‎VORM JAARBOEK CULTUREEL JAARBOEK VORM IN VLAANDEREN 2 / 84‎

‎, Paul Ibou, 1984 Hardcover with dusjacket 336 pages . Afm. 30x22 cm. Illustrated.‎

‎Cultureel jaarboek "Flanders' creativity" edit 1984, gesigneerd door Ibou‎

‎VORM INFO KRANT.12 (gesigneerd).‎

‎, Antwerpen, Vorm in Vlaanderen, 1983., Geniet, originele uitgeversomslagen, 29,5x41,5cm, 48pp + 55pp + 47pp + 55pp, geillustreerd in kleur en z/w.‎

‎Tweemaandelijks informatieblad over visuele kommunicatie. Gesigneerd door Paul Ibou. Derde jaargang, compleet, n 11 - 15 + jaarboek.‎

‎IL ETAIT UNE FOIS LES CATHEDRALES‎

‎DE LA MARTINIERE JEUNESSE. 2001. In-4. Relié. Très bon état, Couv. fraîche, Dos impeccable, Intérieur frais. 140 pages.Nombreuses illustrations dans et hors texte en couleurs. Jaquette en très bon état.. Avec Jaquette. . . Classification Dewey : 720-Architecture‎

‎Illustré par Pommier Maurice Classification Dewey : 720-Architecture‎

‎LES OEUVRIERS DES CATHÉDRALES ‎

‎Paris Editions de la Martinière 1998 in 4 (31,5x24,5) 1 volume reliure cartonnée de l'éditeur sous jaquette illustrée en noir et blanc, 201 pages, avec de nombreuses photographies en noie et blanc. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Jaquette en parfait état Couverture rigide ‎

‎Les oeuvriers des cathédrales‎

‎ Editions de La Martinière 1998, In-folio relié cartonnage éditeur sous jaquette illustrée. 201 pages, avec de très belles photos. Parfait état‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎Les oeuvriers des cathédrales‎

‎Editions de La Martinière 1998 201 pages in-4. 1998. Cartonné/Jaquette. 201 pages. Nombreuses illustrations‎

‎Très bon état‎

‎The Artisans & Guilds of France. Beautiful Craftsmanship Through the Centuries.‎

‎Harry N. Abrahms, N.Y. 2000 In-4, pleine toile noire, sous jaquette illustrée, photographies et illustrations en noir et en couleurs, 200 pp. En anglais. Etat neuf. ‎

‎Cet ouvrage présente l’histoire du compagnonnage et de l’artisanat français. Translated from the french by John Goodman. The highly skilled artisans of France are known throughout the world for their magnificent monuments and buildings. Bon état d’occasion ‎

‎Icomos Information‎

‎Conservation Restauration des Monuments et des Sites. N° 2 - 1988 Broché sous couverture illustrée Bon 1988 1 volume in-folio‎

‎Icomos Information‎

‎Conservation Restauration des Monuments et des Sites. N° 4 - 1987 Broché sous couverture illustrée Bon 1987 1 volume in-folio‎

‎Icomos Information‎

‎Conservation Restauration des Monuments et des Sites. N° 1 - 1986 Broché sous couverture illustrée Bon 1986 1 volume in-folio‎

‎Icomos Information‎

‎Conservation Restauration des Monuments et des Sites. N° 4 - 1985 Broché sous couverture illustrée Bon 1985 1volume in-12‎

‎Anamn sis‎

‎Amsterdam, Athenaeum - Polak & Van Gennep , 1998 Hardcover, 20 pagina's, 21.5 x 12.5 cm.‎

‎Colonial Congo. A History in Questions‎

‎, Brepols, 2024 Hardback, 380 pages, Size:156 x 234 mm, Illustrations:12 b/w, 3 maps b/w, Language: English. ISBN 9782503598482.‎

‎Colonialism tends to arouse emotional debate, often based on incomplete knowledge of the facts and context. Colonial Congo fills this gap by introducing the general reader to the latest academic thinking and research. Answering concrete questions, pre-eminent historians offer a unique insight into the history of the Congo Free State and the Belgian Congo. How did Leopold II?s autocratic government function and what do we know about the victims of his rule? How much profit was made in the Congo and who benefitted the most? What was life like for Congolese men and women during colonial rule and how did they feel about it? Did the Congolese offer resistance, and in what ways? What was colonialism?s impact on Congo?s natural world? How did colonial policy affect infrastructure, education, healthcare and science? Did missionaries give colonialism a more human face? Colonial Congo?s explorations of these issues and more are revealed in this eye-opening, indispensable guide.‎

‎Colonial Congo. A History in Questions‎

‎, Brepols, 2024 Paperback, 379 pages, Size:156 x 234 mm, Illustrations:12 b/w, 3 maps b/w, Language: English. ISBN 9782503610238.‎

‎A new look at the Congo's colonial history Summary Colonialism tends to arouse emotional debate, often based on incomplete knowledge of the facts and context. Colonial Congo fills this gap by introducing the general reader to the latest academic thinking and research. Answering concrete questions, pre-eminent historians offer a unique insight into the history of the Congo Free State and the Belgian Congo. How did Leopold II?s autocratic government function and what do we know about the victims of his rule? How much profit was made in the Congo and who benefitted the most? What was life like for Congolese men and women during colonial rule and how did they feel about it? Did the Congolese offer resistance, and in what ways? What was colonialism?s impact on Congo?s natural world? How did colonial policy affect infrastructure, education, healthcare and science? Did missionaries give colonialism a more human face? Colonial Congo?s explorations of these issues and more are revealed in this eye-opening, indispensable guide.‎

‎Colonial Congo : A History in Questions ‎

‎, Brepols, 2024 Paperback, 379 pages, ENG.,edition, 235 x 160 mm, NEW, illustrated in b/w. ISBN 9782503610238.‎

‎Colonialism tends to arouse emotional debate, often based on incomplete knowledge of the facts and context. Colonial Congo fills this gap by introducing the general reader to the latest academic thinking and research. Answering concrete questions, pre-eminent historians offer a unique insight into the history of the Congo Free State and the Belgian Congo. How did Leopold II?s autocratic government function and what do we know about the victims of his rule? How much profit was made in the Congo and who benefitted the most? What was life like for Congolese men and women during colonial rule and how did they feel about it? Did the Congolese offer resistance, and in what ways? What was colonialism?s impact on Congo?s natural world? How did colonial policy affect infrastructure, education, healthcare and science? Did missionaries give colonialism a more human face? Colonial Congo?s explorations of these issues and more are revealed in this eye-opening, indispensable guide.‎

‎Rural World in the Sixteenth Century. Exploring the Archaeology of Innovation in Europe‎

‎, Brepols, 2022 Hardback, 225 pages, Size:156 x 234 mm, Illustrations:59 b/w, 17 col., 23 tables b/w., Language: English. ISBN 9782503597058.‎

‎Summary The sixteenth century in Europe was a time of profound change, the threshold between the 'medieval' and the 'modern', as new technologies were introduced, distant lands explored, oceanic trade routes opened, and innovative ideas pursued in fields as varied as politics, science, philosophy, law, and religion. But sweeping transformations also occurred in the rural world, profoundly altering the countryside in both appearance and practices. Crucially for historians, there is abundant documentary evidence for these changes but, while they are less well-documented, their impact can also be traced archaeologically. This cutting-edge volume is the first to explore the archaeology of the rural world across the 'long' sixteenth century and to investigate the changing innovations that were seen in landscape, technology, agriculture, and husbandry during this period. Drawing together contributions from across Europe, and from a range of archaeological disciplines, including zooarchaeology, archaeobotany, landscape archaeology, material culture studies, and technology, this collection of essays sheds new light on a key period of innovation that was a significant precursor to modern economies and societies. TABLE OF CONTENTS Introduction: The Rural World in the 16th Century ? IDOIA GRAU-SOLOGESTOA AND UMBERTO ALBARELLA Changes in Rural Milieu and Land Use on Estates in Southern Bohemia during the 16th Century ? LADISLAV ?APEK Landscape and Settlement Evolution during the 16th Century. A Multidisciplinary Study of Two Mountain Areas (Eastern France) ? VALENTIN CHEVASSU, EMILIE GAUTHIER, PIERRE NOUVEL, VINCENT BICHET, HERV RICHARD AND ISABELLE JOUFFROY-BAPICOT Impact of Subsistence on Medieval and Early Modern History Land Use in the Bohemian-Moravian Highlands ? JANA MAZ ?KOV AND PETR ?A?A Livestock Improvement and Landscape Enclosure in Late and Post-Medieval Buckinghamshire, England ? TAMSYN FRASER Improvements in Animal Husbandry between the End of the Middle Ages and the Early Modern Era in England and the Basque Country: A Zooarchaeological Comparison ? IDOIA GRAU-SOLOGESTOA AND UMBERTO ALBARELLA Innovation: Turning Something Old into Something New. Vicia faba var. major ? ANNA MARIA GRASSO, SILVIA D'AQUINO, ELIGIO VACCA, MARCO NICOLI, MILENA PRIMAVERA, GIROLAMO FIORENTINO Changes in Rural Textile Craft in 16th-17th Century in the Eastern Baltic Region (Estonian Example) ? RIINA RAMMO Iron and Steel Implements - Increased Diversification during the Early Modern Era in Sweden ? CATARINA KARLSSON‎

‎La clef du Grand Pouille de France, composée du dénombrement des archevéchez, evéchez, & abbayes: plus de la liste des prieurez, saintes chapelles, dignitez de chapitres,...‎

‎La clef du Grand Pouille de France, composée du dénombrement des archevéchez, evéchez, & abbayes: plus de la liste des prieurez, saintes chapelles, dignitez de chapitres,... de I. Doujat chez Gilles Alliot en 1671. 2 tomes en 1 livre. Le livre mesure 14x9 cm et pèse 0,300 kg pour 432 pages. Reliure d'époque. Livre est en bon état, 2 trous de vers, dos émoussé, traces noires sur les pages de titre.‎

8 Images

‎MUDAM, le batiment de ieoh ming pei‎

‎MUDAM 2009 In-4 relié 1 cm. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎linaje del Emperador.‎

‎, Los Centenarios de Felipe II, 2000 Paperback, 443 pages, Spanish, Illustrated, Fine Condition. ISBN 9788495146519.‎

‎Entre los objetos que Carlos V se llev a Yuste hab a dos a los que profesaba una estima particular: un medallero y La Gloria, el cuadro de Tiziano que ahora guarda el Museo Nacional del Prado. A trav s de las piezas que compon an el primero pudo tener siempre presentes las efigies de sus seres m s queridos, y evocar su memoria durante el retiro extreme o.‎

‎Joe Colombo designer : catalogue raisonn 1962-2020‎

‎, Silvana Editoriale, 2023 Hardcover, 400 pages, Color illustrations , 28x24cm. ISBN 9788836646333.‎

‎Joe Colombo (Milan, 1930-1971) was one of the greatest designers of the last century, visionary and ingenious, capable of giving shape to ideas that retain a striking relevance to this day. Trained first at the Brera Academy and then at the Polytechnic of Milan, Joe Colombo has expressed, in just twenty years of work, an absolutely innovative world view, which placing man and his life at the center of reflection, imagined a dynamic and transformable habitat both on a domestic and urban scale. A design in the round, aimed at satisfying every need - also thanks to technology and new materials - and to shape the space and its objects according to the different activities of the moment, be they working or social interactions. From here, the modular and dynamic furnishing accessories with futuristic lines, among which some pieces that have become iconic of Italian design stand out such as the Tube Chair, the Spider lamp (Compasso d'Oro 1967) or the Boby trolley (now at the MoMA in New York), the "monoblocks", such as the Mini-Kitchen or the Total Table with integrated dishes, up to the global housing unit, a visionary "machine", which encompasses all the needs of living. This volume constitutes the first catalog raisonn of his work, of which about 180 projects are documented, divided between works still in production and historical works; introduced by the essays by Ignazia Favata - his historical collaborator - and Domitilla Dardi, it is completed by a critical anthology.‎

‎Notice sur l'église de Grandrieu.‎

‎ Mende, imprimerie Chaptal, 1937, 1 broché, couverture illustrée. in-8, titre, 30 pages, illustration, plan, photos + 3 planches, dessins de l'auteur ; ‎

‎Eglise romane.Grandrieu situé en Lozére prés de Langogne ‎

‎Cartesius edoctus, Hommage Giulia Belgioioso‎

‎, Brepols - Harvey Miller, 2022 Hardback, Pages: 235 p., Size:156 x 234 mm, Illustrations:1 b/w, 1 col., Language(s):French, English, Italian. ISBN 9782503592930.‎

‎Les tudes qui composent ce recueil ont t prononc es le 6 octobre 2017 au Monastero degli Olivetani de Lecce, en hommage Giulia Belgioioso, au moment o la fondatrice du Centro Dipartimentale di studi su Descartes ?Ettore Lojacono? quittait la fois son enseignement et la direction du centre qu?elle avait cr . Le titre qui les r unit ? Cartesius edoctus ? suffit dire l?essentiel pour un savant professeur qui a toujours su laisser la premi re place celui qui a fait l?objet principal de ses recherches et de ses le ons : mais si elle a inlassablement enseign Descartes et le cart sianisme, Giulia Belgioioso a aussi fait du Salente un nouveau royaume cart sien en y d veloppant ses propres tudes, en y organisant des rencontres internationales et en tablissant, pour parler comme F nelon, toutes les plus utiles maximes de gouvernement pour les recherches des nombreux jeunes chercheurs qu?elle a form s et des quipes qui ont travaill l??uvre commun, en particulier l? dition magistrale de Tutte le lettere et des Opere et Opere postume. La fondation du Centro, en 1998, tr s vite devenu l?alter ego du Centre d? tudes cart siennes de la Sorbonne, a fourni le compl ment institutionnel des avanc es m thodologiques voqu es plus haut. Ce recueil d?articles est un hommage : loin cependant d? tre purement formel, il entend se concentrer strictement sur les axes principaux de l?activit de recherche de Giulia Belgioioso. Ce faisant, il r v le en r alit un monde entier : on s?aper oit en effet imm diatement, ne f t-ce qu?en feuilletant le volume, que les tudes qui y figurent envisagent les aspects les plus importants la fois de la philosophie de Descartes et de l?histoire du cart sianisme, comprenant galement des documents in dits. La d marche conduit donc de la deuxi me M ditation (Igor Agostini) Paolo Mattia Doria ( Jean-Robert Armogathe) ; de la mathesis universalis (Fr d ric de Buzon) Christine de Su de (Carlo Borghero) ; des questions de m thode et de la vis e apolog tique (Vincent Carraud) L?Homme (Daniel Garber) ; du mythe du solipsisme (Denis Kambouchner) saint Augustin et Montaigne ( Jean-Luc Marion) ; d?un chantillon sur philosophie et m decine dans le XVIIe si cle fran ais (Fabio Sulpizio) aux d bats sur l?eucharistie Port-Royal (Martine P charman) et la condamnation d?un lockien italien (Marta Fattori). Une s rie de t moignages de coll gues, l ves et amis compl te l?ouvrage. ‎

‎ARCHITECTURE DE LA RUSSIE SEPTENTRIONALE‎

‎EDITIONS DU PROGRES. 1971. In-8. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 316 pages. Nombreuses planches illustrées en couleur, et en noir et blanc. Emboîtage abîmée.. . Sous Emboitage. . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Music and Resistance: From 1900 to the Present‎

‎, Brepols - Harvey Miller, 2023 Hardcover ,Pages: xxi + 407 p.ages. Size:270 x 215 x 28 mm.Illustrations:30 b/w, 16 musical examples.dustjacket Language(s):English. ISBN 9782503602912.‎

‎Music and Resistance: From 1900 to the Present Resistance is a relevant topic today, driven by recent global social movements such as Black Lives Matter, fourth-wave feminism and the fight for recognition of LGBTIQ+ rights. In the academic arena, resistance has been the subject of increasing attention in disciplines such as sociology, anthropology, geography, political sciences and cultural and literary studies. In music, the notion of resistance has frequently been mobilised by popular music genres (hip-hop is a notable example) and, in general, in situations of political opposition. The relationship between music and resistance is, however, much richer and more complex. Through the study of specific cases from a variety of genres covering a broad period of time from 1900 to today, this volume analyses many types of resistance in which music has been involved, including various geographic and historical contexts, and also twentieth-century dictatorships and contemporary social movements. It asks how the relationship between music and resistance is established, and how music can be understood as an act of resistance. It also examines the meaning of resistance in musical terms and how we can determine if a piece of music in a certain time and space functioned as resistance to a power system.‎

‎Emile Prisse d'Avennes: Egyptian Art -- Agyptische Kunst -- Art egyptien -- The Complete Plates ‎

‎, Taschen, , 2014 Hardcover with dusjacket, in-folio, 428 pages, Illustrated. Texte en Francais / Deutsch / English. FINE!. ISBN 9783836516471.‎

‎In seiner leidenschaftlichen Bewunderung f r die grandiosen F higkeiten der alt gyptischen und orientalischen K nstler leistete der franz sische Orientalist, Schriftsteller und K nstler mile Prisse d?Avennes (1807?1879) Bahnbrechendes auf dem Gebiet der gyptologie. Schon als Jugendlicher tr umte er davon, den Orient zu erkunden, mit 19 machte er sich erstmals auf den Weg und besuchte Griechenland, Pal stina und Indien. In den folgenden 40 Jahren bereiste er Syrien, die Arabische Halbinsel und Persien und lebte einige Zeit in gypten und Algerien. gypten erkundete Prisse d?Avennes, in arabische Gew nder gekleidet, unter dem Namen Idris Effendi. Als Erforscher der alt gyptischen und islamischen Kulturen schrieb er sp ter in seiner Geschichte der gyptischen Kunst: ?Ich habe die elegantesten Vorlagen ausgew hlt, diejenigen, deren Gestalt eine sehr genaue Vorstellung vermittelt vom Geschmack und Luxus dieser Zeit, als die gyptische Kunstfertigkeit sich auf dem Gipfel ihrer Brillanz befand.? Im Jahr 1844 reiste Prisse d?Avennes von Alexandria nach Frankreich, wo er drei Jahre sp ter die Monuments gyptiens ( gyptische Baudenkm ler) ver ffentlichte. Dieser Band enth lt 51 Tafeln, die auf Zeichnungen basieren, die er w hrend seiner Zeit in gypten angefertigt hatte. Nach einem erneuten Aufenthalt in Nordafrika kehrte er 1860 wieder nach Paris zur ck, mit den Fr chten seiner zahlreichen Reisen im Gep ck: Hunderte von Foliozeichnungen, Fotografien, Skizzen, Karten und 400 Metern an Basreliefs. Fasziniert von der Symmetrie, Komplexit t und Opulenz der gyptischen und arabischen Kunst, griff er auf diesen gewaltigen Fundus zur ck, um Sammelwerke zur Kunst und Architektur zu schaffen, in die er seine Forschungen zum historischen, gesellschaftlichen und religi sen Kontext ebenso einflie en lie wie seine Untersuchungen von Originaldokumenten. 1878/79 erschien in Paris unter dem Titel Histoire de l?art gyptien (Geschichte der gyptischen Kunst) sein vollst ndiges Kompendium, das 159 beeindruckende Tafeln zur gyptischen Kunst enth lt. Diese au ergew hnlichen Tafeln zu Architektur, Skulptur, Malerei und Kunstgewerbe werden hier erstmals in einem Band vereint und vollst ndig ver ffentlicht. ---- In his passionate admiration for the magnificent skills of ancient Egyptian and oriental artists, the French orientalist, writer and artist mile Prisse d?Avennes (1807?1879) made groundbreaking contributions to the field of Egyptology. Even as a teenager he dreamed of exploring the Orient. At the age of 19 he set off for the first time and visited Greece, Palestine and India. In the following 40 years he traveled to Syria, the Arabian Peninsula and Persia and lived for some time in Egypt and Algeria. Prisse d'Avennes explored Egypt, dressed in Arab robes, under the name Idris Effendi. As a researcher of ancient Egyptian and Islamic cultures, he later wrote in his history of Egyptian art: ?I have selected the most elegant models, those whose shape gives a very accurate idea of ??the taste and luxury of that time when Egyptian artistry was at its peak brilliance.? In 1844, Prisse d'Avennes traveled from Alexandria to France, where three years later he published Monuments gyptiens (Egyptian Monuments). This volume contains 51 plates based on drawings he made during his time in Egypt. After another stay in North Africa, he returned to Paris in 1860 with the fruits of his numerous travels in his luggage: hundreds of folio drawings, photographs, sketches, maps and 400 meters of bas-reliefs. Fascinated by the symmetry, complexity and opulence of Egyptian and Arabic art, he drew on this enormous fund to create collections on art and architecture, in which he incorporated his research into the historical, social and religious context as well as his studies of original documents. In 1878/79 his complete compendium was published in Paris under the title Histoire de l'art gyptien (History of Egyptian Art), which contains 159 impressive plates on Egyptian art. These extraordinary panels on architecture, sculpture, painting and decorative arts are brought together and published in full in one volume for the first time.‎