‎PIERRE FONTAINE. Premier Architecte de l'Empereur. ‎

‎Préface du Vicomte Paul Fleuriot de Langle. 1964 / 234 pages. Broché. Editions Plon.‎

‎Couverture très légèrement frottée, tête de dos rognée, intérieur frais malgré de rares rousseurs. Bon état.‎

‎Confraternity, Mendicant Orders, and Salvation in the Middle Ages. The Contribution of the Hungarian Sources (c.1270-c.1530)‎

‎, Brepols, 2019 Hardback, xvii + 365 pages, Size:156 x 234 mm, Illustrations:22 b/w, 2 tables b/w., 2 Maps, 14 Graphs, Language: English. ISBN 9782503578712.‎

‎Summary By the late Middle Ages, mendicant spiritual confraternities had developed a poor reputation. Their spiritual status was ill-identified: somewhere between requests for intercession, necrological commemoration, and pious associations. In the hands of the mendicants, they seemed to resemble what indulgences had supposedly become in the hands of the papacy: bait that was handed out to extort funds from the faithful while offering an apparently immediate access to Paradise. Thus, like indulgences, they seem to have been gradually emptied of their substance and denounced (even before Luther) as glaring evidence of the corruption of the Roman Church. Much recent scholarship has followed this negative portrait of spiritual confraternities ? unless it has conflated them with other non-spiritual confraternities, or indeed ignored them altogether. This volume draws on the abundant number of letters of confraternity available from Hungarian sources in order to provide a more nuanced picture of mendicant spiritual confraternities. It sheds new light on the links between the mendicants and their supports among the laity, and emphasises the broader significance of the confraternity movement in late medieval piety in Central Europe and beyond. TABLE OF CONTENTS Acknowledgements Introduction Chapter 1. Spiritual Confraternities of the Mendicant Orders - In a Blind Spot of Research An Elusive Object of Study The Link Between Confraternitas and the Monks Do Mendicant Spiritual Confraternities Exist? Established Historical Givens Unresolved Questions Central European Trajectories Chapter 2. The Hungarian Documentary Corpus Sources on The Spiritual Confraternities of the Mendicant Orders in the Middle Ages The Documentation Pertaining to Hungary: Overview 'Hungarian' Letters of Confraternity Chapter 3. The Success of Mendicant Spiritual Confraternities in Hungary until about 1530 The Hungarian Religious Context The Infatuation with Mendicant Spiritual Confraternities Sociography of the Affiliates Chapter 4. The Process of Spiritual Affiliation to the Mendicants A Nebula of Graces The Letter in Spiritual Affiliation From Individual to Confraternitas Chapter 5. Mendicant Uses of Spiritual Confraternity The Involvement of the Mendicants in the Development of Spiritual Confraternities The Interest of Spiritual Association for the Friars The Franciscans and Spiritual Confraternity The Other Mendicants Chapter 6. Confraternity and Salvation: The Affiliates' View The Value of Spiritual Confraternity on the Salvation Market Why Affiliate Oneself with The Mendicants? Three Itineraries of Spiritual Associates Conclusion Bibliography Tables, Maps, Graphs Appendix: Sixteen Letters of Confraternity Figures (Letters Of Confraternity, Seals) Index of Proper Names‎

‎Marcel Mari n, Homogeneous heterogeneity.‎

‎, New York, Landry-Bonino Gallery,, 1972 couverture originale, agraf in-4 , 25,5 x 19,5 cm, 12 nn pp, ill. en couleur et en noir et blanc, .‎

‎(Catalogue d'exposition). New York, Galerie Landry-Bonino, 28 novembre 1972‎

‎Between Body and Soul in Old Norse Literature. Emotions and the Mutability of Form‎

‎, Brepols, 2024 Hardback, 224 pages, Size:156 x 234 mm, Language: English. ISBN 9782503605883.‎

‎Summary What did the body mean for inhabitants of the medieval Norse-speaking world? How was the physical body viewed? Where did the boundary lie between corporality and the psychological or spiritual aspects of humanity? And how did such an understanding tie in with popular literary motifs such as shape-shifting? This monograph seeks to engage with these questions by offering the first focused work to delineate a space for ideas about the body within the Old Norse world. The connections between emotions and bodily changes are examined through discussion of the physical manifestations of emotion (tiredness, changes in facial colour, swelling), while the author offers a detailed analysis of the Old Norse term hamr, a word that could variously mean shape, form, and appearance, but also character. Attention is also paid to changes of physical form linked to flight and battle ecstasy, as well as to magical shapeshifting. Through this approach, diametrically different ways of thinking about the connection between body and soul can be found, and the argument made that within the Old Norse world, concepts of change within the body rested along a spectrum that ranged from the purely physical through to the psychological. In doing so, this volume offers a broader understanding of what physicality and spirituality might have meant in the Middle Ages. TABLE OF CONTENTS Acknowledgements Introduction. Searching for the Body Methodological Limitations Influence of Continental Writings Chapter 1. Somatic Aspects of Emotion The Study of Emotions Genre Specifics and Saga Style The Emotional Content of Physical Displays Exhaustion and Fatigue Change of Facial Colour Swelling Eye Pain Death The Concept of the Body in Light of the Semantic Field of Emotions as Physical Experiences Chapter 2. Change of Form The Concept of hamr The Etymology of the Root ham- and its Compound Words The Compound Words hamingja and l kamr Interpretive Dilemmas Changes Associated with Flight Changes Linked with Strong Animals Transformations in the Context of Battle Ecstasy Hybrid Forms The Transformations of Magic Practitioners Witches Journeying of hamr The Disappearance of hamr The Surface of the Body The Post-medieval Development Scandinavian Ballads Modern Icelandic The Concept of the Body in Light of the Semantic Field of hamr Conclusion. The Period of Transition Appendix. Occurrences of the ham- Root in Old Norse Literature The Poetic Edda Skaldic Poetry Snorra Edda (Prose Edda) Landn mab k (Book of Settlements) The Sagas Kings' Sagas (konungas?gur) Tales ( ttir) Sagas of Icelanders ( slendingas?gur) Legendary Sagas (fornaldars?gur) Indigenous Romances (lygis?gur) The Chivalric Sagas (riddaras?gur) Christian Sagas Contemporary Sagas (samt ars?gur) Scholarly Literature Works Cited Index ‎

‎Palais et Médinas‎

‎Éditions de Lodj, 2006. In-4, relié, cartonnage éditeur sous jaquette illustrée, 287 pages. Bon exemplaire‎

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‎MAISONS PREFABRIQUEES EN BOIS ET EN DUR.‎

‎Non daté / Composé de 43 planches. Relié avec jaquette. Editions Charles Massin.‎

‎Jaquette présentant des frottements épars et rescotchée sur le dernier plat, intérieur très frais malgré des rousseurs sur la page de faux titre, la planche N°16 est détachée de la reliure. Bon état.‎

‎Augustin ex g te et pr dicateur dans les Sermons sur Matthieu‎

‎, Brepols, 2021 Paperback, 722 pages, Size:165 x 250 mm, Language: French. ISBN 9782851213037.‎

‎Summary In his preaching, does Augustine of Hippo adapt his biblical commentaries and, if so, according to what criteria? To answer this question, this book studies the exegesis of some twenty sermons preached on the Gospel of Matthew. The first chapter places them in their historical, geographical, polemical and liturgical contexts. The following chapters investigate the patristic tradition and the Augustinian works in order to shed light on the specificity of the interpretations; the rhetorical dimension is also taken into account. Through their scriptural interpretations, these sermons assume the concrete situation of the audience and are inserted into the dynamics of the liturgy from which they receive the material for the commentary and the finality that guides it. Their exegesis is situated at the intersection between the Word of God which it extends and implements (chapters 2 to 4) and the responses it seeks to elicit from the listeners (chapters 5 to 7). This desire to edify the listeners, both personally and communally, while aiming at spiritual progress and orthopraxis rooted in the confessed truth, helps to enlighten the preacher's adaptation of the Sermons on Matthew. Dans sa pr dication, Augustin d'Hippone adapte-t-il ses commentaires bibliques et, si oui, selon quels crit res ? Pour r pondre cette question, cet ouvrage tudie l'ex g se d'une vingtaine de sermons pr ch s sur l' vangile de Matthieu. Un premier chapitre les replace dans leurs contextes d' nonciation, historiques, g ographiques, pol miques et liturgiques. Les chapitres suivants proc dent une enqu te dans la tradition patristique et dans l'oeuvre augustinienne pour, le cas ch ant, mettre en lumi re la sp cificit des interpr tations ; la dimension rh torique est aussi prise en compte. Ces sermons assument par leurs interpr tations scripturaires la situation concr te de l'assembl e et s'ins rent dans la dynamique de la liturgie dont ils re oivent la mati re du commentaire et la finalit qui l'oriente. Leur ex g se se situe l'intersection entre la Parole de Dieu qu'elle prolonge et met en oeuvre (chapitres 2 4) et les r ponses qu'elle cherche susciter de la part des auditeurs (chapitres 5 7). Cette volont d' difier les auditeurs, la fois personnellement et communautairement, en visant tout autant un progr s spirituel et une orthopraxie d coulant de la v rit confess e, contribue clairer l'adaptation du pr dicateur dans les Sermons sur Matthieu. TABLE OF CONTENTS Ante omnia Sigles Introduction Chapitre 1. Prol gom nes. Contextes des Sermones in Matthaeum Premi re partie: Per ministrum sermonis. La m diation du pr dicateur Introduction Chapitre 2. M diations et annonce (S. 66). Mt 11, 2-11. Lc 7, 18-28 Chapitre 3. Ministerium sermonis. Le minist re du pr dicateur Chapitre 4. "Petite! Quaerite! Pulsate!" Enseigner l'ex g se Per ministrum sermonis. Conclusion Seconde partie: Fructus quaeritur. Les fruits de la pr dication Introduction Chapitre 5. Images bibliques de la fructification Chapitre 6. Fides. La foi, fruit de la pr dication Chapitre 7. Caritas. L'amour de Dieu et du prochain, fruits de la pr dication Fructus quaeritur. Conclusions Conclusion Annexes Indices‎

‎MATERIAUX ECOLOGIQUES POUR UNE DECO PLUS SAINE‎

‎Un ouvrage de 96 pages, format 195 x 250 mm, illustré, broché couverture couleurs rempliée, publié en 2009, Editions Massin, bon état ‎

‎Guide pratique : pollution air intérieur, labels et certifications, adresses ‎

‎Rideaux stores et Cie‎

‎Assouline 2005 2005. Ce livre est un guide pratique et décoratif consacré aux rideaux stores et voilages. Il explore leurs multiples fonctions : encadrer les fenêtres filtrer ou occulter la lumière isoler du bruit et du froid et même composer des cloisons ou des portes. L'ouvrage met en avant l'équilibre entre leur utilité pratique et leur qualité esthétique indéniable dans l'aménagement intérieur‎

‎Bom estado‎

‎Chromo-Architecture - L'art de construire en couleur‎

‎Edité par Editions Alternatives, Paris, 2007. Broché avec rabats, 22 x 24 cm. 160pp. Nombreuses illustrations en couleurs. Très bon état. ‎

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‎Construire aujourd'hui, et demain ? Liberte, responsabilite & engagement de l'architecte - rapport d'activite avril 2023‎

‎STRASBOURG ecole d'architecture. 2023. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 69 pages - quelques illustrations en couleur. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Art Belge II / Belgische Kunst II‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1990 Poster, couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Art Belge II / Belgische Kunst II - Becoming Visible CATALOGUE DE L'EXPOSITION‎

‎Cadere / K pcke / Coleman‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1987 couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Cadere / K pcke / Coleman CATALOGUE DE L'EXPOSITION‎

‎David Lamelas‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1991 couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS David Lamelas CATALOGUE DE L'EXPOSITION‎

‎Jacques Charlier‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1987 couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Jacques Charlier CATALOGUE DE L'EXPOSITION‎

‎James Coleman‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1988 couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS James Coleman CATALOGUE DE L'EXPOSITION‎

‎James Ensor‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1989 couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS James Ensor CATALOGUE DE L'EXPOSITION‎

‎Koroliov / Tzereteli / Zamkov / Zhilinksy‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1988 Poster, couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Koroliov / Tzereteli / Zamkov / Zhilinksy CATALOGUE DE L'EXPOSITION‎

‎Marina Abramovic - Becoming Visible‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1990 Poster, couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Marina Abramovic - Becoming Visible CATALOGUE DE L'EXPOSITION‎

‎Paysages - Landschappen‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1990 couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Paysages - Landschappen CATALOGUE DE L'EXPOSITION‎

‎Peter Archer‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1988 Poster, couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Peter Archer CATALOGUE DE L'EXPOSITION‎

‎Piero Manzoni ‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1990 Poster, couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Piero Manzoni - Becoming Visible CATALOGUE DE L'EXPOSITION‎

‎Wolfgang Laib‎

‎Brussel - Brussels, Galerie des Beaux-Arts Galerij / Marie-Puck Broodthaers, 1988 Poster, couverture cartonn e, 21 x 15 cm. Impression noir et blanc.‎

‎TENTOONSTELLING CATALOGUS Wolfgang Laib CATALOGUE DE L'EXPOSITION‎

‎#07 Anne Rondia architecte et paysagiste‎

‎, Archidoc, 2023 Paperback, 320 pages, Texte en Francais , 190 x 150 x 24 mm, Tres bien condition, illustr. / foto's en couleur / n/b. ISBN 9782960192278.‎

‎Architecte et paysagiste form e l?Institut d?architecture Saint-Luc de Li ge, Anne Rondia d veloppe une pratique professionnelle qui l?am ne aborder tant l?insertion paysag re d?infrastructures de transport en divers milieux que la conception et la gestion d?espaces publics d? chelles et de natures tr s vari es en milieu urbain, principalement en tant qu?auteur de projet au sein de la Ville de Li ge (1994-2017). Son apport dans la red finition des espaces publics est fondamental. Il se caract rise entre autres par une vision soci tale engag e, orient e vers les pratiques habitantes, respectueuse du contexte historique et paysager tout en soutenant l?int gration d??uvres d?art dans l?espace public. Les am nagements port s par Anne Rondia sont nombreux : quai des Tanneurs, place mile Wiket, cour du Cin ma Sauveni re? Mais c?est surtout en remportant le concours pour le parc Saint-L onard (en association avec Arlette Baumans et Aloys Beguin, 1994) et avec les projets du parc Sainte-Agathe (Prix de l?urbanisme, 2015) et de valorisation touristique des Coteaux de la Citadelle Li ge qu?Anne Rondia touche la reconnaissance tant de la critique que du grand public. Ce dernier projet obtient en 2016 le prix du paysage de Wallonie et une mention sp ciale pour la participation du public, au prix europ en du paysage 2017. De 1980 2013, Anne Rondia partage ses exp riences et son expertise en tant qu?assistante puis chef de travaux Saint-Luc puis la facult d?architecture de l?Universit de Li ge et exerce actuellement en tant que conseill re ou partenaire pour le paysage dans le cadre d? quipes pluridisciplinaires.‎

‎Sublime Truth and the Senses: Titian's Poesie for King Philip II of Spain‎

‎, Brepols - Harvey Miller, 2019 Hardback, iv + 232 pages, Size:220 x 280 mm, Illustrations:71 b/w, 77 col., Languages: English, Italian, Latin. ISBN 9781909400276.‎

‎Summary The paintings for Philip II, known as the Poesie, are among the most frequently discussed works of art that address a favored Renaissance theme, the influence of the pagan gods on human actions. The commission is traceable to 1549, when Emperor Charles V summoned the artist to Augsburg following Prince Philip's triumphal parade through the empire as his father's heir apparent. The cycle that took shape comprises Danae and Venus and Adonis (Madrid, Prado); Diana and Actaeon and Diana and Callisto (Edinburgh, National Gallery of Scotland); Perseus and Andromeda (London, Wallace Collection) and Europa (Boston, Isabella Stewart Gardner Museum). These masterpieces of the artist's mature period can be considered the most important Renaissance grouping of mythological paintings executed by a single artist. The author proposes that Philip's expected elevation prompted the commission and that the subjects form a cohesive program of Hapsburg ethical views and political concerns, and that Titian created new visual idioms to represent the complex issues which the subjects address in part by engaging themes with a significant prior history in family patronage. While Titian's Poesie for Philip II are well known monuments of western culture, they have never before been investigated with this focus. The dispersal of the pictures' in the seventeenth century resulted in a scholarly focus on the single pictures and a concentration on their sensual aspects. In Aretino, a Venetian dialogue on painting, Titian's friend and apologist Lodovico Dolce is a spokesman for art that following poetry, entices through beauty, while hiding important truths beneath the veil of allegory. This study analyzes the ways in which Titian incorporates new concepts of sensuality and spirituality in a Venetian vernacular to create masterpieces whose originality and ravishing beauty belie their didactic content.‎