‎7 Arts 1922-1928, Avant-Garde / belge d'avant-garde‎

‎, Ronny Van de Velde Gallery, 2017 hardcover 310 x 200 mm, 254 pages, throughout illustrations, FR / NL edition. Exhibition catalogue‎

‎7 arts; , l'avant-garde En 1922, Pierre et Victor Bourgeois, Pierre-Louis Flouquet, Karel Maes et Georges Monier Victor Servranckx, Ren Magritte, Marcel-Louis Baugniet, Felix De Boeck, Huib Hoste, Jean-Jacques Gaillard, Stanislas Jasinski, Jozef Peeters ‎

‎Commune, Paris - Parijs 1871 / De Parijse Commune van 1871.‎

‎, ludion, 2021 Hardcover, 224 pp. 24,5 x 32,5 cm Text in NL / FR / . . ISBN 9789493039.‎

‎De Parijse Commune van 1871 is een scharniermoment in de geschiedenis van Frankrijk en de internationale arbeidersbeweging. Ofschoon de fotografie toen nog in haar kinderschoenen stond werd de revolutionaire opstand in Parijs uitgebreid gedocumenteerd. De beelden van het vernietigde Parijs werden in de burgerlijke pers vaak gebruikt om de zogenaamde barbaarsheid van de Commune te onderstrepen. De portretten van de mannen en vrouwen van de Commune, veelal getrokken in gevangenschap, gaven de onbekende Parijzenaars dan weer een gezicht. Dit rijkge llustreerde boek, gepubliceerd naar aanleiding van de 150e verjaardag van de Parijse Commune, biedt een unieke blik op de revolutie aan de hand van talrijke foto's en documenten. Samengesteld door Ronny Van de Velde, met een inleiding van Xavier Canonne. La Commune de Paris de 1871 est un moment charni re de l'histoire de la France et du mouvement ouvrier international. Si la photographie en tait encore ses balbutiements l' poque, le soul vement r volutionnaire Paris tait bien document . Les images de Paris d truites taient souvent utilis es dans la presse bourgeoise pour souligner la soi-disant barbarie de la Commune. Les portraits d'hommes et de femmes de la Commune, souvent pris en captivit , donnaient un visage aux Parisiens inconnus. Ce livre richement illustr , publi l'occasion du 150 me anniversaire de la Commune de Paris, offre un regard unique sur la r volution travers de nombreuses photos et documents. Compil par Ronny Van de Velde, avec une introduction de Xavier Canonne. The Paris Commune of 1871 is a pivotal moment in the history of France and the international labor movement. Although photography was in its infancy at that time, the revolutionary uprising in Paris was extensively documented. Images of the destroyed Paris were often used in the bourgeois press to underscore the alleged barbarity of the Commune. In turn, the portraits of the men and women of the Commune, many drawn in captivity, gave a face to the unknown Parisians. This richly illustrated book, published on the occasion of the 150th anniversary of the Paris Commune, offers a unique look at the revolution through numerous photographs and documents. Compiled by Ronny Van de Velde, with an introduction by Xavier Canonne.‎

‎Maisons de l’imaginaire, à la rencontr e d’univers insolites‎

‎Ouest France 2004 In 8 reliure éditeur sous jaquette, 141 pp, photos couleurs‎

‎ Très bon état d’occasion ‎

‎LA CATHEDRALE SAINT-MAMMES ET L'EGLISE SAINT-MARTIN DE LANGRES‎

‎Le Cerf. Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Plaquette de 32 pages illustrée de nombreuses photos en noir et blanc.. . . . Classification Dewey : 720-Architecture‎

‎'Nefs et clochers'. Classification Dewey : 720-Architecture‎

‎Colombey-les-deux-églises. Eglise Notre-Dame-en-son-Assomption. Avec un avant-propos historique par Anne-Marie Couvret.‎

‎Couverture souple. Broché. 22 pages.‎

‎Livre. Editions Lescuyer, Lyon, 1975.‎

‎Le Sépulcre de Chaumont-en-Bassigny.‎

‎Paris, F. de Nobele, 1972 in-4, pp. 5-17, avec des illustrations en noir dans le texte, broché. ‎

‎Extrait du Bulletin de la Société de l'histoire de l'art français, 1970. Sur un ensemble de onze statues polychromes conservé à la Basilique Saint-Jean-Baptiste de Chaumont.Envoi autographe de l'auteur à Fernand Richard. - - VENTE PAR CORRESPONDANCE UNIQUEMENT‎

‎Les Eglises de Bourbonne-les-Bains et de ses environs ‎

‎Editions du Cerf, 1950, broch. in-8 (13 x 18), 24 p., coll. "Nefs et Clochers", ill. photos, carte, bon état. ‎

‎Bonne monographie sur les églises peu connues de cette région de la Haute-Marne. ‎

‎SAINT-DIE des Vosges‎

‎in 8 broché,couverture jaquette illustrée en couleurs. 172 pages,plan dépliant en fin de volume;nombreuses illustrations, publicité Moderne Nancy 1969 un des exemplaires numérotés sur couché mat ‎

‎Rony Heirman - Roger Raveel‎

‎, Raveelmuseum, 2022 Hardcover, 237 pagina's, foto's in kleur & z/w, x 24,5, Nederlands. ISBN 9789040304330.‎

‎Ronny Heirman(1936-2013) fotografeerde decennialang tal van kunstenaars en figuren uit de nationale en internationale kunstsc ne en heeft op die manier een ganse artistieke generatie vastgelegd op de gevoelige plaat. Ook was hij vaak present op openingen en andere publieke aangelegenheden en bracht zo een breed netwerk in beeld. Heirman portretterde heel wat beeldende kunstenaars als Joseph Beuys, Luc Tuymans, Panamarenko, Raoul De Keyser, ? Met velen van hen onderhield hij jarenlang een vriendschapsband. De foto?s van Ronny Heirman zijn direct, eenvoudig van opzet en kwamen tot stand vanuit een interesse in de manier waarop zijn portretmodellen leven, wonen en werken.‎

‎Ngombe-Nederlands-Frans Woordenboek. Dictionnaire ngombe - n erlandais - fran ais‎

‎Tervuren, Tervuren, Koninklijk Museum van Belgisch-Congo, 1958 Couverture souple original, 144 pag. bon etat.‎

‎Ngombe-Nederlands-Frans Woordenboek. Dictionnaire ngombe - n erlandais - fran ais‎

‎LES MAISONS DE CAMPAGNE EN IRLANDE.‎

‎ Jaquette Couverture rigide La Margelle , 1999 , in4° carré relié , jaquette ill , 96 pp . Abondandantes illustrations Langue: Français ‎

‎Correspondance de Christophe Plantin. 8 volumes ( off 9)‎

‎Antwerpen, Antwerpsche Bibliophilen / J.E. Buschmann, 1883 Hardcover Cloth, series of 8 VOLUMES + 1 supplement ; ***VOLUME 2 MISSING **** (complete SET = 9 VOLS.).‎

‎series of 8 volumes + 1 supplement ; ***VOLUME 2 MISSING ****v,320 + 371 + ,331 + v331 + 334 + 363 + 637 pp. + Supplement: 408pp. set of the first edition of correspondence by Chr. Plantijn, 1555-1589. Uitgaven der Antwerpsche Bibliophilen" nos.12-*-26-29-30-31-32-33-34‎

‎Ma cabane‎

‎Fitway Publishing. 2005. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 104 pages - nombreuses photos en couleurs dans et hors texte. Plats contrepliés en un rabat.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎verhalen uit het kasteel der lusten Het verboden boek‎

‎BE - , Loempia, 1984 Gebonden, Hardcover met stofomslag compleet . 54 pagina's in stripvorm; 22x31cm z/w.‎

‎De verhalen uit het kasteel der lusten Het verboden boek‎

‎F licien Rops: les techniques de gravure‎

‎Bruxelles :, Biblioth que royale Albert I, 1991 cartonnage illustre de l'editeur 72 p. : ill. Texte en Francais. ISBN 2870930585.‎

‎Tentoonstelling: Biblioth que royale Albert I Galerie Houyoux [Bruxelles]. 1991/10/12 - 1991/11/16‎

‎COMMENT ON BATISSAIT LES CATHEDRALES - COLLECTION VISAGES DE L'EGLISE‎

‎LE CENTURION. 1955. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur acceptable. 116 pages augmentées de nombreuses planches de photos en noir et blanc. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Citadelles du vertige‎

‎Privat. 1990. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 255 pages augmentées de nombreuses photos en noir et blanc hors texte. Plats contrepliés en un rabat.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Citadelles du Vertige‎

‎Privat. 1984. In-8. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 184 pages augmentées de nombreuses photos en noir et blanc hors texte. Contre-plats en noir et blanc. Quelques annotations au crayon sur la page de garde. Un nom inscrit à l'encre sur la page de garde. Une carte postale en supplément. Jaquette satisfaisante. Avec Jaquette. . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Citadelles du vertige.‎

‎Toulouse: Privat, 1966 in-4, 184 pages, cartes, planches en héliogravure hors texte, plans dans le texte. Reliure toile, très bon état. EDITION ORIGINALE‎

‎Citadelles du vertige. (Toulouse: Privat, 1966) [M.C.: Languedoc, Cathares, architecture, Moyen Age]‎

‎Dictionnaire historique et descriptif des monumens religieux, civils et militaires de la ville de Paris , où l'on trouve l'indication des objets d'art qu'ils renferment, avec des remarques sur les embellissemens faits ou projetés; Dédié à M. le Comte de Chabrol de Volvic...par B. de Roquefort,...‎

‎ 1826 Paris, chez Ferra Juen, 1826 ; in-8, plein cartonnage bleu nuit à la bradel, titre doré sur étiquette de maroquin vieux-rouge; xxx, 559, (1)pp. Ex-libris manuscrit au titre "E. Delplanque".‎

‎Les 2 feuillets de l'avant- propos (pp.vii-x) ont été reliés 2 fois , avant et après l'introduction; plusieur jaunis surtout en début et fin. (GrDD2) ‎

‎La petite construction - 1re Année - N°5 / Sommaire : Maison de garde, près Villefranche (Aveyron),de M. Roques - Petite citerne jumelée avec bassins filtrant de M.B.; directeur de srevice municipal des eaux - Des plans de lotissements.‎

‎Emile Thézard. Non daté. In-Folio. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 2 pages de texte + 4 planches mobiles (3 en noir et blanc et 1 en couleurs). 2 photos disponibles. 1 légère déchirure et 1 pliure sur la planche en couleurs n'altérant pas l'illustration.. . . . Classification Dewey : 720-Architecture‎

‎Sommaire : Maison de garde, près Villefranche (Aveyron),de M. Roques - Petite citerne jumelée avec bassins filtrant de M.B.; directeur de srevice municipal des eaux - Des plans de lotissements. Classification Dewey : 720-Architecture‎

‎LA BASILIQUE DE SAINT-DENIS ET SES TOMBEAUX. Guide illustré du visiteur.‎

‎ s.l., s.d. (début XXème), 1 br., couverture illustrée. in-12, titre frontispice, 44-(2) pp., illustrations, plan ; ‎

‎Nouveau manuel d'architecture ou Traité de l'art de bâtir...‎

‎Paris Librairie encyclopédique de Roret, coll. "Manuels-Roret" 1845 2 vol. relié 2 vol. in-16, reliés demi-chagrin cerise, dos lisses ornés de filets et fleurons dorés, tranches jaunes, VIII + 306 et 330 pp., complet des 12 planches en 10 feuillets dépliants. Nouvelle édition revue, corrigée et augmentée. Parfaitement conservé dans une jolie reliure d'époque.‎

‎langage des f tes j suites dans l'Assistance de France (1588-1645)‎

‎, Brepols - Harvey Miller, 2025 softcover, Pages: iv + 358 p.Size:216 x 280 mm, Illustrations:89 col., Language French, *neuf. ISBN 9782503610122.‎

‎Summary F te et j suites : s'agit-il d'une tautologie du Grand Si cle, d'un oxymore antij suite ou, a contrario, de l?accordance de la mission de la Compagnie de J sus avec un langage universel qui est celui du spectaculaire ? Le livre met jour le soubassement historique et culturel de l?image convenue des j suites comme sp cialistes de la f te travers une enqu te men e partir d?archives in dites, relations imprim es et documents iconographiques. L?auteur retrace l?implication des J suites dans le d veloppement du langage festif en France, entre la fin du XVIe et la premi re moiti du XVIIe si cle en proposant une approche renouvel e de l? tude de la f te, attentive aux vis es spectaculaires des dispositifs ph m res ? les architectures, la d coration - et de ses composantes immat rielles ? le son, la lumi re, l?odeur - qui ont laiss une trace durable dans la culture visuelle de l? poque moderne. TABLE OF CONTENTS Pr face Introduction PARTIE I. La f te j suite et ses vis es p dagogiques, apostoliques et politiques Les r gles du jeu : la ratio studiorum et la f te j suite Portes ouvertes : le coll ge et ses publics J suites, sp cialistes de la f te. Du coll ge vers la ville PARTIE II. L?exp rience de l? ph m re La peinture spirituelle de la f te j suite De la pens e l?expression symbolique : embl matiquement j suite P renniser l? ph m re : du merveilleux au m morable PARTIE III. La fabrique de l? ph m re. Le triomphe l?antique au service de la gloire moderne Les dispositifs Richesse, savoirs et pratiques locales pour l? clat de la f te j suite Le langage du triomphe Conclusions Synth se des f tes j suites (1588-1645) Index locorum Index rerum Index nominum Bibliographie‎

‎Visualizing Justice in Burgundian Prose Romance. Text and Image in Manuscripts of the Wavrin Master (1450s-1460s)‎

‎, Brepols, 2020 Hardback, 389 pages, Size:178 x 254 mm, Illustrations:140 col., Language: English. ISBN 9782503586335.‎

‎Summary This is the first monograph devoted to manuscripts illuminated by the mid-fifteenth-century artist known as the Wavrin Master, so-called after his chief patron, Jean de Wavrin, chronicler and councillor at the court of Philip the Good of Burgundy. Specializing in the production of pseudo-historical prose romances featuring the putative ancestors of actual Burgundian families, the artist was an attentive interpreter of these texts which were designed to commemorate the chivalric feats of past heroes and to foster their emulation by noble readers of the day. Integral to these heroes' deeds is the notion of justice, their worth being measured by their ability to remedy criminal acts such as adultery, murder, rape, and usurpation. In a corpus of 10 paper manuscripts containing the texts of 15 romances and over 650 watercolour miniatures, the stylized, expressive images of the Wavrin Master bring out with particular clarity the lessons in justice which these works offered their contemporary audience, many of whom, from the Burgundian dukes downwards, would have been responsible for upholding the law in their territories. Chapters are devoted to issues such as the nature of just war and how it is linked to good rulership; what forms of legal redress the heroines of these tales are able to obtain with or without the help of a male champion; and what responses are available in law to a spouse betrayed by an adulterous partner. The book will be of interest to scholars of medieval art, literature, legal and cultural history, and gender studies. TABLE OF CONTENTS List of figures Foreword and acknowledgements Introduction This chapter sets out the rationale for the monograph. First, it situates its approach to study of the works of the Wavrin Master in relation to past and current scholarship in the field of Burgundian manuscript illlumination. Second, it explains and briefly illustrates the methodology it adopts, this being the analysis of the interplay between text and image in manuscripts of these prose romances, from the particular perspective of how this interplay inflects the issues of justice that are raised in the narrative. Third, it outlines in detail the precise research questions that will be addressed in the monograph and explicates the order of the chapters, justifying which texts have been selected from the corpus for detailed treatment. Chapter 1: Artist, Corpus, Patrons, Court This chapter provides a detailed context for analysis of the manuscripts in the Wavrin Master corpus by outlining who the artist was, what his body of work consisted of, who his chief patrons were, what books they held in their libraries, and how these texts contributed to the wider ideological project of legitimising the Burgundian polity as a personal union between the lord and his subjects, particularly during the reigns of the third and fourth dukes, Philip the Good and Charles the Bold. It thus sees these romances as forming part of a "literature of statecraft" teaching princely virtues, especially on matters of justice, alongside moralising works such as mirrors for princes, military treatises, and the many different types of historiographical texts that found favour at the Burgundian court. Chapter 2: Justice, Warfare, and Rulership in Florimont, the Seigneurs de Gavre and Saladin This chapter focuses on three texts whose presentation of the hero's military exploits can be read as a demonstration of medieval just war theory in action and of the link between just war and just rulership. It argues that the first two tales, Florimont and the Seigneurs de Gavre, can be seen as paradigmatic of the Wavrin Master's corpus in depicting an unequivocally exemplary hero as a just warrior and later ruler pitted against a series of antagonists whose illegitimate wars destroy their credibility as governors of their lands. By contrast, the third text, Saladin, is much more ambivalent in its portrayal of a hero whose undoubted status as a model of just conduct in war is fatally undermined by his reasons for going to war in the first place, being chiefly motivated by an insatiable desire for conquest, a lesson which may well have had a particular pertinence for Charles the Bold whose territorial ambitions far outstripped those of all three of his ducal predecessors. Translating these texts' often abstract ideas about just war and just rulership into the realm of the visual, the Wavrin Master plays with the extent to which the hero as a chivalric leader can be contrasted with his opponents in terms of both his appearance and his physical domination of space as a way of underlining the rightfulness or wrongfulness of the military causes he espouses. Chapter 3: Poor Judgements: Righting Wrongs against Women in G rard de Nevers, the Fille du comte de Pontieu, and Florence de Rome This chapter examines three romances that deal with the righting of wrongs perpetrated by men against women and the ways in which these female victims of injustice find legal redress. In the first of these texts, G rard de Nevers, justice for the wronged heroine is obtained by the male figure who had endangered her in the first place, as he fights a series of judicial duels to clear her name. Nevertheless, the heroine herself is not simply a passive receiver of this justice but herself has to use the workings of the law in order to regain her rightful place in society, in particular through her eloquence in pleading in court. The doubly wronged heroine of the second text, the Fille du comte de Pontieu, victim of a gang-rape and of her own father's punishment of her for having supposedly dishonoured her family, gains legal redress through her own efforts, pardoning the father who had wronged her but also making him swear a solemn oath never to reproach her again for her misfortune. Finally, in Florence de Rome, the heroine is abducted by her brother-in-law and subjected to multiple attempts at rape but eventually attains justice through herself exercising judgement over her transgressors. In his treatment of these women in relation to justice, the Wavrin Master places particular emphasis on representing scenes of crimes so as to establish the heroine's innocence and the different forms of judicial process by which she regains her honour and status. Valorising women in relation to justice through their demonstration of eloquence as well as through their capacity to make just judgements, these romances play their part in legitimising the role that high-status women such as the duchesses in particular were playing de facto in the good governance of the Burgundian polity. Chapter 4: Domestic Betrayals: Adultery and the Problem of Lawful Response in the Chastellain de Coucy and the Comte d'Artois This chapter, which deals with two romances that focus on the question of adultery, seeks to correct a scholarly misconception about the prevalence of extramarital relationships in Burgundian chivalric literature being a reflection of the licence that members of the male elite, particularly Philip the Good himself, allowed themselves in their own adulterous relations. It argues that, in fact, rather than celebrating extramarital love, the Chastellain de Coucy and the Comte d'Artois are concerned to teach their noble readers, both male and female, about the dangers of adultery. In particular, the way in which the domestic betrayals within these romances are treated textually and visually rejects the idea of adultery as an ennobling passion (as found in the Tristan legend, for example) and instead examines the lawful or unlawful response on the part of the betrayed spouse to the fact of their betrayal, thus addressing the wider social and legal repercussions of such extramarital passions. In his treatment of these two texts, the Wavrin Master draws on multiple pictorial traditions and runs a gamut of emotions from the courtly to the bathetic and from the erotic to the tragic in order to show that adultery, as an act of private domestic betrayal, can only lead to further forms of injustice. Conclusion: Text, Image, Ideology, Justice This chapter summarises the case made for seeing the Wavrin Master as a highly original interpreter of an unusually homogeneous body of works, ones in which the interplay of text and image is integral to the way that its lessons in statecraft, particularly on the issue of justice, would have been received at the court of Burgundy by both a male and a female audience. Appendix 1: Corpus of manuscripts Bibliography Index‎