‎Ieoh Ming Pei‎

‎Editions Hazan, Paris, 1988. In-8, broché sous couverture rempliée et illustrée en couleur, 151 pp. La troisième voie - Ingénieur ou architecte? - La question du régionalisme - A l'école de la promotion privée - La rénovation urbaine - L'ordre structurel - La transition - Expressionnisme monolithique - L'espace publique - Les nouvelles cathédrales de ...‎

‎Nombreuses illustrations en noir et en couleur. --- Plus d'informations sur le site archivesdunord.com‎

‎Ideas for planning your new home‎

‎Lane Publishing Co.. 1967. In-8. Broché. Bon état, Couv. légèrement pliée, Dos satisfaisant, Intérieur frais. 128 p. - Texte en anglais - Coiffes frottés - Nombreuses photographies n&b in et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Pisa. Italia artistica N° 16.‎

‎Couverture souple. Broché. 139 pages. Sous emboîtage. 19 x 25 cm. Quelques rousseurs. Dos défraîchi.‎

‎Livre. Monografie illustrate pubblicate sotto la direzione del Dott. Corrado Ricci. Abondamment illustré. Istituto italiano d'Arti grafiche, editore, 1910.‎

‎Droit de l'urbanisme et de l'environnement (2 volumes).‎

‎Bruxelles, Etablissements Emile Bruylant, 1974-1975. 16 x 24, 2 volumes, 616 + 44-269 pages, broché + complément (agrafé), bon état (cachet d'ex-propriétaire dans chaque volume).‎

‎Cathédrale de Troyes Les vitraux ‎

‎Tetraktys, 1972, in-8 br. (17 x 22), 107 p., illustrations n. et b. et coul., un plan, très bon état. ‎

5 Images

‎Description des remarquables vitraux de la nef de la cathédrale de Troyes. ‎

‎230 modèles de ferronnerie. Lampadaires, lustres, appliques, guéridons, porte-pots de fleurs, ornements d'église‎

‎Eyrolles, 2000. In-4. Broché. Couverture illustrée. 198 pages. 230 modèles de ferronnerie d'art et décorative dans différents styles. Mention de neuvième édition. Très bon état.‎

‎Jouarre, ses cryptes, son église, son abbaye.‎

‎St. Léger, Ateliers de la Pierre-qui-Vire, s.d. (ca 1990). 17 x 22, 56 pp., 36 figures, broché, très bon état.‎

‎Thai Textiles‎

‎, British Museum Press 1992, 1992 Paperback, 192 pages, ENG, 275 x 215 mm, the cover has some creases in the front but the book itself is in good condition , with images/ illustratiions in colour and b/w. ISBN 9780714125060.‎

‎The textile industry in Thailand is one of the largest commercial businesses for jobs and economic growth in the country. Although they are in constant competition with China, Bangladesh, and Vietnam, their textile industry has made them a headquarters for Cotton USA.‎

‎VAN DYCK 350‎

‎, National Gallery of Art, 1994 Hardcover, 372 pages, ENG / ITA, 285 x 235 mm, In Fine State / Primo Condicione. ISBN 9780894682018.‎

‎Van Dyck werd geboren in 'Den Berendans' op de huidige Groenplaats in Antwerpen. Hij was het zevende kind van twaalf van de rijke textielhandelaar Francois van Dyck en Maria Cuypers. Het gezin bestond uit vier jongens en acht meisjes, drie stierven er jong. Catharina, Maria, Cornelia II en Franchois jr. waren ouder dan Antoon. Na hem kwamen Susanna, Anna, Dierick en Elisabeth of Isabella. Ze verhuisden in 1599 van de Grote Markt naar de Korte Nieuwstraat, waar op 7 maart 1607 ook het belendende pand 'De Stadt van Gendt' werd gekocht. Antoons moeder stierf echter een maand later, op 17 april 1607. Vanaf december 1610 waren er problemen, een priv -aangelegenheid: de Hondschootse Jacobmyne de Kueck moest uit de stad worden verbannen, na ruiten te hebben ingegooid en Franchois van Dyck te hebben bedreigd met de dood. Antons oudere zusters Catharina en Maria waren getrouwd in respectievelijk 1610 en 1615 en vanaf de zomer van 1615 gingen Franchois' zaken minder goed. Zijn schoonzonen daagden hem in juli 1615 voor het gerecht. Zijn boedel werd ge nventariseerd en verkocht. Antoon ging tegen zijn zwagers in het verweer. De florerende handelaarsfamilie was een moederloos gezin met serieuze problemen geworden. Mogelijk waren de gezinsleden niet langer 'sociaal aantrekkelijke kandidaten op de Antwerpse huwelijksmarkt' en werden daarom Susanna, Isabella en Cornelia begijn, Anna non en Dierick norbertijner kanunnik. De ouderlijke woning, 'De Stadt van Gendt', werd op 20 mei 1620 gedwongen verkocht. Rond 1620 was het gezin van Francois van Dyck 'sociaal gestigmatiseerd' en alleen Antoon kon de goede naam van de familie redden.‎

‎Van Dyck, a complete catalogue of the paintings ‎

‎, YALE , 2004 Hardcover, 692 pages, English, 320 x 260 mm, fine. 632 b/w + 202 color illus. catalogue raissone. ISBN 9780300099287.‎

‎Sir Anthony Van Dyck (1599?1641) is among the greatest portrait painters of all time. The 1990s opened and closed with major exhibitions devoted to his work, and now the long-awaited catalogue raisonne of his painted oeuvre is complete. A native of Antwerp, Van Dyck also lived and worked for long periods in Italy and England, where his brief, productive life ended. He is best known for his work at the court of Charles I. His full-length portraits of aristocrats in the Caroline court and in Genoa, Antwerp, Brussels, and The Hague influenced the history of Western portraiture into the twentieth century in the work of John Singer Sargent. Handsomely designed and illustrated, the volume includes a reproduction of every known authentic painting by the artist as well as the provenance and the significant facts and literature on each. This catalogue raisonne is, fittingly, the collaborative work of an international team devoted to the study of this major international artist. Susan J. Barnes, an independent art historian, co-curated a Van Dyck exhibit in Washington, D.C., 1990. Nora De Poorter is director of the Rubenianum, Antwerp. Oliver Millar, Surveyor Emeritus of The Queen?s Pictures, organized an exhibition of Van Dyck?s English work at the National Portrait Gallery, London, 1982?83. Horst Vey, former director of the Kunsthalle, Karlsruhe, is author of the standard work on Van Dyck?s drawings. ‎

‎Van Dyck, A Complete Catalogue of the Paintings. catalogue raisonne. ‎

‎, Yale University, 2004 Hardcover in dusjacket, 792pp, 632 b/w + 202 color illus. catalogue raissone. ISBN 9780300099287.‎

‎Sir Anthony Van Dyck (1599-1641) is among the greatest portrait painters of all time. The 1990s opened and closed with major exhibitions devoted to his work, and now the long-awaited catalogue raisonne of his painted oeuvre is complete. A native of Antwerp, Van Dyck also lived and worked for long periods in Italy and England, where his brief, productive life ended. He is best known for his work at the court of Charles I. His full-length portraits of aristocrats in the Caroline court and in Genoa, Antwerp, Brussels, and The Hague influenced the history of Western portraiture into the twentieth century in the work of John Singer Sargent. Handsomely designed and illustrated, the volume includes a reproduction of every known authentic painting by the artist as well as the provenance and the significant facts and literature on each. This catalogue raisonne is, fittingly, the collaborative work of an international team devoted to the study of this major international artist. Susan J. Barnes, an independent art historian, co-curated a Van Dyck exhibit in Washington, D.C., 1990. Nora De Poorter is director of the Rubenianum, Antwerp. Oliver Millar, Surveyor Emeritus of The Queen?s Pictures, organized an exhibition of Van Dyck?s English work at the National Portrait Gallery, London, 1982-83. Horst Vey, former director of the Kunsthalle, Karlsruhe, is author of the standard work on Van Dyck's drawings. ‎

‎Crossing parallels Agostino Carracci - Hendrick Goltzius. ‎

‎, Imhof verlag, 2021 Hardcover, 24 30 cm, 304 pages with 289 illustrations. English text. ISBN 9783731909712.‎

‎Crossing Parallels ? Agostino Carracci, Hendrick Goltzius Graphische Sammlung ETH Z rich: 9. Dezember 2020 bis 14. M rz 2021 Agostino Carracci and Hendrick Goltzius were the leading engravers of the late 16th century ? one north and the other south of the Alps. They have not only achieved revolutionary achievements in technical terms, but have also had a lasting impact on the medium of copperplate engraving with the selection and design of their image content. While there are already numerous publications on Goltzius as well as on Carracci, the obvious comparison of the two great figures of the engraving around 1600 is undertaken here for the first time. In four detailed essays and catalog texts on all exhibited engravings, the amazing parallels in the life and work of the two masters are shown, their artistic development is comparatively analyzed and the readers? eyes are sharpened for the sophistication of their virtuoso engraving technique.‎

‎KERRY JAMES MARSHALL : The Graphic Work ‎

‎, Ludion, 2023 HB, 305 x 240 mm, 256 pages, ENG edition, NEW, dustjacket, illustrated in colours / b/w. ISBN 9789493039759.‎

‎Best known as a painter, Kerry James Marshall has also produced a vast graphic oeuvre that has been seldom seen and rarely documented. This catalog raisonn offers the first public account of his graphic work and is also the first in-depth study of the role of printed images and print processes in Marshall's work as a whole. One of the most important American contemporary artists, Kerry James Marshall is known for artworks that address the 'crisis of under-representation' of the black figure in the pictorial traditions of the Western world, from museums to comic books. His work has been widely celebrated in major museum retrospectives such as Kerry James Marshall: Painting and Other Stuff (Antwerp, Copenhagen, Barcelona, Madrid) in 2014 and Mastry (Chicago, New York, Los Angeles) in 2017, and through numerous awards, including a MacArthur Fellowship in 1997. An assiduous worker, he spent his youth acquiring time-honored skills of art - drawing and painting, but also wood engraving and printing. By his mid-twenties, he recalls, 'I could paint in egg tempera... I was good at printmaking. I could do woodcuts, etchings, aquatints. I knew all of those techniques.' Most of his prints have been produced not in professional print workshops, but by the artist, working alone in his studio. They range from images the size of postcards to his 50-foot-long, 12 panel woodcut Untitled (1998-99), to iterations of his ongoing magnum opus, Rythm Mastr. And while some have entered prominent museum collections, many exist only in private collections or the artist's archive and are unknown to the public. This catalog raisonn offers the first public account of these important works and the first in-depth study of the role of printed images and print processes in Marshall's work as a whole. ‎

‎Otto Dix : Werkverzeichnis der Aquarelle und Gouachen‎

‎, Verlag Gerd Hatje, 1991 Hardcover, 295 seiten, Deutsch, 320 x 260 x 30 mm, wie Neu, schutzumschlag, illustrationen in farbe / s/w. ISBN 9783775703345.‎

‎Der Maler Otto Dix (1891-1969) ist einer der bedeutendsten Vertreter des sozialkritischen Verismus im Deutschland der zwanziger Jahre. Heute geh rt er zu den Klassikern des 20. Jahrhunderts, hat aber nichts an Brisanz verloren. Die Aquarelle und Gouachen von Dix wurden f r diese Publikation erstmals systematisch erfasst, so wurde eine lang beklagte L cke in der Dix-Forschung geschlossen. Das Werkverzeichnis wird mit einem Textteil eingeleitet, der die wichtigsten Bildthemen behandelt und die Bedeutung der Aquarelle im Gesamtwerk untersucht. Sie bleiben eine tempor re Erscheinung, die jedoch ber wenige Jahre eine vorrangige Bedeutung hat. Der umfangreiche Katalogteil, chronologisch nach Aquarellen und Gouachen geordnet, enth lt rund tausend Titel, zum gr ten Teil durch Abbildungen belegt. Die beiden Hauptkomplexe sind die Gouachen, die Dix im Krieg gemalt hat, und die Aquarelle aus den Jahren 1922-1927. Die Publikation liefert eine wichtige Informationsgrundlage f r alle am Werk von Dix Interessierten‎

‎. Andr Beauneveu. Pas de pareil en nulles terres -Artiste aux cours de France et de Flandre.‎

‎, Paul Holberton Publishing 2008, 2008 Softcover, 216 pages, Texte en Francais, 270 x 225 mm, Tres belle exemplaire. ISBN 9781903470718.‎

‎Andr Beauneveu has long been known as one of the greatest European artists of the late 14th century. This book re-examines the oeuvre of the artist as first and foremost a master sculptor. Nash surveys the whole of his work including sculpture and stained glass originally for Jean, duc de Berry's chapel at Bourges. This is an important revisionary contribution to the study of late medieval art and the practice of its workshops. Susie Nash is a senior lecturer at the Courtauld Institute of Art.‎

‎LAutriche. Couverture dYves BRAYER. Ouvrage orne de 274 heliogravures.‎

‎Grenoble, Arthaud (« Les Beaux Pays, 157 »), 1960. grand in-8°, 362 pages, carte h.t. depl., index, broche, couv. rempliee.‎

‎Tres bel exemplaire [VU-1] ‎

‎EXAT 51. 1951-1956. Nuove tendenze. / Catalogo della mostra allestita a Siena nel 2003.‎

‎, Protagon, 2003 softcover, 160 pages, color and b/w illustrations, English / Italian edition .‎

‎Catalogo della mostra allestita a Siena nel 2003. Testo di Marijan Susovski. Edizione bilingue italiano/inglese. EXAT 51 (Experimental Atelier) identifica un movimento di pittori, disegnatori, architetti e artisti sorto a Zagabria nel 1951. In questo laboratorio sperimentale confluirono molti sostenitori croati dell'arte astratta, con il risultato che si cre uno stile inconfondibile anche nell'arte applicata, chiamato proprio con il nome del movimento EXAT. Il presente volume fornisce un'ampia documentazione, sia teorica che iconografica, sui risultati raggiunti dagli artisti di questo movimento.‎

‎PARIS. AN ARCHITECTURAL HISTORY.‎

‎Yale Univ. Press, 1993, in-4 softcover,, 221 pp, illustrations. In english. Cover Used, inside very good.‎

‎PARIS - AN ARCHITECTURAL HISTORY.‎

‎Yale Univ. Press, 1993, in-4 hardcover,, 221 pp, illustrations. In english. Signature on 1st page. ‎

‎PARIS - AN ARCHITECTURAL HISTORY.‎

‎Yale Univ. Press, 1993, in-4 hardcover,, 221 pp, illustrations. In english. Cover in good condition, inside very good.‎

‎The Principles and practice of modern house-construction: including water-supply and fittings, sanitary fittings and plumbing, drainage and sewage-disposal, warming ventilation, lighting, sanitary aspects of furniture [...] by F.W. Andrewes [et al.]‎

‎ Blackie & Son London, Glasgow, Edinburgh, and Dublin "1898-1899, 2 tomes à paginations continue : 503 et 528p., en 6 volumes. Chaque volume précédé d'une dizaine de pages numérotées en romains. Illustré de plus de 700 vignettes et de 27 planches hors-texte, certaines en couleurs. Cartonnage de l'éditeur, toile verte avec décor art déco. :: Première édition. :: Exemplaire élagué de bibliothèque (3 ex-libris anciens : John Ogilvy Harris; Corporatio Architectorum Provinciae Quebecensis; et Château Dufresne, Musée des Arts décoratifs), étiquette en queue. Intérieur très frais. Bon exemplaire de travail." ‎

‎Willy Suter.‎

‎Ollon. Édition Cenre d'Art - Les Fontaines. 1984. Qudratische-4°. 99 Seiten, mit zahlreichen farbigen Illustrationen. Illustrierter Pappband.‎

‎Exemplar N°. HC. Gesamtausgabe von 1000 Exemplaren. Text in deutscher und französischer Sprache. - Tadellos erhalten. Mit handschriftlicher Widmung.‎

‎Tours et clochers de tous styles et de tous les pays relevés et dessinés par C. Sutter. Flèches, donjons, beffrois, minarets, tourelles, campanilles, lanternes ‎

‎ Librairiegénérale de l'architecture Paris Librairie Générale de l'Architecture et des Travaux Publics André, Daly fils et Cie, sans date, vers 1880. In-folio en feuillets sous chemise relié demi-cartonnage nouée par lacets, de 80 planches regroupant 255 motifs. Collection Architecture historique. Bon état.‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎Architecture Historique - Tours et clochers de tous styles et de tous pays, flèches, donjons, beffrois, minarets, tourelles, campanilles, lanternes.‎

‎ Paris, Librairie Générale d l'Architecte et des Travaux Publics, s.d. [1880] Grand in-folio en ff., farde à lacets, dos en toile bordeaux, plats granités, table des planches. ‎

‎ La farde est fatiguée, frottée, coins inf. manquants, les lacets incomplets, l'intérieur est propre, ex. bien complet de toutes ses planches. - Frais de port : -France 7 € -U.E. 13 € -Monde (z B : 23 €) (z C : 43 €) ‎

‎DE SINT-ANNAKERK TE GENT,‎

‎, Provinciebestuur Oost-Vlaanderen, 1996, Gebrocheerd, geillustreerde kartonomslag met flappen, 140 x 210mm., 72pp., zeer mooie en uitgebreide kleurillustratie. ISBN 9074311172.‎

‎Achter de gevelvan de Gentse Sint-Annakerk schuilt een ongekende rijkdom aan muurschilderingen. Samen met de kleurrijk betegelde vloeren, de met sjablonen beschilderde onderbouw van de muren, de druk gedecoreerde glasramen en de met sterren bezaaide blauwe hemel van de gewelven maken ze het interieur tot een uitbundig polychroom geheel. De publicatie heeft ook aandacht voor het neobyzantijns-neoromaans exterieur. Nieuw. ‎