, Rizzoli International Publications, 2002 Hardcover, 240 pages, ENG, 465 x 310 x 32 mm, In Very Good Condition !, dustjacket, Full Page Fabulous coloured photographs !, a Fold - Out page with the Twin Towers, New York by day and by night ! will be packed in a cardboard box for protection. ISBN 9780847824977.
The enormously successful deluxe New York, New York, updated with new photography and reformatted for an affordable price point. In addition to the classic storied neighborhoods and buildings previously showcased in New York, New York, Richard Berenholtz has photographed several new architectural marvels, like the striking Gehry IAC building, a Chelsea residence building by Jean Nouvel, and the new World Trade Tower, to name only a few. This book wonderfully captures the duality of New York in grand style-that timeless yet ever-changing characteristic that makes the city so captivating-and is the perfect gift for those who love New York.
London, Jonathan Cape, 1972 Hardcover with dustjacket, 138 pages, 22.5 x 14.5 cm. English. *Good condition. ISBN 0224618504.
In Watermelon Sugar, second UK edition
London, Jonathan Cape, 1970 Hardcover with dustjacket, spine discolored, 112 pages, 22.5 x 15.5 cm. English. *Good condition. ISBN 0224618490.
Richard Brautigan was born in Tacoma, Washington where he spent much of his youth, before moving to San Francisco where he became involved with other writers in the Beat Movement. During the Sixties he became one of the most prolific and prominent members of the counter-cultural movement, and wrote some of his most famous novels including Trout Fishing in America, Sombrero Fallout and A Confederate General from Big Sur. He was found dead in 1984, aged 49, beside a bottle of alcohol and a .44 calibre gun. His daughter, Ianthe Brautigan, has written a biography of her father, You Can't Catch Death.
Musée national des arts et traditions populaires, Berger-Levrault, éditeur, 1980. Collection dirigée par Jean Cuisenier.
326 pages, livre sous jaquette (légèrement tâchée et déchirée), sinon en bon état.
, Tate Gallery, 1994 Paperback, 335 pages, ENG, 300 x 235 mm, in good condition, illustr. in colour / b/w. ISBN 9781854371454.
, Brepols - Harvey Miller, 2022 Hardback, Pages: 374 p., Size:152 x 229 mm, Language(s):English. ISBN 9780888448354.
The literature of the late middle ages provides the main focus for this collection of eighteen essays, which engage with the tight interweavings of poetry, book production, and politics at a time when all three were in a state of flux. Primarily covering the period from Richard II to Mary Tudor, the essays explore such topics as medieval guides to Ovid, aspects of late fifteenth- and early sixteenth-century book history, and the major court poets of the Ricardian period, Chaucer and Gower.
Paris, Centre de création industrielle Centre Beaubourg, 7 juin 9 septembre 1974, 222x222mm, broché couverture photographique à rabatsExposition organisée par le Metropolitan Museum of Art de New York. Nombreuses illustrations en noir et en couleurs. Texte de Richard G Stein, maquette réalisée par Chermayeff et Geismar Associates, photo de couverture d’Yvan Chermayeff.(103569)
Phone number : +33 1 48 01 02 37
, Hudson Hills Press Inc.,U.S. 1997, 1997 Hardcover, 448 pages, English, 300 x 220 mm, In New Condition !, very richly illustrated with coloured illustrations, with dustcover,. ISBN 9781555951238.
The printmaking career of a leading Pop artist, influential creator of public monuments, and bravura draftsman. More than 250 limited-edition graphics.
Princeton, The american school of classical studies at athens, 1958 Blue cloth binding, 261 pages, 56 pages of illustrations, 1 chart, 31 x 24 cm. EN . ISBN 9780876612040.
The author has used the trustworthy chronological data supplied by the scientific excavation of closed deposits at the Athenian Agora to build a continuous series of lamp types from the 7th century B.C. to the 1st century A.D. Many photographs and profiles of sections permit ready identification, and a handy graphical chart of lamp types facilitates quick checking of the chronological range of each.
, Brepols - Harvey Miller, 2019 Hardback, 280 pages, Size:220 x 280 mm, Illustrations:65 col., Languages: English, Latin, French. ISBN 9781912554287.
Summary The commercial manuscript book-trade in Paris, that had begun as early as the mid-12th century, was severely disrupted by the arrival of the first printing presses in Paris around 1475. This new invention converted a traditional system of book production that had developed and flourished over the centuries from a handcraft to the mechanical printing press. It was a change that affected not only the livelihood of those who wrote the books and the artists who decorated them, but also the social life of the whole workforce involved in the production of books. This publication traces the activities to which 16th- and 17th-century book artisans had to turn, faced as they were with a dwindling market for manuscripts. Those most affected were the illuminators and scribes who now had to seek alternative ways of making a living and so devise strategems for finding employment in other trades that would benefit from their skills. Thus the reader will discover well-known artists and illuminators finding jobs like adding illustrations to printed books, colouring wood-block prints and designing patterns and motifs for embroideries, tapestries and even glass and metal objects. A most interesting opportunity for illuminators was to get involved with the decorating of fans, a new fashion promoted late in the 17th century by the Sun King Louis XIV himself. In addition to the richly illustrated text, the volume also includes a Register of more than 500 named Illuminators in alphabetical order, giving also their affiliation to their alternative trades and listing personal details including family members and professional associates. The authors Richard and Mary Rouse, who are already widely known for their thorough research into the medieval book trade in Paris with their volume Manuscripts and their Makers, published a similar biographical Register of documented book producers up to the year 1500. With the present publication they are able to reconstruct how much the younger members and relatives of whole families of previous manuscript illuminators were able to continue to contribute to the now newly developing book-trade. This volume is therefore not only a contribution to the history of art and that of the book, but also provides a vivid glimpse into the social history of the period. TABLE OF CONTENTS Acknowledgements Publisher's Note Introduction PART ONE - Paris Illuminators in the Age of Print- a M tier Redefined Chapter 1: The Continuation in the Illuminator's Trade in Renaissance Paris I. An Uncertain Community II. Illuminators, Painters and Illuminator/Painters III. Redefinition by Qualification IV. Lesser Hyphenations V. Community or not? The Location of the Illuminator's Trade VI. Common Threads Chapter 2: Beyond Definition: Other Survival Strategies in the Illuminator's Trade I. Illuminating the Printed Book II. Second Jobs III. Multi-Tasking IV. Partnerships V. Family VI. Family Diversity Chapter 3: Contracts and Inventories I. Contracts II. Post-mortem Inventories Chapter 4: Apprenticeships I. Norms of Apprentice Training II. Apprenticing of Illuminator's Sons-and Daughters? III. Why Did Apprenticeships Continue? Chapter 5: The Vanishing Point? Appendixes 1. University Supp ts, c. 1505-1518 2. Denial of an Illuminator's Guild, 1608 3. A Parisian Illuminator Hired at Chartres, 1546 4. An Apprenticeship Contract, 1541 PART TWO - The Register Register of Parisian Illuminators and Artisans of the Manuscript Book 1500-1715 Glossary Abbreviations Bibliography Handlist of Books and Documents Index of the Manuscripts cited List of Illustrations General Index
Livre de poche 1968 poche. 1968. broché. 341 pages. Bon Etat intérieur propre
, Picard, 2005 Softcover, 225pp., 24x17cm., neuf. ISBN 9782708407299.
L'etude de l'histoire de la villa Cavrois, (Robert Mallet-Stevens architecte) s'etend de 1925 a 2001. Le contexte local de la commande, l'histoire detaillee de la conception et de l'edification, l'analyse de l'edifice et de sa situation dans le contexte des annees trente mettent en evidence la dimension manifeste de la realisation ainsi que la strategie professionnelle de Robert Mallet-Stevens dans le Nord de la France. L'usage de l'edifice est etudie dans une duree (1939-1985) qui comprend son occupation militaire, ses transformations, la reception familiale et l'historiographie. Le processus de patrimonialisation ; (1986-2001) comprend, de maniere simultanee, la reconnaissance historique, un changement de proprietaire, la dispersion du mobilier, la degradation materielle et les premieres protections administratives. Les aleas politico-administratifs du dossier ainsi que l'etude du caractere patrimonial de sa reception terminent le recit qui s'acheve avec l'achat de l'edifice par l'Etat. Le recit ne neglige ni le maitre de l'ouvrage ni les usagers en impliquant tous les faits et les acteurs proches et lointains de l'oeuvre proposant ainsi des perspectives methodologiques sur l'histoire de l'architecture.
, Brepols, 2022 Hardback, 426 pages, Size:178 x 254 mm, Illustrations:56 col., 15 tables b/w., Language: English. ISBN 9782503595207.
Summary Compiled between 1262 and 1272 in Toledo under the patronage of Alfonso X, the Castilian Alfonsine Tables were recast in Paris in the 1320s, resulting in what we now call the Parisian Alfonsine Tables. These materials circulated widely and fostered astronomical activities throughout Europe. This resulted in a significant number of new works, of which there are a few hundred, extant in more than 600 manuscript codices and dozens of printed editions. These manuscripts and imprints, broadly contemporary to the works they witness, comprise the written record of Alfonsine astronomy and provide the focus of this volume. A first series of essays examines individual manuscripts containing Alfonsine works. The authors seek to reconstruct, from the manuscript evidence, the cultural, astronomical and mathematical worlds in which the manuscripts were initially copied, compiled, used and collected. A second series of essays turns from the particular codex to the individual work or author. These contributions ask how particular works have been transmitted in surviving manuscript witnesses and how broader manuscript cultures shaped the diffusion, over two centuries, of Alfonsine astronomy across Europe. A final essay reflects on the challenges and opportunities offered by digital humanities approaches in such collective studies of a large manuscript corpus. TABLE OF CONTENTS Richard L. Kremer, Matthieu Husson and Jos Chab s, Introduction Part I Laura Fern ndez, The Libro de las tablas alfonsies: New Documentary and Material Source Jean-Patrice Boudet, Laure Miolo, Alfonsine Astronomy and Astrology in Fourteenth-Century Oxford: The Case of MS Bodleian Library Digby 176 Richard L. Kremer, Exploring a Later Fifteenth-Century Astrologer's Toolbox: British Library Add Ms 34603 Alexandre Tur, From Computus Material to Preacher's Toolbox: Manufacturing a Bat-Book Almanac in the Fifteenth Century Eric Ram rez-Weaver, Bohemian King Wenceslas IV's Copy of the Alfonsine Tables and Their Place within his Astronomical and Astrological Corpus Part II Jos Chab s, Marie-Madeleine Saby, Editing the Tables of 1322 of John Lign res Alena Hadravov , Petr Hadrava, John of Lign res Quia ad inveniendum loca planetarum: An Edition and Translation Jos Chab s, New Texts and Tables Attributed to John of Lign res: Context and Analysis Mathieu Husson, Work Cohesion as a Test of Manuscript Transmission: The Case of John of Lign res' Tabule magne Laure Miolo, Retracing the Tradition of John of Genoa's Opus astronomicum through Extant Manuscripts Glen Van Brummelen, All In: Manuscripts of the Works of Giovanni Bianchini in the Fifteenth Century Galla Topalian, Mathieu Husson, From Document to Data: The Digital Projects of ALFA
Somogy 1960
in8 avec sa jaquette, bon etat, Somogy, 1985, 252p, illustrations en noir et en couleurs
Editions du Club France-Loisirs, avec l'autorisation des Editions Aimery Somogy, Paris, 1985. In-8, reliure pleine toile éditeur sous jaquette illustrée en couleur, 252 pp. Une école - Retour aux origines - Une naissance difficile - Une existence contestée - Un tournant - Art et technique, une nouvelle unité - Science et Architecture - Un fonctionnalisme scientifique - Une fin brutale - Pour l'inventaire d'un ...
Nombreuses illustrations en noir et en couleurs. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
Editions Somogy, Paris, 1978. In-8, reliure pleine toile éditeur sous jaquette illustrée en couleurs, 288 pp. Le mouvement expressionniste, Lionel Richard - Peinture et gravure, Wolf Dieter Dube - Sculpture, L. Richard - Architecture, L. Richard - Litérature, Armin Arnold - Théâtre, Wilhelm Steffens - La Scène expressionniste, Denis Bablet - Cinéma, Jean Mitry - Musique, ...
Nombreuses illustrations en noir et en couleurs. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
Paris, Editions Aimery Somogy, 1985, reliure d'éditeur avec jaquette illustrée, 17x24 cm, 252 pages, illustrations en noir et blanc et quelques couleurs.
Jaquette légèrement défraichie.
Centre Georges Pompidou 2001 In-4 broché 27,9 cm sur 22. 78 pages. Très bon état d’occasion.
Très bon état d’occasion
Richard L Kagan; Jauma Blassi; Gerardo Kurtz; Matilde Martin Molinero
Reference : 54746
, Ediciones El Viso, 1986 Hardcover, 430 paginas, SPA, 310 x 300 x 45 mm, NUEVO condicion !, estuche resistente !, con fant sticos mapas de la ciudad dibujados ! ISBN 9788486022242.
Wyngaerde, Anton van den, -- -1571 -- Cat logos. Ciudades y pueblos -- Espa a -- Historia -- Obras pict ricas -- Obras pict ricas -- Cat logos. Felipe -- II, -- Rey de Espa a, -- 1527-1598 -- Mecenazgo art stico.
Puf 1972 in8. 1972. Broché. 236 pages. envois en suivi pour la france et l'etranger Bon Etat intérieur propre une tranche est salie
, Bloomsbury Academic, 2014 PaperbackDimensions 216 x 138 mm 256 Pages, Language(s) Eng. ed. ISBN 9781472508812.
Home to some of the most remarkable spaces in contemporary culture, the cinema of David Lynch demonstrates an acute awareness of architecture. From the urban wastelands of Eraserhead to the eerie Red Room in Twin Peaks, Lynch's architecture is anxious, absurd and utterly distinct. Contemporary architects such as Peter Eisenman, Gehry and Nouvel have responded to these spaces in fascinating ways. This book is the first sustained critical assessment of the role architecture and design play in Lynch's films.
NY, Rizzoli, 1984, in-4 softcover,, 411 pp, illustrations. In english. Cover Used, inside very good.
NY, Rizzoli, 2003, in-4 softcover,, 144 pp, illustrations. In english. Very Good Condition.
1999 Phaidon broché, grand format carré couverture souple 120p. très bon état
Nombreuses photos n&b et couleurs, schémas, plans et coupes. En anglais.
Phone number : 04 76 97 79 28
, Rizzoli International Publications 2009, 2009 Paperback, 432 pages, English, 255 x 250 mm, book is in new state, with dustjacket, . ISBN 9780847832736.
Richard Meier, Architect: Volume 5 comprehensively documents Meier's work since 2004. This extensively illustrated presentation vividly conveys the purity and power of Meier's vision. Thirty residential, commercial, and civic projects are featured, including the Ara Pacis Museum in Rome, the Burda Collection Museum and Arp Museum in Germany, San Jose City Hall, the Broad Art Center at UCLA, apartment towers in Manhattan and Brooklyn, and master plans for Newark, New Jersey, and Manhattan's East Side. Richard Meier received his architectural training at Cornell University and began his career in the early 1960s designing private residential projects whose elegant modernist style and white facades have become icons of modern architecture. Since that time, his international practice has included museums, courthouses, city halls, corporate headquarters, educational facilities, and public housing, in addition to private houses. He has received numerous awards for his work, including the Pritzker Prize for Architecture and the Gold Medal of the American Institute of Architects.