Paris, Bookking International, 1991. 25 x 25, 288 pp., très nombreuses illustrations en couleurs et en N/B, broché, couverture à rabats, très bon état.
Traduction de Caroline Von Klitzing.
Lescuyer, Lyon. 1980. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 76 pages. Illustré de nombreuses photos héliogravées en noir et blanc et de photos en couleur, dans et hors texte.. . . . Classification Dewey : 720-Architecture
Guide. Plans. Description. Classification Dewey : 720-Architecture
Lescuyer. 1986. In-8. Broché. Bon état, Coins frottés, Dos satisfaisant, Intérieur frais. 79 pages. Nombreuses photos en couleurs, in et hors texte.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
be-, Brepols - Harvey Miller, 2014 Hardback, 300 pages., 38 b/w ill. 12 colour ill., 190 x 250 mm, Languages: English fine! . ISBN 9782503550381.
Painting landscapes was very much a private activity for Peter Paul Rubens. Whilst the majority of his other works were commissioned, the landscapes seem to have been painted for his own pleasure and delight and stayed in the artist?s possession until his death. Most of them were painted in the last decade of his life; a happy period, in which Rubens retired from public duties and spent most of his free time studying the antique and enjoying sojourns on his country estate, castle Het Steen. To grasp this profoundly personal character of Rubens?s landscapes, this book considers the artist?s highly complex method of pictorial invention to illuminate the perception, implementation, dissemination, and posthumous reception of views on nature and landscape as depicted in Rubens?s landscape art. By investigating contemporary notions on the changing perception of nature and landscape in late 16th and early 17th-century southern Netherlandish culture, Rubens?s position within this socio-cultural matrix will be established, thus shedding new light on the artist?s own perception of nature and landscape. The re-assessment of the influence of classical and contemporary ideas about nature and landscape, as well as Rubens?s personal sense of place, will illuminate important characteristics which further define Rubens?s ideas about nature implemented in his landscape art. Also, fresh light will be cast on the sudden promulgation and dissemination of Rubens?s apparently private views on nature and landscape through a novel examination of the print series of the Small and Large Landscapes, reproducing the artist?s landscapes. The final theme in this illuminating book considers the posthumous reception of Rubens?s ?painted ideas of landscape?. The book also contains an updated version of the catalogue raisonne of Rubens?s landscape art, supplemented by a record of the Small and Large Landscapes prints series
Aachen, 1985 397pp., with 61 bl/w ills., 30cm., Doctoral Dissertation (Von der Philosophischen Fakultät der Rheinisch-Westfälischen Technischen Hochschule Aachen zur Erlangung des akademischen Grades eines Doktors der Philosophie genehmigte Dissertation), softcover, stamp at verso of title page, text is clean and bright, good condition, weight: 1.4kg., S113040
Norma 1994 In-4 broché 28,5 cm sur 22,5. 166 pages. Très bon état d’occasion.
Très bon état d’occasion
Editions Picard, collection "Architectures contemporaines", Paris, 2015. In-8, broché sous couverture illustrée en couleurs, 224 pp. Préface, par Jack Lang - Introduction - Chapitre 1. De la commande à la production. La villa Cavrois, 1925-1932 - 2. La villa Cavrois et ses usages, 1932-1939. La production d'un manifeste, sa diffusion et son impact - 3. L'usage ...
Avec 111 figures en noir et en couleurs. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
Rottach egem, LEU Gallery, 1988 softcover 300x210 mm, many illustrations in colour and b/w, text in DE/ FR / ENG. fine copy. tat bon
catalogue 1988
Berlin, Dr. Köster 1994 Livre en allemand. In-8 broché. 364 pages. Très bon état d’occasion.
Très bon état d’occasion
KLICZKOWSKI Publisher, ASPPAN, CP67 ; 1998, in-4 hardcover, dustjacket , 207 pp, illustrations. In english & spanish. A small tear on titlepage, otherwise very good.
KLICZKOWSKI Publisher, ASPPAN, CP67 ; 2001, in-4 hardcover, dustjacket , 215 pp, illustrations. In english & spanish. Very Good Condition.
Xanten, Stadt Xanten, , 2003 Softcover, 143 S. mit einem Frontispiz und zahlreichen Abbildungen very richly illustrated with coloured illustrations.
niederrheinischen topfers und plastikers / Ceramique / keramiek.
, Koninklijk Museum voor Schone Kunste, 1991 softcover, originele geillustreerde uitgeversomslag in kleur, 24,5x31cm, 335pp, geillustreerd in kleur en z/w. ISBN 9789053490181.
Boek dat verscheen bij gelegenheid van een tentoonstelling in het Koninklijk Museum voor Schone Kunsten in Antwerpen in 1991 over David Teniers, toen 300 jaar eerder overleden. Teniers (1610-1690) was een van de grootste schilder van zijn tijd. Alle thema's van de genreschilderkunst komen bij hem aan bod: taferelen met boeren en burgers, galante en soldateske sc nes met veelal moraliserende inslag, religieuze voorstelllingen en portretten.
Berlin, 1971 215pp., 21cm., softcover, text in German, Doctoral dissertation (Von der Fakultät für Architektur der Technischen Universität Berlin zu Verleihung der akademischen Würde Doktor-Ingenieur genehmigte Dissertation), stamp at verso of title page, text is clean and bright, good condition, S109431
Erlenbach-Zürich, Eugen Rentsch, 1926. 4°. 86 Textseiten. 48 s/w Tafeln und 13 Zeichnungne im Text. Orig. LeinenMit Rückenprägung und Deckelzeichnung.
Nr. 64 von 130 Exemplaren der Vorzugsasugabe für die Mitglieder der Schweizerischen Graphischen Gesellschaft. Mit einer signierten Originalradierung.
2 fasc. dont 1 in-4 br. et 1 in-12 br., ill. noir et blanc, Lucien Karch, 8 impasse Druinot, Paris, 1933, planches 24 à 36 (catalogue) et 8 pp. (tarif)
Bon état. Peu courant.
s.l., 1928 91pp., with 69 illustrations in text + 1 folding plate, 25cm., modern hardcover, text in German, Doctoral Dissertaztion (Von der technischen Hochschule Hannover zur Erlangung der Würde eines Doktor-Ingenieurs genehmigte Dissertation), stamp at verso of title page, R110232
Rotterdam, W.L. & J.Brusse 1918, 255x190mm, IX- 190pages, reliure d’éditeur. Höhere Kappe beschädigt - Coiffe supérieure abimée.
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Encre 1979 Encre, Coll. les Banlieues de l'Art, 1979, 102 p., cartonnage éditeur, dos insolé, coiffes et coin un peu frottés, bon état pour le reste et intérieur bien propre.
Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.
New York Abbeville Press 1985 1 vol. relié in-4, cartonnage sous jaquette illustrée, 357 pp., nombreux dessins en noir et en couleurs, index. Texte en anglais. Très bon état.
Klotz (Heinrich) - Rappaport (Alexander G.)
Reference : 9741
(1988)
ISBN : 0847812847
Rizzoli New York, Deutsches Architektur Museum 1988 In-4, broche, 111 pp., illustrations noir et couleurs.
Bon état d’occasion
Kl ra Benesovsk , Tanja Michalsky, Daniela Rywikov , Elisabetta Scirocco (eds)
Reference : 64777
, Brepols, 2022 Paperback, 165 pages, Size:210 x 270 mm, Language: English. ISBN 9788028000233.
Summary The contributions of this special issue - proceedings of the conference on royal nunneries that took place in Prague in July 2020 - focus on the monasteries connected to the ruling houses, which were endowed with special privileges and enriched by royal and aristocratic donations, often serving as instrumenta regni. They are introduced as active cultural hubs, stages for royal and courtly promotion, and places of personal and dynastic self-representation. This includes female monasteries, the agency of female lites in medieval society and their role as patrons and addressees of works of art. TABLE OF CONTENTS Jakub Adamski, Pjotr Pajor The Architecture of Poor Clares' Nunnery in Stary S?cz and Early Fourteenth-Century Artistic Relations between Lesser Poland and Upper Rhineland Angelica Federici Rome, Barons and Nunneries Art, Architecture and Aesthetics in Convents in Medieval Latium Jenny Vl?ek Schurr Function and Faith: Revisiting the Role of Hospital, Church, and Chapel in the Convent of St. Francis, Prague Giulia Rossi Vairo Seeing Double in Odivelas Nuns and Monks at the Monastery of St Dinis, a Royal Pantheon in Late Medieval Portugal Susan Marti Networking for Eternal Salvation? Agnes of Habsburg, Queen of Hungary and Co-Founder of K nigsfelden Agnieszka Pata?a The Medieval Furnishings of the Convent of Poor Clares in Breslau Eszter Konr d 'Helisabet filia Stephani regis ungarorum illustris' Image of a Saintly Nun of the Arpad Dynasty as Reflected in Hagiographic Sources Michaela Z schg Beyond Naples. Fourteenth-Century Royal Widows and their Clarissan Foundations in a Trans-Regional Perspective
Kl ra Dolezalov , Ivan Foletti, Katar na Kravc kov , Pavla Tich (eds)
Reference : 65040
, Brepols, 2022 Paperback, 172 pages, Size:210 x 270 mm, Language: English. ISBN 9788021099791.
Summary This volume presents the proceedings of the conference Materiality and Conversion: The Role of Material and Visual Cultures in the Christianization of the Latin West organized by the Centre for Early Medieval Studies in 2020. Its contributions thus focus on the Christianization of the Roman Empire between the fourth and sixth centuries. The studies examine the religious change through the ?material turn? approach, building on the material and sensorial dimension of Christian conversion and especially the baptismal rite as one of the key components of the process. The material and visual cultures are regarded as vectors and witnesses of conversion to Christianity, while human body is viewed as one of the agents in ritual actions. The volume covers a wide range of topics, including the prebaptismal purification, the moment of immersion in the baptismal font, the postbaptismal alteration of perception, as well as the continuous changes in funeral forms. As such, the papers attempt to shed more light on the role of materiality in the complex and rapid conversion to Christianity in Late Antique West. TABLE OF CONTENTS Introduction Kl ra Dole?alov , Ivan Foletti, Katar na Krav? kov , & Pavla Tich , Articles Barbara Bruderer, A Prolegomenon to the Evolution of the Consecration of Baptismal Water in the Latin West as a Performative and Sensorial Activation of the Invisible: The Roman Rite (3rd-9th centuries) Mark ta Kulh nkov and Pavla Tich , The Phrygianum Neighboring Old Saint Peter's on Vatican Hill in the Time of Conversion Robin Jensen, Conversion to Jesus as a Healer God: Visual and Textual Evidence Gajane Achverdjanov and Ivan Foletti, Purifying Body and Soul: Late Antique Combs, Their Use and Visual Culture Zuzana Frantov , Luxury for Everyone (?): Ivory Diptychs and Their Use in the Baptismal Liturgy Juliette Day, Materiality and the Sensation of Sin in Late Antique Pre-Baptismal Rituals. The Short-Lived ?Rite of the Cilicium? Megan Bunce, Shrines, Special Burials, and the Christianization of Britain Al?b?ta Filipov and Adrien Palladino, Converting Minds, Eyes, and Bodies? The Early Cult of Relics between Rhetoric and Material Practices in Northern Italy and Gallia
Mechelen , [Cultureel Centrum Antoon Spinoy, 1973 Oorspronkelijk uitgevers omslag, 65 pag. met prachtige illustraties in kleur en z/w. .
Tentoonstellingscatalogus Cultureel Centrum Antoon Spinoy [Mechelen]] Schilderen was voor de Gentse kunstenaar Jos Trotteyn (1910-2002) zijn manier om uitdrukking te geven aan een onuitputtelijke stroom van uiterst gevarieerde gedachten. Het kenmerkende palet van deze verborgen parel bevat een veelheid aan subtiele tinten, van Indisch geel en oker over karmijnrood en cyaanblauw tot sienna. Dank zij het verfijnde aanwenden van deze kleurenschakeringen kon Jos Trotteyn zich uiten op uiteenlopende manieren: van sobere natuurimpressies tot hallucinante droombeelden, zodat het onmogelijk is om Jos Trotteyn in een woord te beschrijven. De subtiele beeldtaal die Jos Trotteyn ontwikkelde, is schatplichtig aan zowel de Vlaamse Primitieven als aan het surrealisme. Het was er deze schilder niet om te doen een enkel genre te bestrijken en daarmee naam te maken. Jos Trotteyn schiep daarentegen een eigenzinnige wereld waarin realiteit en verbeelding elkaar voortdurend raken en aanvullen(Jan Barbe)
Zürich, o.J. (um 1940). Öl auf Leinwand. Bildformat: 65 x 56 cm.
Ölgemälde.
Phone number : 41 (0)44 261 57 50