‎ Saint-Etienne, PUSE, 2002, in 8° broché, 271 pages ; nombreuses illustrations, en noir et en couleurs ; couverture illustrée en couleurs. ‎

‎ ...................... Photos sur demande ..........................‎

‎Commentaries on The Angelic Hierarchy‎

‎, Brepols, 2022 Paperback, 412 pages, Size:156 x 234 mm, Illustrations:2 b/w, Language: English. ISBN 9782503600437.‎

‎Summary Thomas Gallus (d. 1246) was the Abbot of Vercelli in the north of Italy. Initially a canon regular in the abbey of St Victor in Paris, he helped found a new monastery and church in the home town of his patron, Cardinal Guala Bicchieri. As well as commenting on the Canticle of Canticles three times, Thomas was renowned for his expositions of the works of Dionysius the Areopagite, commentaries which earned him the title magister in hierarchia (master of the hierarchies). This volume contains the first translation in any language of his Glosses on the Angelic (or Celestial) Hierarchy (completed in 1224), as well as his more detailed Explanation of the Angelic Hierarchy (finished in 1243). The commentaries are fascinating for their insights into Thomas's teaching that love has a higher access to an experience of God than the intellect, the role of the angelic hierarchies in the mystical return of the soul, the psychological interpretation of the angels as representing faculties of the soul, and the use of symbols representing analogical features of the divine. The source text of this volume appeared in Corpus Christianorum, Continuatio Mediaeualis as Thomas Gallus, Super angelica ierarchia (CCCM, 223) and Glose super angelica ierarchia (CC CM, 223A). References to the corresponding pages of the Corpus Christianorum edition are provided in the margins of this translation. TABLE OF CONTENTS Abbreviations Introduction Bibliography The Explanation of the Angelic Hierarchy Glosses on the Angelic Hierarchy Glossary Indexes‎

‎Vitruvius on Architecture‎

‎The Monacelli Press 2003 Livre en anglais. In-4 broché 27 cm sur 21,5. 232 pages. Couverture souple rempliée. Nombreux plans et illustrations en noir et blanc. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎Toren versus traditie. De worsteling van classicistische architecten met een middeleeuws fenomeen.‎

‎, Primavera Pers, 2015 Hardcover, 288 pagina's, ca. 400 illustraties in kleur. ISBN 9789059971646.‎

‎Torens behoren vanouds tot de belangrijkste bakens in het Nederlandse landschap. Zij golden als het waarmerk van steden en dorpen, waarvan zij het silhouet domineerden en vormden een onmisbaar onderdeel van romaanse en gotische kerken, later ook van stadhuizen. In dat opzicht is hun grootschalige voorkomen een erfenis van de middeleeuwen: in de klassieke oudheid speelden torens een veel minder grote rol. Bij Romeinse tempels kwamen zij bijvoorbeeld niet voor. Dat gegeven werd van belang toen, vanaf de renaissance, architecten gingen teruggrijpen op de principes van de antieke wereld. Het conflict tussen een gotische traditie, die een toren verlangde, en een klassieke leer die deze als in strijd met de meest fundamentele eigen principes moest afwijzen, vormt de rode draad in Toren versus traditie. Hoe gingen classicistische architecten op het grondgebied van het huidige Nederland in de zestiende, zeventiende en achttiende eeuw met dit probleem om? Dit rijk geillustreerde boek volgt hun worsteling aan de hand van tientallen bekende en minder bekende kerk- en stadhuistorens binnen en buiten de huidige landsgrenzen. Deze uitgave kwam tot stand in samenwerking met de Rijksdienst voor het Cultureel Erfgoed.‎

‎La divine proportion & l'art de la geometrie. Etudes de symbolique chretienne.‎

‎Arché Milano 1993 In-8 carré ( 210 X 150 mm ) de 236 pages, broché sous couverture imprimée. Très bel exemplaire.+++‎

‎MÉMOIRES HISTORIQUES SUR MONTPELLIER et sur le département de l'Hérault. Recueil comprenant l'histoire de l'église cathédrale St Pierre, de l'église Notre-Dame-des-Tables, de la statue équestre de Louis XIV, de la Place du Peyrou où elle fut érigée et des notices sur le département de.. ‎

‎Paris Chez Gabon, Libraire 1827 in 8 (21x13,5) 1 volume reliure demi basane rouge de l'époque, dos à nerfs, XII et 468 pages, avec une carte gravée hors-texte. Recueil comprenant l'histoire de l'Eglise cathédrale St-Pierre, de l'Eglise Notre-Dame-des-Tables, de la statue équestre de Louis XIV, de la Place du Peyrou où elle fut érigée et des notices sur le département de l'Hérault, et sur la Voie Romaine qui le traverse. Thomas Jean-Pierre, Archiviste du Département de l'Hérault de 1791 à 1820, grand historien de Montpellier. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Couverture rigide ‎

‎MÉMOIRE SUR LA PLACE ROYALE DU PEYROU ‎

‎Montpellier Edition de l'Entente Bibliophile 1981 in 8 (21,5x14) 1 volume broché, frontispice, 165 pages. Publiés pour la première fois in extenso sur le manuscrit autographe retrouvé de ce grand historien de Montpellier. Présenté par M. Gaston Vidal, Président de l'Entente Bibliophile de Montpellier, Secrétaire perpétuel de l'Académie des Sciences et Lettres de Montpellier. Edition originale hors-commerce tirée à 350 exemplaires numérotés sur papier offset des papeteries navarre. Thomas Jean-Pierre, Archiviste du Département de l'Hérault de 1791 à 1820. Très bel exemplaire ‎

‎Très bon Ed. numérotée ‎

‎Illuminating the Renaissance : The Triumph of Flemish Manuscript Painting in Europe‎

‎, Getty Trust Publications, 2004 Hardcover, 575 pages, English, 315 x 240 x 50 mm, In Good Condition !!, red cloth with goldcoloured imprint, illustrated dustjacket, with coloured / b/w illustrations. ISBN 9780892367030.‎

‎This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period - beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening - the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of colour, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Focusing on the notable artists of the period - Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others - the catalogue examines both devotional and secular manuscript illumination within a broad context: the place of illuminators within the visual arts, including artistic exchange between book painters and panel painters; the role of court patronage and the emergence of personal libraries; and the international appeal of the new Flemish illumination style.‎

‎Simple guide pour la visite de l'eglise Saint-Ouen de Pont-Audemer.‎

‎Paris, Aulard, 1953 Broche, 32pp., 13.5x21cm., ills. en n/b, bon etat.‎

‎Marilyn Monroe : Life of a Legend‎

‎, Thomas Levy, 2003 Paperback, 192 pages, ENG, 260 x 240 x 13 mm, New, illustrated in colour / b/w. ISBN 9783924747930.‎

‎This catolouge is devoted to the world premiere exhibition of the biggest ever exhibition devoted to the life of the ultimate screen icon, Marilyn Monroe - Life of a Legend; Marilyn Monroe - Life of a Legend catalouge is devoted to the world premiere of the biggest ever exhibition devoted to the life of the ultimate screen icon, Marilyn Monroe. Renowned for her sensuality and sexuality, Marilyn Manroe has inspired generations of artists. The catalogue showcases over 250 works form over 70 famous artists and renowned phographers. As a lasting tribute to her popularity this extraordinary catalouge charts every stage of the bittersweet story of Monroe's life and career.‎

‎Carl Burckhardt 1878-1923‎

‎, Merian Verlag, 2018 softcover, Italienisch, Deutsch. 256 Seiten, 200 Abb. (davon 200 farbig). 22 x 29 cm. 1,1 kg. Paperback with flaps. . ISBN 9783952471241.‎

‎. Exhib'publication. Kunstmuseum Basel. Der Basler Bildhauer Carl Burckhardt (Lindau 1878 ? Ligornetto 1923) gilt als Vater der modernen Schweizer Plastik. Obgleich er beachtliche Skulpturen im öffentlichen Raum hinterliess und sich auch auf kunsttheoretischer Ebene für eine Erneuerung der Bildhauerei in der Schweiz einsetzte, wurden ihm bisher nur wenige Studien gewidmet. Diese Publikation begleitet und ergänzt eine Ausstellung, des Museo Vincenzo Vela in Ligornetto, welche später in veränderter Form auch im Kunstmuseum Basel gezeigt wird. Ziel der Publikation ist es, den vielseitigen Künstler, der gleichermassen als Maler und Bildhauer tätig war, einem breiteren Publikum zugänglich zu machen. Näher beleuchtet werden unter anderem sein Verhältnis zur antiken Kunst sowie sein Interesse für die Plastik seiner Zeit.‎

‎Ruines de Paestum‎

‎Farnborough, Gregg International Publishers, 1969 Original blue cloth, gilt titling to the front board and the spine, Folio,45cm by 31cm, 53 pages, 25 plates (planches I-XVIII, XIX.A, XIX.B, XX-XXIV), 6 text illustrations (planches XXV-XXX). FR.text. ISBN 0576153877.‎

‎Les Ruines de Paestum ‎

‎VIEILLES MAISONS FRANCAISES N°110 - PATRIMOINE DES ARDENNES10Présentation,par Marcel Thomas11Carte12Une dominante : l'architecture fortifiée, par Bertrand Goguel14 Une gentilhommière du XVIe siècle : Remilly-les-Pothées‎

‎VIEILLES MAISONS FRANCAISES. NOV-DEC 1985. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 101 pages. Nombreuses photos en noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎Sommaire : PATRIMOINE DES ARDENNES10Présentation,par Marcel Thomas11Carte12Une dominante : l'architecture fortifiée, par Bertrand Goguel14 Une gentilhommière du XVIe siècle : Remilly-les-Pothées, par Marcel Méhaut16 Châteaux, maisons et fermes fortes24 Une église fortifiée : Saint-Léger de Monthermé, par Bertrand Goguel26 Ces églises fortes, refuges des populations30 Montcornet, une forteresse aux marches du royaume,par Bernard Lussigny32 La citadelle de Mézières, par Bertrand Goguel34 L'étoile de Rocroi : quatre siècles d'architecture militaire, par Marie-France Barbe36 Charlemont-Givet : un répertoire de la fortification moderne, par Patrice Bertrand38 Ampleur et complexité du château fort de Sedan,par Paulette Salmon40 Charleville au xvne siècle ou la naissance de l'urbanisme, par Martine lllaire44 Le vieux Sedan : un décor architectural raffiné,par Philippe Mathieu46 Architecture et industrie, par Jean-Marie Schmittel56 De l'Empire au Royaume, chronique de l’architecture religieuse, par Patrice Bertrand64 Ardoise, fer et pans de bois : l’habitat rural ardennais, par Alain Tourneux70 Des écrivains ont sillonné les Ardennes, par Marcel MéhautACTUALITÉ DU PATRIMOINE72Informations V.M.F.73Monuments 76 PédagogieExpositionsFISCALITÉ81 Immeubles protégés : maintien des disposi tions fiscales en vigueurMONUMENTS EN PÉRIL86 Donner des maisons aux artistes, par Pierre de LagardeLIVRES88Ouvrages reçus89Bibliothèque V.M.F., par Éric OllivierDIVERS90Délégués V.M.F.91V.M.F. Jeunes92Activités départementales 100 CarnetAnnonces Classification Dewey : 720-Architecture‎

‎PALLADIO - 1508-1580 - Un architecte entre la Renaissance et le baroque‎

‎1998 chez Taschen. In-4, broché, 148 pages. ‎

‎Riche iconographie en couleur. Exemplaire en très bon état. Intérieur frais et agréable. ‎