‎David Hockney. A Chronology. 40th Ed.‎

‎, TASCHEN , 2020 Hardcover, 15.6 x 21.7 cm, 1.24 kg, 512 pages , English, . ISBN 9783836582490.‎

‎A year-by-year journey through the life and work of David Hockney that follows the artist from London in the Swinging Sixties, via Californian swimming pools, to the landscapes of his native Yorkshire. Artworks and biographical text together let the reader take part in Hockney?s artistic research, inspiration, and creation.‎

‎Music in the Disruptive Era‎

‎, Brepols, 2022 Hardback, xii + 272 pages, Size:210 x 270 mm, Illustrations:34 b/w, Language: English. ISBN 9782503600796.‎

‎Summary «Music in the Disruptive Era» contains fifteen essays assessing the impact of today's revolutionary digital technologies on the ways audiences and industry professionals perceive, compose, consume, research, and communicate about music. After an initial assessment of ?the Disruptive Era? in a series of six snapshots offering a summary and review of some of the technological challenges (and opportunities) confronting both music producers and consumers, a group of international scholars considers the impact of the digital era in three major areas. First, there is the revolution in data storage and retrieval, with online archives and other digital resources making an unprecedented volume and diversity of information available to scholars and researchers for the first time ? all from the convenience of a home desktop. Second, three essays assess some of the myriad ways in which composers and music industry professionals have been influenced by the potentialities and discontinuities of the current age to find creative inspiration, attract new audiences, and reimagine traditional musical idioms. Finally, on the cutting edge of the digital divide, scholarly contributors examine two of the countless new genres birthed by the advent of the latest technological innovations: specifically, the ?meme? and the ?video loop.? TABLE OF CONTENTS The Disruptive Era Cande Sánchez Olmos & Eduardo Viñuela ? The End of the Amateur Music Video Dream (as We Expected It): From YouTube to TikTok Christine Hine ? Audiences and Self-Calibration in a Digital Society Corinnna Herr ? Classical Musicians on YouTube: Online Performance Practice and the Digital Divide Pedro Buil Tercero ? Disruptive Technology in the Music Industry: Format Crisis and Consumption Habits in Spain in the Digital Age Simon Nugent ? The Inception of 'Time': Film Music and Participatory Culture in the Digital Age Sources and the Digital Nico Schüler ? Online Research Methods for Rediscovering Forgotten Composers: Using Online Databases and Archives Michael Klaper & Thomas Radecke ? The Weimar Playbill Database, 1754-1990: Scientifically Disseminating Historical Sources of Music- and Theatre-Ephemera Material Online Andreas Helles Pedersen ? On Digital Music History: A Contemplation on Digital Archives and Musical Experience Creation and Musical Performance Joseph Jackson ? Adapting Music Business to the Digital Age: Grime Music, YouTube Algorithms and New Network Cultures Violetta Kostka ? Pawe? Szyma?ski and His Transformation of Musical Conventions Pedro Ordóñez Eslava ? Disrupting the duende, from the cuarto to the Web 4.0 New Genres Joana Freitas ? 'Meme Is a New Music Genre': On the Role of Production, Transformation and Circulation of Music in the Digital Culture of Internet Memes Marjolein Wellink ? The Immaterial Record Sleeve? Engaging the Listener with Spotify's 'Canvas' Video Loop Jonas Wolf ? 'Meme Music'? Forms and Formats of Hypermemetics Re-Composition Index of Names‎

‎Ptolemy's Science of the Stars in the Middle Ages‎

‎, Brepols, 2020 Hardback, x + 463 pages, Size:178 x 254 mm, Illustrations:11 b/w, 24 tables b/w., 51 geometrical diagrams, Language: English. ISBN 9782503586397.‎

‎Summary Claudius Ptolemy (c. 100-170 AD) is one of the most influential scholars of all time. While he is also the author of treatises on geography, optics and harmonics, his fame primarily stems from two works on the science of the stars, dealing with mathematical astronomy (the Almagest) and astrology (the Tetrabiblos). The Almagest and the Tetrabiblos remained the fundamental texts on the science of the stars for some 1500 years. Both were translated several times into Arabic and Latin and were heavily commented upon, glossed, discussed, and also criticised and improved upon, in the Islamic world and in Christian Europe. Yet, the reception of Ptolemy in medieval cultures is still to a large extent a terra incognita of the history of science. The Arabic and Latin versions of the Almagest and the Tetrabiblos are for the most part unavailable in modern editions, their manuscripts remain largely unexplored and, generally speaking, their history has never been systematically investigated. This volume gathers together fifteen contributions dealing with various aspects of the reception of Ptolemy's astronomy and astrology in the Islamic world and in Christian Europe up to the seventeenth century. Contributions are by José Bellver, Jean-Patrice Boudet, Josep Casulleras, Bojidar Dimitrov, Dirk Grupe, Paul Hullmeine, Alexander Jones, Richard L. Kremer, Y. Tzvi Langermann, H. Darrel Rutkin, Michael H. Shank, Nathan Sidoli, Carlos Steel, Johannes Thomann and Henry Zepeda. TABLE OF CONTENTS Introduction I. The Greek and Near-Eastern Traditions Alexander Jones, The Ancient Ptolemy Nathan Sidoli, Mathematical Methods in Ptolemy's Analemma Paul Hullmeine, Was there a Ninth Sphere in Ptolemy? Bojidar Dimitrov, 'Forte recte': Witnesses to the Text of Ptolemy's Tetrabiblos in Its Near Eastern Transmission II. The Arabic Tradition Johannes Thomann, The Oldest Translation of the Almagest Made for al-Ma'm?n by al-?asan ibn Quraysh: A Text Fragment in Ibn al-?al??'s Critique on al-F?r?b?'s Commentary Dirk Grupe, Th?bit ibn Qurra's Version of the Almagest and Its Reception in Arabic Astronomical Commentaries (Based on the presentation held at the Warburg Institute, London, 5 November 2015) Y. Tzvi Langermann, Revamping Ptolemy's Proof for the Sphericity of the Heavens: Three Arabic Commentaries on Almagest I.3 José Bellver, The Arabic Versions of J?bir b. Afla?'s al-Kit?b f? l-Hay'a Josep Casulleras, The Astrological Computations Attributed to Ptolemy and Hermes in Medieval Arabic Sources III. The Latin Tradition Henry Zepeda, Glosses on the Almagest by Campanus of Novara and Others in Paris, Bibliothèque nationale de France, lat. 7256 Carlos Steel, A Discussion on Ptolemy's Authority. Henry Bate's Prologue to His Translation of Ibn Ezra's Book of the World Jean-Patrice Boudet, The Medieval Latin Versions of Pseudo-Ptolemy's Centiloquium: A Survey Michael H. Shank, Regiomontanus versus George of Trebizond on Planetary Order, Distances, and Orbs (Almagest 9.1) H. Darrel Rutkin, Optimus Malorum: Giovanni Pico della Mirandola's Complex and Highly Interested Use of Ptolemy in the Disputationes adversus astrologiam divinatricem (1496): A Preliminary Survey Richard L. Kremer, Longomontanus on Mars: The Last Ptolemaic Mathematical Astronomer Creates a Theory Indexes Index of Names and Work Titles Index of Modern Names Index of Manuscripts List of Contributors‎

‎Collaboratie en berechting van Nederlandse architecten 1940-1950‎

‎, vantilt uitgeverij, 2017 gebonden, 16 x 24 cm, rijk geillustreerd in kleur, 424 pagina's. ISBN 9789460043246.‎

‎Tijdens de Tweede Wereldoorlog werd er in Nederland weinig gebouwd, afgezien van verdedigingswerken. Daardoor wordt deze periode in veel architectuurgeschiedenissen min of meer overgeslagen. Dat betekent echter niet dat er niets gebeurde. De Duitse bezettingsmacht installeerde de Nederlandsche Kultuurkamer, die onder andere de opdracht kreeg om de architectuur op nationaalsocialistische leest te schoeien. Het ging daarbij niet alleen om de ideologische aspecten van het vak maar ook om de praktische, zodat de Bond van Nederlandse Architecten opgeheven zou kunnen worden. In het kielzog van de machtsstrijd die zich ontspon, ontstonden verschillende ideeen over een nieuwe architectuur. Bouwkunst en de Nieuwe Orde richt zich op architecten die werden aangeklaagd, en vaak veroordeeld, wegens collaboratie. Net als alle andere Nederlanders konden zij worden berecht via het Bijzonder Strafrecht. Voor ?lichtere? gevallen werd een Ereraad voor Architectuur opgericht, waarin vakgenoten het gedrag van collega?s moesten beoordelen. Hoewel dit werk van naming en shaming achteraf alom als een mislukking werd beschouwd, hebben de uitspraken grote invloed gehad op de beeldvorming over de betrokkenen. De reputaties van een hele generatie architecten werden erdoor gered of gebroken. ‎

‎World-maps for Finding the Direction and Distance to Mecca : Innovation and Tradition in Islamic Science‎

‎, Brill, 1999 Hardcover, 638 pages, ENG, 295 x 230 x 40 mm, book is in very good condition !, dustjacket is included but in bad shape, however the book is better without it, illustrated in colour / b/w . ISBN 9789004113671.‎

‎Two remarkable Iranian world-maps were discovered in 1989 and 1995. Both are made of brass and date from 17th-century Iran. Mecca is at the centre and a highly sophisticated longitude and latitude grid enables the user to determine the direction and distance to Mecca for anywhere in the world between Andalusia and China. Prior to the discovery of these maps it was thought that such cartographic grids were conceived in Europe ca. 1910. This richly-illustrated book presents an overview of the ways in which Muslims over the centuries have determined the sacred direction towards Mecca (qibla) and then describes the two world-maps in detail. The author shows that the geographical data derives from a 15th-century Central Asian source and that the mathematics underlying the grid was developed in 9th-century Baghdad.‎

‎L'Abbaye de Saint-Wandrille racontée par Dom Lucien David et illustrée par Pierre Matossy ‎

‎Impr. Rotophot, 1935, in-folio br. (28 x 38), 32 p., tirage à 3560 exemplaires numérotés, celui-ci l'un des 3250 sur papier Offset Photo des Papeteries de Navarre, 12 aquarelles et compositions de Pierre Matossy, signature de l'auteur, haut du dos fendillé et recollé, intérieur très frais, sous papier cristal, bon état. ‎

5 Images

‎Voir le sommaire sur photos jointes. ‎

‎J. Samuel White & Co., Shipbuilders : An Illustrated History of the Oldest Shipyard on the Admiralty List‎

‎, The History Press Ltd 2012, 2012 Paperback, 175 pages, English, 235 x 165 mm, book in perfect condition , with much illustrations in b/w,. ISBN 9780752466125.‎

‎J. Samuel White & Company was the oldest firm on the Admiralty List and built 252 ships for the Royal Navy alone. The yard's closure in 1966 ended 300 years of shipbuilding during which time the company had gained acclaim from mercantile and naval customers alike. Famed early on for fast Revenue cutters and naval brigs, in its final years Royal Navy destroyers earned it great distinction. Highly innovative, it developed and patented many pioneering products while other innovations included semi-diesel engines, heat exchangers, air conditioners and compressors, besides a range of marine thruster units. Not only did the company build ships and boats but it also constructed a range of marine aircraft. During the First World War, White's production accounted for 100 ships, including twenty-seven destroyers, and 201 seaplanes. Production during the Second World War added up to 317 ships, among them twenty-six destroyers and a large minelayer. Illustrated with photographs of these and many of the company's other products, this book tells the story of J. Samuel White and its subsidiary concerns, a business built on a reputation of quality which earned it the slogan: White's-built - well-built! .‎

‎Naissance d'une cite romaine‎

‎ Deux Coqs d'Or, 1978. Format 23x31 cm, cartonnage editeur, 109 pages. Petite solarisation le long du dos, une reference au stylo sur la page de garde.Bon etat.‎

‎Naissance d' une pyramide‎

‎Deux coqs d'or 1986 13x19. 1986. Broché. 79 pages. Très bon état‎

‎ART et DÉCORATION .‎

‎ Librairie Centrale des Beaux-Arts, revue bimestrielle, numéro 21, 1er trimestre 1951 , format 318x245mm, broché, XXIV pages publicitaires ( MERCERIS, Jean PERZEL, BAGUÈS, MATÉGOT, GUERLAIN, etc..) + 42 pages, couverture illustrée par Boris J. LACROIX, exemplaire en état correct.‎

‎Sommaire : Ensembles modernes au Salon des Arts Ménagers ( André MAUPOIX, Maurice PRÉ, Pierre VILLAIN, R. LANDAULT, KLOTZ-GILLES et GAZEL, René HEUTTE, Maxime OLD, Jacques HITIER, Gustave GAUTIER, Pierre SIMON, Marcel GASCOIN, RENOU et GÉNISSET, Jacques MOTTHEAU, René GABRIEL, Paul BEUCHER, Louis SOGNOT ), Les Nouveaux immeubles du port de Toulon ( Charlotte PERRIAND et JEANNERET Décorateurs ), Meubles Coréens par Madeleine David, La Demeure d'un héros de roman par François Sturel, Les Oiseaux Lumineux de GUIDETTE CARBONNEL, Le Mobiler Restauration par Yolande Amic, Architecture de Jardins et Horticulture par Bernard Champagneulle, etc... ‎

‎LES GRANDES CATHEDRALES.‎

‎MINERVA. 1992. In-4. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 94 pages - Nombreuses photos en couleurs in et hors texte dont le 1er plat.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Poetry in Motion. Languages and Lyrics in the European Middle Ages‎

‎, Brepols, 2019 Paperback, 295 pages, Size:178 x 254 mm, Illustrations:2 col., 4 tables b/w., Language: English. ISBN 9782503582221.‎

‎Summary The medieval courtly lyric, the site for the first extended literary exercises in Occitan, French, Italian and German, is one of the foundations of how we think about European literature. Since the nineteenth century it has in many accounts underpinned a system of linguistically-informed national traditions. David Murray shows in 'Poetry in Motion' how categorizing poetry under headings like 'French' or 'Italian' poetry can obscure the thinking of medieval poets and scribes about what constituted a language. Rather than existing within a series of rigidly distinct linguistic systems, Murray demonstrates that song moved in a fluid environment where linguistic boundaries could be easily crossed. Aided by its melody, metrical form or quotation in a larger text, a song could travel and elicit meaningful reactions and interactions far from 'home'. Combining literary studies with philology, manuscript studies and musicology, 'Poetry in Motion' shows the truly European reach of song in the Middle Ages. TABLE OF CONTENTS Abstract Table of Contents Acknowledgements Abbreviations Introduction Chapter 1: On the Wings of Song: The European Afterlives of Bernart de Ventadorn's 'Can vei la lauzeta mover' Chapter 2: 'Or chanson, puez aler par tout le monde' : Multilingual Lyric and Linguistic Boundaries Chapter 3: Poetry in and out of Context: Quotation and the Value of Lyric Chapter 4: Making a Language for Song: The Lyric Beyond Conclusion: Lyrics, Languages, and Poetic Community in the European Middle Ages Bibliography Index‎

‎Non est excellentior status : Vaquer à la philosophie médiévale. Études offertes en hommage à Claude Lafleur‎

‎, Brepols, 2023 Hardback, 458 pages, Size:156 x 234 mm, Illustrations:3 b/w, 6 col., 26 tables b/w., Language(s):French, English. ISBN 9782503604503.‎

‎Summary Ce volume regroupe les contributions de vingt-deux chercheur.es universitaires, collègues et ami.es de Claude Lafleur, qui ont voulu lui rendre hommage à l'occasion de son départ à la retraite en tant que professeur titulaire à la Faculté de philosophie de l'Université Laval. La diversité des aires géographiques et la pluralité des strates générationnelles auxquelles appartiennent les chercheur.es qui ont contribué à ce livre témoignent éloquemment de l'envergure de la « sphère d'influence » des productions intellectuelles de Claude Lafleur. Les textes réunis relèvent des principaux champs de recherche que leur ami et mentor a patiemment labourés au cours de sa carrière académique : histoire des corpus et des manuscrits; transmission des textes philosophiques et de leurs notions fondamentales, de l'Antiquité au Moyen Âge; éditions critiques de textes issus des Facultés des arts et de théologie de l'Université de Paris aux xiiie-xive siècles; enseignement de la philosophie au xiiie siècle à la lumière des textes didascaliques; histoire des pratiques discursives dans les Facultés des arts médiévales; étude de concepts clés de la pensée de Thomas d'Aquin; discussion médiévale sur les universaux; philosophie de l'histoire des médiévistes contemporains. Ce recueil d'études souhaite ainsi se faire le reflet de certains des intérêts heuristiques, des orientations méthodologiques et des thématiques historico-philosophiques que Claude Lafleur a poursuivis, explorées et étudiées dans ses propres écrits, ayant toujours été convaincu « qu'il n'y a pas de statut plus excellent que de vaquer à la philosophie ». TABLE OF CONTENTS Introduction Notice bio-bibliographique I. Histoire des corpus et des manuscrits. Transmission des textes philosophiques et de leurs notions fondamentales, de l'Antiquité au Moyen Âge Études et analyses de manuscrits Roland Hissette, Les deux mss Vat. Urb. Lat. 220 et 221 et leurs vicissitudes Olga Weijers, Commenter Aristote. Le témoignage des manuscrits Heine Hansen, Nicholas of Paris on Porphyry's Isagoge : Some Notes on the Textual Witnesses Transmission de textes et de notions Jean-Marc Narbonne et Paul-Hubert Poirier, La 'philosophie première' dans le Commentaire sur la Métaphysique attribué à Alexandre d'Aphrodise (446, 8-447, 36 Hayduck) Henry Donneaud, Théologie : une enquête de généalogie sémantique dans l'Antiquité Valeria Buffon, Anima mundi ? secundum Aristotilem. L'âme du monde dans les textes didascaliques artiens II. Éditions critiques de textes issus des Facultés des arts et de théologie de l'Université de Paris aux XIIIe-XIVe siècles Anne Grondeux, Fortunes médiévales de l'éloge de la grammaire selon saint Jérôme. Étude et édition de la Sententia Hieronymi de utilitate artis grammaticae David Piché, À propos de l'abstraction : des magistri artium parisiens à Hervé de Nédellec (avec une nouvelle édition de son Quodlibet II, 5), en passant par Thomas d'Aquin et Jean Duns Scot III. L'enseignement de la philosophie au XIIIe siècle à la lumière des textes didascaliques. Histoire des pratiques discursives dans les Facultés des arts médiévales Épistémologie et méthodologie : les schémas des sciences Antoine Côté, Le principium à la logique de Maino de Maineri Olivier Boulnois, Généalogie de la (philosophie) morale Gilbert Dahan, Exégèse de la Bible et classification des sciences aux XIIe et XIIIe siècles Francisco Bertelloni, Sur les traditions textuelles menant à la réception de la Politique d'Aristote L'enseignement de la logique Alessandro D. Conti, Boethius's Commentary on the Categories : Some Brief Remarks on Substance and Predication Violeta Cervera Novo, Tria sunt in anima : l'importance des Catégories dans la première exégèse latine de l'Éthique à Nicomaque Ana María Mora-Márquez, The Communia logice on Logic and Dialectic Gustavo Fernandez Walker, Book VIII of Aristotle's Topics and Dialectical Training at the Faculty of Arts IV. Études thomasiennes Alain Galonnier, Le Commentum in Boethii De consolatione Philosophiae : une pseudépigraphie thomasienne en question Luca Gili et Giuseppe Pezzini, In se ipso existens. A Linguistic Analysis of a Much Misread Passage in Aquinas' Commentary on Aristotle's Perihermeneias Ruedi Imbach, Perverse exponit - Quelques observations sur les références de Thomas d'Aquin à Averroès V. La discussion médiévale sur les universaux et la philosophie de l'histoire des médiévistes contemporains Alain de Libera, L'objection invincible ou Les infortunes du réalisme Claude Panaccio, La différence comme signe dans le nominalisme d'Ockham John Marenbon, Lekta, Dicta, Complexe Significabilia : A Methodological Lesson ?‎

‎Paolo Veronese‎

‎, Brepols - Harvey Miller, 2023 Hardback, Pages: 376 pages, Size:225 x 300 mm; Illustrations:2 b/w, 357 col. Language(s):English, Italian, Latin. ISBN 9781909400986.‎

‎David Rosand's Paolo Veronese is a masterly account of the Venetian painter?s artistic achievement, demonstrating a complete command of the literature and scholarly issues, insightful interpretations of individual paintings and drawings, and a marvelously elegant prose style. Rosand?s reading of each painting judiciously considers how Veronese brought his pictorial intelligence to bear on the formal qualities of his work to create his own personal rhetoric of visual expression, one that embodies the ?dignity and nobility of painting? and resonates with viewers and readers today. Rosand?s arguments are not solely visual, however, but are buttressed by extensive quotations from scripture and textual sources. The author synthesizes decades of research and careful reflection, refining his own approaches, which have themselves stood the test of time. Careful readings of specific paintings, including the celebrated Wedding Feast at Cana, the frescoes at the Villa Barbaro, and the church of San Sebastiano, where Rosand played an integral part in the recent restoration by Save Venice Inc., are all accompanied by lavish illustrations, providing the reader the opportunity to put into practice the author?s conviction that our own responses to paintings will guide their interpretation.‎

‎Illustrated Medieval Alexander-Books in French Verse‎

‎, Brepols, 2019 Hardback, 639 pages, Size:216 x 280 mm, Illustrations:260 col., 10 tables b/w., 1 maps b/w, Languages: English, French. ISBN 9782503581057.‎

‎Summary The core of this book on the French verse Alexander in France and Italy was written by eminent Alexander specialist David J.A. Ross, who left an incomplete typescript at his death. The baton was taken up by an international team of specialists in medieval literature and art history, Maud Pèrez-Simon, author of Les manuscrits du Roman d'Alexandre en prose, and Alison Stones, author of Manuscripts Illuminated in France: Gothic Manuscripts 1260-1320. In its emphasis on illustration, this book complements the volumes of the Alexander Redivivus series and offers new perspectives on the reception of one of the most popular medieval heroes of history and legend. It forms a sequel to Ross's collected essays and his Illustrated Medieval Alexander-Books in Germany and the Netherlands, to the work of the editors in the field of medieval manuscripts, and to the first volume in the Manuscripta Illuminata series, on the illustrations of Valerius Maximus in French.‎

‎Llanthony Stories. A Translation of the Narrationes aliquot fabulosae‎

‎, Brepols, 2021 Paperback, x + 173 pages, Size:152 x 229 mm, Language: English. ISBN 9780888443090.‎

‎Summary Compiled in the early thirteenth century, The Llanthony Stories is a fragmentary collection of exemplaria gathered by an anonymous canon at the Augustinian priory of Llanthony Secunda, Gloucester. While intended primarily for the edification of readers and those who heard the stories preached in sermons, many of the thirty-five exempla offer humorous (even ribald) glimpses of life in the Severn watershed and beyond. Filled with short tales of greedy archdeacons, licentious monks, pious laymen and prelates trying to navigate their world with decorum and piety, the work expands our knowledge of ecclesiastical politics and evangelical priorities in the Anglo-Norman church. Although the work survives in a single manuscript witness, it has long been known to historians and scholars of medieval literature. This volume makes the collection available in modern English for the first time. The translation, accompanied by extensive notes, is complemented by a contextualizing historical introduction and an edition of the Latin text.‎

‎Le Forum Romain expliqué. Simple, rapide avec 6 diagrammes.‎

‎GRAFICA ARTIGIANA. Nov. 1965. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Livret de 20 pages, illustré de 6 diagrammes en rouge, noir et blanc.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Kunst in Deutschland, 1933-1945. Eine wissenschaftliche Enzyklopädie der Kunst im Dritten Reich (4 volumes)‎

‎Grabert-Verlag Cartonné avec jaquette sous emboîtage 1988 Quatre volumes in-4 (24,5 x 33,5 cm), cartonnés avec jaquette sous emboîtages, 500 à 650 pages par volume, texte en allemand, photos et reproductions en couleur et noir et blanc, titre complet : Kunst in Deutschland, 1933-1945. Eine wissenschaftliche Enzyklopädie der Kunst im Dritten Reich. Band 1 : Skulpturen -- Band 2/1 : Malerei A-P -- Band 2/2 : Malerei R-Z -- Band 3/1 : Architektur ; petites traces aux plats, marques d'usage aux bords des jaquettes, titre jauni au dos de deux des jaquettes, par ailleurs beaux exemplaires. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎HILTON Mc CONNICO‎

‎ 1998 Editions du regard, Paris, 1998. Un volume in 4° relié toile rouge de l'éditeur, jaquette illustrée, 171 pages, bon état.‎

‎ Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.‎

‎Ferrari Testarossa‎

‎London, éditions Atlas, 1992 Original publishers paper-covered boards, 127 pages, 23.5 x 21 cm. ISBN 9782731213232.‎

‎Voitures de légende: La Ferrari Testarossa ‎

‎Extreme Plekken - hoogst. heetst, grootst, koudst, natst, diepst, droogst‎

‎, Kosmos Uitgevers / Knack, 2007 Paperback, 224 pagina's, NL, 280 x 230 x 16 mm, in prima staat, mooie foto's in kleur, sommige paginagroot, . ISBN 9789054665946.‎

‎Dit boek onthult de hoogste, warmste, natste, meest dramatische en meest afgelegen plekken op aarde. Ontdek de ijzige uitgestrektheid van de Perito Moreno-gletsjer in Argentinië. Lees over het mysterie van de beelden op Paaseiland. Leer waarom het 30 graden warmer is onder in een canyon dan bovenop en waarom de Rio Tinto in Spanje zuurder is dan citroenzuur. Wat een wonderlijke plek is de aarde eigenlijk!‎

‎Constant Permeke monografie‎

‎, Hannibal, 2024 Gebonden, Hardcover, 208 pagina's met afbeeldingen in kleur, 27.5x21cm, nieuw. ISBN 9789464666977.‎

‎Een nieuwe kijk op Constant Permeke, Hoewel het werk van Constant Permeke (1886-1952) doorgaans tot het expressionisme wordt gerekend, exploreerde de kunstenaar een veelheid aan registers. Al vanaf het begin van zijn loopbaan kreeg hij ruime internationale erkenning met terugkerende onderwerpen als huiselijke taferelen en mensen in hun alledaagse handelingen. Zijn landschappen en zeegezichten stralen een verstilde, soms sublieme warmte uit. Voor Permeke waren kunst en leven nauw met elkaar verbonden. Zijn oeuvre zindert van levenslustige, rauwe energie maar ademt ook weemoed. De techniek van het schilderen ? met krachtige borstelstreken, toetsen, vegen, krassen en vlekken ? combineerde hij met tekenen en omlijnen. Volledig in de lijn van het modernisme zocht hij hoe hij het academisme kon doorbreken en hoe hij de schilderkunst telkens opnieuw kon uitvinden. Dit collectieboek is prachtig geïllustreerd met tientallen schilderijen, beelden en tekeningen. De vele archieffoto?s bieden een diepgravende kijk op het leven en werk van de meester.‎

‎biografie van Felix de Boeck (1898-1995) Sterven in het bed waarin ik geboren ben.‎

‎NL, Verloren Publishers, 2021 softcover, 400 pagina's met illustraties. ISBN 9789087049164.‎

‎De schilder en boer Felix de Boeck (1898-1995) presenteerde zich graag als mystiek aangelegde eenling. Op zijn boerderij in Drogenbos, nabij Brussel, leefde hij op afstand van de artistieke ontwikkelingen in de hoofdstad. In tv-programma?s als Ten huize van of in zijn memoires ?Mijn leven en werk? benadrukte hij dat hij wilde ?sterven in het bed waarin ik geboren ben?. Toch verwierp hij het romantische beeld van de schilderende boer. Het boerenbestaan was voor hem juist een manier om zijn onafhankelijkheid als kunstenaar te waarborgen. De Boeck maakte als volwassene twee wereldoorlogen mee. Hij ontving een groot aantal schilders, dichters en politici op zijn boerderij en maakte portretten van Gandhi, Roosevelt en zelfs van Hitler. De ontwikkeling van De Boeck van figuratieve naar abstracte kunst is in dit boek verweven met de politieke ontwikkelingen in Vlaanderen. De wijze waarop de Belgische overheid na de oorlog omging met het verleden frustreerde hem sterk. Hij zocht aansluiting bij een alternatieve, Vlaams-katholieke kunsttraditie. David Veltman kreeg voor dit boek inzage in het omvangrijke privé-archief van De Boeck, maar hij raadpleegde ook talrijke archieven van collega-kunstenaars, kunstinstellingen en het naoorlogse krijgsgerecht. Zo wist hij het turbulente leven van De Boeck tot een samenhangend verhaal te smeden. David Veltman werkte aan deze biografie als doctoraatstudent bij het Biografie Instituut (Rijksuniversiteit Groningen). In diverse bundels en tijdschriften publiceerde hij artikelen over Belgische 20e eeuwse biografie en geschiedschrijving. Hij was acht jaar werkzaam in het Haarlemse veilinghuis Bubb Kuyper.‎

‎Guy Vandenbranden, Inner Circle, monografie‎

‎Antwerpen , Callewaert-Vanlangendonck Gallery, 2017 Hardcover. 191 pages illustrations, Engels / Nederlands / Duits. met prachtige illustraties. nieuwstaat. ISBN 9789082482614.‎

‎In Guy Vandenbranden, Inner Circle verkent auteur David Vermeiren de vriendschappen tussen Guy Vandenbranden °1926 en tijdgenoten als Bram Bogart, Pol Bury, Gilbert Decock, Jo Delahaut, Jan Dries, Walter Leblanc, Pol Mara, Luc Peire, Roger Raveel, Michel Seuphor, Gilbert Swimberghe, Paul Van Hoeydonck, Dan Van Severen, Jef Verheyen en Mark Verstockt. Een boeiend en verrassend verhaal langs Europese wegen. Een rijkelijk geillustreerd tekst- en catalogusgedeelte beklemtoont het internationale karakter van de Belgische kunstscene tussen 1955 en 1980.-------------------------------In Guy Vandenbranden, Inner Circle, author David Vermeiren explores the friendships between Guy Vandenbranden °1926 and contemporaries such as Bram Bogart, Pol Bury, Gilbert Decock, Jo Delahaut, Jan Dries, Walter Leblanc, Pol Mara, Luc Peire, Roger Raveel, Michel Seuphor, Gilbert Swimberghe, Paul Van Hoeydonck, Dan Van Severen, Jef Verheyen and Mark Verstockt. A fascinating and surprising story along European roads. A richly illustrated text and catalog section emphasizes the international character of the Belgian art scene between 1955 and 1980. ‎

‎Jan Saverys en de groep Art Abstrait.‎

‎Antwerpen, Callewaert-Vanlangendonck Gallery, 2016 Gebonden, half linnen, 128pp., illustraties in kleur 24.5x30.5cm. Nieuwstaat. ISBN 9789082482607.‎

‎Historicus David Vermeiren werkt op Saverys? archief en gaat via deze lyrisch-abstracte kunstenaar in op het ontstaan en het reilen en zeilen van deze kunstenaarsgroep. Vermeirens tekstgedeelte wordt aangevuld met archiefstukken en illustraties van kunstwerken door de Art Abstrait-leden (onder wie Pol Bury, Jo Delahaut, Jean Milo en Jean Rets). Vervolgens is er een catalogusgedeelte met werk door Saverys uit01950-1975.‎