‎Design & decoration : Visite chez les plus grands designers‎

‎Editions Prisma 2010 144 pages 33x24x2cm. 2010. Broché. 144 pages.‎

‎French édition. Le livre qui n'a jamais été lu présente des marques de stockage sur la tranche et/ou les pourtours mais reste en très bon état d'ensemble. Expédié soigneusement dans un emballage adapté depuis la France‎

‎Anecdota rustica. Textus minores ad aedificationem pertinentes prout in codicibus saec. VIII-X asseruati sunt‎

‎, Brepols, 2022 Hardback, xxiv + 285 pages, Size:155 x 245 mm, Language: Latin. ISBN 9782503599120.‎

‎Summary How did the least educated rows of the clergy get in touch with basic and more subtle religious teachings? Access to literacy was not the rule in the Early Middle Ages, but rather the exception. However, even the lowest rows of the Church were expected to be able to take care of their parishes. Therefore, the clergy was expected to be provided a certain knowledge. Oral transmission might have played the most important role in the formation of the lowest clergy. Still, several compositions have survived which might have also served this aim. These are rather simple, hardly original texts with friendly displays and oversimplified approaches to central matters of the Christian faith. Most of such compositions do not reach the highest standards of the time - nor do they attempt to do so. Yet, they are not mere personal notes for private use. They were surely meant to be circulated and to last - as they apparently did. This volume collects some of these texts, which appear to be related with one another in different ways. The collection, however, is not and could not be intended to be complete.‎

‎Le château de La Force en Périgord‎

‎1 vol. in-8 br., La Force, 1982, 38 pp.‎

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‎Etat très satisfaisant (lég. rouss. en bords de plat sup., très bon état par ailleurs). On joint 5 cartes postale de La Force ainsi qu'un petit écusson en toile aux armes de La Force.‎

‎David Bowie's : Tintoretto, the lost church of San Geminiano‎

‎, Hannibal, 2019 Hardcover, 176 pages, ENG. edition, 290 x 230 x 20 mm, NEW !!, illustrated dustjacket, illustrated in color / b/w. ISBN 9789463887014.‎

‎When the painter Jacopo Tintoretto (1518-1594) around 1560-1570 Saint Catherine painted, a 0monumental altarpiece for the Venetian church San Geminiano, his fame had reached a peak. 'Capriccioso, presto, e risoluto', that is how the Italian art historian Giorgio Vasari described him at the time. Fickle, fast and determined. Vasari found Tintoretto's style difficult places but still found it one of most fascinating painters of all time. The emotionally charged work of Tintoretto inspired many artists and also had a special one, among other things place in the private collections of baroque painters such as Rubens and Van Dyck. So it is not surprising that Tintoretto's Saint Catherine one of the first art purchases was from it British pop icon David Bowie and that's it a new owner after his death he received it on long-term loan gave to the Palazzo Ducale in Venice. Recently, researchers discovered the KIK (Royal Institute for... Art heritage) a drawing below the paint layer of Saint Catherine, which sheds new light on both process of creation as the iconography of the painting. The work is the culmination of Tintoretto's expressive imagery, are living colorful and explosive test, with which he knows strong emotions to trigger the viewer. In this book, essays by specialists such as Stijn Alsteens (Christie's and The Metropolitan Museum of Art, New York), Christina Currie (KIK, Brussels), Xavier F. Salomon (The Frick Collection, New York) and Ben Van Beneden (Rubenshuis, Antwerp) Tintoretto's Saint Catharina completely back to life ‎

‎Titian's hidden double portrait unveiled after 500 years‎

‎, Hannibal Books , 2023 Hardcover HB, 284 x 225 mm, 160 pages, ENG edition Illustrated. ISBN 9789463887007.‎

‎Even in his own time, the status of Venetian painter Titian (1488- 1576) was legendary. He worked on the border between Renaissance and Baroque and was revered on par with the greats of the world. His pictorial style, extraordinary use of colour and virtuoso technique were and still are an inexhaustible source of inspiration for generations of artists. Rubens and Van Dyck, among others, greatly admired Titian's work and studied it extensively. Portrait of a lady and her daughter is perhaps one of Titian's most fascinating works. He began the miraculous painting in the mid-16th century, but died before he could finish it. This depiction of the relationship between a mother and her child is unparalleled. Despite the monumentality of the painting, the look with which the daughter looks at her mother is perhaps one of the most tender in all of art history. The identity of those portrayed is uncertain, but some art historians claim Titian painted a portrait of his mistress, Milia, and their illegitimate daughter, Emilia. The painting experienced a prodigious history from its inception. Its wanderings began in Venice, after which the work passed by the Russian tsars and then, via Paris, ended up in London, where it miraculously survived the bombings of World War II. Today, it has been fully restored after a 20-year restoration. Translated with DeepL.com (free version)‎

‎Apocalyptic Cultures in Medieval and Renaissance Europe. Politics and Prophecy‎

‎, Brepols, 2024 Hardback, 301 pages, Size:156 x 234 mm, Illustrations:13 b/w, 25 col., 5 tables b/w., Language: English. ISBN 9782503606699.‎

‎Summary The essays in this collection were presented at the 2020 Symposium on Apocalypticism, sponsored by the Marco Institute for Medieval and Renaissance Studies at the University of Tennessee. The authors offer new readings of medieval and Renaissance Apocalypticism in quotidian terms, not as 'counterculture' but as the pragmatic expression of spiritualities that informed both debate and practice, on subjects as mundane and diverse as warfare, pilgrimage, gender, cartography, environmentalism, and governance. Topics include the origins of imperial eschatology; reflections on cosmology and the fate of the earth; the fusion of history, prophecy, and genealogy; Joachite readings of the political landscape of Italy; the influence of the Great Schism on Burgundian art; eschatology and gender in pilgrimage literature; the late medieval interpretation of the Revelationes of Pseudo-Methodius; and the appropriation of apocalyptic tropes in the propaganda and policies of the German emperor Maximilian I. The essays that open and close this collection offer meditations on the enduring legacy of Apocalypticism by focusing on the events ? pandemic, political unrest, and the proliferation of conspiracy theories manifest in both ? that mark the historical era in which this symposium took place. TABLE OF CONTENTS Introduction: Apocalypse and Politics, in the Middle Ages and Today JAY RUBENSTEIN Constantine and the Birth of Medieval Apocalypticism: Imperial Eschatology in Eusebius, Lactantius, Ephrem, Aphrahat, and the Tiburtine Sybil STEPHEN SHOEMAKER The Apocalypse and the Medieval Cosmos BRETT EDWARD WHALEN Apocalypse Unfurled: Origins and End Times in the Genealogical Roll JENNIFER JAHNER Prophetic Geography: Italy, the School of Joachim of Fiore, and the New Philistines THOMAS MAURER The Apocalypse of the Duc de Berry and the Apocalyptic Great Schism RICHARD K. EMMERSON The Eschatology of Pilgrimage Literature and the Gender of the Apocalypse in Late Medieval Europe KATHRYNE BEEBE Reading the End in Late Medieval Augsburg: Wolfgang Aytinger's Commentary on the Revelationes of Pseudo-Methodius LAURA ACKERMAN SMOLLER Prophecy and Policy: Maximilian I as Last World Emperor in Theory and Practice ROBERT BAST The Apocalyptic 'Other': Nostos, Gog and Magog, and Revelation in the Time of Covid COLIN MCALLISTER Index‎

‎Acier et architecture petit in-4,relié toile écru,142pp,141 illustrations photographiques en noir et blanc‎

‎ Arts et métiers graphiques 1966‎

‎Bon état‎

‎Vignole centesimal, ou les regles des cinq ordres d'architecture de J. Barozzio de Vignole, etablies sur une division du module en harmonie avec le systeme actuel des mesures, suivi du Trace des moulures et de la maniere de mettres tres promptement en ordre, en proportion, dans une espace donne quelconque sans le secours du module, a l'aide des divisions memes du metre par F-A. Renard, architecte ‎

‎ Paris, Ladrange, 1842. Format 18x28 cm, broche, 38 pages + 34 planches hors-texte. Une dechirure sans manque au dos, des rousseurs eparses dans le papier. Etat acceptable. ‎

‎Imaging Utopia: New Perspectives on Northern Renaissance Art. Papers Presented at the Twentieth Symposium for the Study of Underdrawing and Technology in Painting Underdrawing and Technology in Painting. Symposia , nr. 20‎

‎, Peeters uitgeverij, 2021 Original publishers paper-covered boards, 208 pages, 30.5 x 22.5 cm, english text. *New. ISBN 9789042941526.‎

‎Imaging Utopia: New Perspectives on Northern Renaissance Art Papers Presented at the Twentieth Symposium for the Study of Underdrawing and Technology in Painting Underdrawing and Technology in Painting. Symposia , nr. 20‎

‎Ivory Carvings in Early Medieval England‎

‎, Harvey Miller , 1972 168 p., incl. 270 ills., 265 x 390 mm, 1972 , Studies in Medieval and Early Renaissance Art History J. Beckwith, no dust jacket, Fine copy. ISBN 9780199210077.‎

‎Ivory carvings are among the most beautiful achievements of medieval art. They reflect not only the deeply religious nature of the medieval world but also express the consummate skill and highly creative minds of those who carved them. The English craftsmen of the Early Middle Ages produced such renowned masterpieces as the Bury St Edmunds Cross and the Lewis Chessmen. John Beckwith provides a definitive study of English ivory carving from 700-1200 AD, which describes and illustrates over 160 carvings. He places the ivories in relation to contemporary illuminated manuscripts and enamel work. Through fascinating and lively portraits of some of the abbots and bishops who were the great patrons of their time, and in particular, Henry of Blois, bishop of Winchester, he places the art form firmly within its historical and cultural context.‎

‎Architecture carlovingienne - Le chevet de l'église de Gourgé de J. Berthelé‎

‎ MELLE, Imp. de E. Lacuve - 1884/5 - E.O. - In-8 - Broché - 15 pages - Salissure en tête au 1 er plat - exemplaire non coupé - Bon exemplaire - Envoi rapide et soigné ‎

‎ - Livraison a domicile (La Poste) ou sur simple demande en Mondial Relay.- ATTENTION: Colis recommandé uniquement sur demande (parcel recommended on request). Si vous désirez un remboursement équivalent au montant de votre achat, en cas de perte détérioration ou spoliation, demandez-nous expressément un envoi en recommandé ( if you wish a repayment equivalent to the amount of your purchase, in case of loss - deterioration or despoliation, ask us expressly for a sending recommended)- Conditions de vente : Les frais de port sont affichés à titre Indicatifs (pour un livre) Nous pouvons être amené à vous contacter pour vous signaler le surcoût du au nopmbre de livres achetés ou du poids de ceux-ci. - Conditions of sale : The shipping costs are displayed as an indication (for one book) We may need to contact you to inform you of the cost of the additional shipping depending on the weight and the number of books- Possibilité d'envoi par Mondial-Relay - Réception en boutique sur rendez-vous. Librairie G. PORCHEROT - SP.Rance - 0681233148 ‎

‎"Les salons d'architecture 1932"‎

‎"1932. Paris La Construction Moderne 1932 - Broché 16 cm x 24 cm XXII pages + 111 pages de photos de plans de maquettes et d'édifices - Préface de J.-B. Hourlier étude sur l'architecture moderne de H. Sauvage - Petit manque au dos sinon bon état" ‎

‎THEORIE DE L'ORNEMENT ouvrage accompagné de 330 motifs d'ornements gravés sur acier et de nombreuses figures intercalées dans le texte.‎

‎Paris Levy 1873 1 4° Cartonnage éditeur percaline verte illustrée 366 pages, 24 planches h.t. A. Levy, Paris, 1873. Un volume in 4° relié percaline verte à décor estampé de l'éditeur, (4), XI, 366 pages, 24 planches h-t. Volume en bon état hormis un léger accroc à la coiffe supérieure. Bien complet de ses 24 planches.‎

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‎Envoi colissimo R3, 15 Coiffes légèrement rapées, mais bon état général Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.‎

‎SAINTE-MARIE DE BOSTENS‎

‎A.E.A.L.. 1981. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 43 pages - quelques planches en noir et blanc. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Zeldzame Cats-uitgave /J. Cats. Bie-Boek Bie-Boek - Hoofdzaekelyk behelzende hoe eenen voorzigtigen Bie-houder zig zal schikken om 't meeste voordeel daer uyt te trekken, als ook hoe hy zig zal wapenen tegen de quaed-doenders, gemaekt volgens de wetten der natuer en natuerlyke zaeken. Geschreven op syn Kasteel te Zorg-vliet, door den overleden Heer Jacob Cats (...). Waer by gevoegt is J. Cats Tachtig-Jaerig Leven, en Huys-houding, of kort-begryp van het Buyten-leven op Zorg-vliet.‎

‎Amsterdam, Cornelis Jansz. Boekverkooper, op den Dam,, z.d. (1655), ,2 delen in n band (tweede deel ook met eigen titelpagina), 4,40; 44 pp.‎

‎Dit 'Bijen-boek'is een bewerking van Dirk Outgaertsz. Cluyt's Van de byen, waarvan de eerste uitgave in 1597 verscheen in Leiden." (online KB-artikel). In zijn werk "Twee en tachtig jarig leven" [in geheel andere verzen gesteld dan ons werk "Tachtig-Jaerig Leven] komt een verwijzing naar bijen voor: "De dood is als een By, die prick nog angel heeft, soo datse sonder prick alleen maar honig geeft."‎

‎Traite de l'Harmonie (1722) van Jean-Philippe Rameau en de ontwikkeling van het muziektheoretisch denken in Frankrijk.‎

‎, Brussel, Paleis der Academien, 1989., softcover , originele uitgeversomslag, 18x26cm. ISBN 9065694250.‎

‎Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Klasse der Schone kunsten, n? 47.‎

‎NOTRE DAME DE CHAMP. MONUMENT HISTORIQUE DES XIE-XIIe SIECLES. UNE PRESENCE ROMANE DANS LA VALLEE DE LA VOLOGNE.‎

‎ASSOCIATION LA DAME DE CHAMP. NON DATE. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 16 pages. Premier plat illustré en couleurs. Nombreuses photos et illustrations en couleurs et noir et blanc, dans le texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Caspar Friedrich Wolff : 'De Formatione Intestinorum'. La Formation des Intestins (1768-1769),‎

‎Turnhout, Brepols, 2003 Hardback, 382 pages ., 155 x 240 mm. ISBN 9782503522524.‎

‎En 1768 et 1769, l'embryologiste allemand Caspar Friedrich Wolff (1733- 1794) publie le De formatione intestinorum dans les Memoires de l'Academie des Sciences de Saint-Petersbourg. Apres avoir rappele les idees sur la generation des organismes qu'il avait deja exposees dans sa these de medecine de 1759 (Theoria generationis), Wolff y suit minutieusement le developpement des visceres, et principalement de l'appareil digestif. Parce qu'il decrit des formes embryonnaires intermediaires, rompant ainsi a la fois avec la theorie de la preexistence qui dominait l'epoque, et avec l'ancienne epigenese heritee d'Aristote, le De formatione peut etre considere comme le premier grand texte de l'embryologie moderne. La traduction inedite en francais de cet ecrit technique, dans la tradition de Harvey, de Haller et de Malpighi, mais aussi polemique, se devait d'etre expliquee, munie d'un appareil critique, et remise en perspective dans l'oeuvre du grand embryologiste. Languages : French, Latin, German, French.‎

‎Quinze jours à Paris ‎

‎ ou guide de l’étranger dans la capitale et ses environs. Tableau synoptique et pittoresque servant d’itinéraire précis aux voyageurs étrangers et de la province pour le juste emploi du temps. Précédé d’une description historique par J.C.G MARIN de P. Edition revue et corrigée avec soin en faisant mention de tous les changements dans la capitale In 12 pleine toile rouge de l’éditeur. 15 gravures sur acier, hors-texte, un plan dépliant (sur 2 annoncé) Paris Chaumerot 1860. Sans les premières pages de publicité et le plan dépliant dans la pochette en fin de volume)‎

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‎Invention. Northern Renaissance Studies in Honor of Molly Faries,‎

‎Turnhout, Brepols, 2008 Hardback, XLVIII+231 pages., 188 b/w ill. + 35 colour ill., 210 x 297 mm. ISBN 9782503527680.‎

‎The volume's title, Invention: Northern Renaissance Studies in Honor of Molly Faries, evokes Molly's passion for understanding an artist's creative process. The term 'invention' is here understood in the widest possible sense: How did a work of art come into being? How did an artist react to new stimuli or adapt to a new culture? Was innovation valued above adherence to a local tradition? To what degree could artists shape their patrons? taste? How did artists transform their own inventions over time and adopt those of others? Was there a concept of invention specific to the Northern Renaissance and how did it differ from ours? The authors who tackle these and other questions include university professors, curators, conservators, and conservation scientists, all recognized specialists in northern European art of the fifteenth and sixteenth centuries. The artists they discuss are among the greatest painters, manuscript illuminators, printmakers, and sculptors: Johan Maelwael, the Limbourg brothers, Jan Van Eyck, Rogier van der Weyden, Hans Memling, Lieven van Lathem, Juan de Flandes, Jean Hey, Albrecht Durer, Hieronymus Bosch, Master H.L., Jacques Du Broeucq, and Jan Brueghel the Elder. This book, one of the few devoted specifically to the concept of invention in Northern Renaissance art, is richly illustrated with 32 color plates and 179 black-and-white reproductions; it includes an index. Languages : English. Until 31/03/2013 avaialable at 79.00 euro.‎

‎LA VEUVE DE L'AMIRAL COLIGNY‎

‎Paris, Agence centrale de la soci t Librairie Sandoz et Fischbacher, 1875 Original publishers paper-covered boards, 48 pages, 25 x 16 cm, foxing.‎

‎RAPPORT ET JUGEMENT SUR LA VIE DE MADAME DE CHASTILLON, VEUVE DE L'AMIRAL GASPARD DE COLIGNY, N E JACQUELINE, COMTESSE D'ENTREMONTS ET MONTBEL Y PACHECO‎

‎Adjug ! Les Artistes & le march de l'art en Belgique entre 1850 et 1900.‎

‎Paris/ Namur, Mare & Martin / Rops museum, 2020 softcover, 144 pages, With 80 illustrations, 280 x 250 x 12 mm, ISBN 9782362220289.‎

‎Comme ailleurs en Europe, c?est dans les ann es 1850 que le march de l?art contemporain conna t un d veloppement sans pr c dent en Belgique. Jamais, auparavant, les productions des artistes vivants n?ont fait l?objet d?autant de sp culation. Derri re le mythe de l?artiste boh me et d sint ress , les cr ateurs et cr atrices sont l?origine de strat gies pour avoir la cote et vendre leurs oeuvres. C?est l?objet de cet ouvrage qui d voile les lieux et les acteurs du march n cessaires leur succ s commercial : salles de vente publiques, ateliers, salons officiels et expositions ind pendantes, collectionneurs et marchands d?art. Cet ouvrage collectif, accompagnant une exposition au mus e F licien Rops, offre une premi re synth se du march de l?art contemporain en Belgique dans la seconde moiti du XIX me si cle. Les auteur.trice.s: Jan Dirk Baetens est docteur en histoire de l'art, KU Leuven et professeur la Radboud University. Emilie Berger est docteure en histoire de l'art l'universit libre de Bruxelles. Ingrid Goddeeris est attach e scientifique aux Mus e royaux des Beaux-Arts de Belgique. No mie Goldman est docteure en histoire de l'art l'universit libres de Bruxelles. Denis Laoureux est docteur en histoire de l'art et professeur l'universit libre de Bruxelles. Ulrike M ller est docteur en histoire de l'art la Gent Universiteit. Eug ne Warmenbol est docteur en histoire de l'art et professeur l'universit libre de Bruxelles.‎

‎Brueghel, Memling, Van Eyck La Collection Brukenthal ‎

‎, Fonds Mercator, 2009 Hardcover, 219 pages, Francais, Illustrations. ISBN 9789061539056.‎

‎BRUEGEL, MEMLING, VAN EYCK... LA COLLECTION BRUKENTHAL La Collection Brukenthal‎

‎Image of the City in Early Netherlandish Painting (1400-1550)‎

‎, Brepols 2019, 2019 Hardcover, 356 pages., 95 b/w ill. + 17 colour ill., 14 b/w tables, 178 x 254 mm, English, . ISBN 9782503579825.‎

‎Painted cityscapes have always captivated the viewers of medieval works of art. To this day scholars are mesmerised by their capacity to mirror the urban context from which they sprang, combined with their ability to symbolize a more abstract world view, religious idea or social ideal. Especially oil painting, which thrived in the fifteenth-century Low Countries among a heterogeneous elite and the well-off urban middling groups, succeeded as no other medium in capturing the urban landscape in its finest details. In order to gain an insight into how late medieval citizens, clerics and noblemen conceived of urban society and space, this book combines a serial analysis of a large corpus of painted city views with a critical discussion of some well-documented and revealing works of art. Throughout the book a variety of questions are addressed, ranging from the religious conception of the city, the theatrical dimension of urban space, the extent to which Early Netherlandish painting depicted the city as an economic space, how images of city and countryside functioned as identity markers of the donor, and how technical advances in the field of cartography impacted the portrayal of towns in the sixteenth century. In doing so, this study explores the duality of some of the major interpretive schemes that have determined the last few decades of historiography on late medieval Netherlandish culture, oscillating between bourgeois and courtly, realistic and symbolic, profane and religious, and innovative versus traditional.‎

‎Carte des routes et des cites de l'est de l 'Africa' a la fin de lAntiquite. Nouvelle edition des 'Voies romaines de l'Afrique du Nord' concue en 1949, d'apres les traces de Pierre Salama,‎

‎Turnhout, Brepols, 2010 Paperback, 345 pages + Two maps of Northern Africa, Five maps, 220 x 280 mm. FINE! ISBN 9782503513201.‎

‎In 1951, Pierre Salama published a book in Algiers entitled Voies romaines de l'Afrique du Nord, which featured a map of the road network at the scale of 1:1 500 000, printed as soon as 1949. Fifty years later, a group of Africanists have decided to publish this new map using the layout that Pierre Salama had been working on since the 70's, based on overlays of the map of the French National Institute of Geography (IGN) at the scale of 1:500 000, but only for the western part of the Maghreb. The IGN printed this layout on a geographical mother map with colours, an indication of landforms and river system. The authors have also written an introduction providing the necessary information to the reader approaching road archaeology without former training. The sites identified on the map are dealt with in notes with varying degrees of detail. The notes give the Ancient and Modern names justifying the identification and location of each site. They also provide a summary of the main steps of their administrative history and describe the main archaeological remains for the different periods of occupation. This 'New Salama Map' could not be published before the recent death of our friend and colleague, but was submitted to his careful scrutiny and approval. Pierre Salama avait publie a Alger, en 1951, un volume sur les Voies romaines de l'Afrique du Nord qui contenait une carte au 1/1.500.000e du reseau routier, imprimee des 1949. Cinquante ans plus tard, un groupe d'africanistes s'est propose de publier la nouvelle carte dont, depuis les annees 1970, P. Salama preparait le trace, sur des calques de la carte de l'Institut de Geographie National francais au 1/500.000e, mais seulement pour la partie orientale du Maghreb. L'IGN s'est charge d'imprimer ces traces sur un fond de carte geographique en couleurs, indiquant le relief, attenue, et l'hydrographie. Les auteurs ont aussi prepare une introduction apportant l'essentiel des precisions necessaires au lecteur qui aborderait l'archeologie des routes sans etudes prealables. Les sites localises sur la carte font l'objet de notices plus ou moins detaillees, indiquant les differents noms antique et moderne qui justifient l'identification et la localisation, resumant les etapes essentielles de l'histoire administrative et decrivant les principaux vestiges archeologiques pour les differentes periodes de son occupation. Cette ? nouvelle carte Salama ? n'a pu paraitre avant le deces recent de notre ami et collegue, mais elle avait ete examinee et approuvee par lui. Languages: French.‎