, Brugge, 1971, In suite, originele uitgeversomslag, 21,5x28cm, z.p., geillustreerd met 10 originele houtsneden.
Jean Jacques De Grave De bladen voor de grafiek nr.4 jrg 2
, Brepols - Harvey Miller, 2002 Hardcover with dusjackets, 2 volumes set., 588 pages ., 372 b/w ill., 180 x 265 mm, Languages: English.*NEW ISBN 9781872501338.
This two-volume publication explains the history of Rubens's book containing famous examples of Genoese Renaissance architecture intended to trace the development of architecture in his own country and all over Europe, analyses his comments and interpretations of the original plans and reproduces all drawings. In 1622 Rubens published a splendid volume on Genoese Renaissance architecture, with precise engravings depicting fa ades and plans of a dozen villas and palaces. In publishing famous examples of 'modern' architecture, Rubens intended to trace the development of architecture in his own country and all over Europe. He believed that the true principles of good building, both aesthetically and functionally, were discovered by the Ancients and rediscovered in Renaissance Italy. In publishing his book at the height of his fame, Rubens succeeded in presenting himself not only as a great painter but also as a connoisseur and authoritative teacher in the field of architecture. This two-volume part of the Corpus Rubenianum explains the history of Rubens's book, analyses in detail his comments and interpretations of the original plans and reproduces all drawings.
London, Laurence King, 1999, in-4to, 400 p., richly ill. in b/w and in colour, original black hardcover, bound, orig. jacket ill. in colour.
Phone number : 41 (0)26 3223808
Paris, Librairie de la Construction moderne 1900 In-4 28 x 18,5 cm. Reliure demi-chagrin rouge, dos à nerfs, IV-733 pp., 334 figures, index alphabétique, table des matières. Reliure légèrement frottée. Exemplaire en bon état.
Bon état d’occasion
H. LAurens. 1901. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 124 pages - nombreuses photos en noir et blanc dans le texte. Petite annotation au crayon de papier en page de faux titre.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
Anvers, 1908 14pp. + 3 planches hors-texte, br.orig., S32859
Bruxelles, Bruylant Christopher Et Cie , 1831-1880 5 volumes, relie l'epoque, 818;953;630;662;480 + 278 pages + Table .
(S rie 1) : 818;953;630;662;480 + 278 + Table g n rale 130 pp
Bruxelles, FNAC Libraire-Editeur, 1988. 25 x 33, 299 pp., 350 reproductions de gravures, reliure d'édition pleine toile, très bon état.
N° 152 sur 2700 exemplaires numérotés.
6 Mappen. Zürich, Orell Füssli, 1885. Quer-Folio. Mit 120 meist chromolithogr. Tafeln. Orig.-Halbleinen-Mappen mit losen Blättern.
Mappen etwas berieben.
Société française d'archéologie, Bulletin monumental, Tome CXXII, 1964-3, Paris, 1964. In-8, broché, paginé 233-320 pp. La cathédrale de Roskilde et l'influence de l'architecture française en Danemark vers 1150-1220, par Pierre Héliot [paginé 233-261] - Remarques sur la cathédrale de Strasbourg, par M. Robert Branner - Pierre, Eudes et Raoul de Montreuil à l'abbatiale de Saint-Denis, ...
Illustrations en noir et blanc in texte. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
Bruxelles, 1969. [Extrait de la "Revue belge d'archéologie et d'histoire de l'art", publiée par l'Académie royale d'Archéologie de Belgique, XXXI-XXXII, 1962-1964. In-4, broché, 139 pp. I. En guise d'introduction - II. La nef et le transept : histoire, description, chronologie, altérations - III. La nef, le transept et leur place dans l'histoire de l'architecture - IV. Le chœur - Conclusion - Index des monuments et ...
Avec 43 figures en noir et blanc in et hors texte.Avec un Envoi a.s. de l'auteur en page de faux-titre.Peu courant. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
"1991. Bruxelles Éditions des Archives d'Architecture Moderne 1991 e.o. - Broché couverture à rabat 21 5 cm x 30 cm 222 pages photos noir & blanc in et hors-texte - Texte de Hélène Guéné index notes - Etat neuf"
Editions Nilsson, Paris, s.d. Un volume petit in-folio demi-toile ivoire de l'éditeur, xi et 251 pages, nombreuses héliogravures in-texte. Petit manque de papier au plat inférieur, néanmoins bel état.
La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné. La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné.
Pierre Mardaga 1981 In-8 broché, 214 pp. Illustrations. Bibliographie. Index
Bon état d’occasion
Paris, Grasset, 1938. In 8 (135 x 210) de 324 p., 1 f. Broché, couverture illustrée en couleurs.
Edition originale ornée de 16 planches hors-texte en héliogravure Des travaux romains au flamboyant modern’style. Exemplaire sur Alfax Navarre.
O.O., um 1920. Farblithographie auf festem Papier. Bildgrösse: 62 x 86 cm.
Vereinzelt weisse Flecken.
Léonce Laget, Paris 1979 In-plano, chemise de toile écrue à rabat souples, titrée sur le premier plat et au dos, 83 planches, dont les titres, dédicaces et frontispices, en trois parties. Superbe réimpression, au format, de l'ouvrage d' Emmanuel Héré publié de 1750 à 1753, tirée à 300 exemplaires numéroté, Augmentée de textes de M. l'abbé Jacques Choux Conservateur au Musée Lorrain de Nancy et de Jean Rocard, Architecte des Monuments Historiques
Très bon état d’occasion
PC. 2006. In-4. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 119 pages de photos en couleurs légendées. Couverture contre-pliée.. . . . Classification Dewey : 720-Architecture
Photographies de Jacques Florsch. Classification Dewey : 720-Architecture
Sion, Valensia 1960. Bel exemplaire broché, couv. ornée d'éd., pet. in-4, 141 pages dont annexes + planches. Rousseurs en fin de volume.
Atlantis, 1981, in-4to, 220 s. ill., Original-Leinenband + Orig.-Umschlag
Phone number : 41 (0)26 3223808
Zürich, Fretz & Wasmuth, 1928, gr. in-4to, XXXVIII + 1 Karte + 304 Fototafeln, Original-Leinenband, Vorderdeckel oben leicht fleckig.
Erste Ausgabe.
Phone number : 41 (0)26 3223808
, Brepols, 2024 Hardback, cxxxii + 376 pages, Size:155 x 245 mm, Illustrations:6 tables b/w., Language(s):Latin, English. ISBN 9782503607252.
Summary This is the first critical edition of a major theological work by a Cistercian from a medieval university: the questions on book I of the Sentences by James of Eltville (Jacobus de Altavilla, d. 1392), monk and later abbot of the majestic Eberbach Abbey, the filming location of many of the scenes in The Name of the Rose. The product of bachelor lectures delivered in 1369-1370 at the magnificent Bernardins in Paris just south of Notre-Dame across the Seine, James' Lectura in libros Sententiarum survives in almost two dozen manuscripts. Based on a complete collation of all the witnesses, the editio princeps provides access to a text that illuminates a relatively dark period in the history of scholasticism, portrays the status quaestionis on many issues in philosophical theology between the Black Death and the Great Schism, and illustrates the importance of later-medieval Cistercian theologians and their symbiotic relationship with the Augustinian Hermits who dominated the field from the 1330s to the 1370s. Through the exodus of German scholars from Paris after the outbreak of the Schism, James of Eltville's ideas spread to the new faculties of theology founded in Germanic lands where they exerted a profound influence. TABLE OF CONTENTS Preface Introduction I. Biographical Note II. Context of the Edition III. Sigla of the Manuscripts IV. Description of the Manuscripts V. Tabula quaestionum VI. Chart of Manuscripts and Questions of Book I VII. Stemmatic Discussion and ratio edendi Bibliography Abbreviations Primary Sources Secondary Literature Iacobi de Altavilla Lectura In Libros Sententiarum Principium: Utrum Deus ad quamlibet speciem entis creabilis se habens distanter infinite in aliqua specie intellectuali a nobis nominari possit quidditative Questio 1 (Questio 1 Prologi): Utrum veritates theologice scientie contrarientur seu repugnent veritatibus principiorum naturalis luminis et sensualis experientie Questio 2 (Questio 2 Prologi): Utrum studens in Sacra Scriptura non credens sicut sancta credit Ecclesia erret Questio 3 (Questio 1 distinctionis 1 libri 1): Utrum pro studio sacre theologie ex caritate procedente debeatur pro mercede visio Dei et eius fruitio Questio 4 (Questio 2 distinctionis 1 libri 1): Utrum inter creature totius usum et Dei solius fruitionem licitum sit rationali creature facere aliquo modo commutationem Questio 5 (Questio un. distinctionis 2 libri 1): Utrum creatura rationalis viatrix vel beata infallibilem habere possit notitiam de divina essentia Questio 6 (Questio 1 distinctionum 2-3 libri 1): Utrum in entibus fore unum primum seu Deum unicum possit a viatore efficaciter esse scitum Indices Index locorum Sacrae Scripturae Index fontium
Cambridge, Ernst & Sohn, 1989 Hardcover ; 240 pages; bound in grey cloth with illustr. dustjacket, 265 x 250 x 20 mm., num. illustr. in col and b/w, good cond. ISBN 9783433021668.
Otto Wagner (1841-1918) was one of the most influential figures in the development of twentieth-century European architecture. Trained in the fashionable mode of combining disparate historical styles, Wagner established himself early on as the leading architect of late imperial Vienna.
, Vine House Distribution 1990, 1990 Paperback, 89 pages, English, 295 x 210 mm, fine copy, with illustrations in b/w. ISBN 9781872818009.
, Trustees of the British Museum 1995, 1995 Paperback, 112 pages, ENG, 240 x 170 mm, fine book, illustrations in b/w, . ISBN 9780714122106.
Of the many traditions we have inherited from the ancient Greeks, the use of coins should rank as one of the most important. From its first appearance in the region of Lydia (western Turkey) in the late-17th century BC, coinage gradually spread throughout the Greek world, and the history of the ancient Greeks is reflected in its evolution. Designs on Greek coins include the badges of city-states, portraits of rulers, images of Greek gods, scenes from myths and objects of daily life, and are often works of art in themselves. The dies, carved by craftsmen, sometimes bear the name or initials of the mint official responsible for their issue, and the coins might have circulated in trade, been used as gifts or dedications, or hoarded as valuables.