‎Titian‎

‎, Silvana Editorale, 2013 Paperback with flaps / SIZE23 x 28 cm / PAGES264 / 113 colour illustrations / English./ Very Good Condition ! ISBN 9788836625857.‎

‎Titian (c. 1490?1576) is the artist who best illustrates the revolution and triumph of color, and hence the very art of the 16th century and beyond. His work represents the point of arrival for a whole pictorial tradition: his early emphasis on color developed into the art of a mature and then elderly painter seeking to explore night and darkness, to dim hues, and to push the use of liquid and dusky tones to the very limit. A prolific painter and the head of a well?organized workshop, Titian was at the same time capable of perfectly meeting new tastes. By renewing and setting the standard for the official images and aesthetics of the ruling class of his day, he became the first truly European artist, praised to high heaven by his admirers. Particularly revealing is Ludovico Dolce?s panegyric: ?the greatness and the power of Michelangelo, the sweetness and beauty of Raphael and the very colors of Nature herself.? Highly sought after by collectors, disputed by royal courts and pontiffs, the master from Cadore created works that are now on display in museums across the world. This volume exceptionally brings together some of Titian?s greatest masterpieces, including his large altarpieces, in such a way as to illustrate the whole span of his career.‎

‎MONASTERIO DE SANTES CREUS‎

‎H. DE J.THOMAS. NON DATE. In-16. Broché. Bon état, Couv. légèrement passée, Dos fané, Intérieur frais. 28 pages de texte avec deux plans illustrés en noir et blanc + 48 planches illustrées en noir et blanc. Jaquette contrepliée, illustrée en couleurs.Texte en espagnol. Ouvrage de bibliothèque avec étiquette au dos et bandeau sur la page de titre.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Frida Kahlo. The Complete Paintings of Frida Kahlo in an XXL edition ‎

‎, Tasch, 2021 Hardcover, 29 x 39.5 cm, 5.42 kg, 624 pages. Fine. English. ISBN 9783836574204.‎

‎The complete paintings of Frida Kahlo in an XXL edition. Among the few women artists who have transcended art history, none had a meteoric rise quite like Mexican painter Frida Kahlo. One of the key figures in Mexican revolutionary modern art, she was also a pioneer of the politics of gender, sexuality, and feminism. This XXL monograph combines all of Kahlo's 152 paintings with rarely seen photographs, diary pages, letters, and an illustrated biography to form the most extensive study of her work and life to date. The complete paintings of Frida Kahlo in an XXL edition Among the few women artists who have transcended art history, none had a meteoric rise quite like Mexican painter Frida Kahlo (1907?1954). Her unmistakable face, depicted in over fifty extraordinary self-portraits, has been admired by generations; along with hundreds of photographs taken by notable artists such as Edward Weston, Manuel and Lola lvarez Bravo, Nickolas Muray, and Martin Munk csi, they made Frida Kahlo an iconic image of 20th century art. After an accident in her early youth, Frida became a painter of her own free will. Her marriage to Diego Rivera in 1929 placed her at the forefront of an artistic scene not only in the cultural Renaissance of Mexico, but also in the United States. Her work garnered praise from the poet Andr Breton, who added the Mexican painter to the ranks of international surrealism and exhibited her work in Paris in 1939 to the admiration of Picasso, Kandinsky, and Duchamp. We access the intimacy of Frida?s affections and passions through a selection of drawings, pages from her personal diary, letters, and an extensive illustrated biography featuring photos of Frida, Diego, and the Casa Azul, Frida?s home and the center of her universe. This large-format XXL book allows readers to admire Frida Kahlo's paintings like never before, including unprecedented detail shots and famous photographs. It presents pieces in private collections and reproduces works that were previously lost or have not been exhibited for more than 80 years, forming the most extensive study of Kahlo's work and life to date.‎

‎Felipe II: Un monarca y su epoca. La monarquia Hispanica‎

‎, Los Centenarios de Felipe II y Carlos V, 1998 Hardcover, 615 pages, SPA, 300 x 250 x 55 mm, dustjacket , illustrations in colour / b/w, in Good Condition, ISBN 9788495146014.‎

‎exposici n celebrada en el Museo Nacional de Escultura. Palacio de Villena. Valladolid del 22 de octubre de 1998 al 10 de enero de 1999 Libro Tela editorial sin sobrecubierta. Esta publicaci n la edita Sociedad Estatal Para La Acci n Cultural Exterior, S.a.. y actualmente se encuentra en Madrid. La editorial tiene m s de 100 publicaciones en cat logo. Sociedad Estatal Para La Acci n Cultural Exterior, S.a. tiene libros sobre todo de Revistas Museos, Cultura De Espa a y Arte De Espa a.‎

‎ Felipe II -Un Monarca y su Epoca - Las tierras y los hombres del rey.‎

‎, Sociedad Estatal para la Conmemoraci n, 1998 Hardcover , 587 pages; SPA, 300 x 250 x 55 mm, dustjacket, illustrations in colour / b/w, in Good Condition. ISBN 9788495146090.‎

‎exposici n celebrada en el Museo Nacional de Escultura. Palacio de Villena. Valladolid del 22 de octubre de 1998 al 10 de enero de 1999 Libro Tela editorial sin sobrecubierta. Esta publicaci n la edita Sociedad Estatal Para La Acci n Cultural Exterior, S.a.. y actualmente se encuentra en Madrid. La editorial tiene m s de 100 publicaciones en cat logo. Sociedad Estatal Para La Acci n Cultural Exterior, S.a. tiene libros sobre todo de Revistas Museos, Cultura De Espa a y Arte De Espa a.‎

‎Felipe II. Luis Rubio Gil Guia Historica Ilustrada-Luis Rubio Gil ‎

‎, Celeste Ediciones, 1998 Paperback, 71 pages,30x21cm Spanish, Illustrated. ISBN 9788482111612.‎

‎Esta obra est editada por Celeste Ediciones, S.a.. en Madrid. Tiene m s de trescientos setenta textos en cat logo. Arquitectura, M sica, Astronom a, Ficcion, No Ficci n... son las especialidades de la editorial. Celeste Joven, Comer Para Sanar, Guias Para Viajeros Tranquilos, Letra Celeste. Min scula., Pioneros De La Ciencia... son algunos ejemplos de colecciones de Celeste Ediciones, S.a.. Amado Nervo, Alberto Manzano, James Ackerman, Emilio Calderon, Jos Ram n G mez Fern ndez entre otros son algunos de los escritores que han publicado en dicha editorial.‎

‎LA ALHAMBRA DE GRANADA.‎

‎EVEREST. 1976. In-4. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 62 pages. Premier plat illustré en couleurs. Nombreuses photos en couleurs dans et hors texte. Texte en anglais.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎peinture du Duecento en Italie Centrale.‎

‎Paris, Picard, 1987 Relie, toile sous jaquette d'editeur, 297pp., 28x20cm., nombr. ills. n/b., belle exemplaire. ISBN 2708403257.‎

‎La peinture du Duecento en Italie centrale ‎

‎Urban Arboretum Lukas Jodogne.‎

‎, MER Paper Kunsthalle, 2002 Oorspronkelijk uitgevers omslag, GROOT FORMAT, 16 PAGES, 42 x 30 cm. Language ENG. ISBN 9789076979076.‎

‎A tree. The biggest and oldest living things on Earth are trees. All Live is shaped by a struggle for survival. Competition for nutrients and reproductive success is unceasing. In contrast to animals, which must move around in search of food and mates, the plant kingdom places a premium on patience. At first glance trees appear to embody this vegetative strategy to perfection: they seem to achieve all their goals by standing still. What could be more emblematic of patience than a tree that has been rooted in the same spot for hundreds or even thousands of years, taking all it needs from the air, the sun, and the soil? nAs for competition with other forms of life, a tree seems to operate on the principle that a good defence is the best offence .nIn addition to providing shade and cooling through evaporation, trees filter noise, dust, and chemical pollutants from the air. Curiously enough, one of the greatest benefits that trees can provide for human populations is being realised by extending and improving what todays foresters call the 'urban forest'. This includes all the trees in the city parks as well as all the trees planted along city streets and highways, and trees in peoples yards. The extent of this forest is surprising. About one third of the surface area of the average city is given over to streets and structures‎

‎enfant dans l'art belge: de 1800 nos jours‎

‎, Galerie CGER 1983, 1983 Softcover, 302 pages, Texte en Francais, 210 x 210 mm, condition tres bien!.‎

‎Public Opinion and Political Contest in Late Medieval Paris. The Parisian Bourgeois and his Community, 1400-50‎

‎, Brepols, 2023 Hardback, 328 pages, Size:178 x 254 mm, Illustrations:8 b/w, 5 tables b/w., 2 maps b/w, Language: English. ISBN 9782503593869.‎

‎Summary Public Opinion and Political Contest presents an important historiographical intervention regarding the emergence of larger political publics during the fifteenth century. The study analyses political interaction and public opinion in medieval Europe's largest city through the lens of the only continuous narrative source compiled in Paris during the early fifteenth century, the well-known Journal d'un bourgeois de Paris. Examining one of the most turbulent periods in Paris' history, which witnessed civil conflict and English occupation, the monograph contributes substantially to understandings of late medieval popular opinion conceptually and empirically, revealing Parisian groups bound by shared idioms and assumptions engaging with supralocal movements. Through an assessment of contemporary reactions to official communication, protest in public space, rumour and civic ceremony, the book presents a timely mirror to themes in flux today, addressing historiographical conclusions that have relegated premodern societies from considerations of the public sphere. As a result, this nuanced assessment of the Journal d'un bourgeois de Paris reveals how access to informational media and forums for discussion bound Parisians and framed a wider commentary upon political issues beyond the highest echelons of medieval society. TABLE OF CONTENTS Introduction 1. The Bourgeois of Paris and his Community 2. Official Communication, Propaganda and Popular Reaction 3. Rumour and Resistance 4. Public Space and Political Contest 5. Civic Ceremony and Royal Ideology Conclusion‎

‎Déco-idées : Stores.‎

‎Paris, Edition Solar, 1998. 22 x 28, 80 pp., très nombreuses illustrations en couleurs, reliure d'édition carton imprimé, très bon état.‎

‎Pore Caitif. A Modern English Translation, with Introductory Essays and Notes‎

‎, Brepols, 2024 Paperback, 173 pages, Size:156 x 234 mm, Language: English. ISBN 9782503613741.‎

‎Summary The Pore Caitif is a popular, late-fourteenth-century, carefully crafted compilation of biblical, catechetical, devotional and mystical material drawing on patristic and medieval sources, in Middle English, consisting of a Prologue and a variable number of sections of differing lengths according to each manuscript, assembled probably by a clerical writer for an increasing literate lay readership/audience.The Prologue sets out the reason for writing and its overall structure as an integrated ladder leading the reader to heaven. The text begins with basic catechetical instruction modelled on John Peckham's Lambeth Constitutions of 1281 before continuing with more affective material, meditating, for example, on the Passion, and concludes with a treatise on virginity, leading the reader from an active to a contemplative way of life. The Pore Caitif was written about the time the Lollards were starting to propagate their programme of universal vernacular education. The writer believes in the need to educate his readers in the truths necessary for salvation without necessarily subscribing to Lollard positions. Although referred to in a number of secondary articles and books, and serving as the focus of three doctoral dissertations, an edition of the work was not published until 2019. Penkett's publication is the first Modern English translation based on the 2019 publication and is in a readily accessible format for the modern reader, accompanied by a series of ground-breaking essays. TABLE OF CONTENTS Preface Introduction Chapter 1. The Pore Caitif and its Historical Context Chapter 2. The Pore Caitif and its Literary Contexts Chapter 3. The Poor Caitif Himself Chapter 4. The Structure of the Pore Caitif Chapter 5. The Pore Caitif and its Readers Chapter 6. This Translation Translation Prologue [Creed] Ten Commandments Peter Noster Christ's Counsel Of Virtuous Patience Of Temptation The Charter of Heaven [The] Horse or Armour of Heaven Love of Jesus Desire of Jesus Of Meekness The Effect of Will Active Life and Contemplative Life [Mirror of Chastity] Bibliography General Index Index of Scriptural References‎

‎Panamarenko North Sea Depot.‎

‎, Knokke-Heist, Mulier Mulier Gallery, 2016, Gebonden, zilverkleurig linnen met titelopdruk, 70pp., 24x28cm., ills. in kleur. Nieuw. ISBN 9789082530117.‎

‎NORTH SEA DEPOT. Het is buitengewoon heerlijk dat een mooie en architecturaal onthechte gallery een tijdelijke hangar wordt voor een perfect geselecteerde greep uit het machtige ?uvre van Panamarenko, wiens belang zal blijken met het verstrijken van de tijd ! Luk Lambrecht NORTH SEA DEPOT is het grootste Panamarenko overzicht ooit in een gallery en loopt tot 20 april. Ter gelegenheid van deze tentoonstelling wordt een catalogus uitgegeven.‎

‎Yves Beaumont, Anthology ‎

‎Gent, Artha books, 2025 Hardcover gebonden, 96 pagina's, 30 x 24 cm,. ISBN 9789464368284.‎

‎In Anthology neemt Yves Beaumont je mee in zijn zoektocht naar de essentie van het landschap. Zijn schilderijen kenmerken zich door een minimalistisch, maar suggestief gebruik van kleur en compositie. Uitgestrekte, lege ruimtes en subtiele toonverschillen cre ren een rustige, meditatieve sfeer. Hoewel zijn sc nes vaak eenvoudig lijken, schuilt er een diepere emotionele lading in. Ze roepen niet alleen visuele, maar ook contemplatieve ervaringen op. ‎

‎Richard Venlet‎

‎Antwerp, ADO Gallery, 1993 Original publishers paper-covered boards, 24 pages 21x16cm text ENG/FR.‎

‎Exhibition catalog Richard Venlet 1993‎

‎Tomasz Kowalski powrot przodka.‎

‎Antwerp, Tim Van Laere Books 2010, 2010 Bound, cloth, unpag., 20.5x25.5cm., illustr. throughout in col., as new. exhibition catalogue. Text in English and Dutch.‎

‎'The entangled complexity in the successfully layered semi-figuration which in the works by Kowalski invariably remains ?open? where interpretation is concerned, is perfectly complemented by the various painting styles effortlessly fused together by the young artist not unlike a skilled dj at work. Within a single base he smoothly switches from fairly expressive sections to a style reminiscent of the naive figurative Kasimir Malevich, the soft degrading in. The beautiful reference to the sublime and monumental work ?Bez Tytulu? (2010) depicting against a cardboard-like monochrome background a figure on the bottom of the painting under a sheet with its head painted ?in? a pillow with wide-open and obsessive eyes that seem to open ?the mental window? into the imaginative rich plastic world of Tomasz Kowalski. ‎

‎Willy De Sauter.‎

‎Antwerp, Ronny Van de Velde Gallery, 2013 Hardback, 290 x 245 mm, 212p, , throughout colour illustrations, English/ French/ Dutch (NL) edition fine condition. ISBN 13010943.‎

‎Willy De Sauter (1938, Brugge) volgde een opleiding als graficus, wat een belangrijke stempel op zijn plastisch werk heeft gedrukt. Hij is steeds op zoek naar de essentie, wat in zijn vroegste werk evolueerde naar een spaarzaam gebruik van de lijn. Toen die lijn het ganse blad in beslag nam, werd de stap gezet naar andere materialen, met nieuwe visuele mogelijkheden. Er dook kleur op in het werk, dat ook meer ruimtelijk werd opgevat. Waar de vroegere werken louter zelfreferentieel waren, worden nu bovendien referenties aan architecturale vormen opgenomen. Ondanks deze evolutie blijft De Sauter wat hij zelf noemt, een minimalist. ‎

‎Dirk Vander Eecken‎

‎, MER Paper Kunsthalle, 2010 hardcover, HC / 112 pages / 28 x 21,5 cm, ill. ISBN 9789490693107.‎

‎At a first viewing of Dirk Vander Eecken's recent work, I was peripherally reminded of the edition "Erster Blick" (2000) of the German artist Gerhard Richter. This simple appropriation of a page from the Frankfurter Allgemeine Zeitung shows a photo with a text fragment of the first image of the inside of an atom, made by scientists at the University of Augsburg. It is an edition in which Gerhard Richter expresses his fascination for what underlies the material world, or what it is made up of. Concrete reality is tipped over through a microscopic examination that creates a mysterious image which evades all human control. Gerhard Richter also painted, after an illness, snow landscapes that conjure up a similar fascination with a landscape that exists but is temporarily covered with a layer of white snow. In a similar way, the oeuvre of Dirk Vander Eecken is an attempt at creating a continuum, an attempted contemplation of "realities" that directly opposes the routinous perception of the overpressurised rustling reality that surrounds us. / Bij een eerste blik op het recente werk van Dirk Vander Eecken moest ik zijdelings denken aan de editie Erster Blick (2000) van de Duitse kunstenaar Gerhard Richter. Deze eenvoudige toe-eigening van een deeltje van een pagina uit de Frankfurter Allgemeine Zeitung toont een foto met tekstfragment van de eerste afbeelding van de binnenkant van een atoom gemaakt door wetenschappers aan de Universiteit van Augsburg. Het is een editie waarin Gerhard Richter zijn fascinatie toont voor de achter- en binnenkant van de materi le wereld. Het concrete kantelt via electromicroscopische waarneming in een mysterieus beeld waarop de mens alle greep verliest. Gerhard Richter schilderde na een ziekte ook sneeuwlandschappen waar eenzelfde fascinatie wordt opgeroepen voor een landschap dat er is maar tijdelijk bedekt is met een laag witte sneeuw. Op een gelijkaardige manier is het oeuvre van Dirk Vander Eecken een poging tot continu m, een trachten kijken naar 'werkelijkheden' dat haaks staat op de routineuze perceptie van de ons omringende, overdruk ruisende werkelijkheid.‎

‎Zarskoje Selo. Eine Geschichte der Zarenschlösser, der Gartenpavillons und Gärten.‎

‎München, Orchis, 1923, in-8vo, Front. + 56 S. (Text) + 32 S. (Abb.), Original- ill. Broschüre.‎

‎Arkitekturens Formspräk. Studier över arkitekturens konstnäarliga värden i värden i deras historiska utveckling. 5 volumes.‎

‎Stockholm, Nordisk Rotogravyr, 1945, gr. in-8°, clothbound.‎

‎1) Den äldre antiken, 569 p., 455 textill. + 77 plates + 6 colourplates / 2) Den yngre antiken. 300 f. Kr. - 600. 742 p., 615 textill. + 80 plates + 3 colour plates / 3) Västerlandets medeltid 600-1200, 618 p., 494 textill. + 80 plates / 4) Västerlandets medeltid 1200-1450, 513 p., 403 textill. + 80 plates / 5) Renässansen i Italien 1420-1620. 532 p., 428 textill. + 80 plates. ‎

‎Arkitekturens Formspråk. Studier över arkitekturens konstnärliga värden i deras historiska utveckling. Bd. I-V.‎

‎Sth., 1945-54. 4to. 5 orig.helpergamentsbd. Rigt illustr.‎

‎Ad Quadratum. Det geometriske System for Antikens og Middelalderens sakrale Bygningskunst opdaget paa Kathedralen i Nidaros. I-II (Tekstbd. + Plancher).‎

‎Kristiania, Helge Erichsen & Co., 1919. Stor 4to. 2 originalbind. Tekstbindet i helshirt, planchemappen i hshirt. XII,393 pp., 337 tekstillustrationer samt 40 foldeplancher (numm. I-XXXVI, flere med a og b-numre).‎

‎Originaltrykket af dette yderst kontroversille værk, som i anledning af restaureringen af Nidaros-domkirken, hævdede at have opdaget de geometriske hemmeligheder bag kirkebygningskunsten og i særdeleshed Gotikkens.‎

‎De kongelige lysthaver.‎

‎København, 1977. Folio. Originalt shirtingsbind med smudsomslag. I kassette. 283 pp. Rigt Illustreret i sort/hvid og farver.‎

‎Danmarks Bygningskunst fra Oldtid til Nutid.‎

‎Kbhvn., 1963. Lex8vo. Ohshirtbd. med smudsomslag. 480 pp. Rigt illustr.‎