‎L'ART SCANDINAVE 2. La nuit des temps 29.‎

‎Zodiaque - "La Nuit Des Temps" Abbaye de la Pierre-qui-Vire 1968 In-8 ( 220 X 170 mm ), pleine toile à la bradel sous jaquette illustrée en couleurs. Dessins dans et hors-texte, superbe et abondante iconographie hors-texte en couleurs et en noir. Très bel exemplaire. µµµ‎

‎Las Vegas - guide de l'architecture contemporaine‎

‎ELLIPSIS KONEMANN. 1997. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 219 pages. Nombreuses photos en couleur, dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎La rue des Francs-Bourgeois au Marais. Délégation à l'action artistique de la Ville de Paris ; études réunies par Béatrice de Andia et Alexandre Gady…‎

‎ 1992 Paris, Délégation à l'action artistique de la Ville de Paris, 1992; grand in-8° broché, couverture blanche illustrée en couleurs au 1er plat, titre en noir au dos et 1er plat; 303, (1)pp. Très nombreuses illustrations photographiques en noir.‎

‎Bon exemplaire. (GrDD) ‎

‎Minimalisme‎

‎Electa Moniteur. 1983. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 124 pages - nombreuses photos et illustrations en noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎Préface de François Chaslin; Classification Dewey : 720-Architecture‎

‎"Tadao Ando minimalisme - Collection "" Architecture Monographies ""."‎

‎Electa Moniteur. 1982. In-4. Broché. Etat d'usage, Couv. légèrement pliée, Dos abîmé, Intérieur frais. 124 pages - nombreuses photos et nombreux dessins en noir et blanc dans et hors texte - coins frottés - coiffes abîmées.. . . . Classification Dewey : 720-Architecture‎

‎"Collection "" Architecture Monographies "" - Préface de François Chaslin. Classification Dewey : 720-Architecture"‎

‎Tadao Ando, vol. 2 : 1988-1993. "GA Architect", n° 12.‎

‎Tokyo A.D.A. Edita, N° spécial de la revue "GA Architect", n° 12 1993 1 vol. broché in-4, broché, 244 pp., nombreuses reproductions en noir et en couleurs. Editié par Yukio Futagawa avec contributions de Kenneth Frampton et des photographies par Yoshio Takase. Texte en anglais et en japonais. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.‎

‎Ando : complete Works.‎

‎Cologne Taschen 2004 1 vol. relié in-folio, cartonnage sous jaquette illustrée, 492 pp., nombreux plans et photos en noir et en couleurs, bibliographie. Catalogue raisonné de l'oeuvre de l'architecte japonais. Texte trilingue anglais-allemand-français. Bel état, dans son emboîtage carton d'origine.‎

‎Intérieurs anciens et rustiques‎

‎ ,Paris, Ch. Massin éditeur s. d., circa 1960, 137 pp., 1 vol. in 4 relié plein toile verte avec jaquette illustrée en couleurs (petite déchirure), nombreuses illustrations in et hors-texte en noir et blanc et en couleurs.‎

‎Intérieurs Anciens et Rustiques‎

‎Paris Charles Massin 1965 In Quarto Collection " Meubles et ensembles " . - Nombreuses photographies en noir et blanc et en couleurs à pleine page . Quelques défauts en bordure de jaquette . - 138 p. , 1 kg 500 gr.‎

‎Couverture rigide Très bon Bon 1ère Édition‎

‎LOU TRES PAUS. Etude des fortifications primitives du Chateau de Pau‎

‎ Pau , 1956 , gr in8 br , 7 pp , illustrations. Langue: Français ‎

‎ art histoire antiquité‎

‎(ARCHITECTURE) Andrault Parat‎

‎Paris, Cercle d'Art, 1991, in-4, cartonnage éditeur, 195 pages. Bon état. Sans jaquette. ‎

5 Images

‎LIMOUSIN gothique.‎

‎Editions A. Et J. Picard - Collection "Les Monuments De La France Gothique" Paris 1997 In-8 carré ( 245 X 175 mm ) de 407 pages, pleine toile à la bradel sous jaquette illustrée en couleurs. Très nombreuses illustrations dans et hors-texte. Très bel exemplaire. Parfait "pendant" de la Collection "Zodiaque" sur l'art roman.‎

‎Architectures‎

‎Cercle d'art . Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎Projet de maître-autel par André, élève de M. Questel. Planche extraite de la publication mensuelle Croquis d'architecture, Intime-club.‎

‎- Planche autographiée. 35 x 55 cm.‎

‎Vieux papier. Croquis d'architecture, Juillet 1866.‎

‎Representations of Saint Anne and the Virgin Mary from the Middle Ages to the Early Modern Period. Exploring Iconographic Flexibility and Permeability‎

‎, Brepols, 2025 Paperback, 189 pages, Size:216 x 280 mm, Illustrations:31 b/w, 39 col., 1 maps b/w, Language: English. *new ISBN 9782503608853.‎

‎Summary Between the thirteenth and the sixteenth centuries, the cult of the Virgin Mary underwent significant changes, a shift clearly revealed by an increase in artistic representations of Mary, as well as a flourishing devotional literature in her honour, written in both Latin and the vernacular. One aspect of this change was a broader attention to Mary's genealogical line, and in particular to her relationship with St Anne. The result was not only a renewed focus on the vita Annae, but also a significant overlap in how these two women were represented, juxtaposed, and perceived. This volume traces the often significant iconographic flexibility in terms of both how the Virgin Mary and Saint Anne were presented and perceived, and what can be termed a permeability between visual representations of the two saints. Focusing on the multiple readings, layers of meaning, and the visual interplay between the vita Mariae and the vita Annae, the chapters gathered here explore the overlap and influence between different iconographic motifs, and how these were used to advance political, religious, and social ideologies at the time of their creation, as well as exploring representations across a range of different media, from sculptures and frescoes to panel paintings, and manuscript illuminations. TABLE OF CONTENTS List of Illustrations List of Contributors List of Abbreviations Representations of the Virgin Mary and Saint Anne from the Middle Ages to the Early Modern Period: Iconographic Flexibility and Permeability Andrea-Bianka Znorovszky 1. The Panel of the Virgin and Saint Anne from the Church of the Archangels in Iprari: Iconographic and Ideological Aspects Nina Chichinadze 2. The Anna Selbdritt and the Cult of the Three Maries: An Early Fourteenth-Century Wall Painting in the Medieval Kingdom of Hungary Mihnea Alexandru Mihail 3. The Pregnancies of Mary-Anne in Fifteenth- to Sixteenth-Century Franco-Flemish Manuscript Illuminations: Between Iconographic Appropriation and Iconographic Development Andrea-Bianka Znorovszky 4.'Worthy Vestment for the Sovereign Priest': Matriarchal Priesthood, Marian Allegory, and the Amiens Confraternity of Notre-Dame de Puy Elliott D. Wise 5. In Mente Dei, in Gremio Annae: The Source and the Receptacle of Marian Immaculacy in Sixteenth-Century Piacenza Fiammetta Campagnoli 6. Moving with Saint Anne: Representations of Anna Selbdritt between Central Europe and the Tyrolean Region Stefanie Paulmichl 7. Images of Saint Anne in the Ionian Islands (Fifteenth - Eighteenth Centuries) Eirini Panou 8. Arbor Anna Fructuosa. Apropos of an Image of Saint Anne and the Fruits of Redemption Letícia Martins de Andrade Conclusions Andrea-Bianka Znorovszky Appendix 1: Saint Anne - Primary Sources Appendix 2: Family Tree Appendix 3: Map Appendix 4: Short Timeline of Mariological Doctrines and Debates‎

‎Knowledge of Humanities A Comparative Epistemology of Historiography, Literary Criticism, History of Art, and History of Architecture‎

‎, , 2026 Paperback, 323 p., 178 x 254 mm, Language(s):English. *New . ISBN 9782503618746.‎

‎Are humanities scientific disciplines? This book offers compelling arguments for reopening the issue of the relations between humanities and natural sciences. It criticizes the current trend of defending humanities on the basis of their expected social or economic impact, in terms of cultural heritage, wellness, mass culture or democratic habits. The book vigorously calls for a new epistemological reflection, which addresses the issues left open by the XX century: Do humanities produce valid knowledge or just culture and informed opinion? How do researchers in humanities advance explanations and causal statements? How do they build up the proofs for their statements, given that they deal with objects and events buried in the past? Do we have science for individual cases? The author suggests a novel approach, based on the comparative analysis of various disciplines in humanities. They deal with historiography in the first place and with the main historical objects of investigation: the text (literary criticism), the image (history of art), the building (history of architecture). The book dives deep into some of the most authoritative works of researchers of the XX century in these fields, reading them from the perspective of epistemology. It then identifies a number of scientific principles and procedures that meet the highest requirements for reliability and validity. Recent epistemological developments in theories of causality, nature of scientific laws, and history-dependent natural sciences suggest that a new type of dialogue between humanities and hard sciences is possible. A dialogue between peers. ‎

‎Andrea Branzi: Wood and Stones (160/250)‎

‎Knokke, Argentaurum Gallery, 1997 Hardcover, edition of 250, this is 160, pages not numbered, 15.5 x 11 cm, EN. *Fine condition.‎

‎This book has been published for the opening of the exhibition 'wood and stones' at Galleria Seno, Milano in April 1997.‎

‎caduta di Acri 1291. Raccolta delle imprese legate allo sterminio di Acri - Taddeo di Napoli, Storia della desolazione e della distruzione della città di Acri e di tutta la Terra Santa‎

‎, Brepols, 2023 Paperback, 168 pages, Size:156 x 234 mm, Illustrations:2 tables b/w., Language: Italian. ISBN 9782503602646.‎

‎Summary La caduta di San Giovanni d'Acri nel 1291, che segna la fine degli stati crociati d'Oltremare, rappresenta un punto di svolta nella storia medievale, già percepito come tale dai contemporanei. Sulla scia immediata dell'evento, due scritti narrano e commentano la battaglia: l'anonima Excidii Aconis gestorum collectio (composta probabilmente nel Nord della Francia) e l'Ystoria de desolatione et conculcatione ciuitatis Acconensis et tocius Terre Sancte di Taddeo di Napoli, venata di influssi gioachimiti. Entrambi ripercorrono con impressionante vividità le vicende che hanno portato allo scontro e soprattutto la disperata resistenza della città, mettendo in scena una molteplicità di personaggi nelle loro dinamiche di collaborazione e dissenso: i maestri degli Ordini Militari, i governanti e il patriarca, la folla dei combattenti e delle vittime inermi; dall'altra parte, i due sultani che si succedono nel corso degli eventi con il loro popolo di ?infedeli?, sinistri eppure valorosi. Lo stile adottato dall'Anonimo e da Taddeo è improntato a un preziosismo al limite talvolta della comprensibilità, che rende ardua la lettura nell'originale latino. La traduzione italiana mette a disposizione in modo più facilmente accessibile due fonti fondamentali per la storia delle crociate e della percezione di esse nella cultura del tempo. La versione latina originale dei testi qui tradotti è pubblicata nella collana Corpus Christianorum, Continuatio Mediaeualis con il titolo Excidii Aconis gestorum collectio; Ystoria de desolatione et conculcatione ciuitatis Acconensis et tocius Terre Sancte (CC CM, 202), a cura di R.B.C. Huygens (2004). I rimandi alle pagine corrispondenti dell'edizione sono forniti a margine di questa traduzione. TABLE OF CONTENTS Introduzione Bibliografia Raccolta delle imprese legate allo sterminio di Acri Taddeo di Napoli, Storia della desolazione e della distruzione della città di Acri e di tutta la Terra Santa Appendice 1: Gli ordini militari Appendice 2: Armi e macchine d'Assedio notevoli. Il lessico della guerra medievale Indici‎

‎Chantier ouvert au public.‎

‎ Musée du Quai Branly / Panawa 2006 1 vol. relié in-8 oblong, demi-toile orange, cartonnage éditeur illustrée, non paginé, nombreuses photographies en couleurs de l'artiste plasticienne Ianna Andreadis. Très bon état.‎

‎Architecture néoclassique en Grèce‎

‎Editions de la Banque commerciale de Grèce, Athènes, 1967. In-4, reliure pleine toile éditeur grise sous rhodoïd imprimé, plat supérieur illustré, 282 pp. Avant-propos - Introduction, par J. Travlos - Planches - Liste des figures.‎

‎Avec 270 illustrations et planches en noir et blanc. --- Plus d'informations sur le site archivesdunord.com‎

‎L'ART DE L'ANCIENNE ROME.‎

‎Citadelles & Mazenod Paris 1982 Fort in-4 carré ( 320 X 255 mm ) de 640 pages, pleine toile sous jaquette illustrée en couleurs et étui maroquiné taupe. Superbe et abondante iconographie en couleurs et en noir dans et hors-texte. Très bel exemplaire en parfait état.‎

‎L'art de l'ancienne Rome. Collection : L'art et les grandes civilisations, 4.‎

‎Paris, Editions d'Art Lucien Mazenod, 1977. 25 x 32, 641 pp., 891 figures, 158 planches en couleurs, reliure d'édition pleine toile + jaquette, très bon état (sauf jaquette légèrement défraîchie).‎

‎Gaspar van Weerbeke. New Perspectives on his Life and Music‎

‎, Brepols, 2019 Paperback, 332 pages, Size:190 x 290 mm, Illustrations:6 b/w, 14 col., 18 tables b/w., 39 music examples, Language: English. ISBN 9782503584546.‎

‎Summary In memoriam Gerhard Croll (1927-2019) Gaspar van Weerbeke was one of the most successful Franco-Flemish musicians of the second half of the fifteenth century, holding prestigious positions in the Sforza court in Milan, the Burgundian court chapel, and the papal chapel in Rome. His compositions were widely transmitted in manuscript and print sources throughout Europe, and he was one of the best represented composers in the early Italian music prints of Ottaviano Petrucci. Despite the high esteem of his contemporaries, Gaspar has up to now played only a peripheral role in Renaissance music historiography. This book is the first collection of research articles dedicated exclusively to the life and works of Gaspar. While the basic facts of Gaspar's life have long been known, the book fleshes out the details, presenting a more differentiated and complex picture of his biography. Analysis of a wide range of Gaspar's compositional output leads to new interpretations of his approach to different genres: masses, motets, and motet cycles. His relatively small quantity of songs is revisited in light of the confusion-both then and now-over the meaning and validity of their attributions. This book seeks to promote further research on this composer and place him in his appropriate place in music history. TABLE OF CONTENTS Andrea Lindmayr-Brandl & Paul Kolb, Introduction Part I. Biographical aspects Klaus Pietschmann, Seven Reasons for Italy: Gaspar van Weerbeke's Career between Flanders, Milan, and Rome Paul A. Merkley, Weerbeke in Milan: Court and Colleagues Sean Gallagher, Belle promesse e facti nulla: A Letter to Weerbeke and the Treatment of Singers in Florence and Milan Laurence Fagnart, Gaspar Depicted? Leonardo's Portrait of a Musician Grantley McDonald, Gaspar van Weerbeke as a Member of the Burgundian Chapel Jeannette DiBernardo Jones, Gaspar van Weerbeke and France: The Poetic Witness of Guillaume Crétin Part II. Masses and Motets Fabrice Fitch, 'Under the Radar' or 'Caught in the Crossfire'? The Music of Gaspar van Weerbeke and its Reception History Agnese Pavanello, Weerbeke's Stylistic Repertoire: New Insights from the Marian Motets Fabrice Fitch, The Cycle as Modular Composition: The Motetti missales of Gaspar van Weerbeke Wolfgang Fuhrmann, Another 'Most laudable competition'? Gaspar, Josquin, Regis, and the Virgin in Distress Paul Kolb, A New Mass and its Implications for Gaspar's Late Mass Style Andrea Lindmayr-Brandl, Petrucci's Gaspar: Sources, Editing, and Reception Part III. Secular Music David Fallows, Gaspar and Japart: The Secular Works, with Particular Reference to Basevi 2442 and a Word about Fridolin Sicher Carlo Bosi, Caught in the Web of Texts: The Chanson Family Bon vin/Bon temps and the Disputed Identity Eric Jas, La stangetta Reconsidered: Weerbeke, Isaac, and the Late Fifteenth-Century Tricinium Bibliography, General Index, Index of Works‎

‎Markus Lupertz Mythos und Metamorphose‎

‎Koln, Andrea Madesta. Ausst'publikation. , 2010 310 x 250 x 20 mm. 144 S. mit zahlr. Abb. Biografie, Bibliografie und Werkliste. Fester Einband. Text in englischer und deutscher Sprache. dustjacket, NEW. ISBN 9783940953643.‎

‎Statt sich der grossen Gemalde und Skulpturen, die Lupertz' Werk pragen, zu widmen, stellt dieser Band die Zeichnungen in den Vordergrund. Wer genau hinsieht, dem fallt auf, dass diese zeichnerischen Arbeiten mit zum Schonsten gehoren, was wir von Markus Lupertz kennen lernen durfen. Das oft Grobe und Heroische, die bewusst zugefugte Verstummelung oder Antikisierung seiner ?»grossen Werke?« fehlt hier, das Formenrepertoire scheint eher unmittelbar aus der Hand gekommen zu sein. Und auch die Bozzetti besitzen eine im korperlichen Mass verankerte Anschaulichkeit, die so selten zu finden ist. Zeichnung und Skulptur fuhren einen intimen Dialog, der mitunter praziser uber die innere Spannung des Werkes von Markus Lupertz Auskunft erteilt, als es andere seiner Werke vielleicht tun wollen. Insofern ist Andrea Madesta in ihrer Auswahl ein ganz eigener besonders ein aktualisierter, Blick auf die Arbeiten Markus Lupertz' gelungen.‎

‎Itinéraires marials en Rhône-Alpes‎

‎Lyon, EMCC, 1996, 24 x 25, 102 pages cousues sous couverture rempliée illustrée. Iconographie couleurs. Photographies couleurs de Damien Lepetitgaland.‎

‎Très bon état.‎