‎Typoundso.‎

‎Zürich, Hans-Rudolf Lutz, 1996. 4°. 439 S. Mit zahlr. Illustr. Orig.-Pappband mit Schutzumschlag.‎

‎100 alte Berner Holzhäuser und Bauernstuben.‎

‎Bern, Lobsiger, 1936, gr. in-4to, 2 Bl. + 100 loseTafeln, HLn. Portfolio-Mappe mit aufgezogenem. Titelschild, Schliessbändel, Schuber.‎

‎Inhalt: 1) Blockhäuser. (Tafeln 1-34), 2) Gemischte Konstruktion. (Tafeln 49-58), 3) Ständerbauten im Unterland. (Tafeln 59-79), 4) Schärmen und Speicher.(Tafeln 35-48 und 80-94), 5) Fachwerkbauten. (tafeln 95-100). ‎

‎160 alte Schweizer Bürger- und Bauernstuben.‎

‎Bern, M. Lutz, 1946. Quer-4°. 8 S. Mit 212 Tafeln mit Illustrationen von Bürgerstuben. Halbleinenmappe mit losen Blättern.‎

‎Gut erhaltenes und komplettes Exemplar. – Auf dem Umschlag der Mappe ist die Zahl 212 anstelle von 160 angegeben.‎

‎Jheronimus Bosch, Conservation and Restoration. From Former Glory to Changing Appearances (Volume 1: Text, Volume 2: Images)‎

‎, Brepols - Harvey Miller, 2025 Hardback Pages: 2 vols, 312 pages, Size:220 x 280 mm, 302 Illustrations: col.,Language: English* New. ISBN 9782503618685.‎

‎This unique publication provides fundamentally new insights into the making and changing of paintings by Jheronimus Bosch, which has significant consequences for their interpretation. The old master paintings we see today do not correspond to what the artist saw. Pictures change over time, often dramatically. This book unravels this phenomena for Jheronimus Bosch. It provides fundamentally new insights into the making of his paintings and into what has changed since then, which has significant consequences for their interpretation. This publication also compares how conservators deal with altered appearances. Strikingly, conservators determine how a painting can be seen and interpreted, by removing old ambiguities and by uncovering and unifying original elements. Even treatment of the reverse, the panel support, shows to impact the painted side. Contrary to common belief however, conservators do not restore pictures to their former glory. What does this mean for Bosch's paintings. TABLE OF CONTENTS Preface Note to the reader Chapter 1: Introduction Chapter 2: Former glory: Researching the changing appearances of paintings by Bosch and his workshop Chapter 3: Bosch restored: Conservation challenges, treatment approaches and their impact Chapter 4: Concluding remarks and considerations Bibliography Index of Paintings ‎

‎Hieronymus Bosch Painter and Draughtsman - Technical Studies ‎

‎, Fonds Mercator/ Mercatorfonds, 2016 Hardcover, 464 pages, ENG , 330 x 255 x 35 mm, NEW, dustjacket, 300 bw and col. illustrations ISBN 9789462301153.‎

‎Based on six years of study done by the Bosch Research and Conservation Project, this book represents the most comprehensive study ever done of the materiality of Hieronymus Bosch's paintings. In het verleden hebben de kunsthistorici zich vooral toegespitst op de onderwerpen en betekenissen van Bosch' werken, terwijl aan aspecten als schildertechniek, de medewerking van een atelier en de bewaringstoestand van de nog bestaande schilderijen aanzienlijk minder aandacht werd besteed. Sinds 2010 bestudeert het Bosch Research and Conservation Project de werken aan de hand van moderne onderzoeksmethoden. Het team heeft Bosch' bewaard gebleven schilderijen zo grondig mogelijk gedocumenteerd met infraroodreflectografie en digitale macrofotografie in ultrahoge resolutie, zowel bij infrarood als bij zichtbaar licht. Rontgenfoto's werden gedigitaliseerd en de volledige fotografische documentatie werd in een coregistratieproces verwerkt. Dat alles, samen met de microscopische studie van de schilderijen, verschafte het team de mogelijkheid om uitvoerige en kritische onderzoeksrapporten te schrijven over de techniek en de conditie van de werken. Hun bevindingen, die in dit buitengewone boek voor het eerst worden gepubliceerd, zullen bijdragen tot een beter inzicht in het oeuvre van Bosch. In the past, scholars have traditionally focused on the subjects and meanings of Hieronymus Bosch's works, whereas issues of painting technique, workshop participation, and condition of extant pictures has received considerably less attention. Since 2010, the Bosch Research and Conservation Project has been studying these works using modern methods. The team has documented as thoroughly as possible Bosch's extant paintings with infraredreflectography and ultra high-resolution digtal macro photography, both in infrared and visible light. X-radiographs have been digitized, and the complete photographic documentation processed via co-registration. Together with microscopic study of the paintings, all of this has enabled the team to write extensive and critical research reports describing the techniques and condition of the works, published in this extraordinary volume for the first time, all of which can further inform our understanding of Bosch's oeuvre. Luuk Hoogstede is a paintings conservator at SRAL, Maastricht. Ron Spronk is professor in art history at Queen's University, Kingston, Ontario, Canada and Radboud University Nijmegen, The Netherlands. Matthijs Ilsink is the project coordinator of the Bosch Research and Conservation Project and teaches art history at Radboud University Nijmegen, The Netherlands. Jos Koldeweij is professor in art history of the Middle Ages at Radboud University Nijmegen, the Netherlands Authors: Bosch Research and Conservation Project: Luuk Hoogstede, Ron Spronk, Robert G. Erdmann, Rik Klein Gotink, Matthijs Ilsink, Jos Koldeweij, Hanneke Nap, Daan Veldhuizen ‎

‎Châteaux de la loire. touraine.‎

‎Delmas, 1956 In-8 relié 29,5 cm sur 22. Jaquette en mauvais état. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎Atelier Vera Vermeersch . Koen Vanmechelen : Tabula Rasa‎

‎Gent, Atelier Vera Vermeersch, 2013 Oorspronkelijk uitgevers omslag, illustraties in kleur, 24x18cm, beperkte en genummerde oplage van 225 exemplaren dit is nummer 159. gesigneerd door Vermeersch en Vanmechelen.‎

‎Tentoonstellingscatalogus Cultureel Centrum Hasselt reeks Petit Octave. - Gent; vol. 8‎

‎La Chapelle de Sainte Maxime ou Saint Mexme de Chinon.. Note lue dans la séance de la Société archéologique de Touraine du 28 mars 1851. Seconde édition augmentée d'une réponse à M. Ch. Lenormant‎

‎Tours, Bouserez, Paris, Potier, 1853 gr. in-8, 34 pp., 2 planches dépliantes dont une en couleurs, demi-basane rouge à coins, dos à nerfs orné, tête dorée (reliure de l'époque). ‎

‎Exemplaire provenant de la bibliothèque de M. Ch. Schefer, avec son ex-libris. - - VENTE PAR CORRESPONDANCE UNIQUEMENT‎

‎Sephardic Book Art of the Fifteenth Century‎

‎, Brepols - Harvey Miller, 2020 Hardback, 259 pages, Size:220 x 280 mm, Illustrations:3 b/w, 111 col., Language: English. ISBN 9781909400597.‎

‎Summary The current volume presents ten different studies dealing with the final stages of Hebrew book art production in medieval Iberia. Ranging from the Farhi Codex, copied and illuminated in the late 14th century, to the Philadelphia Bible, copied and illuminated in Lisbon in 1496, this volume discusses a wide scope of topics related with the production, consumption and circulation of medieval decorated Hebrew manuscripts. Among the issues discussed in this volume we highlight the role played by three distinct artistic languages (Mudéjar, Late Gothic and Renaissance) in the shapping of 15th-century Sephardic illumination, the codicological specificity of some solutions in terms of layout and the relation between the layout of these manuscripts and Hebrew incunabula, the use of geometric decoration in scientific diagrams, or the afterlife of these manuscripts in Europe and Asia following the expulsion of the Jews from Iberia. TABLE OF CONTENTS Calligraphy and Decoration in the Farhi Codex (Sassoon coll. Ms 368, Mallorca, 1366-83) - Katrin Kogman-Appel From Castile to Lisbon: The Sephardic Biblical Codex and Mudejar Visual Culture, Mid-Thirteenth to Late Fifteenth Centuries - Sarit Shalev-Eyni Typography, Layout and Decoration: The Printed Hebrew Book in the Iberian Peninsula and its Origins in Illuminated Manuscripts - Shalom Sabar Some Sephardic Bibles from the Fifteenth Century in the Bodleian Library - Maria Ortega Monasterio Shirat ha-Yam and Page Layout in Late Medieval Sephardic Bibles - Javier del Barco The Portuguese Hebrew translation of Gerard de Solo's Commentary to Book IX of Rhazes's Almansor and the Manuscript at Reynolds-Finley Historical Library (Birmingham, Alabama) - Tiago Moita Mudéjar Decorations within Calendrical, Geographical, and Mathematical Tables and Diagrams in a Fifteenth-Century Sephardic Manuscript of Isaac Israeli's Y?s?d ??l?m from the British Library (MS Add. 15977) - Ilana Wartenberg Manuscripts and Evidence of Jewish Astrology and Medicine in Fifteenth-Century Portugal: An Overview - Helena Avelar, Luís C. Ribeiro Wandering Books: The Migration of Fifteenth-Century Sephardic Manuscripts and their 'New Life' Outside Iberia - Andreina Contessa Jewish Networks, Books and Early Protoglobalisation: Investigating the Route of BNF Hébreu 1314-1315 - Luís U. Afonso‎

‎L'EGLISE DE LUZ-St-SAUVEUR. UN MONUMENT UNIQUE.‎

‎IMPR. COLLET, PAU. NON DATE. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 8 pages illustrées de dessins en marron de l'auteur.. . . A l'italienne. Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎RECONNAITRE les STYLES ARCHITECTURAUX‎

‎Un ouvrage de 175 pages, format 175 x 250 mm, illustré, relié cartonnage couleurs, publié en 2001, Editions de Vecchi, très bon état‎

‎Connaissance des styles architecturaux, de la Préhistoire à l'architecture contemporaine‎

‎La Maison du Miroir. Photos choisies dans la collection de E. Ledrub.‎

‎Lausanne. Éditions L.E.P. Loisirs et Pédagogie S.A. 1984. Quadratische-4°. 88 S., mit zahlreichen Photos von E. Ledrub. Illustrierter Pappband.‎

‎Sehr gut erhalten. Rücken abgeschossen.‎

‎When Judaism Lost the Temple. Crisis and Response in 4 Ezra and 2 Baruch‎

‎, Brepols, 2020 Paperback, xiv + 244 pages, Size:156 x 234 mm, Language: English. ISBN 9782503586960.‎

‎Summary This book presents a study of religious thought in two Jewish apocalypses, 4 Ezra and 2 Baruch, written as a response to the destruction of the Jerusalem Temple by the Romans in 70 CE. The true nature of the crisis is the perceived loss of covenantal relationship between God and Israel, and the Jewish identity that is under threat. Discussions of various aspects of thought, including those conventionally termed theodicy, particularism and universalism, anthropology and soteriology, are subordinated under and contextualized within the larger issue of how the ancient authors propose to mend the traditional Deuteronomic covenantal theology now under crisis. Both 4 Ezra and 2 Baruch advocate a two-pronged solution of Torah and eschatology at the centre of their scheme to restore that covenant relationship in the absence of the Temple. Both maintain the Mosaic tradition as the bulwark for Israel's future survival and revival. Whereas 4 Ezra aims to implant its eschatology into the Sinaitic tradition and make it part of the Mosaic Law, 2 Baruch extends the Deuteronomic scheme of reward and retribution into an eschatological context, making the rewards of the end-time a solution to the cycle of sins and punishments of this age. Considerable emphases are also placed on the significance of the portrayals of the pseudonymous protagonists, Ezra and Baruch, the use of symbolism in the two texts as scriptural exegesis, as well as their relationship with each other and links with the Hebrew Bible and other Jewish and Christian writings.‎

‎J.J.J. RIGAL, CATALOGUE RAISONNE, GRAVURES, MONOTYPES.‎

‎, Somogy Editions d'Art, 2018 cartonnage illustre de l'editeur, Pages : 272, Illustrations : 800, : 24,6 x 28 cm, Langue : Francais. , neuf !. ISBN 9782757210406.‎

‎Reconnu graveur des l?age de 8 ans par Andre Malraux, Jean Cassou et Claude Roger-Marx, Jacques- Joachim-Jean Rigal (1926-1997) ? J.J.J. Rigal de sa signature ? est un artiste eclectique mais surtout le promoteur emerite de la gravure en couleurs. Ses gravures revelent son monde interieur a partir de la contemplation meditative des sujets les plus communs: arbres, fruits, fleurs, insectes, mais aussi villes dans leur representation silencieuse, souvent insolite. ?«Poete de l?image?», il est aussi l?illustrateur de nombreux livres de bibliophilie, romans classiques, inedits, poemes, notamment ceux de ses amis Andre Dhotel et Jean Grosjean. Produit des recherches minutieuses effectuees par Denise et Nicole Rigal, son epouse et sa fille, cet ouvrage, eclaire par un texte de Lydia Harambourg, presente pour la premiere fois la totalite des gravures et monotypes de J.J.J. Rigal‎

‎LES TROIS COURONNEMENTS‎

‎, MAME, 1999 Hardcover, 103 pages, Francais, 250 x 250 mm, bon condition. ISBN 9782728905072.‎

‎Une tapisserie du XVe siècle, fleuron du Trésor de la cathédrale de Sens, qui célèbre trois femmes : Bethsabée, Esther et Marie. Edition Mame‎

‎The Face of New York. The City As It Was and As It Is.‎

‎New York, Ceown Publishers, 1954, Gr.-4°. XIV, nicht numerierte Seiten. Mit zahlreichen Fotos von Andreas Feininger. Original Leinenband mit Rückenbeschriftung.‎

‎Einband leicht verblasst. Sehr gutes Exemplar.‎

‎L'image de la cité.‎

‎ Broché, 21X15 cm, 1983, 222 pages, illustrations en noir, collection aspects de l'urbanisme, éditions Dunod. Quelques marques d'usage sans gravité, bon état.‎

‎L'image de la Cité ‎

‎Dunod, coll. « Aspects de l’Urbanisme » 1971 In-8 cartonnage éditeur sous jaquette 22,3 cm sur 15,5. 222 pages. Nouveau tirage de l971. Jaquette légèrement passée. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎L'image de la cité‎

‎Dunod, coll. « Aspects de l’Urbanisme » 1971 In-8 cartonnage éditeur. 22 cm sur 14. 222 pages. Plusieurs illustrations en noir et blanc. Jaquette défraîchie avec déchirures marginales. Bon état d’occasion.‎

‎ Bon état d’occasion ‎

‎Late Antique Palatine Architecture. Palaces and Palace Culture: Patterns of Transculturation‎

‎, Brepols, 2020 Paperback, 213 pages, Size:220 x 280 mm, Illustrations:110 b/w, 50 col., 10 tables b/w., Language: English. ISBN 9782503574721.‎

‎Summary Late antique palaces and palace culture served as the loci of dramatic shifts in architecture and design, as well as urban planning, public works and patronage, in the imperial cities of Rome and Constantinople, and the first palatine centres of the Holy Roman Empire. This volume provides a wealth of detailed information and perspectives on late antique and early medieval design practices, with emphasis on the new spatial configurations and their decorative schema. The essays in this collection provide original, ground-breaking narratives on palatine architecture and culture in this period, integrating cross-cultural dialogues from Rome as centre of imperial palace architecture with details of late palace embellishments and the ceremonial usage which was brought to the fore, as the discussion shifts to the new imperial capital of Nova Roma, Constantinople, and then to the Carolingian centres via Rome and Ravenna. A parallel discussion emerges, where prototypes for palaces and ceremonial courts were imported and reinterpreted through a process of citation. Principal interest resides in the contrasts of palatial and residential complexes, intended to demonstrate new ceremonies and the practices enacted within and through them. The focus of the volume is then shifted to eastern and western provincial and rural high-status residences and landscapes of power, examining the relationships between palaces and late Roman villas and the court and court culture, ultimately revealing a political agenda in use through and in the language of architecture. TABLE OF CONTENTS Introduction Preface in commemoration of Ulrike Wulf-Rheidt - Adolf Hoffmann The Palace of the Roman Emperors on the Palatine in Rome - Ulrike Wulf-Rheidt Magna Mater and the pignora imperii: Creating Places of Power - Sarah Wilson The Political Power of the Palace: The Residences of Maxentius in Rome - Elisha Ann Dumser Adapting to a New Concept of Sovereignty: Some Remarks on Tetrarchic Palace Architecture - Dr Verena Jaeschke Diocletian's Palace: Villa, Sacrum Palatium, Villa-Cum-Factory, Chateau? - Josko Belamaric Architecture, Innovation and Economy in the Late Roman Danube-Balkan Region: Palaces and 'Productive Villas' from Pannonia - Lynda Mulvin The porticus post scaenam of Lugdunum Convenarum - Daniel M. Millette The Question of the Survival of Roman Architectural Traditions within the Byzantine Great Palace - Nigel Westbrook 'In More Romano': Medieval Residences of the Holy Roman Empire - Bernd Nicolai Bibliography‎

‎Louise Bourgeois - The Woven Child‎

‎, Hayward Gallery & Hatje Cantz, 2022 Paperback , 208 pages, ENG. edition, 280 x 245 mm, NEW, 180 illustrations in color / b/w. ISBN 9783775751490.‎

‎This book provides a comprehensive overview of the fabric works from the last two decades in the career of legendary artist Louise Bourgeois. ?I?ve always had a fascination with the needle,? she said, ?the magic power of the needle. The needle is used to repair damage. It?s a claim to forgiveness.? This body of work began when the artist started incorporating clothes from all stages of her life into her art, and later expanded to include a range of other textiles such as bed linen, handkerchiefs, tapestry, and needlepoint. The fabric works mine the themes of identity and sexuality, trauma and memory, guilt and reparation, and serve as metaphors for emotional and psychological states. The catalogue ? which accompanies the exhibition at the Hayward Gallery, London, and the Gropius Bau, Berlin ? features works from numerous series, including the monumental Cell installations, figurative sculptures, and abstract drawings. Louise Bourgeois (1911?2010) is one of the most influential artists of the 20th and 21st centuries, best known for her formally inventive and psychologically powerful sculptures.‎

‎Chaire à prêcher construite par M. Questel en 1866 à l'église St Martin d'Ainay à Lyon. 2 planches extraites de la publication mensuelle Croquis d'architecture, Intime-club.‎

‎- 2 planches autographiées. 35 x 55 cm. Quelques rousseurs.‎

‎Vieux papier. Croquis d'architecture, Juin 1866-Avril 1867.‎

‎ANNALES de la Société Académique d'ARCHITECTURE de LYON. Tome VIII : Exercice 1883-1884 et 1885-1886.‎

‎ 1887 Lyon, Mougin-Rusand, 1887, grand in 8° broché, CXXXIII-190 pages ; non coupé ; illustrations in et hors-texte (les portraits de Chenevard et de Feuga n'ont pas été joints à cet exemplaire). ‎

‎ ...................... Photos sur demande ..........................‎

‎ANNALES de la Société Académique d'ARCHITECTURE de LYON. Tome IX : Exercice 1887-1888.‎

‎ 1887 Lyon, Mougin-Rusand, 1889, grand in 8° broché, XC-167 pages ; non coupé ; 25 planches hors-texte. ‎

‎ ...................... Photos sur demande ..........................‎

‎Biographies d'architectes : Jehan PERREAL, Clément TRIE et Edouard GRAND.‎

‎ Lyon, Clairon Mondet (Impr. Alf. Louis PERRIN et MARINET), 1874, grand in 8° relié demi-chagrin orange, dos à faux nerfs, étiquette chagrin marron, couverture conservée, tête dorée (GUETANT Relieur), 255 pages ; quelques rousseurs ; petits manques à l'étiquette ; figures dans le texte et planches hors-texte ; index des noms de personnes in-fine. ‎

‎Bel exemplaire, dans une agréable reliure de GUETANT, de cet ouvrage tiré à petit nombre ; bien complet des 10 planches hors-texte (dont deux doubles) et du plan de Lyon. ...................... Photos sur demande ..........................‎