‎Die Kunstdenkmäler des Kantons Appenzell Ausserrhoden, Band 2: Der Bezirk Mittelland. ‘KDS’, 70.‎

‎Basel, Birkhäuser, 1980, in-4°, XVI + 463 S., mit 484 Abbildungen und 5 Farbtafeln, Original-Leinen.‎

‎Das Bürgerhaus in Schlesien.‎

‎Tübingen, Wasmuth, (1966). 4to. Orig. full cloth with dustjacket. Stamp on titlepage. 142 pp., textillustr., 234 plates and 8 folded plats.‎

‎(Das Deutsche Bürgerhaus VII).‎

‎JACQUES STELLA - ARCHITECTE D.P.L.G - DIPLOME PAR LE GOUVERNEMENT - 1980 - 1990‎

‎ATELIER D'ARCHITECTURE ET D'URBANISME - INGENIERIE DE BATIMENT. 1990. In-4. Cartonné. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. Environ 75 Pages. Nombreuses photos et figures en couleur et en noir et blanc dans et hors texte. Quelques rousseurs sans conséquence pour la lecture.. . . A l'italienne. Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Les jeux et plaisirs de l'enfance, par Jacques Stella. Terminés par Alexandre Chaponnier fils. Avec les quatrains revus et corrigés, auxquels on a joint un texte ecplicatif.‎

‎Paris, chez Chaise Jeune, (um 1800). Quer-8°: 24 x 17 cm, size of plates 14 x 9,5 cms. (12) gest. Tafeln (inkl. Titel) und (11) Bl. Text. Neuer Leinenband, Orig.-Broschur montiert.‎

‎Vgl. Brunet V, 529, zur Orig.-Ausgabe. - Seltene Ausgabe aus dem frühen19. Jhdt.; sie bietet eine Auswahl von zwölf Blättern aus der Ausgabe 1657, zu der Claudine Bouzonnet Stella (1636-1697), die Nichte von Jacques Stella (1596-1657), die Stiche verfertigte. Diese sind hier nachgestochen von Alexandre Chaponnier (oder Chaponnière, 1753-1805) aus Genf, tätig in Paris, einem Meister der Punktiermanier. Die Tafeln zeigen nackte Knaben beim Spiel, z.B. Fechten, Pfeilwerfen, Armbrustschiessen, Schaukeln, Lacrosse u.a. - Leicht gebräunt, etwas fleckig, kl. Wasserrand unten, brauner Abklatsch und Tintenspritzer auf Taf. 3. - The pictures show the following games: The show: La Marelle a Cloche-Pied, Les petits feux, L'escrime, Les Dards, La Crosse, L'Escarpolete, L'Arbalête, La Course du Pot, Le Collin Maillard, Le Traineau et Le Sabot.‎

‎Art & Science of Illuminated Manuscripts: A Handbook‎

‎, Brepols - Harvey Miller 2021, 2021 Hardcover,528 pages , 830 col. ills, 190 x 255 mm, English, . ISBN 9781912554591.‎

‎This book is designed to provide a guide for art historians, conservators and manuscript scholars to understand and support the increasingly popular cross-disciplinary research efforts focused on non-invasive scientific analyses of illuminated manuscripts. The results achieved by the research of the pioneering MINIARE research project based at the Fitzwilliam Museum in Cambridge led to the ground-breaking and acclaimed 2016 exhibition "COLOUR: The Art and Science of Illuminated Manuscripts." This was followed by an international Conference, in which art historians, paper and book conservators, and cultural heritage scientists were brought together to share new recent research not only on manuscripts but also on painting in other media. The Conference proceedings were published in the first two volumes of the HMMIMA series (2017-2018). The present publication includes 6 Essays by way of introducing and explaining the major topics being investigated, including the range of inks, pigments and paint binders used by illuminators; parchment-making; pigment recipes; and model books. The many analytical instruments and techniques that are used to investigate manuscripts are also discussed. Then follow 58 Case Studies of manuscripts from as early as the year 700 up to c.1600. All these are fully illustrated in colour and in great detail, and should act as examples to inform scholars in libraries, museums and other cultural institutions of the benefits of adding scientific tools to the range of methods used to investigate manuscripts.‎

‎Tributes to Elly Miller. Opening Manuscripts‎

‎, Brepols - Harvey Miller, 2024 Hardback, 408 pages, Size:210 x 275 mm, Illustrations:189 col., 1 tables b/w., 6 tables col., Language: English. ISBN 9781915487377.‎

‎Summary Opening Manuscripts, inspired by Elly Miller's passion for manuscripts and her commitment to their study, shines a light on the many ways in which medieval manuscripts can be understood. From the physical unfolding of the parchment to discussions of iconography, dating and influences, over time and across countries, each of the volume's nineteen richly illustrated essays by distinguished scholars in the field asks us to explore a different aspect of the illuminated manuscript. It is a splendid tribute to Elly Miller (1928-2020), the driving force behind Harvey Miller Publishers, who championed medieval art for over half a century. From 1970 to the end of her life, her role as publisher, not only commissioning but also personally editing and designing, was fundamental to the development of the scholarly study and wider appreciation of handwritten and illustrated books of the Middle Ages and the Renaissance.? TABLE OF CONTENTS Preface Introduction 'A Passion for Manuscripts' by Elly Miller, with a foreword by Tamar Miller Wang Paul Binski The Chronology of Matthew Paris's Illustrated Saints' Lives Christopher de Hamel The Patron of the Lambeth Bible Charlotte Deno l Ad mar of Chabannes' Biblical Drawings in Notebook Leiden VLO 15: From the Mystery of Incarnation to Liturgical Drama Kathleen Doyle Opening Up Representations of Saints in English Folded Almanacs Richard Emmerson Visual Signification in the Liber floridus 'Christ between Ecclesia and Synagoga' Joanna Fronska The Images of Gratian: The Author's Portrait and Historical Evidence Gerald Guest Turning to the Masses in the Tr s Riches Heures Deirdre Jackson Portal to Heaven: The Virgin Mary as Gatekeeper in Alfonso X's Cantigas de Santa Maria Susan L'Engle Construing Character and Social Status: Visual Interpretations by Medieval Readers of Roman Law Julian Luxford The Carthusian Miniatures in the Belles Heures of Jean, Duke of Berry James H. Marrow The Gaudechon Hours: An Unpublished Manuscript Illuminated by the Masters of Zweder van Culemborg Michael A. Michael Biblioteca Apostolica Vaticana, MS Vat. Lat. 4757: An Early Fourteenth-Century English Illuminated Vademecum Nigel J. Morgan The Virgin and Child with a Bird in English Art c.1250-c.1350: Passion Symbolism or the Playing Christ Child Lucy Freeman Sandler Pictorial Typology and the Bedford Hours Kathryn A. Smith Opening the Space of the Parchment Roll: Imaging Interiority in Two English Copies of the Septenarium pictum Patricia Stirnemann The Souvigny Bible and the Holy Sepulchre Jenny Stratford A Tudor Treatise on Illumination and Three Antiquarians: Humfrey Wanley, Elizabeth Elstob and George Ballard Federica Toniolo Double Openings Commemorating the First World War: Nestore Leoni and the Revival of Illumination in Italy Roger Wieck The Last Solomon: Lost and Found Index of Manuscripts and Works of Art Cited List of Images‎

‎Art and Science. Volume Two‎

‎, Brepols - Harvey Miller, 2019 Hardback, 224 pages, Size:220 x 280 mm, Illustrations:240 col., Language: English. ISBN 9781912554133.‎

‎TABLE OF CONTENTS VISION, COLOUR AND MEANING Vision and Colour in the Works of Giotto and His Contemporaries - Donal Cooper Robert Grosseteste's De iride and its Addendum in the Vatican Manuscript Barb. Lat. 165: Transmission, Reception, Meaning - Cecilia Panti and Greti Dinkova-Bruun Seeing a Pink Elephant: Creating Meaning through Colour in the Medieval Bestiary - Elizabeth Morrison The Colours of Fortune - Deirdre Jackson ILLUMINATORS' MATERIALS Recipes and Reception: Late Mediaeval English Colour. Recipes and Amateur Illuminators - Mark Clarke Looking for Lichen, Fooled by Folium and Tricked by Tyrian: A Brief Tour and New Research on Purple in Manuscripts - Cheryl Porter, Maurizio Aceto, Elisa Cal , Angelo Agostino, Gaia Fenoglio, Ambra Idone and Monica Gulmini Reflecting a Heavenly Light: Gold and other Metals in Medieval and Renaissance Manuscript Illumination - Nancy Turner Gold or Brass, Silver or Tin: the Analysis of Metals in Medieval Book Illumination - Robert Fuchs, Cologne Institute for Conservation Sciences Pigmenta: Materials for Writing, Painting and Healing - Lea Olsan The Use of Copper Sulphates in Sixteenth-Century Flemish Illumination: Simon Bening as a Case Study - Giulia Bertolotti and Paola Ricciardi ANALYTICAL TECHNIQUES Between Tradition and Innovation: Giving Light to a Visionary Text in the Lorv o Beatus - Maria Jo o Melo, Maria Adelaide Miranda, Rita Castro, Jo o Lopes and Jorge Sarragu a Scientific Study of Cistercian Illuminated Manuscripts: Techniques, Aesthetics and Religion - Catarina Miguel, Angela Nu ez-G itan, Maria Luisa Carvalho and Cristina Barrocas-Diasa Mapping and identification of the pigments used in two illuminations from the Laudario of Sant'Agnese attributed to the Master of the Dominican Effigies - John K. Delaney, Kathryn Dooley, Damon Conover, Lisha Glinsman, Giorgio Trumpy and Michelle Facini The Benefits of Scanning Illuminated Manuscripts with MA-XRF and MA-rFTIR - Stijn Legrand, Paola Ricciardi and Koen Janssens RESTORATION AND FORGERY The Psalter-Hours of Isabelle of France in the Nineteenth-Century - Stella Panayotova The Spanish Forger Exposed: an Interdisciplinary Study of Two of His Paintings - Christina Currie, Steven Saverwyns and Dominique Vanwijnsberghe‎

‎Le langage secret des églises et des cathédrales - Comprendre la symbolique des bâtiments sacrés -‎

‎National Géographic. 2011. In-Folio. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 225 pages. Nombreuses photographies en couleurs dans et hors texte dont frontispice. Signet. Jaquette en très bon état.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎ARCHITECTUURGIDS VAN NEDERLAND. EEN OVERZICHT VAN DE MEEST MARKANTE BOUWWERKEN, HUN ONTSTAANSGESCHIEDENIS, BOUWPERIODE EN -STIJLEN,‎

‎Rijswijk, Elmar, 1983 Gebonden, wijnkleurig linnen, geillustreerde stofomslag, 190 x 285mm., 239pp., zeer uitgebreide z/w illustratie. ISBN 9061203414.‎

‎In dit boek wordt geprobeerd de ontstaansgeschiedenis van de architectuur in Nederland - vanaf de primitieve woonvormen van onze vroege voorouders tot aan het bouwen van de zogenaamde Delftse School na de na de Tweede Wereldoorlog - en de ontwikkeling die deze in de loop der tijd doormaakte, op een rij te zetten. Boek is in goede staat.‎

‎L’Abbesse de Castro‎

‎in 8 reliure postérieure cartonnée à la bradel pièce de titre manuscrite contrecollée.Faux-titre avec tampon de papeterie,titre avec tampon identique,329 pages,TRES RARE catalogue de 12 pages en fin de volume.non rogné,Paris Dumont éditeur 1839.Imprimerie E.Dépée à Sceaux. Deuxième plat de couverture conservé.Premier plat en fac-similé.Emboitage.Bon exemplaire à très grandes marges. EDITION ORIGINALE DE CET OUVRAGE RARE ET RECHERCHE.Elle est composée de trois nouvelles:L'Abbesse de Castro,Vittoria Accoramboni,duchesse de Bracciano et Les Cenci.TROIS CHRONIQUES ITALIENNES,ETAPES CAPITALES DANS LA GENESE DE LA CHARTREUSE DE PARME.Stendhal consacra plusieurs œuvres à cette Italie tant aimée.Quand,en 1833,il acquit à Rome des manuscrits de chroniques du XVIe siècle,il s'enthousiasma pour sa trouvaille et en tira six œuvres, dont les trois éditées ici.Déterminé à respecter strictement la vérité historique,il traduisit ses sources, strictement pour Les Cenci(écrite en avril 1837),plus librement avec Vittoria Accoramboni(écrite de mars-avril 1833 à août 1836),et de manière beaucoup plus romancée avec L'Abbesse de Castro(écrite en septembre 1838 et février 1839‎

20 Images

‎Voyage dans le midi de Bordeaux à Marseille‎

‎Nouvelle Société des Éditions Encre, coll. « Itinéraires » 1984 In-8 cartonnage éditeur 24 cm sur 15,2. 207 pages. Illustrations en noir et blanc hors-texte. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎Voyages en Italie de Stendhal (Rome, Naples et Florence et Promenades dans Rome) illustr s par les peintres du Romantisme, 2 vols.‎

‎, Diane de Selliers, 2002 hardcovers, 2 vols, Couverture originale de l' diteur, 708 pages + notes, 26 x 8.2 x 34 cm, Texte en Francais, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte. **nummerot 222 / 300 exemplaires ISBN 9782903656270.‎

‎Stendhal est passionn par l'Italie qu'il d couvre en 1800 lors des batailles napol oniennes. Tout dans ce pays le s duit, l' meut. Mes voyages en Italie me rendent plus original, plus moi-m me . J'apprends chercher le bonheur avec plus d'intelligence. Cette Italie mythique, d crite par Stendhal, dans Rome, Naples et Florence et Promenades dans Rome au rythme de ses lans et de ses motions, s'accompagne ici de 316 peintures romantiques de 123 peintres europ ens du d but du XIXe si cle et de 45 chefs-d'oeuvre ant rieurs, admir s par l'auteur.316 peintures du d but du XIXe si cle entra nent le lecteur mot mot et pas pas dans Rome, Naples et Florence, mais aussi dans Milan, Bologne, Parme, Piacenza ou les lacs italiens. Ces Voyages en Italie ressuscitent la rencontre profond ment romantique entre Stendhal et les 120 peintres europ ens, contemporains de l'auteur, pr sents dans l'ouvrage. Turner, Ingres, Corot, Caffi, Friedrich... nous font d couvrir l'Italie travers leur sensibilit d'artiste. Leurs oeuvres t moignent d'une grande diversit et d'une richesse picturale en tonnante symbiose avec les r cits de voyage de Stendhal. 45 peintures ant rieures au XIXe si cle aim es de Stendhal : celles de Michel-Ange, Rapha l, Corr ge, Guido Reni, le Caravage... accompagnent galement les Promenades dans Rome. Chaque image sugg r e se retrouve en regard du texte l'endroit pr cis o Stendhal en parle, renfor ant ainsi la magie et la puissance de l' vocation.‎

‎Bruxelles, croissance d'une capitale.‎

‎Anvers, Fonds Mercator, 1979. 26 x 34, 453 pp., très nombreuses illustrations en N/B et en couleurs, cartonnage d'édition + jaquette, très bon état‎

‎Das Bürgerhaus in Mainz.‎

‎Tübingen, Wasmuth, (1974). 4to. Orig. full cloth with dustjacket. Stamp on titlepage. 120 pp., textillustr., 56 plates, 2 folded plates.‎

‎Sympozjum Egejskie. Papers in Aegean Archaeology 3‎

‎, Brepols, 2022 Paperback, 223 pages, Size:210 x 297 mm, Illustrations:18 b/w, 46 col., 6 tables b/w., 2 tables col., 1 maps b/w, 6 maps color, Language: English. ISBN 9782503599915.‎

‎Summary Sympozjum Egejskie: Papers in Aegean Archaeology is a peer-reviewed sub-series of Warsaw Studies in Archaeology. It has been designed to fulfil the role of a platform for presenting and introducing a wide range of new research approaches and themes within the broad area of Aegean Archaeology. This is primarily achieved through showcasing the work of newcomers to the discipline, in other words those scholars who are currently at the beginning of their research career in the field of Aegean Archaeology, as well as scholars working outside the traditional university structure such as independent scholars, professional field archaeologists, museum curators, and conservators. It is our hope that this series will serve as a concise guide to the most recent research undertaken by early career scholars and the diverse and inspiring new trends in the archaeology of the Prehistoric Aegean, as well as shining a light on the future direction of the discipline. TABLE OF CONTENTS Introduction by the editors Stephanie Aulsebrook, Katarzyna ?ebrowska, Agata Ulanowska, Kazimierz Lewartowski; University of Warsaw 1. Epidemic, Infectious and Parasitic Diseases in Prehistoric Greece (Tom ? Alu? k; Charles University) 2. Perforated Furnace Mettalurgy in the Final Neolithic Aegean. New Archaeological Evidence from the Acropolis of Athens and Preliminary Observations from other Contemporary Sites (Vasiliki Eleni Dimitriou; National and Kapodistrian University of Athens) 3. The ?Emblems" on the Jugs in the Late Prepalatial Ayia Triada Necropolis and the Iconography of Seals: A Comparison (Chiara De Gregorio; Heidelberg University) 4. Birdcage Vases (Vasi a Gabbietta) from Protopalatial Phaistos (Crete) in Context. A Note on an Enigmatic Vase (Valeria Taglieri; Ca' Foscari University of Venice) 5. At the Roots of Production. The Kouris Valley (Cyprus) as a Bronze Age 'Textile Environment' (C. 2200-1400 BCE) (Giulia Muti, Giulia Albertazzi; Independent Researcher; Universit degli Studi di Venezia, Udine, e Trieste) 6. Building a Minoan Larnax: Techniques, Gestures and Craftsmanship. Preliminary Results (Sarah Georgel-Debedde; Universit de Paris 1 Panth on-Sorbonne) 7. Problematising Peak Sanctuaries. Should Differences Make a Difference? (Jan Sienkiewicz; University of Cambridge) 8. Forcing Ahead or Foiled Again? The Application of Cross-Craft Analysis to Late Bronze Age Metal Working in the Aegean (Stephanie Aulsebrook; University of Warsaw) 9. Pictorial Style and Mycenaean Wall Paintings: Two Distinct Art Forms (Sofia Antonello; Ca' Foscari University of Venice) 10. Practices for Adverting Evil and the Notion of Ritual Protection in Mycenaean Cult Performance (Christina Aamodt; Independent Researcher) 11. Reassessing a Peripheral Geopolitical Vacuum: The Case for a Mycenaean Palace-State in the Spercheios Valley Region (Christofilis Maggidis, Efi Karantzali, Adrianos Psychas; Mycenaean Foundation; Ephorate of Antiquities of Phthiotida & Eurytania; University of Athens) 12. All's Well that Ends Well: An In-Depth Look at how Objects Entered Aegean Late Bronze Age Wells (Stephanie Aulsebrook; University of Warsaw) 13. Investigating the 'Peripheral' Mycenaean Community: Preliminary Results of the Bioarchaeological Study of the Late Helladic III Kallithea-Rampantania Cemetery, Achaea, Peloponnese, Greece (Maria Katsimicha, Ioanna Moutafi, Tina Jakob; The University of Manchester; Malcolm H. Wiener Laboratory for Archaeological Science of the American School of Classical Studies at Athens; Durham University 14. Funerary Places in East Crete: The Case of the LM III Cemetery of Mysini-Aspopilia, Siteia (Maria Psallida; National and Kapodistrian University of Athens) 15. Changes in Religious Ritual in Mycenaean Greece. Communicative Memory and the Postpalatial Period (Ulrike Berndt; Independent Researcher) 16. Between Heritage Preservation and Public Appreciation: Re-evaluating Reburial Strategies (Th r se Claeys; UCLouvain)‎

‎Sources of Knowledge in Old English and Anglo-Latin Literature. Studies in Honour of Charles D. Wright‎

‎, Brepols, 2023 Hardback, 460 pages, Size:156 x 234 mm, Illustrations:2 b/w, 3 col., 8 tables b/w., Language: English. ISBN 9782503604428.‎

‎Summary This volume positions source scholarship as integral to an understanding of the transmission of knowledge across intellectual, social, and material networks in early medieval England. Essays in this collection situate source studies in Old English and Anglo-Latin literature within a range of theoretical and methodological approaches as varied as disability studies, feminist theory, history of science, and network analysis, tracing how ideas move across cultures and showing how studying sources enables us to represent the diversity of medieval voices embedded in any given text. The essays in this volume extend the work of Charles D. Wright, who mentored a generation of scholars in methodologies of source study. The essays are organized into three sections. The first demonstrates how source studies facilitate tracing ideas across space and time. The second explores what happens to texts and ideas when they are transmitted from one culture, language, or historical moment to another. The third shows how sources illuminate wider cultural discourses. The volume attests to the flexibility of source work for early medieval English literature and argues for increased access to the tools that make such work possible. TABLE OF CONTENTS Sources of Knowledge: A Reflection on Charles D. Wright's Career THOMAS N. HALL Introduction STEPHANIE CLARK, JANET SCHRUNK ERICKSEN, and SHANNON GODLOVE I. Networks of Knowledge lfric's Traditions about the Apostles and Media Networks BRANDON HAWK Reading Lyric I of the Old English Advent Lyrics as Form-of-Life JOHANNA KRAMER Bede's Books Don't Tell Lies: Named Sources, Unideal Readers, and Bede's Welsh Reception JOSHUA BYRON SMITH lfric's Leitwortstil: Repetition and Autoreferentiality as Adaptive Techniques in the Old English Esther SAMANTHA ZACHER Source Study and the Inconclusive Result: The Case of Candidus Witto's De passione Domini CHRISTOPHER A. JONES II. Translation and Transformation of Knowledge Christ as Doorkeeper in Genesis A THOMAS N. HALL Spiritual Virtues, Unseen Spaces, and the Optics of Authority in Early Medieval English Accounts of Judith JILL FITZGERALD Bede, Cuthbert, and Cuthwine: Conlectores at Monkwearmouth-Jarrow FREDERICK M. BIGGS A Source for a 'Homily' in Byrhtferth's Enchiridion STEPHEN PELLE The Digressions in Andreas THOMAS D. HILL From Eriugena to Dostoyevsky: Christian Universalism in Hiberno-Latin Contexts and its Continued Significance PAUL A.K. SIEWERS III. Bodies of Knowledge Translatio medicinae: Mediterranean Sources in an English Climate RENE R. TRILLING Medievalism, Medicine, and William Somner's Dictionarium Saxonico-Latino-Anglicum REBECCA BRACKMANN Modblind and Unl d: Disability, Intersectionality, and Typology in the Old English Andreas AMITY READING Swallowed and Forgotten: Christ III and the Mouth of Hell in Early Medieval England JILL HAMILTON CLEMENTS Index‎

‎ISIA ISGOUR 1913-1967‎

‎, VAI : VLAAMS ARCHITECTUUR INSTITUUT, 2008 Paperback, 219 pagina's, met illustraties. ISBN 9789081326315.‎

‎Met de reeks Focus architectuurarchieven plaatst het CVAa archieven van Vlaamse architecten in de kijker. nnDe architectuur van de relatief onbekende architect Isia Isgour (1913-1967) is beeldbepalend in de Limburgse mijnstreek waar hij zowel woningbouw, scholen, sociale centra en andere collectieve gebouwen die de naoorlogse welvaartmaatschappij typeren, realiseerde. Zijn oeuvre in Brussel illustreert de enorme dynamiek van de bouwsector in de jaren 1950 en 1960 die het Vlaamse en Brusselse landschap ingrijpend tekenden.nnHet rijk ge?llustreerde boek geeft een overzicht van Isgours oeuvre met projectbeschrijvingen en referenties naar archiefmateriaal. De oeuvrelijst wordt voorafgegaan door een essay, waarin de architect wordt ge?ntroduceerd en gesitueerd in de ruimere cultuurhistorische en architecturale context, en afgesloten door een uitgebreide bibliografie. De publicatie is een handig instrument voor het ontwikkelen van een visie over de omgang met het naoorlogse patrimonium.nninfo 25 euro, te koop in de gespecialiseerde ‎

‎Jean Fouquet The Melun Diptych.‎

‎, Staatliche Museen zu Berlin, 2018 Softcover, 22 x 28 cm, 200 pages, 125 colour and 18 black and white pictures, English. ISBN 9783731906209.‎

‎Jean Fouquet's diptych from the collegiate church of Melun is one of the main works the painting of the 15th century and French art in general. The left wing with the donor portrait is since 1896 in Berlin, while the right wing, the Madonna performing wings of the Museum of Fine Arts belongs to Antwerp. Both halves were separated by 1773 and were the last time together in 1937. The Berlin exhibition unites them now again and shows more important works, including the original medallion with Fouquet's self-portrait from the Louvre, an outstanding portrait drawing of his hand as well as selected works by painters like Jan van Eyck and Peter Christ. In the accompanying catalog well-known international researchers highlight different aspects of the work, including his iconography and technique, the person of the founder, Fouquets artistic requirements and more.‎

‎Transcripts of a Sea (EN) Stephan Vanfleteren‎

‎, Hannibal Books, 2025 hardcover, 34,7 x 25,5 cm, 292 pages, Text in English, illustrations; Bichromie en quadrichromie . ISBN 9789493416208.‎

‎Stephan Vanfleteren's photographic quest for the many faces of the sea 'The sea never makes a fuss. You don?t have to explain yourself or be polite. What does she care what you think of her or what you make of her. When you come or where you enter her. I capture, interpret, sublimate, abstract. I show everything, I show nothing.' ? Stephan Vanfleteren In Transcripts of a Sea, the internationally renowned photographer Stephan Vanfleteren (b. 1969) shares the enchantment that has driven him to the sea over the past five years. He analyses the sea, in all her various shapes and ever-changing light, with an obsession bordering on the dangerous, and with a fluid longing. Stormy, mirror-like, misty, thunderous, the surface deceptively calm or like a wildly-thumping washing-machine drum: the photographer does not observe it from the beach or from a boat but opts for a wet confrontation by literally immersing himself in the sea. 136 extraordinary images with texts by Stephan Vanfleteren, Johan De Smet and Manfred Sellink. Published to accompany the eponymous exhibition at the Museum of Fine Arts in Ghent (MSK) from 20 September 2025 to 4 January 2026.‎

‎Transcripts of a Sea (FR) Stephan Vanfleteren‎

‎, Hannibal Books, 2025 hardcover, 34,7 x 25,5 cm, 292 pages, illustrations Bichromie en quadrichromie Texte en Francais. *neuf. ISBN 9789493416215.‎

‎La qu te photographique de Stephan Vanfleteren pour les diff rentes formes de la mer La mer ne fait jamais la difficile. On n?a pas besoin de se justifier ni d? tre poli. Elle se moque de ce que vous pensez d?elle et de ce que vous faites d?elle. Du moment o vous venez et o vous la p n trez. Moi je capte, j?interpr te, je sublime, j?abstrais. Je montre tout, je ne montre rien. ? Stephan Vanfleteren Dans Transcripts of a Sea, Stephan Vanfleteren (1969), le photographe de renomm e internationale, partage la fascination qui l?a pouss vers la mer au cours des cinq derni res ann es. M lant obsession dangereuse et d sir fluide, il analyse la mer dans tous ses tats et conditions de luminosit . Temp tueuse, lisse comme un miroir, brumeuse, orageuse, faussement calme ou aussi agit e qu?un tambour de machine laver : le photographe ne contemple pas la mer depuis la plage ou un bateau, mais opte pour la confrontation humide en allant litt ralement dans l?eau. Avec 136 images impressionnantes et des textes de Stephan Vanfleteren, Johan De Smet et Manfred Sellink. Publication l?occasion de l?exposition du m me nom au Mus e des Beaux-Arts (MSK) de Gand du 20 septembre 2025 au 4 janvier 2026.‎

‎Transcripts of a Sea (NL) Stephan Vanfleteren‎

‎, Hannibal Books, 2025 Hardcover, 34,7 x 25,5 cm, 292 pagina's, Nederlandstalige editie, Bichromie en quadrichromie . ISBN 9789493416192.‎

‎Stephan Vanfleterens fotografische queeste naar de verschillende gedaanten van de zee ?De zee doet nooit moeilijk. Je hoeft je niet te verantwoorden of beleefd te zijn. Wat kan het haar schelen wat je van haar denkt en wat je van haar maakt, wanneer je komt en waar je haar binnendringt. Ik capteer, interpreteer, sublimeer, abstraheer. Ik toon alles, ik toon niets.? ? Stephan Vanfleteren Voor het eerst deelt de internationaal gerenommeerde fotograaf Stephan Vanfleteren (1969) de betovering die hem de afgelopen vijf jaar naar zee heeft gedreven. Hij analyseert vanuit een gevaarlijke obsessie en met een vloeibaar verlangen de zee in al haar gestalten en lichtomstandigheden. Hij speurt naar plaatsen waar golven en deiningen zich als onvoorspelbare wonderen vertonen. Stormachtig, spiegelglad, mistig, onweerachtig, verraderlijk rustig water of een op hol geslagen wastrommel: de fotograaf aanschouwt het zee-oppervlak niet vanaf het strand maar kiest voor een rechtstreekse confrontatie door letterlijk in zee te gaan. Met 136 indrukwekkende beelden en met teksten van Stephan Vanfleteren, Johan De Smet en Manfred Sellink. Publicatie bij de gelijknamige tentoonstelling in het Museum voor Schone Kunsten (MSK) Gent van 20 september 2025 tot 4 januari 2026.‎

‎A LIVING TRADITION. Architecture of the Bahamas.‎

‎2007 / 298 pages. Broché. Editions The New Urban Guild Foundation. Langue : Anglais.‎

‎Dos trés légérement cassé. Très bon état / Very good condition.‎

‎AUBREY BEARDSLEY.‎

‎, Tate Publishing, 2020 Hardcover flexi, 298 x 196 mm, 192 pages, 200 colour illustrations, English edition. ISBN 9781849766807.‎

‎Aubrey Beardsley (1872-1898) is best remembered for his powerful illustrations for Salom by Oscar Wilde. Spanning just seven years, his intense, prolific career as a draftsman and illustrator was cut short when he died at the age of 25. His subversive black-and-white drawings and his complex persona became synonymous with decadence: He alighted on the perverse and erotic aspects of life and legend, shocking audiences with his bizarre sense of humor and fascination with the grotesque. His keen observation of his contemporaries makes him of his time, but his distinct style has resonated with subsequent generations. A major influence on the development of Art Nouveau, and on psychedelic pop culture and design in the late 1960s, Beardsley's drawings remain a key reference for many artists today. Here, short essays on aspects of Beardsley's remarkable career complement reproductions of his fascinating work.‎

‎FRANCIS BACON L'Home et la B te‎

‎, Mercator/ Mercatorfonds , 2021 HB, 300 x 250 mm, 196 pages, 180 colour illustrations, Texte en Francais. ISBN 9789462302747.‎

‎Francis Bacon est consid r comme un des peintres majeurs du XXe si cle. Une nouvelle exposition de ses tableaux la Royal Academy explore le r le des animaux - commencer par l'animal humain - dans son oeuvre. En 1969, Bacon, qui a souvent peint des chiens et des chevaux, se tourne pour la premi re fois vers la corrida. Dans cette s rie d'oeuvres puissantes, les interactions entre l'homme et la b te s'av rent dangereuses et cruelles, mais aussi d'une intimit d rangeante. Tous deux se contorsionnent dans cette lutte angoiss e o l' rotisme n'est jamais loin. 'La corrida est comme la boxe, a dit Bacon. Un merveilleux ap ritif pour l'amour.' Vingt-deux ans plus tard, un taureau solitaire sera le sujet de son dernier tableau. Dans cet ouvrage fascinant, qui apporte un compl ment significatif la litt rature sur Bacon, des sp cialistes d taillent son approche des animaux et identifient ses diverses sources d'inspiration, dont la litt rature surr aliste et les photographies d'Eadweard Muybridge. Selon eux, en montrant des animaux dans un tat de vuln rabilit , de col re ou de mal- tre, Bacon cherchait p n trer la condition humaine. Ce catalogue d'exposition important d voile ce que les repr sentations animali res de Francis Bacon r v lent sur l'artiste - et la condition humaine. Exposition au Royal Academy, Londres, 22 janvier - 12 avril 2021‎

‎FRANCIS BACON Man and beast.‎

‎, Mercator/ Mercatorfonds , 2021 HB, 300 x 250 mm, 196 pages, 180 colour illustrations, English edition *new ISBN 9781912520558.‎

‎Explore Francis Bacon's visceral paintings, where the line between human and animal is constantly blurred, reminding us that our primal instincts lie just below the surface. Irish-born artist Francis Bacon was the horse-breeder's son who became one of the most important painters of the 20th century. An openly gay man at a time when homosexuality was illegal, he was banished from his conservative family home by his father at 16. After that, he drifted through Berlin and Paris before establishing himself in London, with his formative years running parallel with some of the 20th century's most profoundly disturbing events. This powerful exhibition will focus on Bacon's unerring fascination with animals: how it both shaped his approach to the human body and distorted it; how, caught at the most extreme moments of existence, his figures are barely recognisable as either human or beast. It also explores how Bacon was mesmerised by animal movement, observing animals in the wild during trips to South Africa; filling his studio with wildlife books, and constantly referring to Eadweard Muybridge's 19th-century photographs of humans and animals in motion. Whether baboons or bulls, dogs or birds of prey, Bacon felt he could get closer to understanding the true nature of humankind by watching the uninhibited behaviour of animals. Spanning Bacon's 50-year career, highlights include some of Bacon's earliest works and his last-ever painting, alongside a trio of bullfight paintings which will be exhibited together for the first time. Seen together, these raw expressions of anxiety and instinct - both animal and human - feel poignantly relevant today. Exposition au Royal Academy, Londres, 22 janvier - 12 avril 2021‎