[SUISSE, ARCHITECTURE] - AERNI (Agathon), BELENET (Régis de) -
Reference : 201902581
Paris, Skira, 2004; in-4, 109 pp., cartonnage de l'éditeur.
.
Milano, Electa, 1991. 16 x 24, 114 pp., très nombreuses illustrations en couleurs et en N/B, broché, très bon état.
Zodiaque Nuit des Temps 1991 Zodiaque, Coll. la Nuit des Temps, 1991, cartonnage toilé éditeur sous jaquette et étui gris, environ 22x17cm, bon état.
Traduit de l'italien par Dom Norbert Vaillant. Photographies inédites de Zodiaque. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.
Lausanne, 1998 165pp. + 5 cartes & 112 illustrations hors-texte, 24cm., br.orig., text en français, Thèse présentée à la Faculté des Lettres de l'Université de Lausanne pour obtenir le grade de Docteur ès lettres, cachet au verso de la p.d.t., texte frais, bon état, S110439
New York: Wittenborn, Schultz, Inc., 1947 in-8, 252 pages, frontispice et 17 illustrations. Broché, couv. défraichie. (The Documents of Modern Art).
Kindergarten Chats (revised 1918) and other writings. (New York: Wittenborn, Schultz, Inc., 1947). [M.C.: architecture, Amérique, USA]
LEMERCIER IMPR 1881 35.5/ 27.5 Année 1881 planche n°23 - 34 - 46 du Moniteur des Architectes - bon état toutes petites rousseurs sur 23 fortes rousseurs sur 46 - dim extérieures 36.50cm x 27.5 cm - cadre blanc de quelques cm --
Bon Pas de jaquette
Suma Stefania ; BelsMarie(Traduction)
Reference : 122817
(2007)
ISBN : 2742769730 9782742769735
Actes Sud 2007 In-4 relié 30,8 cm sur 26,9. 279 pages. Jaquette en bon état. Bon état d’occasion.
Bon état d’occasion
The British Council. 1948. In-12. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 30 pp., nombreuses photos hors texte.. . . . Classification Dewey : 720-Architecture
Since Wren Classification Dewey : 720-Architecture
Thames & Hudson, coll. « L’Univers de l’Art » 1993 Edition de 1993. In-8 broché 21 cm sur 15. Très bon état d’occasion.
Très bon état d’occasion
Paul Hartmann. 1953. In-Folio. Relié. Etat d'usage, Couv. défraîchie, Dos fané, Papier jauni. 191 pages. 130 photos en noir et blanc, in et hors texte, dont frontispice. Nombreuses rousseurs. . . . . Classification Dewey : 720-Architecture
Photos par Piere Devinoy. Classification Dewey : 720-Architecture
Euromaitrise. 2009. In-Folio. Relié plein cuir. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 79 pages. Ouvrage français-anglais. Nombreuses photos en couleurs, hors texte.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
Editions Hazan, Paris, 1988. In-8, broché sous couverture rempliée et illustrée en couleur, 151 pp. La troisième voie - Ingénieur ou architecte? - La question du régionalisme - A l'école de la promotion privée - La rénovation urbaine - L'ordre structurel - La transition - Expressionnisme monolithique - L'espace publique - Les nouvelles cathédrales de ...
Nombreuses illustrations en noir et en couleur. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
Lane Publishing Co.. 1967. In-8. Broché. Bon état, Couv. légèrement pliée, Dos satisfaisant, Intérieur frais. 128 p. - Texte en anglais - Coiffes frottés - Nombreuses photographies n&b in et hors texte.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
Couverture souple. Broché. 139 pages. Sous emboîtage. 19 x 25 cm. Quelques rousseurs. Dos défraîchi.
Livre. Monografie illustrate pubblicate sotto la direzione del Dott. Corrado Ricci. Abondamment illustré. Istituto italiano d'Arti grafiche, editore, 1910.
Bruxelles, Etablissements Emile Bruylant, 1974-1975. 16 x 24, 2 volumes, 616 + 44-269 pages, broché + complément (agrafé), bon état (cachet d'ex-propriétaire dans chaque volume).
Tetraktys, 1972, in-8 br. (17 x 22), 107 p., illustrations n. et b. et coul., un plan, très bon état.
Description des remarquables vitraux de la nef de la cathédrale de Troyes.
Eyrolles, 2000. In-4. Broché. Couverture illustrée. 198 pages. 230 modèles de ferronnerie d'art et décorative dans différents styles. Mention de neuvième édition. Très bon état.
St. Léger, Ateliers de la Pierre-qui-Vire, s.d. (ca 1990). 17 x 22, 56 pp., 36 figures, broché, très bon état.
, British Museum Press 1992, 1992 Paperback, 192 pages, ENG, 275 x 215 mm, the cover has some creases in the front but the book itself is in good condition , with images/ illustratiions in colour and b/w. ISBN 9780714125060.
The textile industry in Thailand is one of the largest commercial businesses for jobs and economic growth in the country. Although they are in constant competition with China, Bangladesh, and Vietnam, their textile industry has made them a headquarters for Cotton USA.
, National Gallery of Art, 1994 Hardcover, 372 pages, ENG / ITA, 285 x 235 mm, In Fine State / Primo Condicione. ISBN 9780894682018.
Van Dyck werd geboren in 'Den Berendans' op de huidige Groenplaats in Antwerpen. Hij was het zevende kind van twaalf van de rijke textielhandelaar Francois van Dyck en Maria Cuypers. Het gezin bestond uit vier jongens en acht meisjes, drie stierven er jong. Catharina, Maria, Cornelia II en Franchois jr. waren ouder dan Antoon. Na hem kwamen Susanna, Anna, Dierick en Elisabeth of Isabella. Ze verhuisden in 1599 van de Grote Markt naar de Korte Nieuwstraat, waar op 7 maart 1607 ook het belendende pand 'De Stadt van Gendt' werd gekocht. Antoons moeder stierf echter een maand later, op 17 april 1607. Vanaf december 1610 waren er problemen, een priv -aangelegenheid: de Hondschootse Jacobmyne de Kueck moest uit de stad worden verbannen, na ruiten te hebben ingegooid en Franchois van Dyck te hebben bedreigd met de dood. Antons oudere zusters Catharina en Maria waren getrouwd in respectievelijk 1610 en 1615 en vanaf de zomer van 1615 gingen Franchois' zaken minder goed. Zijn schoonzonen daagden hem in juli 1615 voor het gerecht. Zijn boedel werd ge nventariseerd en verkocht. Antoon ging tegen zijn zwagers in het verweer. De florerende handelaarsfamilie was een moederloos gezin met serieuze problemen geworden. Mogelijk waren de gezinsleden niet langer 'sociaal aantrekkelijke kandidaten op de Antwerpse huwelijksmarkt' en werden daarom Susanna, Isabella en Cornelia begijn, Anna non en Dierick norbertijner kanunnik. De ouderlijke woning, 'De Stadt van Gendt', werd op 20 mei 1620 gedwongen verkocht. Rond 1620 was het gezin van Francois van Dyck 'sociaal gestigmatiseerd' en alleen Antoon kon de goede naam van de familie redden.
, YALE , 2004 Hardcover, 692 pages, English, 320 x 260 mm, fine. 632 b/w + 202 color illus. catalogue raissone. ISBN 9780300099287.
Sir Anthony Van Dyck (1599?1641) is among the greatest portrait painters of all time. The 1990s opened and closed with major exhibitions devoted to his work, and now the long-awaited catalogue raisonne of his painted oeuvre is complete. A native of Antwerp, Van Dyck also lived and worked for long periods in Italy and England, where his brief, productive life ended. He is best known for his work at the court of Charles I. His full-length portraits of aristocrats in the Caroline court and in Genoa, Antwerp, Brussels, and The Hague influenced the history of Western portraiture into the twentieth century in the work of John Singer Sargent. Handsomely designed and illustrated, the volume includes a reproduction of every known authentic painting by the artist as well as the provenance and the significant facts and literature on each. This catalogue raisonne is, fittingly, the collaborative work of an international team devoted to the study of this major international artist. Susan J. Barnes, an independent art historian, co-curated a Van Dyck exhibit in Washington, D.C., 1990. Nora De Poorter is director of the Rubenianum, Antwerp. Oliver Millar, Surveyor Emeritus of The Queen?s Pictures, organized an exhibition of Van Dyck?s English work at the National Portrait Gallery, London, 1982?83. Horst Vey, former director of the Kunsthalle, Karlsruhe, is author of the standard work on Van Dyck?s drawings.
, Yale University, 2004 Hardcover in dusjacket, 792pp, 632 b/w + 202 color illus. catalogue raissone. ISBN 9780300099287.
Sir Anthony Van Dyck (1599-1641) is among the greatest portrait painters of all time. The 1990s opened and closed with major exhibitions devoted to his work, and now the long-awaited catalogue raisonne of his painted oeuvre is complete. A native of Antwerp, Van Dyck also lived and worked for long periods in Italy and England, where his brief, productive life ended. He is best known for his work at the court of Charles I. His full-length portraits of aristocrats in the Caroline court and in Genoa, Antwerp, Brussels, and The Hague influenced the history of Western portraiture into the twentieth century in the work of John Singer Sargent. Handsomely designed and illustrated, the volume includes a reproduction of every known authentic painting by the artist as well as the provenance and the significant facts and literature on each. This catalogue raisonne is, fittingly, the collaborative work of an international team devoted to the study of this major international artist. Susan J. Barnes, an independent art historian, co-curated a Van Dyck exhibit in Washington, D.C., 1990. Nora De Poorter is director of the Rubenianum, Antwerp. Oliver Millar, Surveyor Emeritus of The Queen?s Pictures, organized an exhibition of Van Dyck?s English work at the National Portrait Gallery, London, 1982-83. Horst Vey, former director of the Kunsthalle, Karlsruhe, is author of the standard work on Van Dyck's drawings.
, Imhof verlag, 2021 Hardcover, 24 30 cm, 304 pages with 289 illustrations. English text. ISBN 9783731909712.
Crossing Parallels ? Agostino Carracci, Hendrick Goltzius Graphische Sammlung ETH Z rich: 9. Dezember 2020 bis 14. M rz 2021 Agostino Carracci and Hendrick Goltzius were the leading engravers of the late 16th century ? one north and the other south of the Alps. They have not only achieved revolutionary achievements in technical terms, but have also had a lasting impact on the medium of copperplate engraving with the selection and design of their image content. While there are already numerous publications on Goltzius as well as on Carracci, the obvious comparison of the two great figures of the engraving around 1600 is undertaken here for the first time. In four detailed essays and catalog texts on all exhibited engravings, the amazing parallels in the life and work of the two masters are shown, their artistic development is comparatively analyzed and the readers? eyes are sharpened for the sophistication of their virtuoso engraving technique.
, Ludion, 2023 HB, 305 x 240 mm, 256 pages, ENG edition, NEW, dustjacket, illustrated in colours / b/w. ISBN 9789493039759.
Best known as a painter, Kerry James Marshall has also produced a vast graphic oeuvre that has been seldom seen and rarely documented. This catalog raisonn offers the first public account of his graphic work and is also the first in-depth study of the role of printed images and print processes in Marshall's work as a whole. One of the most important American contemporary artists, Kerry James Marshall is known for artworks that address the 'crisis of under-representation' of the black figure in the pictorial traditions of the Western world, from museums to comic books. His work has been widely celebrated in major museum retrospectives such as Kerry James Marshall: Painting and Other Stuff (Antwerp, Copenhagen, Barcelona, Madrid) in 2014 and Mastry (Chicago, New York, Los Angeles) in 2017, and through numerous awards, including a MacArthur Fellowship in 1997. An assiduous worker, he spent his youth acquiring time-honored skills of art - drawing and painting, but also wood engraving and printing. By his mid-twenties, he recalls, 'I could paint in egg tempera... I was good at printmaking. I could do woodcuts, etchings, aquatints. I knew all of those techniques.' Most of his prints have been produced not in professional print workshops, but by the artist, working alone in his studio. They range from images the size of postcards to his 50-foot-long, 12 panel woodcut Untitled (1998-99), to iterations of his ongoing magnum opus, Rythm Mastr. And while some have entered prominent museum collections, many exist only in private collections or the artist's archive and are unknown to the public. This catalog raisonn offers the first public account of these important works and the first in-depth study of the role of printed images and print processes in Marshall's work as a whole.
, Verlag Gerd Hatje, 1991 Hardcover, 295 seiten, Deutsch, 320 x 260 x 30 mm, wie Neu, schutzumschlag, illustrationen in farbe / s/w. ISBN 9783775703345.
Der Maler Otto Dix (1891-1969) ist einer der bedeutendsten Vertreter des sozialkritischen Verismus im Deutschland der zwanziger Jahre. Heute geh rt er zu den Klassikern des 20. Jahrhunderts, hat aber nichts an Brisanz verloren. Die Aquarelle und Gouachen von Dix wurden f r diese Publikation erstmals systematisch erfasst, so wurde eine lang beklagte L cke in der Dix-Forschung geschlossen. Das Werkverzeichnis wird mit einem Textteil eingeleitet, der die wichtigsten Bildthemen behandelt und die Bedeutung der Aquarelle im Gesamtwerk untersucht. Sie bleiben eine tempor re Erscheinung, die jedoch ber wenige Jahre eine vorrangige Bedeutung hat. Der umfangreiche Katalogteil, chronologisch nach Aquarellen und Gouachen geordnet, enth lt rund tausend Titel, zum gr ten Teil durch Abbildungen belegt. Die beiden Hauptkomplexe sind die Gouachen, die Dix im Krieg gemalt hat, und die Aquarelle aus den Jahren 1922-1927. Die Publikation liefert eine wichtige Informationsgrundlage f r alle am Werk von Dix Interessierten