‎Maisons et Chalets Suisses.‎

‎ La Chaux-de-Fonds, G. Dubois 1916, 240x165mm, 24pages, broché. ‎

‎ petites photos n/b in texte, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Reading Dante with Images: A Visual Lectura Dantis‎

‎, Brepols - Harvey Miller, 2021 Hardback, 416 pages, Size:220 x 280 mm, Illustrations:8 b/w, 224 col., Language: English. ISBN 9781912554508.‎

‎Summary This volume contains an unprecedented meeting of two major traditions, each of which are forms of careful engagement with Dante's Commedia: the Lectura Dantis, and the illustrations of this work. The Lectura Dantis, initiated by Giovanni Boccaccio in the fourteenth century, consists of a canto by canto study of Dante's poem. The history of Commedia illustration has equally deep roots, as illuminated manuscripts of the text were being produced within decades of the work's completion in 1321. While both of these traditions have continued, mostly uninterruptedly, for more than six hundred years, they have never been directly brought together. In this volume, Dante scholars take on a single canto of the Commedia of their choosing, reading not just the text, but also exploring the illustrations of their selected text to form multifaceted and multi-layered visual-textual readings. In addition to enlivening the Lectura Dantis, and confronting the illustrated tradition of the poem in a new fashion, these studies present a variety of approaches to studying not just the Commedia but any illustrated literary work through a serious inquiry into the words themselves as well as the images that these words have inspired. TABLE OF CONTENTS MATTHEW COLLINS Experimenting with Traditions K.P. CLARKE Inferno 1: Openings and Beginnings GIANNI PITTIGLIO Inferno 6: Una fiera crudele e tanto diversa. Cerberus Illustrated in the Early Manuscripts and Incunabula of the Divine Comedy MICHAEL PAPIO Inferno 10: Heretics in Fiery Tombs PETER S. HAWKINS Inferno 26: Tongues on Fire CHRISTIAN Y. DUPONT Inferno 33: The Power of Grief SILVIA ARGURIO Purgatorio 2: The Angel on the Water DARIO DEL PUPPO Purgatorio 5: An Experimental Visual Interpretation ARIELLE SAIBER Paradiso 28: Entruthing the Image SANDOW BIRK Accidental Dantista: Los Angeles is Not Hell, New York is Not Paradise ROBERT BRINKERHOFF Una selva oscura: Midlife and Metaphor BARRY MOSER On Illustrating the Divine Comedy‎

‎Pierre Bonnard Die Farbe der Erinnerung‎

‎, Hirmer / Kunstforum Wien, 2019 Hardcover 239 pages; Deutsch. 240 Seiten, 200 Abb. (davon 200 farbig). 24,5 x 26,4 cm. 1,5 kg. ISBN 9783777431987.‎

‎Pierre Bonnard (1867?1947) ist einer der geheimnisvollsten Maler des Postimpressionismus. In ber 100 Beispielen von 1900 bis 1947 wird die Vielfalt seines Werks vorgestellt: von den fr hen, im Geiste der Nabis entstandenen Arbeiten bis zu den sp ten, rein aus Farbe aufgebauten Kompositionen, die bis an die Grenze zur Abstraktion gehen. Der Band verdeutlicht die Entwicklung des herausragenden Koloristen zum Meister der Moderne. Bonnards Bilder, komponiert aus den subtilen Mitteln der Farbe, bleiben der Gegenst ndlichkeit verhaftet. Das raffinierte Spiel der Farbwerte ist f r ihn Mittel, um eine ? berwindung der Natur durch die Kunst? zu finden. In seinen farbenfrohen Landschaften und intimen Szenen scheint er die Harmonie der Natur zu preisen ? und stellt sie durch seine differenzierte Auseinandersetzung mit ihr wieder und wieder in Frage. Bonnard wird neu und im Kontext seiner Zeit verstanden. Die Auseinandersetzung mit seinen Malerfreunden und seine Reaktionen auf das politische Geschehen pr sentieren ihn als aktuellen K nstler des 20. Jahrhunderts.‎

‎Carolingian Experiments‎

‎, Brepols, 2022 Hardback, 298 pages, Size:156 x 234 mm, Illustrations:17 col., Language: English. ISBN 9782503594101.‎

‎Summary Carolingian Experiments presents essays exploring how the Carolingians (ca. 700-ca. 900 CE) ? a regime known especially for concerns over imperial power, order, and moral correction ? fostered a remarkable era of experimentation in medieval Europe. The scholars featured here ask new questions and conduct their own methodological experiments to uncover some of the many ways that people innovated within the Carolingian world. To that end, numerous themes are covered in this volume: culture and society, family and politics, religion and spirituality, literature and historiography, law and hierarchy, epistemology and science. This array of scholarly experiments reveals some of the range and depth of Carolingian invention. Furthermore, the essays consider how Carolingian innovation can be found in places both more and less known today, employing novel approaches to unearth some unexpected, even uncanny phenomena. This volume consequently offers a defamiliarizing view of the Franks, unveiling them as a people whose seemingly straightforward imperialism and reform were effective precisely because they stimulated and nurtured potent, creative impulses. In fact, one might argue that the Carolingian world's conservative, moralizing authorities ? despite, or perhaps at times because of, their determination to instil correct thought and behaviour in their subjects ? fostered many varieties of experimentation. Collectively, the authors of this volume seek to inspire new thinking about the Carolingians, while modelling alternative approaches and potential avenues for future research. Carolingian Experiments overall encourages readers to see that much remains unexplored, unknown and even unexpected about the Carolingians and their world. TABLE OF CONTENTS Introducing: Carolingian Experiments ? Matthew Bryan Gillis Part One: Structures Familiar and Otherwise Carolingian Boyhoods ? Valerie Garver Carolingian Experiments with Family ? Paul Edward Dutton The Paper Chase: The Pursuit of Carolingian Legal Innovations ? Abigail Firey Carolingian Imperial Biography and the Memory of Spain ? Anne Latowsky The Historian Hrabanus Maurus & the Prophet Haimo of Auxerre: Experiments, Exegesis, and Expectations Emerging from the Ninth Century ? Matthew Gabriele Strange Natures: Theodulf's Letter to Moduin In Context ? Andrew Romig Part Two: The Struggle Against Sin The Call of the Siren: Sex, Water, and Salt in the Sacramentary of Gellone ? Lynda Coon By the Body Betrayed: Blushing in the Penitential State ? Courtney Booker Why the Carolingians Didn't Need Demons ? Martha Rampton Pleasures of Horror: Florus of Lyons's Querela de divisione imperii ? Matthew Bryan Gillis‎

‎Manuscripts of Leo the Great?s Letters. The Transmission and Reception of Papal Documents in Late Antiquity and the Middle Ages‎

‎, Brepols, 2022 Hardback, 516 pages, Size:156 x 234 mm, Illustrations:36 tables b/w., Language: English. ISBN 9782503589664.‎

‎Summary This book explores the transmission of the letters of Leo the Great (pope, 440-461). After setting out the contours of Leo's papacy and the factors contributing to the sending and subsequent transmission of his letters to posterity, it deals in detail with around sixty collections of Leo's letters and over 300 manuscripts ranging in date from the sixth up to the sixteenth century. Each period of the Middle Ages is introduced as the context for collecting and copying the letters, and the relationships between the letter collections themselves are traced. The result is a survey of the impact of Leo the Great upon Latin Christendom, an impact that was felt in theology and canon law, especially from the age of the Emperor Justinian to the Council of Ferrara-Florence, and moving through the major monasteries of Europe from Corbie to Clairvaux. At every cultural Renaissance, Leo was a presence, being copied, rearranged, interpreted, and eventually printed. This book is a testament to the legacy of one of the mid-fifth century's most influential figures. TABLE OF CONTENTS Introduction Chapter 1: Leo's Letters in History, Canon Law, and Theology 1.1 Leo's Letters in History and Canon Law; 1.2 Leo's Letters and the History of Theology Chapter 2: Editing Leo's Letters 2.1 Giovanni Andrea Bussi; 2.2 The Sixteenth Century; 2.3 The Seventeenth Century; 2.4 Pasquier Quesnel; 2.5 Giacomo and Pietro Ballerini; 2.6 Epistolae Arelatenses genuinae (MGH Epist. 3), ed. Gundlach; 2.7 Collectio Avellana I (CSEL 35), ed. G nther; 2.8 The Tome of Pope Leo the Great, by Blakeney; 2.9 Eduard Schwartz; 2.10 Carlos Silva-Tarouca; 2.11 Hubert Wurm; 2.12 Benedikt Vollmann; 2.13 Corpus Fontium Manichaeorum Series Latina 1; 2.14 The Case for a New, Complete, Critical Edition Chapter 3: Pre-Carolingian Canonical Collections 3.1 The Earliest, Unknown Period of Transmission 3.2 Pre-Carolingian Canonical Collections and the renaissance g lasienne: a. Collectio Frisingensis Prima (F); b. Collectio Diessensis (Di); c. Collectio Quesnelliana (Q); d. Collectio Vaticana (L); e. Collectio Sanblasiana (Sa); f. Collectio Dionysiana (D); g. Collectio Dionysiana Bobiensis (D-b); h. Cresconius, Concordia canonum; i. Collectio Teatina (Te); j. Collectio Corbeiensis (C); k. Collectio Pithouensis (P); l. Collectio (ecclesiae) Thessalonicensis (T); m. Collectio Avellana; n. Collectio Arelatensis (Ar); o. Collectio Albigensis (Al); p. Collectio Remensis (Re); q. Collectio Coloniensis (K); r. Collectio Sancti Mauri (M); s. Collectio Vetus Gallica; t. Epitome Hispana; u. Collectio Hispana (S); v. Collectio Hispana Systematica; w. Ragyndrudis Codex (Codex Bonifatianus II) Chapter 4: Chalcedonian Collections Context of the Collections; 4.1 Latin Chalcedonian Collections: a. Ballerini Collection 17 (Early Latin Acta; Ac); b. Collection of Vat. lat. 1322 (A); c. Rusticus' Acta (Ru); d. Versio Gestorum Chalcedonensium antiqua correcta (Ch); e. Collectio Novariensis (N); f. Collectio Casinensis (Ca); g. Collectio Grimanica (G); h. Codex Encyclius; i. Verona LIX (57); j. A Carolingian fragment of the Tome 4.2 The Greek Transmission of Leo's Letters: a. Collection M; b. Collection B; c. Collection H Chapter 5: The Carolingian Tradition of Manuscripts 5.1 The Carolingian Context 5.2 Carolingian Canonical Collections: a. Collectio Dionysio-Hadriana (D-h); b. Collectio Hadriano-Hispanica (H-s); c. Collectio Dionysiana adaucta (D-a); d. Collectio Hispana Gallica (S-g); e. Collectio Hispana Gallica Augustodunensis (S-ga); f. Pseudo-Isidorus Mercator, Decretales (I); i. Context; ii. Hinschius' Classification System; iii. Hinschius A/B & B (Ballerini Collection 10; I-b); iv. Hinschius A1 (I-a); v. The Cluny Recension, or Yale Pseudo-Isidore (Y); vi. Hinschius Class C (I-c); g. The canon law manuscript Vat. Reg. lat. 423; h. Systematic as well as Unorganised Collections of Extracted Canons 5.3 Other Carolingian Collections; a. Collectio Bobbiensis (B); b. Collectio Ratisbonensis (E); c. Ep. 28 in the Roman Homiliary; d. Ep. 28 in the Homiliary of Agimond Chapter 6: Post-Carolingian Collections and the Age of Reform 6.1 Introduction to the High and Late Mediaeval Contexts 6.2 Post-Carolingian Canonical Collections: a. Collectio Lanfranci; b. Collectio Britannica; c. The Collection of William of Malmesbury; d. Systematic as well as Unorganised Collections of Extracted Canons Before Gratian; e. The Concordia discordantium canonum (Decretum) of Gratian 6.3 Other Post-Carolingian Collections: a. Ballerini Collection 20; b. Ballerini Collection 21 (Y-a); c. Ballerini Collection 22 (22); d. Ballerini Collection 23 (23); e. Ballerini Collection 24 (24); f. Collectio Florentina (Ballerini Collection 13; m); g. Collection of 73 Letters (73); h. Ashburnham 1554; i. Collection of Vat. Reg. lat. 293; j. An eleventh-century pair of Leo's letters; k. Milanese Sermon Collection D; l. Ambrosiana C.50.inf.; m. Vat. Ross. 159; n. Eugenius IV's collection; o. Later Manuscripts of the Tome; p. Other high and late medieval manuscripts with only one Leo letter Chapter 7: Conspectus of the Letters of Pope Leo the Great Conclusion Appendix: Proto-Collections Analysed in this Book Bibliography of Primary Sources Bibliography of Secondary Works‎

‎PLEURANTS Alabaster Mourners for the Tomb Monument of Jean de Berry (1340-1416) ‎

‎, Phoebus Focus XXVI, 2022 PB, 210 x 148 mm, 88 pages., EN edition., Phoebus Focus XXVI ISBN 9789464366228.‎

‎Medieval sculptures are notoriously hard to study. So often divorced from their original context and function by centuries of destruction, alteration or just neglect, the subtleties of their aesthetic impact, their meaning and their symbolic complexity are at times almost completely hidden from us, to be only loosely gleaned or reconstructed. Fortunately, this is not the case with the two beautiful pleurants - or mourners - in the collection of The Phoebus Foundation. This edition of Phoebus Focus takes you on a journey of questions and discoveries: who were these men, for whom were they made, and why? Matthew Reeves tells the story of one of France's richest princes, Jean de Berry (1340-1416), his profound love of art and the wondrous ways in which sculpture can be used to commemorate, move us to prayer, and serve political ends.‎

‎PLEURANTS : Albasten treurfiguren voor het grafmonument van Jean de Berry (1340-1416) ‎

‎, Phoebus Focus XXVI, 2022 PB, 210 x 148 mm, 88 p., NL editie., Phoebus Focus XXVI ISBN 9789464366211.‎

‎iddeleeuwse sculpturen zijn notoir moeilijk te bestuderen. Al te vaak is hun oorspronkelijke context en functie door eeuwen van slijtage, veranderingen of verwaarlozing verloren gegaan. Hierdoor ontgaat hun esthetische impact, betekenis of symbolische complexiteit ons soms volledig en kunnen nuances er slechts met moeite uit worden afgeleid of gereconstrueerd. Gelukkig is dit niet het geval voor de twee prachtige pleurants - of treurfiguren - in de collectie van The Phoebus Foundation. Deze Phoebus Focus neemt je mee op een queeste vol vragen en ontdekkingen: wie waren deze mannen, voor wie werden deze beelden gemaakt en waarom? Matthew Reeves vertelt het verhaal van een van Frankrijks rijkste prinsen, Jan van Berry, zijn intense liefde voor de kunst en de manieren waarop beeldhouwkunst gebruikt werd om te herdenken, tot gebed aan te sporen en politieke doeleinden te dienen. Matthew Reeves is directeur van een van 's werelds meest toonaangevende galerie n voor Europese, middeleeuwse kunst. Hij co rdineert het internationale tentoonstellingsprogramma van de galerie en publiceert artikels en tentoonstellingscatalogi over diverse onderwerpen, waaronder glas-in-lood ramen, textiel, keramiek, sculptuur en paneelschilderkunst uit de late middeleeuwen en de renaissance. Hij is gespecialiseerd in het artistieke mecenaat van hertog Jan van Berry (1340-1416), en meer bepaald in zijn Sainte-Chapelle, het bijhorende decoratieve programma en het grafmonument.‎

‎La tempête de Shakespeare. Introduction de Jacques Copeau.‎

‎ Paris, Editions R.-A. Corrêa 1932, 190x145mm, 193pages, broché. Bel exemplaire. Edition originale sur papier Alfa, numéroté n.° 69 / 76. ‎

‎ Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Christoph Steinmeyer : The Long Goodbye‎

‎, Snoeck Verlaggesellschaft 2008, 2008 Paperback, 50 seiten , Deutsch, in guten zustand, . ISBN 9783936859805.‎

‎The D?sseldorf artist born in 1967 and who also resides in Berlin belongs to a generation of painters who question the authenticity of the medium as much as the provenance of its pictorial compositionality. Since the mid-1990s Christoph Steinmeyer has devoted himself to a magical symbolism, which leads both his subject matter and style of his painting into an area of hybridism, yet creating a dangerous but well-founded liaison. One might say that the surfaces of the luxurious interiors or the surfaces with their synthetic effect or the bold, colour-field still lifes of flowers look as though they have been melted in the flame of a Bunsen Burner. However, they aren't amalgamations in which mass-media images are merely transformed into painting or the ?stories? are faded out, but rather the artist refers to collective ideas of medially transmitted patterns and models that he transfers into a new and likewise imagined ideal type. nIn the most recent group of works this brand of magical symbolism takes an astonishing turn. The film sets that are made up of scenery from different scenes are embellished with symbolic props. These pointed image-within-an image constellations interrupt the time-space continuum of the interiors after having been additionally charged with titles such as ?Gilda?, ?Rebecca? or ?Violet?. Christoph Steinmeyer counters the apparent authenticity of his filmic black and white painting with grisalle, which upon closer inspection reveals a fine and detailed chromaticism. This style of painting convulses the beautiful appearance of the compositions like peristalsis- as if we were dealing with dream sequences that can only occur in films or indeed in the way Christoph Steinmeyer shows them to us. It is indeed a rarity to find such fantastical potential in painting. nThe book complete with its unusual format is the first publication to date on Christoph Steinmeyer's work.‎

‎DE VLAAMSE MEESTERS Van Eyck tot Bruegel.‎

‎, ludion, 2023 HB, 290 x 235 mm, 280 pagina's, 200 illustraties,NL edition nieuw!. ISBN 9789493039919.‎

‎Het rijk ge llustreerde kunstboek De Vlaamse meesters: van Van Eyck tot Bruegel beslaat bijna anderhalve eeuw schilderkunst, van omstreeks 1430 tot de dood van Pieter Bruegel de Oude in 1569. In die tijdspanne kwam de schilderkunst in de Nederlanden tot een ongekende bloei. De Vlaamse Meesters: Van Van Eyck tot Bruegel biedt een representatief overzicht van de belangrijkste en meest invloedrijke schilders van die periode en van alle schildergenres die ontwikkeld of vernieuwd in de regio. Soms, als iets heel vertrouwd lijkt, verlies je uit het oog wat het zo bijzonder maakt: Vlaamse Meesters. Van van Eyck tot Bruegel wil dit effect tegengaan en opent opnieuw de ogen voor de revolutie die in de 15e en 16e eeuw in de Lage Landen plaatsvond en de koers van de Europese kunst bepaalde. In 48 rijkelijk ge llustreerde analyses onderzoekt Matthias Depoorter hoe schilders als Van Eyck, Van der Weiden, Massys, Bosch en Bruegel ongekende hoogten bereikten en tot op de dag van vandaag met recht als vernieuwers worden beschouwd. De bepalende factor was hun perfectionering en beheersing van de olieverftechniek, evenals hun baanbrekende aandacht voor optische lichteffecten. De nieuwe technische mogelijkheden boden een andere manier van kijken naar de wereld en uiteindelijk een nieuwe manier van schilderen. Niet minder vernieuwend was het detailniveau. Deze schilders kenden elkaars werk door en door - dit boek toont de fundamentele artistieke kruisbestuiving. Een must-read voor iedereen die opnieuw verliefd wil worden op de oude meesterwerken. MATTHIAS DEPOORTER (*1980) is schrijver en kunsthistoricus. Hij was een van de curatoren van de baanbrekende tentoonstelling Van Eyck: een optische revolutie in het Museum voor Schone Kunsten in Gent en co rdineerde de bijbehorende wetenschappelijke publicatie. In deze publicatie onderzoekt hij wat deze schilderijen zo nieuw en bijzonder maakte. Deze benadering is zowel genre- als thematisch, en onthult iets over de verschillende artistieke stijlen, formats, functies en stromingen, evenals de artistieke en maatschappelijke context waarin ze zijn ontstaan. Deze schilders kenden elkaars werk goed. Ze leenden regelmatig elementen van een collega en deden er iets nieuws mee. Artistieke kruisbestuiving was fundamenteel.‎

‎Architektur in Berlin 1933-1945, ein stadtführer‎

‎Lukas Verlag 2004 Livre en allemand. In-4 cartonné 26,5 cm sur 22. 255 pages. Nombreuses illustrations en noir et blanc. Bon état d’occasion.‎

‎“Architecture à Berlin 1933-1945, un guide de la ville” Bon état d’occasion ‎

‎Meisterwerke Afrikanischer Plastik aus Schweizer Privatbesitz. ‎

‎Zug, Kunsthaus Zug / Wiese-Verlag, 1995 Pappeinband, 96 seiten, 24 x 17 cm. reich bebildert. deutscher Text . ISBN 9783909164417.‎

‎Meisterwerke Afrikanischer Plastik aus Schweizer Privatbesitz. Mit einem Essay von Ezio Bassani. ‎

‎Canon Law and Christian Societies Between Christianity and Islam. An Arabic Canon Collection From al-Andalus and its Transcultural Contexts‎

‎, Brepols, 2024 Hardback, 434 pages, Size:156 x 234 mm, Illustrations:2 tables b/w., Language: English. ISBN 9782503607269.‎

‎Summary The unique Arabic version of the Iberian canon law code 'Collectio Hispana', preserved in a mid-eleventh-century manuscript of the Royal Library of El Escorial, has been deemed ?the most distinguished and characteristic? work of medieval Andalusi Christian writing. It represents an exceptional source witness to the internal legal organisation of Christian communities in Muslim-dominated al-Andalus as well as to their acculturation to Islamicate environments. Yet, the Arabic collection has received only little scholarly attention so far. This volume presents the results of a recent interdisciplinary research project on the Arabic canon law manuscript, flanked by contributions from neigbouring fields of research that allow for a comparative assessment of the substantial new findings. The individual chapters in this volume address issues such as the origins of the Arabic law code and its sole transmitting manuscript, its language and translation strategies, its source value for both the persistence and transformation of ecclesiastical institutions after the Muslim conquest, or the law code's position in the judicial practice of al-Andalus. The volume brings together the scholarly expertise of distinguished specialists in a broad range of disciplines, e.g. history, Arabic and Latin philology, medieval palaeography and codicology, archaeology, coptology, theology and history of law. TABLE OF CONTENTS I. Introductory Essays Jes s LORENZO JIM NEZ, Geoffrey K. MARTIN, and Matthias MASER: ?Introduction: Canon Law and Christian Societies, Between Christianity and Islam. The Arabic Canon Collection From al-Andalus and its Transcultural Contexts? Matthias MASER: ?Whens and Whereabouts?Old and New Lights on the Genesis of al-Q?n?n al-Muqaddas (El Escorial, ms. rabe 1623)? II. The CCAEA's Interrelations With Other Variants of the Latin Hispana Collection Pieter S. Van Koningsveld (?): ?The Date of al-Q?n?n al-Muqaddas: The Lisbon Fragments and the Islamic Sources? Matthias M. TISCHLER: ?Carolingian Canon Law Collections in Early Medieval Catalonia. Complementing or Replacing the Hispano-Visigothic Legal Tradition?? Cornelia SCHERER: ?Looking Over the Editor's Shoulder. Strategies and Processes Applied to the Systematic Arrangement of the Collectio Hispana? Matthias MASER: ?Papal Decretals in the Arabic Canon Law Collection from al-Andalus. Patterns of Selection, Arrangement, and Indexing? III. Language and Lexis of Christian-Arabic (Canon) Law Juan Pedro MONFERRER-SALA: ?Notes on the Lexicon of the Tenth Book of al-Q?n?n al-Muqaddas (Mid-11th Century CE)? Ariana D'OTTONE and Matthijs WIBIER: ?Visigothic Law and Canon Law in al-Andalus: Reconsidering the Leiden Glossary and the Vocabulista in Arabico? IV. Judicial Systems and Court Procedures From a Transcultural Perspective Lev WEITZ: ?Canon Law and Q??? Court Documents in Medieval Egypt? Francisco CINTRON MATTEI: ?Insights Into the Judicial Organization and Social Authority of an Ecclesiastical Judiciary in al-Andalus? Delfina SERANO-RUANO: ?Legal Interactions Between Christians and Muslims in al-Andalus According to the Collection of Legal Cases by Ibn Sahl (d. 486/1093)? V. Persistence and Transformations of Ecclesiastical Structures in al-Andalus Jes s LORENZO JIM NEZ: ?When God Does Not Rule the City of God. Bishops and Episcopal Sees in al-Andalus? Ana ECHEVARR A ARSUAGA: ?The Survival of Female Monasticism in al-Andalus? Mar a de los ngeles UTRERO AGUDO: ?Archaeology on the Construction and Connections of the So-Called Mozarabic Churches? VI. Orthodoxy, Discipline, and Law in 'Mozarabic' Societies Geoffrey K. MARTIN: ?Translation and Theology in the Arabic Version of Pope Leo I's Letter against Priscillian? Mar a Magdalena MART NEZ ALMIRA: ?The Marriage of Cordovan Mozarabs in al-Q?n?n al-Muqaddas? VII. Conclusions Thomas BURMAN: ?Conclusion?‎

‎Transcultural Approaches to the Bible. Exegesis and Historical Writing across Medieval Worlds‎

‎, Brepols, 2021 Hardback, viii + 254 pages, Size:156 x 234 mm, Illustrations:19 col., Language: English. ISBN 9782503592855.‎

‎Summary This volume, the first in the new series Transcultural Medieval Studies, draws together scholars from around the world to offer new insights into the importance and role of the Bible across the varied cultures of medieval Europe. The papers gathered here take a comparative and multidisciplinary approach to the subject, focusing on the biblical background of perceptions of the religious and cultural 'Self ' and 'Other' in the Mediterranean, in Latin Europe, and in the Baltic. In doing so, the contributions identify commonalities and differences of the 'uses of the Bible' in these various worlds, combining and contrasting studies on Bible manuscripts, their exegesis, and their use for historical writing. TABLE OF CONTENTS Scientific Challenges in a Changing World: Transcultural Medieval Studies in the Twenty-First Century - MATTHIAS M. TISCHLER Bible, Exegesis and Historiography in the Medieval Worlds: Crossing Histories from a Transcultural Point of View - MATTHIAS M. TISCHLER AND PATRICK S. MARSCHNER Part I: The Iberian World Reframing Salvific History in a Transcultural Society: Iberian Bibles as Models of Historical, Prophetic and Eschatological Writing - MATTHIAS M. TISCHLER The Bible of Vic (1268): Textual and Theological Value of its Glosses in the Context of the Barcelona Disputation (1263) - EUL LIA VERNET I PONS The Chronicle of Sampiro, the Arabs, and the Bible: Eleventh-Century Christian-Iberian Strategies of Identifying the Cultural and Religious 'Other' - PATRICK S. MARSCHNER Part II: Latin Europe and the Near East Scripture, Hierarchy, and Social Control: The Uses of the Bible in the Twelfth- and Thirteenth-Century Chronicles and Chansons of the Crusades - SINI KANGAS Condemned Sisters, Effeminate Brothers, and Damned Heretics: Ezekiel 23 and the Negotiation of Clerical Sexuality in the Thirteenth Century - LYDIA M. WALKER Part III: The Baltic World How to Fit the 'Livs' into Sacred History? Identifying the Cultural 'Other' in the Earliest Latin Sources Depicting the Livonian Crusade - PETER FRAUNDORFER Wolves in the Wilderness: Biblical Typology and the Envisioning of Lithuanian Pagans in the Thirteenth and Fourteenth Centuries - STEFAN DONECKER‎

‎British Royal Weddings: From the Stuarts to the Early Twentieth Century‎

‎, Brepols, 2022 Hardback, xv + 367 pages, Size:216 x 280 mm, Illustrations:32 b/w, 40 col., Language: English. ISBN 9782503596969.‎

‎Summary This generously illustrated volume is the first in-depth study of the history and ceremonial at British royal weddings from the late sixteenth century onwards. With its over 70 illustrations it is also the most complete pictorial record of these ceremonies. Focusing on the actual wedding service, it follows the three main aspects of the choice of venue, the structure of the ceremonial, and especially the music of these events up to the early twentieth century. Being so closely linked with the performance of these ceremonies, music presents itself as an intriguing aspect for discussing the ceremonial details. Since the eighteenth century, at least some royal weddings have also been notable musical occasions and since Victorian times they have influenced the choices at other weddings. Many newly discovered sources have allowed for new insights and conclusions about the historical facts and interpretations of these ceremonies. Overall, this study presents the most complete account to date of how these magnificent occasions were celebrated. With its holistic approach and interdisciplinary character, replete with numerous illustrations and tables, this study is an extensive resource for historians and musicians alike - and for all those with a wider range of interest in British royal ceremonies. A second volume "British Royal Weddings: The House of Windsor" is scheduled to appear in 2023 by the same author and is the first in-depth discussion of how the British Royal Weddings since 1919 have been celebrated. TABLE OF CONTENTS Illustrations and Figure Preface Acknowledgments Abbreviations and Conventions 1 Setting the Scene 2 From Elaborate to Modest: The Seventeenth Century 3 The 'Concert' Weddings I: The Children of George II 4 The 'Concert' Weddings II: The Later Eighteenth-Century Georgians 5 Home Weddings: The Early Nineteenth Century 6 'State Marriages': The Early Victorians 7 The 'Windsor Castle' Weddings: The Mid-Victorians I 8 Routine and Innovation: The Mid-Victorians II 9 The Choral Weddings: The Late-Victorians 10 The Last 'of the Old Age': The Early Twentieth Century 11 The 'Pomp of Old Days': Three Centuries of Royal Weddings Appendices A Chronological List of British Royal Weddings B Texts and Transcriptions C Royal Weddings and their Music Sources and Bibliography Printed Orders of Service and Ceremonials Manuscript and Archival Material Published Material (including Dissertations) Index‎

‎Roem, hoop en tegenslag. Verhalen uit de wielergeschiedenis van Deurne ‎

‎, District Deurne , 2021, softcover, 318 pag. met afbeeldingen. ISBN 9789081874816.‎

‎Sebastiano del Piombo and Michelangelo: The Compass and the Mirror. An Anthology‎

‎, Brepols, 2022 Paperback, 344 pages, Size:210 x 297 mm, Illustrations:10 b/w, 150 col., Language(s):English, Italian. ISBN 9782503580265.‎

‎Summary The collaboration between Michelangelo Buonarroti (1475-1564) and Sebastiano del Piombo (1485-1547), is among the most extraordinary artistic partnerships of the early modern period. It produced works of startling originality, crucial to the development of the so-called High Renaissance in the first decades of the sixteenth century. It was arguably Michelangelos most creative collaboration, helping him refine motifs and narrative strategies, and it proved determining for Sebastianos development of a monumental, spiritually invested idiom whose influence became a touchstone for religious art deep into the following century, and for principles of painterly abstraction beyond. Inspired by the exhibition Michelangelo & Sebastiano, mounted at The National Gallery in London in 2017, this book unites a group of international scholars in reflection on the two artists, their collaboration and its wider significance. TABLE OF CONTENTS Matthias Wivel ? The Compass and the Mirror Elena Calvillo ? Friendship, Medium and the Diverging Lives of Sebastiano del Piombo and Michelangelo Piers Baker-Bates ? Copies and Versions in Sebastiano's Art? The Christ Carrying the Cross Sheryl E. Reiss ? A Word Portrait of a Medici Maecenas: Giulio de' Medici (Pope Clement VII) as Patron of Art Arnold Nesselrath ? Raphael: Of Heirs and Pretenders Matthias Wivel and Rachel Billinge ? Sebastiano's Vich Triptych Carlo Piga ? Da Michelangelo a Sebastiano: antiche suggestioni e moderne invenzioni nel ciclo decorativo della Cappella Borgherini in San Pietro in Montorio a Roma Stefania Pasti ? Aperietur in tempore: Sebastiano del Piombo and the Borgherini Chapel in the Light of Prophetic Readings Paul Joannides ? A New Drawing by Sebastiano del Piombo for the Semi-Dome of the Borgherini Chapel Costanza Barbieri ? Sebastiano as Portraitist and a Case Study: The Portrait of Michelangelo Pointing at His Drawings Oriana Sartiani ? A Portrait of Michelangelo Attributed to Sebastiano del Piombo: Technical Examination, Discoveries, and Treatment Simonetta Antellini ? L'originalit compositiva della Nascita della Vergine di Sebastiano del Piombo Daniela Luzi ? 'Il bel secreto': La pittura sperimentale sulla pietra di Sebastiano nella Cappella Chigi Morten Steen Hansen ? The Readings of Angels: Sebastiano del Piombo and the Politics of the Immaculate Conception Andrea Donati ? Marcello Venusti, Michelangelo and the Legacy of Sebastiano del Piombo Charles Robertson ? Michelangelo's Last Judgement: Sebastiano del Piombo's Contribution‎

‎A travers l’Italie,l’Autriche,la Suisse et l’Allemagne‎

‎In 12 broché,faux-titre,titre,429 pages,Librairie Fischbacher 1901 envoi manuscrit autographe de l’auteur, édition originale, petites taches à la dernière page de garde,bon exemplaire ‎

‎ANTIDESIGN : Galerie Avant-sc ne‎

‎, Norma ditions, 2022 Hardcover, 192 pages, ENG / FR, 310 x 225 x 25 mm, NEW , illustrated in colour. ISBN 9782376660743.‎

‎The 80s vibrate with energy. In their whirlwind, a generation of creators has emerged, carrying arts of living different from those of the past: Mark Brazier-Jones, Franck Evennou, Elizabeth Garouste, Marco de Gueltzl, Hubert Le Gall, Thierry Peltrault, Laurence Picot, Andrea Salvetti or even Claude de Wulf. In order to give flesh to this period in France, this book has collected the words of a witness of its actors, Elisabeth Delacarte whose Avant-Sc ne gallery is one of the few to have survived until today. For almost 40 years, it has defended singular artists who have become essential in their field. From France to England, Italy or Russia, the elaborate portraits dedicated to them evoke the atmosphere and the news that accompany them. Each embodies the importance of artistic craftsmanship, and all take particular paths in order to express universal emotions in their own way. The great subjects of today are declined along their course. We discover upcycling ahead of time with the fiery Marco de Gueltzl and the beginnings of the libertine punk Mark Brazier-Jones, the vital need for nature in the works of Frank Evennou or the sculptor chef Andrea Salvetti, the romanticism advocated by Laurence Picot, the joyful poetry of Elizabeth Garouste, the humorous fantasy of Hubert Le Gall. They have in common to have changed their lives to devote themselves to art furniture. This is also the case of Elisabeth Delacarte. His personal point of view illuminates from the inside the changes in the decorative arts at the end of the 20th century. Staging the productions of each artist, decoration projects punctuate the book and leave room for contemplation.‎

‎Portes parisiennes. ‎

‎Paris, EREME, 2006 Hardcover in dusjacket, 76 pages, 16,0 cm x 22,5 cm x 1,1 cm in fine condition !. ISBN 9782915337402.‎

‎Promenade dans la ville, promenade dans le temps, cel ivre est une invitation a redecouvrir un aspect malheureusement inconnu de Paris : ses portes. Qu'elles soient Renaissance, Empire, Art Nouveau ou contemporaines, elles nous en disent parfois tout aussi long sur l'evolution de la capitale que les traites les plus savants. Massives ou delicates, sobres ou richement decorees, de bois ou en metal, quelques cent-vingt portes ou details de portes nous plongent au c?ur du patrimoine parisien, a travers une balade savoureuse et coloree. ‎

‎Editing and Analysing Numerical Tables. Towards a Digital Information System for the History of Astral Sciences‎

‎, Brepols, 2022 Hardback, ix + 615 pages, Size:178 x 254 mm, Illustrations:58 b/w, 16 col., Language: English. ISBN 9782503596068.‎

‎Summary Astronomical tables are a significant yet understudied part of the scientific historical corpus. They circulated among many cultures, and were adopted and transformed by astronomical practitioners for a variety of purposes. The numerical data conveyed in these tables provides rich evidence for pre-modern scientific practices. In the last fifty years, new approaches to the analysis and critical editing of astronomical tables have flourished due to advances in computing power and associated modern mathematical tools. In more recent times, the rapid growth of digital humanities and modern data analysis promises exciting further developments in this area. The present collection of studies on astronomical tables captures this momentum. It is a result of long-term collaborative work on building a database of astronomical tables and other objects found in manuscripts, released under the name DISHAS (Digital Information System for the History of Astral Sciences). The fourteen contributions in this volume provide a broad coverage of astronomical traditions throughout Eurasia and North Africa, which, with very few exceptions, find their roots in the mathematical astronomy of Ptolemy. The contributions include critical editions of previously unexamined astronomical tables along with insightful mathematical analyses, as well as reflective methodological surveys that open up new perspectives for research on these fundamental sources for the history of mathematics and astronomy. TABLE OF CONTENTS Matthieu Husson, Clememcy Montelle and Benno van Dalen Introduction Part 1 : Classical Approaches to Table Cracking Glen Van Brummelen , Matthieu Husson, and Clemency Montelle Tools of the Table Crackers: Using Quantitative Methods to Analyze Historical Numerical Tables Jos Chab s and Bernard R. Goldstein The Almanac of Jacob ben Makhir Sebastian Falk Copying and Computing Tables in Late Medieval Monasteries Kailyn Pritchard Determining the Sine Tables Underlying Early European Tangent Tables Part 2 : Editing and Analysing Astronomical Tables Clemency Montelle Editing Sanskrit Astronomical Tables: The Candr?rk? of Dinakara (1578 CE) Anuj Misra Recomputing Sanskrit Astronomical Tables: The Am?talahar? of Nity?nanda (c. 1649/50 CE) Part 3: Computational Practices and Table Cracking Li Liang Tables of Sunrise and Sunset in Yuan and Ming China (1271-1644) and their Adoption in Korea Glen Van Brummelen The Tables of Planetary Latitudes in Jamsh?d al-K?sh?'s Kh?q?n? Z?j Sho Hirose Equation Tables in the D?gga?ita of Parame?vara Richard Kremer Cracking the Tabulae permanentes of John of Murs and Firmin of Beauval with Exploratory Data Analysis Part 4: Pushing Approaches to Table Analysis Further Matthieu Husson Computing with Manuscripts: Time between Mean and True Syzygies in John of Lign res' Tabule magne Johannes Thomann Reverse Engineering Applied to Ephemerides: Analysis and Edition of the Arabic Ephemeris of 1326/27 CE (MS Cairo, D?r al-Kutub, m?q?t 817) Benno van Dalen The Geographical Table in the Sh?mil Z?j: Tackling a 13th-Century Arabic Source with the Aid of a Computer Database‎

‎Latin Anonymous Sermons from Late Antiquity and the Early Middle Ages (AD 300-800). Classification, Transmission, Dating‎

‎, Brepols, 2021 Hardback, 288 pages, Size:156 x 234 mm, Illustrations:4 b/w, 2 tables b/w., Language(s):English, French, Latin. ISBN 9782503591223.‎

‎Summary This volume contains the proceedings of the international conference on anonymous sermons, funded by the F.R.S.-FNRS and held on 16 May 2019 at the Universit de Namur (Belgium), within the Faculty of Philosophy and Letters and the research centre Pratiques M di vales de l' crit (PraME). It brings together scholars working on late antique and early medieval Latin preaching, and follows on previous volumes on Augustine and African sermons published in the Ministerium Sermonis subseries. The focus here is on Christian Latin preached texts, thought to date from the period c. 300-800 AD, which are not currently attributed to a known author. Long neglected because of their uncertain attribution, these sermons offer new material for the study of late antique and early medieval Christianity. The contributions assembled here provide an essential entry point to the study of these little-known sermons: after an introduction which sets the aims of the book, discusses the state of the art and describes main avenues for research, individual papers present future tools to classify sermons and explore their medieval transmission in manuscripts, offer new critical editions of previously unknown sermons, and develop methods and reliable criteria to shed new light on their historical context of composition. Both engaging with current issues and challenges and offering innovative case studies, this book opens up new ground for future research on late antique and early medieval Latin Christian preaching in general. TABLE OF CONTENTS List of Abbreviations Introduction: Past and Current Research on Latin Anonymous Sermons (Matthieu Pignot) The Medieval Transmission and Reception of the Pseudo-Augustinian AU s 382/PS-AU s Bou 1. Notes on Converting a Scholarly Tradition into a Digital Network (Shari Boodts) Le corpus du pseudo-Eus be Gallican et l'essor de la pr dication en Provence aux Ve et VIe si cles (Ra l Villegas Mar n) Patchwork Sermons: An Understudied Genre of Late Antique Latin Literature (Clemens Weidmann) Un sermon pseudo-augustinien pour la f te de P ques, confront ses sources (Fran ois Dolbeau) Le Sermon Mai 53 (CPPM I 1218, Nutritos hirundo pullos) propos de la marche de Pierre sur les eaux (Matth. 14, 22-33), un pseudo-augustinien africain ? (Marie Pauliat) Two Anonymous Preachers on the "Woman Taken in Adultery": S. Mai 8 and an Unedited Homily in a Manuscript from Moissac (Gert Partoens & Andr s Handl) propos du sermon De laudibus Mariae (PS-AU s 123; PS-FU s 36) : sa tradition dans les imprim s de Fulgence (Pierre-Maurice Bogaert & Matthieu Pignot) Un tractatus sur Prou. 30, 15-20 (CPPM I 5027) et la question de son attribution Gr goire d'Elvire (J r my Delmulle) Indices‎

‎Hokusai and his School - paintings, drawings and illustrated Books‎

‎, Society for Japanese Arts and Crafts 1982, 1982 Paperback, 164 pages, ENG, 300 x 210 mm , good , lots of illustrations in b/w, . ISBN 9070216027.‎

‎Katsushika Hokusai (October 31, 1760 - May 10, 1849) was a Japanese printmaker, painter, and draftsman. He was mainly concerned with making woodblock prints, better known as ukiyo-e. Hokusai has worked within all genres of ukiyo-e, but he became most famous for his landscape images. His life summarizes the transition from the elegance of printmaking in the 18th century to its zenith in the 19th century. His best-known works include The Great Wave off Kanagawa, the Thirty-Six Views of Mount Fuji and his Manga.‎

‎Hieronymus Bosch Visons of genius ‎

‎, Fonds Mercator/ Mercatorfonds , 2016 Paperback, 270x225mm, 192p, 140 colour illustrations, English edition ISBN 9789462301184.‎

‎Expo: 13/2/2016 - 8/5/2016, Noordbrabants Museum, ?s-Hertogenbosch Hieronymus Bosch (1450-1516) lived and worked in 's Hertogenbosch, The Netherlands, where he created enigmatic paintings and drawings full of bizarre creatures, phantasmagoric monsters, and terrifying nightmares. He also depicted detailed landscapes and found inspiration in fundamental moral concepts: seduction, sin, and judgment. This beautiful book accompanies the largest exhibition ever held on Bosch's work, and will feature important new research on his 25 known paintings and 20 drawings. The book, divided into six sections, covers the entirety of the artist's career. It discusses in detail Bosch's Pilgrimage of Life, Bosch and the Life of Christ, his role as a draftsman, his depictions of saints, and The Garden of Earthly Delights, among other topics, and is handsomely illustrated by new photography undertaken by the Bosch Research and Conservation Project Team. Matthijs Ilsink is project coordinator of the Bosch Research and Conservation Project and teaches at Radboud University, Nijmegen. Jos Koldeweij is professor in art history of the Middle Ages at the University of Nijmegen, the Netherlands. The authors are the curators of the's-Hertogenbosch exhibition.‎

‎Jerome Bosch Visions de genie.‎

‎, Fonds Mercator/ Mercatorfonds , 2016 Paperback, 270x225mm, 192 pages, 140 colour illustrations, French edition ISBN 9789462301177.‎

‎Expo: 13/2/2016 - 8/5/2016, Noordbrabants Museum, s-Hertogenbosch Jerome Bosch (1450-1516) a vecu et travaille a Bois-le-Duc, ou il a cree des ?uvres enigmatiques peuplees d'etres etranges, de monstres fantastiques et de cauchemars inquietants inspires de ses themes de predilection : la seduction, le peche et le Jugement dernier. Ce magnifique ouvrage parait en marge de la plus grande exposition jamais dediee a son travail. Les six chapitres du livre retracent sa carriere, traitant en details des themes varies comme la Perigrinatio vitae de Bosch, Bosch et la vie du Christ, son role en tant que concepteur d'estampes, ses peintures de saints ou le Jardin des delices. Ce livre, qui a ete supervise par l'equipe du BRCP, est magnifiquement illustre grace a de nouvelles photographies. Hieronymus Bosch (1450-1516) lived and worked in 's Hertogenbosch, The Netherlands, where he created enigmatic paintings and drawings full of bizarre creatures, phantasmagoric monsters, and terrifying nightmares. He also depicted detailed landscapes and found inspiration in fundamental moral concepts: seduction, sin, and judgment. This beautiful book accompanies the largest exhibition ever held on Bosch's work, and will feature important new research on his 25 known paintings and 20 drawings. The book, divided into six sections, covers the entirety of the artist's career. It discusses in detail Bosch's Pilgrimage of Life, Bosch and the Life of Christ, his role as a draftsman, his depictions of saints, and The Garden of Earthly Delights, among other topics, and is handsomely illustrated by new photography undertaken by the Bosch Research and Conservation Project Team. Matthijs Ilsink is project coordinator of the Bosch Research and Conservation Project and teaches at Radboud University, Nijmegen. Jos Koldeweij is professor in art history of the Middle Ages at the University of Nijmegen, the Netherlands. The authors are the curators of the's-Hertogenbosch exhibition.‎