‎Paris et ses environs. ‘Librairie Larousse’.‎

‎Paris, Larousse, 1925, gr. in-4°, XII + 374 p., 704 ill. + 31 planches hors texte et 30 cartes, reliure originale en demi-cuir, plats richement décorés à froid (Grasset), très bon exemplaire.‎

‎Très belle publication sur la ville de Paris, contenant une très ample iconographie des rues et des bâtiments de la ville, avec des notices historiques. Utile pour les passionés d'architecture. Belles photos montrant le vieux Paris. ‎

‎Oeuvres et chefs-d'oeuvre - La France en zigzag.‎

‎Genève, Skira, 1988 1 volume 24,5 x 32,5cm Reliure éditeur pleine toile noire sous jaquette au 1er plat illustré couleurs, en étui orné de la répétition du nom de l'éditeur. 191p.; carte et très nombreuses illustrations in texte, en noir et en couleurs. Très bon état.‎

‎A la découverte de l'art français par un circuit de 85 "oeuvres-étapes" présentées avec documentation historique et artistique par la critique d'art Diane DAVAL BERAN, dans un classement régional; carte et nombreuses illustrations; index des villes et des artistes. La jaquette précise: "Peinture - Sculptures - Monuments - Objets d'art - Vestiges - Tapisseries". Exemplaire bien complet de ses jaquette et étui. ‎

‎Paris - La Défense. L’art Contemporain et l’Axe Historique‎

‎Skira - Etablissement Public pour l’Aménagement de la Région de la Défense (EPAD) 1992 In-4, pleine toile verte, sous jaquette illustrée, photographies en noir et en couleurs, 139 pp. Bon état d’occasion. ‎

‎La présence de l’art dans la Défense est une vitrine de l'art contemporain, elle accueille des expositions, des concerts, des dîners-débat et de nombreux spectacles. Très bon état d’occasion ‎

‎L'Art en Europe, les années décisives‎

‎Genève, Skira / Saint-Etienne, Association des Amis du Musée, 1987, 24,5 x 29, 328 pages cousues sous couverture souple illustrée. Iconographie noir & blanc et couleurs. Catalogue publié à l'occasion de l'exposition présentée au musée d'art moderne de Saint-Etienne. ‎

4 Images

‎Très bon état.‎

‎L'Art en Europe, les années décisives‎

‎Genève, Skira / Saint-Etienne, Association des Amis du Musée, 1987, 24,5 x 29, 328 pages cousues sous couverture souple illustrée. Iconographie noir & blanc et couleurs. Catalogue publié à l'occasion de l'exposition présentée au musée d'art moderne de Saint-Etienne. ‎

‎Très bon état.‎

‎Architecture. Arts & Crafts‎

‎Mardaga 1980 In-8, 286 pp., broché. Illustrations en noir.‎

‎ Très bon état d’occasion ‎

‎Architecture Arts & Crafts‎

‎Pierre Mardaga Editeur, Liège, 1987. In-8, broché sous couverture illustrée en couleurs, 285 pp. Préface - 1. Il était une fois... : William Morris plante le décor avec News from Nowhere. Hermann Muthesius montre l'importance du mouvement anglais aux contemporains continentaux - 2. Le rassemblement : Pugin et ses disciples. Ruskin et la nature ...‎

‎Avec 232 illustrations en noir et blanc in et hors texte. --- Plus d'informations sur le site archivesdunord.com‎

‎ARCHITECTURE. ARTS & CRAFTS‎

‎Format moyen, couverture souple. 285 pages. Illustrations n/b. Bon état. Une expédition par Mondial Relay pourra vous être proposée 1980 Pierre Mardaga‎

‎Architecture : Arts et crafts.‎

‎Editions Mardaga, 1980. Edition originale. Grand in-8 broché (23,9 x 19,9 cm), 285 pages, illustré d ephotographies et plans. "Pendant une trentaine d'années, au tournant de ce siècle, l'architecture Arts & Crafts et les théories qui la sous-tendaient retinrent l'attention du monde occidental : ce fut l'époque d'un vigoureux renouveau du Gothique, renouveau suscité par les idées de Pugin, Ruskin et Morris. (...) Ce livre retrace la vie, les théories et les uvres des architectes de ce mouvement qui, parti d'Angleterre".- 800g. - Excellent état, comme neuf.‎

‎Stamp of Impulse - Abstract Expressionist Prints‎

‎Worcester, Worcester Art Museum, 2001 Softcover, sticker of bookstore on front, 31 x 24 cm, 300 pages, english text. *Very good condition. ISBN 9789053493434.‎

‎This impressive compendium features the prints, rather than the paintings, of 100 abstract expressionist artists, including such giants as Jackson Pollack and Mark Rothko as well as such lesser-known figures as Seong Moy and Hugo Weber. Each artist is represented by a full-page reproduction of one print and a one-page biographical and critical sketch by Acton, the curator of prints, drawings, and photographs at the Worcester Art Museum. Almost all of the prints come from the collection of the Worcester, where the accompanying exhibition originated. Introductory essays by musician David Amram and poet David Lehman relate the abstract expressionist movement to its historical and artistic context, with emphasis on the relationships between writers and artists in New York City in the Forties and Fifties. In addition to the visual treats it offers, this catalog is a valuable addition to the literature on the breadth and depth of abstract expressionist printmaking. Recommended for academic, larger public, and specialized art libraries. Kathryn Wekselman, MLn, Cincinnati ISBN 10: 9053493433‎

‎Proceedings of the Prehistoric Society Volume 87‎

‎Cambridge, Cambridge University Press, 2021 Softcover, 291 pages, 26 x 20.5 cm. ISBN 0079497x.‎

‎?The Dead are Watching Us?: A Landscape Study of Prehistoric Rock-cut Tomb Cemeteries in Ossi, Sardinia, Italy Guillaume Robin, Florian Soula, Pascal Tramoni, Laura Manca, Kirsty Lilley Article Select Between Novelty and Variability: Natufian Hunter-Gatherers (c. 15?11.7 kyr) Proto-Agrotechnology and the Question of Morphometric Variations of the Earliest Sickles Between Novelty and Variability: Natufian Hunter-Gatherers (c. 15?11.7 kyr) Proto-Agrotechnology and the Question of Morphometric Variations of the Earliest Sickles Article Select Hands Stencils in El Castillo Cave (Puente Viesgo, Cantabria, Spain). An Interdisciplinary Study Hands Stencils in El Castillo Cave (Puente Viesgo, Cantabria, Spain). An Interdisciplinary Study Article Select El Ni o Cave (A na, Albacete, Spain): Late Middle Palaeolithic, Rock Art, and Neolithic Occupations from Inland Iberia El Ni o Cave (A na, Albacete, Spain): Late Middle Palaeolithic, Rock Art, and Neolithic Occupations from Inland Iberia Article Select Change and Diversity in Neolithic Mortuary Practices on the Isle of Man Change and Diversity in Neolithic Mortuary Practices on the Isle of Man Select Returning from the Underworld: The West Kennet Palisades in the Avebury Monument Complex Returning from the Underworld: The West Kennet Palisades in the Avebury Monument Complex Article Select Reflectance Transformation Imaging (RTI) Investigation of Engraved Chalk Plaques from the Stonehenge Region Reflectance Transformation Imaging (RTI) Investigation of Engraved Chalk Plaques from the Stonehenge Region Article Select The Pre-Pottery Neolithic Water-well at Tell Seker al-Aheimar, Upper Mesopotamia: The Social Contexts of its Construction and Management The Pre-Pottery Neolithic Water-well at Tell Seker al-Aheimar, Upper Mesopotamia: The Social Contexts of its Construction and Management Article Select Bronze Age Woollen Textile Production in England: A Consideration of Evidence and Potentials Bronze Age Woollen Textile Production in England: A Consideration of Evidence and Potentials Article Select Beyond Newgrange: Br na B inne in the later Neolithic Beyond Newgrange: Br na B inne in the later Neolithic Article Select A New Study of the Decorated Cists in Kilmartin Glen, Argyll, Scotland A New Study of the Decorated Cists in Kilmartin Glen, Argyll, Scotland Article Select Hot Stone Technology at Bucklers Park, Crowthorne, Berkshire: The Use and Re-use of a Persistent Place During the Bronze and Iron Ages Hot Stone Technology at Bucklers Park, Crowthorne, Berkshire: The Use and Re-use of a Persistent Place During the Bronze and Iron Ages Article Select Copper Mining in the Bronze Age at Mynydd Parys, Anglesey, Wales Copper Mining in the Bronze Age at Mynydd Parys, Anglesey, Wales ‎

‎Stations aux "Notre-Dame" de Paris.. Lettre-préface de S. E. le cardinal Verdier‎

‎Paris, Desclée de Brouwer et Cie, 1936 in-12, 268 pp., broché. ‎

‎ - - VENTE PAR CORRESPONDANCE UNIQUEMENT‎

‎Andy Warhol Transcript of David Bailey's ATV Documentary‎

‎Twickenham, Bailey Lichfield / Mathews Miller Dunbar, 1972 Illustrated softcover, 28 x 37 cm, not paginated, b/w illustrations. *good condition.‎

‎Andy Warhol Transcript of David Bailey's ATV Documentary‎

‎David Bailey : Havana‎

‎, Steidl, 2006 Hardcover, 176 pages, ENG, 335 x 265 x 20 mm, as New, full page photographs in colour / b/w. ISBN 9783865212702.‎

‎From vibrant street reportage to searing portraiture, this book offers a quintessential view of a city which is the touchstone for one of the most distinct cultural and political divides in a world fast moving towards homogeneity.‎

‎David Bailey : Eye‎

‎, Steidl, 2009 Hardcover , 192 pages, ENG, 335 x 265 x 25 mm, in perfect condition, Full page photographs in colour / b/w. ISBN 9783865217080.‎

‎"I treat the boy down at the post office like the president of Russia, and the president of Russia like the boy down at the post office." (David Bailey) Eye presents a selection of Bailey's photographs spanning from 1962 to 2008. Mostly black-and-white, some in color, they feature influential directors, artists, fashion designers and musicians, including Andy Warhol, Henri Cartier-Bresson, Yves Saint Laurent, John Huston and Ellsworth Kelly. Despite the broad cross-section of subjects and the different creative spheres they inhabit, Bailey approaches them all with the same, egalitarian attitude - each is as important, or unimportant, as the next. This approach, often expressed by Bailey's lack of props and minimal lighting, enables the photographer to tease from his subjects traits which often absent from more formal portraits - the warm benevolence of I.M. Pei for example, the exuberance of John Galliano, or the brooding look of Jean-Michel Basquiat. Crowned with cover art by Damien Hirst, Bailey's Eye reveals unexpected facets of the creative minds who have defined and in many cases continue to shape the culture in which we live.‎

‎David Bailey : Locations , die siebziger jahre‎

‎, Steidl 2008, 2008 Hardcover, 260 seiten, Deutsch, 335 x 270 mm, buch in sehr guten zustand, . ISBN 9783882439496.‎

‎War David Bailey in den Swinging Sixties der Inbegriff des Londoner Fotografen, so spiegeln seine Fotografien der 1970er Jahre eine radikale Neuorientierung wider. Wie diese umfangreiche Auswahl zeigt, wurde seine Thematik wahrhaft international. Im Laufe des Jahrzehnts beschloss Bailey, Menschen und Orte auf der ganzen Welt zu fotografieren, die ihn faszinierten. Neben diesen Fotografien pr sentiert dieser Band Bilder seiner Modesitzungen der 1970er Jahre (mit Marie Helvin, Penelope Tree und Anjelica Huston) sowie seine Portr ts von Motiven von Salvador Dali und Mick Jagger bis hin zu Margaret Thatcher und Mutter Teresa. Seine gefeierten Fernsehdokumentationen ber Andy Warhol, Cecil Beaton und Luchino Visconti boten noch mehr M glichkeiten f r berzeugende Stills. --Dieser Text bezieht sich auf eine alternative Hardcover-Ausgabe.‎

‎Sotheby's Concise Encyclopedia of Glass‎

‎, Little Brown & Co, 1991, 1991 Paperback, 208 pages, ENG, 280 x 240 mm, book is in reasonable condition, with dozens of illustrations in colour. ISBN 9781850296546.‎

‎Raoul Hausmann Photographs 1927 - 1936 ‎

‎, Walther Koenig Verlag , 2018 Hardback, 225x198mm, 264p, 150 bw and col. illustrations English edition . ISBN 9783960982722.‎

‎ Expo : 06/2/2018 - 20/05/2018, Jeu de Paume, Paris Raoul Hausmann is emembered primarily for the central role he played in Berlin Dada with his assemblages, photomontages, and optophonetic poems, yet the vicissitudes of history caused his photography, an essential facet of his oeuvre, to be cast almost entirely into the shade. From 1927 on, Hausmann became an avid and restless photographer in Germany, in particular during his stays at the North Sea and Baltic coasts. While in exile in Ibiza after the Nazis came to power, he took an interest in the local populace and vernacular architecture, before emigrating again in 1936. During this intense decade, he reflected extensively on photography, developing a highly individual practice in the medium, simultaneously documentary and lyrical. This book reveals Hausmann's interwar photographic work in its entirety, and presents a detailed time line of his life. Raoul Hausmann, born 12. Juli 1886 in Vienna, died 1971 in Limoges. ‎

‎David Claerbout, De tijd die blijft - Le temps qui reste‎

‎Brussel, Ludion/Wiels, 2012 Softcover, 48 pagina's, expositiecatalogus, 29 x 25 cm, Nederlandstalig/Fran ais. *Als nieuw. ISBN 9789461300829.‎

‎Hoewel de kunstenaar werd opgeleid tot schilder, werkt hij vooral met video-, film- en fotografische installaties. In zijn werk concentreert hij zich op het onderscheid tussen bewegende en stilstaande beelden, op projecties waar de tijd lijkt stil te staan en op het onvermogen om met bewegende beelden de evoluerende werkelijkheid te vatten. Claerbouts werk wordt gekarakteriseerd door traagheid en precisie, door het ontrafelen of het bevriezen in de tijd, door de analyse van de klassieke en conventionele verhaallijnen, en het benadrukken van klank en beeld. In zijn grootbeeldprojecties wordt de toeschouwer deel van het werk. Claerbout hanteert de filmtaal om begrippen als beeld, representatie, tijd en ruimte op te roepen en te visualiseren. David Claerbout, werd geboren in 1969 te Kortrijk. Hij woont en werkt in Antwerpen en Berlijn.‎

‎Silence of the Lens + Birdsong David Claerbout *2 books / 1 price.‎

‎, Hannibal Books, 2022-2025 Hardcovers, 2 vols. Color illustrations 30 x 24,5 cm, 320 + 128 pages Quadrichromie Drietalige editie Engels-Nederlands-Frans (Silence: Engels-Frans) ISBN 978 94 6436 635 8 + 978 94 9341 615 4. ISBN 9789493416154.‎

‎David Claerbout: The Complete Works. The new book Birdsong and the acclaimed monograph The Silence of the Lens in one volume. This an unique package! David Claerbout (b. 1969) lives and works in Antwerp and Berlin. He is known for his video installations, which he exhibits worldwide. His work is included in major public collections worldwide, including Centre Georges Pompidou Mus e National d?Art Moderne, Paris (France); Pinakothek der Moderne, Munich (Germany); Schaulager, Basel (Switzerland); Art Gallery of Ontario, Toronto (Canada) and San Francisco Museum of Modern Art, San Francisco (US). The Silence of the Lens (2022) offers a unique insight into the creative process behind such recent video works as The Close, Aircraft (F.A.L.), Wildfire (meditation on fire), The Confetti Pieceand The Pure Necessity. In a conversation with Jonathan Pouthier, curator of the cinema programme of the Mus e National d?Art Moderne, Centre Pompidou (Paris, France), video artist David Claerbout reflects for the first time in depth on his work of the past decade in relation to current discussions about photography, film and the virtual. Birdsong (2025) brings together three video works by David Claerbout ? The Woodcarver and the Forest, Birdcage and Backwards Growing Tree ? each a meditation on time, perception and the poetics of the natural world. In an era dominated by speed and distraction, Claerbout reclaims the longue dur e, offering a contemplative, detoxed form of filmmaking. Accompanied by a poem by Stefan Hertmans, this volume explores the myths of digitization, the rhythms of nature, growth and degrowth. Birdsong is a visual journey through the imaging ideas that the artist has developed over the past decade. ‎

‎David Claerbout The Silence of the Lens .‎

‎, Hannibal Books, 2022 Hardcover 300 x 243 mm, 320 pages, ENG/ FR. edition, Fine!. ISBN 9789464366358.‎

‎David Claerbout is bekend om zijn video-installaties die hij wereldwijd tentoonstelt. Sinds zijn eerste videowerken midden jaren negentig won zijn werk snel aan complexiteit. De virtuele fotografie deed zijn werk en denken evolueren naar een verregaande synthetische beeldpraktijk die hem op het voorplan van de nieuwe mediakunst heeft geplaatst. Van daaruit ontwikkelde Claerbout een kritiek over de impact van de desintegratie van het vertrouwde fotografische beeld op het niveau van de waarneming en de (zintuiglijke) cognitie en de verregaande sociale en politieke gevolgen. Deze rijk ge llustreerde publicatie presenteert een selectie van werken van de afgelopen tien jaar. In een interview met Jonathan Pouthier, filmcurator voor het Centre Pompidou in Parijs, spreekt David Claerbout voor het eerst in de diepte over deze werken in relatie tot actuele discussies over fotografie, film en het virtuele. De publicatie valt samen met de Bi nnale van Veneti 2022 en solotentoonstellingen in onder meer M nchen, Berlijn, Boedapest en New York. //// Long-awaited monumental monograph on the work of David Claerbout In a conversation with Jonathan Pouthier, curator of the cinema programme of the Mus e National d?Art Moderne, Centre Pompidou (Paris, France), video artist David Claerbout reflects for the first time in depth on his work of the past decade in relation to current discussions about photography, film and the virtual. The Silence of the Lens offers a unique insight into the creative process behind such recent video works as The Close, Aircraft (F.A.L.), Wildfire (meditation on fire), The Confetti Piece and The Pure Necessity. The publication coincides with the Venice Biennale 2022 and solo exhibitions in various cities including Munich, Berlin, Budapest and New York. //// David Claerbout is known for his video installations, which he exhibits worldwide. From the time of his first video works in the mid-1990s, his work rapidly gained in complexity. Virtual photography pushed his work and thinking towards a far-reaching synthetic visual practice that placed him at the forefront of the new media art. From that position, Claerbout developed a critique of the impact of the disintegration of the familiar photographic image at the level of perception and (sensory) cognition and its profound social and political consequences. This richly illustrated publication presents a selection of works from the past ten years. In an interview with Jonathan Pouthier, film curator at the Pompidou Centre in Paris, David Claerbout speaks in depth for the first time about these works in relation to current discussions about photography, film and the virtual. The publication coincides with the Venice Biennale 2022 and solo exhibitions in various cities including Munich, Berlin, Budapest and New York.‎

‎Birdsong David Claerbout ‎

‎, Hannibal Books, 2025 Hardcover- 30 x 24,5 cm, 128 pages, Color illustrations Quadrichromie, Trilingual edition English?Dutch?French. ISBN 9789493416154.‎

‎The highly anticipated sequel to The Silence of the Lens by video artist David Claerbout Birdsong brings together three video works by David Claerbout ? The Woodcarver and the Forest, Birdcage and Backwards Growing Tree ? each a meditation on time, perception and the poetics of the natural world. In an era dominated by speed and distraction, Claerbout reclaims the longue dur e, offering a contemplative, detoxed form of filmmaking. Accompanied by a poem by Stefan Hertmans, this volume explores the myths of digitisation, the rhythms of nature, growth and degrowth. Birdsong is a visual journey through the imaging ideas that the artist has developed over the past decade. This publication coincides with Claerbout's exhibition At the window at Gaasbeek Castle. ‎

‎LUCIAN FREUD De zelfportretten‎

‎, Tijdsbeeld-Piece Mont e, 2019 Gebonden, Hardcover 260 x 230 mm, 160 pages, 130 colour illustrations Nederlandstalige uitgave . ISBN 9789490880255.‎

‎ALLE zelfportretten van Lucian Freud nu in n boek verzameld. In 1964 gaf Lucian Freud (1922-2011) zijn studenten aan het Norwich College of Art een opdracht: om naakte zelfportretten te schilderen die 'onthullend, sprekend, geloofwaardig ... echt zonder schaamte' waren. Het was een advies dat de kunstenaar zelf later ook zou volgen in zijn vele zelfportretten. Rauw, onversaagd en vaak naakt lezen Freuds zelfportretten als het ware als zijn biografie, en geven zij tegelijk inzicht in de ontwikkeling van zijn stijl als schilder. In de portetten is de kunstenaar steeds overweldigend aanwezig, of hij nu de rechtstreeks de confrontatie met de toeschouwer aangaat, of alleen aanwezig is als een schaduw of in een reflectie. Freud verkende het genre van het zelfportret op tal van onverwachte manieren. Autoriteiten op het gebied van Freuds leven en werk - kunsthistorici n mensen die hem persoonlijk hebben gekend - verkennen Freuds oeuvre en analyseren het belang van zijn zelfportretten. Een gesprek tussen kunsthistoricus Jasper Sharp en de actrice Tilda Swinton gaat in op de intensiteit waarmee Freud het menselijk lichaam bestudeerde - een intensiteit waarvan Swinton een bevoorrecht getuige was, maar die evenzeer gold wanneer Freud zijn eigen lichaam bestudeerde en op doek zette. David Dawson is een schilder en fotograaf en Freuds voormalige studio-assistent. Joseph Koerner is Victor S. Thomas hoogleraar kunst en architectuur aan de universiteit van Harvard. Jasper Sharp is adjunct-curator voor moderne en hedendaagse kunst in het Kunsthistorisches Museum in Wenen. Pulitzer Prize-winnaar en kunstcriticus Sebastian Smee is auteur van The Art of Rivalry: Four Friendships, Betrayals and Throughthroughs in Modern Art (2016). Tilda Swinton is een Oscar-winnende actrice, model en kunstenares. TENTOONSTELLINGEN Londen, Royal Academy of Arts, Londen, 27 oktober 2019-26 januari 2020 Boston, Museum of Fine Arts, 22 februari-25 mei 2020‎

‎From Sithiu to Saint-Bertin. Hagiographic Exegesis and Collective Memory in the Early Medieval Cults of Omer and Bertin‎

‎, Brepols, 2019 Hardback, xiii + 340 pages, Size:152 x 229 mm, Illustrations:3 maps b/w, Language: English. ISBN 9780888442192.‎

‎Summary Medieval historians who have explored the abbey of Sithiu (modern Saint-Omer) have often done so to explain the competition between the canons of Saint-Omer and the monks of Saint-Bertin, a rivalry deriving from their shared origins in the abbey of Sithiu. However, David Defries's book centers on the cooperative relationship that developed between the saints Omer and Bertin in the monks' collective memory. Throughout the early Middle Ages, the cults of the abbey's two patron saints shaped the life of the community at Sithiu, and the first four centuries of its development reveal how a group of monks negotiated their place in the larger Christian West, adapting Columbanian and Benedictine identities to fit the relationship they discerned between Omer and Bertin. The evolution of Sithiu's collective memory demonstrates that the methods used in most studies of early medieval collective memory produce a distorted image of the partnership. Historians overwhelmingly assume that collective memory has a narrative structure and that the texts meant to shape its evolution are "historiographic" in form. In contrast, David Defries treats Sithiu's historiography as a type of scriptural exegesis that emphasizes the allegorical levels, especially typology and tropology, of the Christian scriptural hermeneutic. Paradigm, not narration, structured early medieval Christian allegory and thus early medieval collective memory at the abbey. This argument has broad implications for the study of early medieval collective memory. The intellectual culture of Sithiu was typical of the early medieval West, and all the texts considered date between c. 740 and c. 1148, situating them in a period when writers trained in monasteries like Sithiu produced the vast majority of western European literature. From Sithiu to Saint-Bertin may thus be seen as a preliminary case study for the value of paradigmatic approaches to early medieval memory.‎

‎Delft van Vermeer‎

‎, Museum Prinsenhof Delft & Waanders, 2023 144 pagina?s, 110 illustraties in kleur, 27 x 23 cm, paperback, Nederlands. ISBN 9789462624498.‎

‎Delft was in de zeventiende eeuw een broedplaats van talent, een stad waar belangrijke innovaties plaatsvonden. Hier groeide Johannes Vermeer uit tot een schilder van wereldformaat. Helaas is er niet veel bekend over Vermeer, we weten niet eens van wie hij het vak leerde. Deze rijk ge llustreerde publicatie laat zien wat we w l weten en wat er te ontdekken valt in het Delft van Vermeer. Via sleutelfiguren in Vermeers leven krijgen we inzicht in het artistieke, intellectuele en sociale klimaat in het zeventiende-eeuwse Delft. Door in te zoomen op de wereld en de mensen rondom Vermeer krijgen we beter zicht op de meester, maar het mysterie over zijn genialiteit blijft intact.‎