‎From a Glassworks to a Museum ? Tapio Wirkkala and the Design of the Finnish Glass Museum‎

‎Jelgava, Parvs Publishing Company, 2019 Hardcover, 141 pages, 25.5 x 21 cm, Finnish-English text. *New. ISBN 9789527226438.‎

‎Tapio Wirkkala, a leading figure in Finnish glass industry and designer of iconic objects, realized his vision of the Finnish Glass Museum as a total work of art. Wirkkala designed the spaces and the permanent exhibition for the museum in an old industrial building, formerly a glassworks. The impressive museum opened in Riihim ki in 1981, showcasing Wirkkala's extensive experience as a globally esteemed interior and exhibition designer. The book presents the architecture of the museum building, its exhibitions, and Tapio Wirkkala's unique design work.‎

‎HELENA TYNELL LOVE FOR GLASS.‎

‎, The Finnish Glass Museum, 2018 Softcover, 72 pages, FIN / ENG, 245 x 220 mm, NEW, with pictures in colour and b/w. ISBN 9789525571813.‎

‎Helena Tynell (1918-2016) is best known as a designer for the Riihim en Lasi Glassworks (1946-1976), but she enjoyed an international career that was remarkably versatile for the time, working in Sweden, the USA and as a longtime designer of lamps and lighting in Germany. This book by Uta Laur n was published in connection with an exhibition ( 18.5. - 28.10.2018 )at the Finnish Glass Museum.‎

‎Die Seidenraupenzucht. Ein Frauenberuf. Einei Bild-Erzählung.‎

‎Zürich, Die Waage, 1962. Folio. (4) Bl. Mit 12 farbigen Tafeln von Kitagawa Utamaro. Orig.-Mappe mit Rohseidenbezug.‎

‎Lose Blattsammlung. – Die Mappe mit Gebrauchspuren, Gelenke geplatzt sowie der Bezug mit Einrissen, fleckig und verblichen.‎

‎sicut commentatores loquuntur. Authorship and Commentaries on Poetry / Autorproblematik und antike Dichterexegese‎

‎, Brepols, 2023 Paperback, 480 pages, Size:156 x 234 mm, Illustrations:7 b/w, 6 tables b/w., Language(s):English, German, Italian. ISBN 9782503605340.‎

‎Summary Ancient commentaries on poetry - due to their heteronomous nature, their miscellaneous character, and the fact that most of them are transmitted in abridged and anonymous form - are usually not considered 'authorial' texts in the same way as poems or literary prose are. Nevertheless, as didactic texts, they rely on authority to convey their interpretation, and they also often seem to have been perceived as products of authorial activity, as paratexts, references and pseudepigraphic attributions demonstrate. The aim of this volume is to explore this tension and to examine commentaries and scholia on poetry in terms of authorship and 'authoriality'. The contributions use several Latin and Greek corpora as case studies to shed light on how these texts were read, how they display authorial activity themselves, and how they fulfil their function as didactic works. They provide reflections on the relationship of author, authorship, and authority in 'authorless' traditions, explore how authorial figures and authorial viewpoints emerge in an implicit manner in spite of the stratified nature of commentaries, investigate the authorial roles adopted by commentators, compilers and scribes, and elucidate how commentators came to be perceived as authors in other exegetic traditions. TABLE OF CONTENTS Introduction: Authorship and Commentaries on Poetry (Ute Tischer, Thomas Kuhn-Treichel & Stefano Poletti) 1. Author, Authorship, and Authority as a (Critical) Problem Memoriae suae causa: Some Considerations on the Relationship between Author and Commentary in (Late) Antiquity (Luigi Pirovano) The Commentator as Curator: Parathesis, Authority, and Anonymity in the Greek Tradition (Joshua Smith) The Author(s) and the Authorship of the 'Philargyrian' Exegetical Corpus (Fabio Stok) Hucusque Iunilius. Autorfiguren und auktoriale Strategien in drei Textzeugen des Servius und des Corpus Bernense (Ute Tischer) 2. Authorial Viewpoints in Stratified Texts Per un lessico dei commenti tardoantichi a Virgilio. Il caso di Servio (Massimo Gioseffi) In Addition: The Rhetoric of Copia in Servius (Auctus) (D niel Koz k) Eine Frage der Perspektive. Servius und Servius auctus ber Vergils subjektiven Stil (Stefano Poletti) Respexit, transtulit, imitatus est: An Authorial Perspective on Dynamics of Allusion and Imitation? (Camilla Poloni) 3. Authorial Roles and Authority Aristarch aber?: Evokation von Autorschaft durch namentliche Verweise in den Pindarscholien und dar ber hinaus (Thomas Kuhn-Treichel) Alii dicunt... Servius and Virgil's Anonymised Readers (Frances Foster) Der Dichter und sein Richter - Die Autorit t des Dichtungskritikers in den kommentierenden Scholien zur ?????? ????????? des Dionysios Thrax (Markus Hafner) 4. Commentators as Authors within Exegetical Traditions M thodes grammaticales et auctorialit s ex g tiques dans le commentaire de Servius (Daniel Vallat) Il magister Servius nella tradizione scoliastica tardoantica (Concetta Longobardi) Asper's Commentary in Servius and the Scholia Veronensia: Between Authority and Anonymity (Janyce Desiderio) Index locorum About the Authors‎

‎ut pictura poeta. Author Images and the Reading of Ancient Literature / Autorbilder und die Lekt re antiker Literatur‎

‎, Brepols, 2022 Paperback, 378 pages, Size:156 x 234 mm, Illustrations:16 b/w, 5 col., 2 tables b/w., Language(s):English, German. ISBN 9782503598666.‎

‎Summary The leitmotif of this volume is the concept of ?author images?, which is used in modern literary studies to describe processes of production and reading of literary works and is here applied for the first time to the study of ancient works. As a means of analysing ancient literature, it captures the aspect of personification, which is characteristic of ancient author concepts, and at the same time points to the fact that there is a difference between ?image? and ?author? and that it is only an image and not the author himself that can be seen and grasped by readers. This makes the ?author image? particularly suitable for examining the intersections of material, rhetorical and mental representations of literary authorship that form the subject of this volume. Using selected examples from Latin and Greek literature, the contributors explore the fields of cultural experience that nourish authorial images. They discuss the manifold possibilities of visualising and representing a person's quality of being an author in general or being an author of specific works, be it physically through artworks or pictures, metaphorically through evoked authorial figures, through thematised representations of authors in a text, or through the combination of authorial images and texts. These issues are addressed in four overlapping sections, each focusing on different areas of the metaphor's application, namely material images in the form of artworks, knowledge about persons, textual images as authorial strategies and images in reception. TABLE OF CONTENTS ut pictura poeta. Author Images and the Reading of Ancient Literature / Autorbilder und die Lekt re antiker Literatur (Ute Tischer, Ursula G rtner & Alexandra Forst) The Cultural Imagination of Authorship (Wolfgang Hallett) I. Images of Authors and Author Images as Material Representations Pliny the Elder and the Portraits of Ancient Authors (Eva Falaschi) Menander daheim. Die pompejanische Casa del Menandro als Autorbild (Katharina Lorenz) sequens philosophos fecit. Abbildungen griechischer Philosophen und Dichter und deren Rezeption in der antiken Literatur (Margit Linder) II. Authorial Images between Text and Biography Symmachus als pagane Galionsfigur. Die dritte relatio und ihre Bedeutung f r ein wirkm chtiges Autorbild (Alexandra Forst) Servius velut latenti similis. Das Autorbild des Vergilkommentators Servius (Ute Tischer) III. Authorial Images as Created by Authors Medial Representation of the Author ?Naso?. Rhetorical Strategies of Self-dramatization in Ovid?s Epistulae ex Ponto (Therese Fuhrer) Aesopi ingenio statuam posuere Attici. The Author Image in Phaedrus's Fables (Ursula G rtner) Autorbild und Autorfiktion bei Babrios und Minoides Mynas (Lukas Spielhofer) Nobody's Home. Surrogacy, Substitution, and the Failed Search for ?Calpurnius Siculus? (Tom Geue) IV. Authorial Images from a Historical Perspective Author as Audience. Staging Virgil in Tacitus's Dialogus de oratoribus (Talitha Kearey) Virgil the Wise. Genesis of a Myth (Fabio Stok) Fathers and Sons - and Daughters. Genealogical Co-authorship, Offspring Metaphors and the Language of Legitimacy (Markus Hafner) Index locorum‎

‎Urbaniser la lutte de classe‎

‎Paris Utopie 1969 in-8 plaquette agrafée Edition originale Paris, Utopie, 1969 (décembre). 22,5 x 14 cm, in-8, 48 pp., plaquette agrafée sous couverture blanche imprimée.‎

‎Edition originale rare. Rousseurs à la couverture sinon très bon. Bon ‎

‎URBANISER LA LUTTE DES CLASSES ‎

‎Paris Utopie 1989 in 8 (22x14) 1 volume broché, couverture imprimée, 48 pages. Très rare. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon ‎

‎Les Monuments arméniens du IVe siècle au XVIIe siècle ‎

‎Albert Morancé, 1967, 179 p., in-8 rel. toile bordeaux, 250 plans et photographies n. et b. et coul., sans la jaquette, très bon état ‎

‎Voir le sommaire sur photos jointes ‎

‎L'urbanisme souterrain.‎

‎Couverture souple. Broché. 128 pages.‎

‎Livre. Editions P.U.F (Collection : Que sais-je? N° 533), 1952.‎

‎L'urbanisme souterrain.‎

‎Couverture souple. Broché. 128 pages.‎

‎Livre. Editions P.U.F (Collection : Que sais-je? N° 533), 1952.‎

‎L'urbanisme souterrain.‎

‎Couverture souple. Broché. 128 pages.‎

‎Livre. Editions P.U.F (Collection : Que sais-je? N° 533), 1952.‎

‎Architecture et urbanisme souterrains. Présentation de Michel Ragon.‎

‎ 1966 Paris, Laffont (Collection "Construire le Monde"), 1966, peti in 4° broché, 102 pages ; couverture illustrée. ‎

‎ ...................... Photos sur demande ..........................‎

‎Early Engravers and their Public The Master of the Berlin Passion and Manuscripts from Convents in the Rhine-Maas Region, ca. 1450-1500‎

‎, Brepols - Harvey Miller, 2004 Hardcover with dusjacket, 384 pages ., 178 b/w ill. + 67 colour ill. + + ills., 225 x 300 mm, Languages: English. ISBN 9781872501529.‎

‎This is a book about the production and reception of engravings and metalcuts in the Rhine-Maas region during the second half of the fifteenth century. The Master of the Berlin Passion played a pivotal role in the printmaking industry of the Lower Rhine during this period. He, together with the engravers working in his ambit, specifically targeted their prints at the growing market for illustrated devotional manuscripts, doing so to an extent unparalleled by engravers elsewhere in Europe. As a result, experimental hybrid books combining manuscript and engraving were a phenomenon that flourished particularly in the Rhine-Maas region during the fifteenth century. The first part of this book deals with the production of engravings and metalcuts for the manuscript market, concentrating specifically on the Master of the Berlin Passion and the engravers and metalcutters in his circle. The motives of these printmakers related to broader cultural and social changes during the latter half of the fifteenth century. These were critical years of transition in methods of book production as printmakers and manuscript-makers across Europe strove to exploit the potential of new print technology combined with traditional craft skills. The second part of the book concentrates on the public for whom these printmakers worked. Prints that were pasted, bound or sewn into contemporary manuscripts, and which still remain in position, provide an unparalled opportunity to study the audiences of engravings and metalcuts. The vast majority of fifteenth-century prints no longer survive, and most of those that do are divorced from the original contexts in which they were used. These manuscripts thus provide an invaluable insight into the production, reception, circulation, meanings and functions of prints in the Rhine-Maas region at this time. The predominantly female ownership of Rhine-Maas manuscripts with inserted engravings is a major theme of the book. Most of the manuscripts discussed are vernacular prayerbooks or Books of Hours that belonged either to nuns or to members of the lay female gentry in the Low Countries. In many cases the books can be linked to the pietistic reform movement of the Devotio Moderna suggesting that, as in other areas of Northern Europe, there was a link between the use of prints and movements of monastic reform. This book contributes to our understanding of an important circle of print artists and their public; early uses of printing during the period of transition from manuscript to print; the functions of, and aesthetic attitudes towards, engravings in the fifteenth century and the role of engravings in religious devotion prior to the Reformation, particularly among women. Review "Tant pour l'analyse exemplaire d'une production parfaitement localis e, que pour la clart de la m thode utilis e, la rigueur de la d monstration comme de la documentation, et l'importance des probl matiques soulev es, cet ouvrage sera d sormais une r f rence essentielle sur l'illustration et l'usage du livre la fin du Moyen ge, et les mutations artistiques, intellectuelles, religieuses et sociales qu'il r v le" (C. Heck dans le Bulletin Monumental, N 164-III, 2006, p.324-326) "This book is to be highly recommended to historians of visual art, late-medieval and early-modern culture, and gender studies. this excellent book is richly illustrated."A. Stewart in Speculum, April 2006, p. 627-628)‎

‎Icari ‎

‎, Podium, 2018 Hardcover, 445 pagina's, NL, 210 x 145 mm, in prima staat, . ISBN 9789057599255.‎

‎Duitsland, april 1945. De oorlog is verloren, geallieerde troepen rukken op langs totaal verwoeste steden. De Amerikaanse officier Michael Hansen keert terug naar zijn geboorteland om in opdracht van de geheime dienst uit te zoeken welke rol de vooraanstaande rassenhygi nicus dr. Alfred Ploetz heeft gespeeld in het Derde Rijk. Hansen verricht zijn werk vanuit een geconfisqueerde villa, legt beslag op een luxe cabriolet en wordt verliefd op de jonge Duitse weduwe Molly. Met Icari laat Uwe Timm eens te meer zien dat hij een meesterverteller is. Op indrukwekkende wijze verweeft hij feit met fictie, en verwoesting met romantiek in een grandioze roman waarvoor hij meer dan veertig jaar onderzoek deed.‎

‎Tussen kant en wal. De 19de-eeuwse gordel van Antwerpen: elementen voor een cultuur van de stad.‎

‎Antwerpen, Antwerpen 93-Open stad. 1993, 1ste dr. Geb.L.o.o. 30,5x24cm. 428 blz. Album in-4, 428 pp., abondamment illustre, cartonnage sous jaquette illustree.‎

‎VG - Bel exemplaire. [P-21] I. Territoria van de stedelijke verbeelding - II. Aspecten van (voor)stedelijkheid in de 19de-eeuwse gordel - III. Op zoek naar een visie voor de 19de-eeuwse gordel - IV. Kansen voor een beleid.‎

‎Stadland Belgie. Hoofdstukken uit de geschiedenis van de stedenbouw.‎

‎Gent, A&S/Books, UGent, 2011 Paperback, 350pp., 22x16cm, ills. in z/w,*nieuw. ISBN 9789076714400.‎

‎Stadland Belgie verzamelt een reeks van lezingen en artikelen over de geschiedenis van de stedenbouw in Vlaanderen en Belgie, geschreven of gepubliceerd vanaf 1985. Ze schetsen, als geheel, een uniek beeld van de belangrijkste gebeurtenissen en tendensen die de actuele stedenbouw bepalen. Individu en ruimte. Utopie in het Belgisch reformisme. Een gedecentraliseerde nederzettingsstructuur. Het netwerk van de buurtspoorwegen in de tweede helft van de negentiende eeuw.De ruine en het feest. De moderniteit van Oud-Antwerpen en Oud-Belgie.Een nieuwe stedenbouw voor een modern Belgie. Internationale relaties tijdens de Eerste Wereldoorlog Van stadsbouwkunst tot stedenbouwkunde. Een modernistische oefening van Raphael Verwilghen Architectuur, stedenbouw en planologie tijdens de Duitse bezetting. De moderne beweging en het Commissariaat-Generaal voor 's Lands Wederopbouw (1940-1944). De paradox van de immobiele toerist. De stedenbouwkundige ontwikkeling van de Belgische kust.De theologie van de stad. De moderne correctie volgens het pilootproject Marol.De verbeelding van de werkelijkheid. Een ontwikkelingsplan voor de Vaartkom in Leuven. Experiment of investering? Het stadsontwerp in Vlaanderen. Skylining Belgium. Voor een anamnese van de Belgische ruimte. Over de auteur: Pieter Uyttenhove is burgerlijk ingenieur-architect. Hij studeerde aan de KU Leuven en aan het Institut d'Urbanisme van de universiteit Paris-XII. Hij behaalde het doctoraat aan de Ecole des hautes etudes en sciences sociales (EHESS, Paris, 1999). Hij is als hoogleraar verbonden aan de Vakgroep Architectuur ‎

‎Notice sur l'hopital Saint-Jean [a Bruxelles]. Etude sur la meilleure manière de construire et d'organiser un hopital de malades‎

‎Bruxelles, Tircher 1862 xxxi + 290pp. avec quelques illustrations dans le texte + 10 planches hors-texte dont quelques-unes dépliantes, 2e édition, 24cm., reliure cart. d'époque (dos en cuir vert avec titre et faux-nerfs dorés, qqs. traces d'usage), feuilles de garde marbrées, texte et planches frais, bon état, rare, B103650‎

‎maison dans le monde ‎

‎ larousse 1954 in 4 non paginé cartonnage éditeur - photographies a toutes pages‎

‎Maisons dans le monde...‎

‎Larousse. 1954. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. Non paginés, environ 100 pages. Nombreuses illustrations en noir et blanc, dans et hors texte. Tampons + annotation en page de garde / titre.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎ Met Andere Ogen‎

‎, Heijnis, 1961 Hardcover met stofomslag, 53 pagina's, 20x 13 cm.‎

‎Carte autographe signée‎

‎Elle accepte de faire partie du "Comité Loti", mais trouve étrange que son nom ait été publié avant son accord ! En feuille Très bon Paris 1934 ‎

‎Notice sur la destruction du Château de Nervieu et de la maison forte de foris en forez.‎

‎Vienne, Savigné, Vienne, Savigné1877 ; in-8 br. 15 pp Reproduction du Château de Nervieu, Fac-simile d'après le Manuscrit de Guillaume de Revel‎

‎L'Ancien Hôtel de ville de Paris, 1553-1871‎

‎ 1882 Paris, A. Quantin, 1882. 35 x 26 cm, in-folio, 224 pp., 23 planches hors texte en noir, gravures dans le texte, broché, couverture blanche imprimée et illustrée en couleurs.‎

‎Edition originale de cette imposante documentation sur le sujet, qui fait toujours référence. Dos brisé, couverture défraichie, pour le reste un fort bon exemplaire, exempt de rousseurs. Prévoir des frais de port pour 3 kg. ‎

‎Le Palais du Conseil d'Etat et de la Cour des Comptes, avec quatre fac-simile et une eau-forte.‎

‎Un des 269 exemplaires sur hollande numérotés, 1 vol. grand in-8 reliure de l'époque bradel pleine toile rouge, couv. cons., coll. L'Art français pendant la guerre de 1870-1871 et pendant la Commune, A. Quantin, Paris, 1879, 3 ff. n. ch., frontispice, 30 pp. et 1 f.‎

9 Images

‎Edition originale. Un des exemplaires sur papier de hollande numérotés de 32 à 300. Etat très satisfaisant (pièce de titre frotté, bel exemplaire par ailleurs). Vicaire, VII, 932‎

‎Le Palais du Conseil d'Etat et de la Cour des Comptes‎

‎Quatre fac-similé et une eau-forte, 1 brochure grand in-8, A. Quantin, Paris, 1879, 30 pp. et 1 f. n. ch.‎

7 Images

‎Tirage à 300 exemplaires numérotés, celui-ci exemplaire sur papier de hollande, nominatif et non numéroté. Etat satisfaisant (lég. traces anciennes d'humidité sur qq. coins, petit mq. en coiffes, très petit grignotage marginal sur 2 ff., nom gratté en justification) Vicaire, VII, 93‎