‎Confraternity, Mendicant Orders, and Salvation in the Middle Ages. The Contribution of the Hungarian Sources (c.1270-c.1530)‎

‎, Brepols, 2019 Hardback, xvii + 365 pages, Size:156 x 234 mm, Illustrations:22 b/w, 2 tables b/w., 2 Maps, 14 Graphs, Language: English. ISBN 9782503578712.‎

‎Summary By the late Middle Ages, mendicant spiritual confraternities had developed a poor reputation. Their spiritual status was ill-identified: somewhere between requests for intercession, necrological commemoration, and pious associations. In the hands of the mendicants, they seemed to resemble what indulgences had supposedly become in the hands of the papacy: bait that was handed out to extort funds from the faithful while offering an apparently immediate access to Paradise. Thus, like indulgences, they seem to have been gradually emptied of their substance and denounced (even before Luther) as glaring evidence of the corruption of the Roman Church. Much recent scholarship has followed this negative portrait of spiritual confraternities ? unless it has conflated them with other non-spiritual confraternities, or indeed ignored them altogether. This volume draws on the abundant number of letters of confraternity available from Hungarian sources in order to provide a more nuanced picture of mendicant spiritual confraternities. It sheds new light on the links between the mendicants and their supports among the laity, and emphasises the broader significance of the confraternity movement in late medieval piety in Central Europe and beyond. TABLE OF CONTENTS Acknowledgements Introduction Chapter 1. Spiritual Confraternities of the Mendicant Orders - In a Blind Spot of Research An Elusive Object of Study The Link Between Confraternitas and the Monks Do Mendicant Spiritual Confraternities Exist? Established Historical Givens Unresolved Questions Central European Trajectories Chapter 2. The Hungarian Documentary Corpus Sources on The Spiritual Confraternities of the Mendicant Orders in the Middle Ages The Documentation Pertaining to Hungary: Overview 'Hungarian' Letters of Confraternity Chapter 3. The Success of Mendicant Spiritual Confraternities in Hungary until about 1530 The Hungarian Religious Context The Infatuation with Mendicant Spiritual Confraternities Sociography of the Affiliates Chapter 4. The Process of Spiritual Affiliation to the Mendicants A Nebula of Graces The Letter in Spiritual Affiliation From Individual to Confraternitas Chapter 5. Mendicant Uses of Spiritual Confraternity The Involvement of the Mendicants in the Development of Spiritual Confraternities The Interest of Spiritual Association for the Friars The Franciscans and Spiritual Confraternity The Other Mendicants Chapter 6. Confraternity and Salvation: The Affiliates' View The Value of Spiritual Confraternity on the Salvation Market Why Affiliate Oneself with The Mendicants? Three Itineraries of Spiritual Associates Conclusion Bibliography Tables, Maps, Graphs Appendix: Sixteen Letters of Confraternity Figures (Letters Of Confraternity, Seals) Index of Proper Names‎

‎iconographie d'Antoine Van Dyck, Catalogue Raisonné 2 volumes‎

‎Bruxelles, Bibliothèque Royale Albert I. Alan Wofsy Fine Arts, 1991 Softcover, two volumes, 220 + 208 pages, 29 x 21.5 cm. Images in b/w. French.‎

‎The complete graphic works of Antoine Van Dyck.‎

‎L'architecture rurale française : l' Alsace in-4,relié avec jaquette,291 pages,abondamment illustré.‎

‎ Berger-Levrault 1978‎

‎Bon état‎

‎Between Body and Soul in Old Norse Literature. Emotions and the Mutability of Form‎

‎, Brepols, 2024 Hardback, 224 pages, Size:156 x 234 mm, Language: English. ISBN 9782503605883.‎

‎Summary What did the body mean for inhabitants of the medieval Norse-speaking world? How was the physical body viewed? Where did the boundary lie between corporality and the psychological or spiritual aspects of humanity? And how did such an understanding tie in with popular literary motifs such as shape-shifting? This monograph seeks to engage with these questions by offering the first focused work to delineate a space for ideas about the body within the Old Norse world. The connections between emotions and bodily changes are examined through discussion of the physical manifestations of emotion (tiredness, changes in facial colour, swelling), while the author offers a detailed analysis of the Old Norse term hamr, a word that could variously mean shape, form, and appearance, but also character. Attention is also paid to changes of physical form linked to flight and battle ecstasy, as well as to magical shapeshifting. Through this approach, diametrically different ways of thinking about the connection between body and soul can be found, and the argument made that within the Old Norse world, concepts of change within the body rested along a spectrum that ranged from the purely physical through to the psychological. In doing so, this volume offers a broader understanding of what physicality and spirituality might have meant in the Middle Ages. TABLE OF CONTENTS Acknowledgements Introduction. Searching for the Body Methodological Limitations Influence of Continental Writings Chapter 1. Somatic Aspects of Emotion The Study of Emotions Genre Specifics and Saga Style The Emotional Content of Physical Displays Exhaustion and Fatigue Change of Facial Colour Swelling Eye Pain Death The Concept of the Body in Light of the Semantic Field of Emotions as Physical Experiences Chapter 2. Change of Form The Concept of hamr The Etymology of the Root ham- and its Compound Words The Compound Words hamingja and líkamr Interpretive Dilemmas Changes Associated with Flight Changes Linked with Strong Animals Transformations in the Context of Battle Ecstasy Hybrid Forms The Transformations of Magic Practitioners Witches Journeying of hamr The Disappearance of hamr The Surface of the Body The Post-medieval Development Scandinavian Ballads Modern Icelandic The Concept of the Body in Light of the Semantic Field of hamr Conclusion. The Period of Transition Appendix. Occurrences of the ham- Root in Old Norse Literature The Poetic Edda Skaldic Poetry Snorra Edda (Prose Edda) Landnámabók (Book of Settlements) The Sagas Kings' Sagas (konungas?gur) Tales (þættir) Sagas of Icelanders (Íslendingas?gur) Legendary Sagas (fornaldars?gur) Indigenous Romances (lygis?gur) The Chivalric Sagas (riddaras?gur) Christian Sagas Contemporary Sagas (samtíðars?gur) Scholarly Literature Works Cited Index ‎

‎Paul Gees: Tension, Balance, Risk, Stability‎

‎Antwerpen , Oktober publications,, 2019 paperback,520 pages, 26,7 x 20,1 cm, illustrated, Text; Nederlands/English / ITAL. ISBN 9789082681918.‎

‎Paul Gees (°1943) neemt een bijzondere plaats in de Belgische kunstscène in. Sinds 1980 onderzoekt Gees in zijn werk de relatie natuur-cultuur. Zijn sculpturen belichamen bedacht samengestelde composities waarbij evenwicht, spanning en geraffineerd gevoel voor verhoudingen de boventoon voeren. Daarbij valt het weloverwogen gebruik van hout, metaal en gesteente sterk op. Metaal krijgt een constructieve en ruimte-omschrijvende betekenis, goed gedimensioneerd hout vormt een dynamische component en onbewerkte steen zorgt voor natuurlijke massa. Uit de confrontatie tussen deze traditionele materialen ontstaan spanningsvolle tegenstellingen in een breekbaar evenwicht: ?een hedendaagse alchimist, die energie ontlokt aan de materie? volgens kunstcriticus Eric Rinkhout.‎

‎Palais et Médinas‎

‎Éditions de Lodj, 2006. In-4, relié, cartonnage éditeur sous jaquette illustrée, 287 pages. Bon exemplaire‎

5 Images

‎MAISONS PREFABRIQUEES EN BOIS ET EN DUR.‎

‎Non daté / Composé de 43 planches. Relié avec jaquette. Editions Charles Massin.‎

‎Jaquette présentant des frottements épars et rescotchée sur le dernier plat, intérieur très frais malgré des rousseurs sur la page de faux titre, la planche N°16 est détachée de la reliure. Bon état.‎

‎Augustin exégète et prédicateur dans les Sermons sur Matthieu‎

‎, Brepols, 2021 Paperback, 722 pages, Size:165 x 250 mm, Language: French. ISBN 9782851213037.‎

‎Summary In his preaching, does Augustine of Hippo adapt his biblical commentaries and, if so, according to what criteria? To answer this question, this book studies the exegesis of some twenty sermons preached on the Gospel of Matthew. The first chapter places them in their historical, geographical, polemical and liturgical contexts. The following chapters investigate the patristic tradition and the Augustinian works in order to shed light on the specificity of the interpretations; the rhetorical dimension is also taken into account. Through their scriptural interpretations, these sermons assume the concrete situation of the audience and are inserted into the dynamics of the liturgy from which they receive the material for the commentary and the finality that guides it. Their exegesis is situated at the intersection between the Word of God which it extends and implements (chapters 2 to 4) and the responses it seeks to elicit from the listeners (chapters 5 to 7). This desire to edify the listeners, both personally and communally, while aiming at spiritual progress and orthopraxis rooted in the confessed truth, helps to enlighten the preacher's adaptation of the Sermons on Matthew. Dans sa prédication, Augustin d'Hippone adapte-t-il ses commentaires bibliques et, si oui, selon quels critères ? Pour répondre à cette question, cet ouvrage étudie l'exégèse d'une vingtaine de sermons prêchés sur l'Évangile de Matthieu. Un premier chapitre les replace dans leurs contextes d'énonciation, historiques, géographiques, polémiques et liturgiques. Les chapitres suivants procèdent à une enquête dans la tradition patristique et dans l'oeuvre augustinienne pour, le cas échéant, mettre en lumière la spécificité des interprétations ; la dimension rhétorique est aussi prise en compte. Ces sermons assument par leurs interprétations scripturaires la situation concrète de l'assemblée et s'insèrent dans la dynamique de la liturgie dont ils reçoivent la matière du commentaire et la finalité qui l'oriente. Leur exégèse se situe à l'intersection entre la Parole de Dieu qu'elle prolonge et met en oeuvre (chapitres 2 à 4) et les réponses qu'elle cherche à susciter de la part des auditeurs (chapitres 5 à 7). Cette volonté d'édifier les auditeurs, à la fois personnellement et communautairement, en visant tout autant un progrès spirituel et une orthopraxie découlant de la vérité confessée, contribue à éclairer l'adaptation du prédicateur dans les Sermons sur Matthieu. TABLE OF CONTENTS Ante omnia Sigles Introduction Chapitre 1. Prolégomènes. Contextes des Sermones in Matthaeum Première partie: Per ministrum sermonis. La médiation du prédicateur Introduction Chapitre 2. Médiations et annonce (S. 66). Mt 11, 2-11. Lc 7, 18-28 Chapitre 3. Ministerium sermonis. Le ministère du prédicateur Chapitre 4. "Petite! Quaerite! Pulsate!" Enseigner l'exégèse Per ministrum sermonis. Conclusion Seconde partie: Fructus quaeritur. Les fruits de la prédication Introduction Chapitre 5. Images bibliques de la fructification Chapitre 6. Fides. La foi, fruit de la prédication Chapitre 7. Caritas. L'amour de Dieu et du prochain, fruits de la prédication Fructus quaeritur. Conclusions Conclusion Annexes Indices‎

‎Chromo-Architecture - L'art de construire en couleur‎

‎Edité par Editions Alternatives, Paris, 2007. Broché avec rabats, 22 x 24 cm. 160pp. Nombreuses illustrations en couleurs. Très bon état. ‎

5 Images

‎Construire aujourd'hui, et demain ? Liberte, responsabilite & engagement de l'architecte - rapport d'activite avril 2023‎

‎STRASBOURG ecole d'architecture. 2023. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 69 pages - quelques illustrations en couleur. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎#07 Anne Rondia architecte et paysagiste‎

‎, Archidoc, 2023 Paperback, 320 pages, Texte en Francais , 190 x 150 x 24 mm, Tres bien condition, illustr. / foto's en couleur / n/b. ISBN 9782960192278.‎

‎Architecte et paysagiste formée à l?Institut d?architecture Saint-Luc de Liège, Anne Rondia développe une pratique professionnelle qui l?amène à aborder tant l?insertion paysagère d?infrastructures de transport en divers milieux que la conception et la gestion d?espaces publics d?échelles et de natures très variées en milieu urbain, principalement en tant qu?auteur de projet au sein de la Ville de Liège (1994-2017). Son apport dans la redéfinition des espaces publics est fondamental. Il se caractérise entre autres par une vision sociétale engagée, orientée vers les pratiques habitantes, respectueuse du contexte historique et paysager tout en soutenant l?intégration d??uvres d?art dans l?espace public. Les aménagements portés par Anne Rondia sont nombreux : quai des Tanneurs, place Émile Wiket, cour du Cinéma Sauvenière? Mais c?est surtout en remportant le concours pour le parc Saint-Léonard (en association avec Arlette Baumans et Aloys Beguin, 1994) et avec les projets du parc Sainte-Agathe (Prix de l?urbanisme, 2015) et de valorisation touristique des Coteaux de la Citadelle à Liège qu?Anne Rondia touche à la reconnaissance tant de la critique que du grand public. Ce dernier projet obtient en 2016 le prix du paysage de Wallonie et une mention spéciale pour la participation du public, au prix européen du paysage 2017. De 1980 à 2013, Anne Rondia partage ses expériences et son expertise en tant qu?assistante puis chef de travaux à Saint-Luc puis à la faculté d?architecture de l?Université de Liège et exerce actuellement en tant que conseillère ou partenaire pour le paysage dans le cadre d?équipes pluridisciplinaires.‎

‎Sublime Truth and the Senses: Titian's Poesie for King Philip II of Spain‎

‎, Brepols - Harvey Miller, 2019 Hardback, iv + 232 pages, Size:220 x 280 mm, Illustrations:71 b/w, 77 col., Languages: English, Italian, Latin. ISBN 9781909400276.‎

‎Summary The paintings for Philip II, known as the Poesie, are among the most frequently discussed works of art that address a favored Renaissance theme, the influence of the pagan gods on human actions. The commission is traceable to 1549, when Emperor Charles V summoned the artist to Augsburg following Prince Philip's triumphal parade through the empire as his father's heir apparent. The cycle that took shape comprises Danae and Venus and Adonis (Madrid, Prado); Diana and Actaeon and Diana and Callisto (Edinburgh, National Gallery of Scotland); Perseus and Andromeda (London, Wallace Collection) and Europa (Boston, Isabella Stewart Gardner Museum). These masterpieces of the artist's mature period can be considered the most important Renaissance grouping of mythological paintings executed by a single artist. The author proposes that Philip's expected elevation prompted the commission and that the subjects form a cohesive program of Hapsburg ethical views and political concerns, and that Titian created new visual idioms to represent the complex issues which the subjects address in part by engaging themes with a significant prior history in family patronage. While Titian's Poesie for Philip II are well known monuments of western culture, they have never before been investigated with this focus. The dispersal of the pictures' in the seventeenth century resulted in a scholarly focus on the single pictures and a concentration on their sensual aspects. In Aretino, a Venetian dialogue on painting, Titian's friend and apologist Lodovico Dolce is a spokesman for art that following poetry, entices through beauty, while hiding important truths beneath the veil of allegory. This study analyzes the ways in which Titian incorporates new concepts of sensuality and spirituality in a Venetian vernacular to create masterpieces whose originality and ravishing beauty belie their didactic content.‎

‎L'HISTOIRE EN SAVOIE, REVUE TRIMESTRIELLE HISTORIQUE, N°31/32, MAI 1981. NUMERO HORS SERIE: CHAMBERY, UN CERREFOUR, UNE CAPITALE, UN STYLE.‎

‎AU BUREAU DE LA REVUE. 1981. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 48 pages. Premier plat illustré en couleurs. Quelques photos et illustrations en noir et blanc, dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Jews and Muslims under the Fourth Lateran Council. Papers Commemorating the Octocentenary of the Fourth Lateran Council (1215)‎

‎, Brepols, 2019 Hardback, 280 pages, Size:156 x 234 mm, Illustrations:2 b/w, Language: English. ISBN 9782503581514.‎

‎Summary The Fourth Lateran Council (1215) was groundbreaking for having introduced to medieval Europe a series of canons that sought to regulate encounters between Christians and Jews and Muslims. Its canon 68 demanded that Jews and Muslims wear distinguishing dress, in order to prevent Christians from entering into illicit sexual relations with them, restricted the movement of Jews in public spaces during Holy Week, and exhorted secular authorities to punish Jews who in any way "insult" or blaspheme against Christ himself. Other canons sought to exercise greater control over moneylending, to provide relief to Christian borrowers, to extract tithes from Jews who held Christian properties as pledges, and prohibited Jews from exercising power as public officials over Christians. The canons condemned converts who preserved elements from their former religion, promoted a fifth Crusade to the East, exempted Crusaders from taxes and from interest payments to Jewish moneylenders, restricted trade with Muslims or Saracens, and condemned Christians who provided arms or assistance to Saracens. The Council's canons affected the missionary efforts of the late medieval Church and its attempts to convert Jewish and Muslim minorities, and established essential guidance on minority relations not to be surpassed until Vatican II in the 1960s. TABLE OF CONTENTS John Tolan, Introduction Part I-Jews under the Fourth Lateran Council Valerie Ramseyer, Wellesley College, Rethinking Boundaries between Christian, Jewish, and Muslim Communities in Pre-Lateran IV, Southern Italy Alex Novikoff, Kenyon College, Performance and the Audio-Visual Jew in the Age of Pope Innocent III Irven Resnick, University of Tennessee-Chattanooga, The Jews' Badge Anna Sapir Abulafia, Lady Margaret Hall, Oxford University, The Fourth Lateran Council through the Lens of Jewish Service Rebecca Rist, University of Reading, From a Jewish Text: Anti-Jewish Papal Policy of the Lateran IV Decrees Part II-Muslims under the Fourth Lateran Council Ryan Szpiech, University of Michigan, Saracens and Church Councils, from Nablus (1120) to Vienne (1313-1314) Giulio Cipollone, Pontificia Università Gregoriana, Christian and Muslim Captives Taken in Crusades and Jih?d: Not a Single Word Spoken at the Fourth Lateran Council Yvonne Friedman, Bar-Ilan University, The Crusade/Peacemaking Dichotomy: A Nuanced Approach Clara Almagro Vidal, Universidade de Évora/CIDEHUS, Military Orders, Muslims, and the Fourth Lateran Council in Castile Ana Echevarria, Universidad Nacional de Educación a Distancia, The Marks of the Other: The Impact of Lateran IV in the Regulations Governing Muslims in the Iberian Peninsula Josep Hernando Delgado, Universitat de Barcelona, From Islam to Christianity: Preaching, Conversion, and the Religious Practices of Muslim Slaves from the Fourth Lateran Council through the Fifteenth Century Appendix Bibliography Index‎

‎ Baga, Visions of Africa‎

‎, 5 Continents, 2019 softcover, 148 pages, 72 ills. 16,5 x 24 cm., test in English, *new. ISBN 9788874398201.‎

‎The Baga, along with the Nalu and the Landuma, are a small rice-growing community living along the coast of Guinea, in West Africa. They became famous following the discovery of their extraordinary sculptures by explorers, colonial administrators, ethnologists, collectors, and art dealers towards the end of the nineteenth century. Nowadays, the art of the Baga is admired in the public and private collections of northern European countries. Their works consist mainly of different types of wooden masks and statues of various sizes, as well as wonderful percussion instruments, chiefs' seats, and other skillfully carved utilitarian objects. All these sacred objects were once created and used as important features in their ritual behavior based on the manifestation of their divinities, ancestor worship, rites of passage, secret brotherhoods, and the performance of important social ceremonies like weddings, funerals, and harvesting. But more recently they have also included entirely new sculpted works created by talented, highly skilled craftsmen who were influenced by colonization and newly introduced religions, while at the same time finding inspiration in traditional myths and legends. Fascinating examples of this eclecticism are the figures of colonists depicted standing, on horseback, or riding birds, the many different kinds of female busts representing Mami Wata, the sea goddess, winged figures, bestiaries associated with tales and legends, and the personifications of the heroic founders of their villages.‎

‎La décoration monumentale des églises de la France septentrionale du XIIe au XIIIe siècles. Thèse pour le doctorat, Université de Paris.‎

‎Couverture souple. Broché. 234 pages.‎

‎Livre. Editions Ernest Leroux, 1911.‎

‎Mens Acris in Corpore Commodo. Festschrift in Honour of the 70th Birthday of Ivan Matej?i?‎

‎, Brepols, 2023 Paperback, 452 pages, Size:200 x 280 mm, Illustrations:74 b/w, 238 col., Language(s):English, Italian. ISBN 9789538250163.‎

‎Summary This volume, dedicated to Ivan Matej?i?, a distinguisehd Croatian art historian and conservator, in honour of his 70th birthday, contains thirty articles covering the fields of art history, archaeology and history. These are all original contributions to debates regarding mostly the period from Late Antiquity to the Renaissance, but not disregarding the Baroque and thus reflecting the broad interests of the celebrant. While several contributions discuss themes related to Dalmatia or Italy, the foucs of the volume is on istria, the meeting point of Central, Mediterranean and Southeast Europe, which was also the region to which Ivan Matej?i? dedicated most of his outstanding work. Therefore it will, withouth doubt, find an interested readership among scholars from many different counries and fields of interest, Byzantine and Carolingian Europe being only the two most prominent. - Prof Neven Budak, University of Zagreb The reviewed book presents more than 30 original scientific papers dealing mostly with Middle Ages and the Renaissance, practically all in the field of art history or archaeology, authored by some of the most qualified international researchers in these fields. It includes diachronical research related to medieval architecture and liturgy, ecclesiastic history, medieval paintings mostly focusing on Christian history and material culture. Most topics published in this book are presented for the first time. The interest of the scientific immunity will be visible in the use of new methodologies in a quite prolific number of papers, with new interpretations of old known material. All former studies of the topics elaborated in this volume are questioned - providing andwers and new perspectives of old problems, while giving new methodologies of interpreting the past. - Prof. Alexandra Chavarria Arnau, University of Padova TABLE OF CONTENTS Miljenko Jurkovi? - Marijan Bradanovi?, Predgovor / Foreword Marijan Bradanovi?, ?ivjeti povijest umjetnosti, raditi ?uvaju?i ba?tinu / Living Art History - Working Preserving Heritage Bibliography of Ivan Matej?i? Branko Orbani?, Gard Ivana Matej?i?a u borbi za ba?tinu / Fighting for Heritage - the Stance of Ivan Matej?i? Gaetano Ben?i?, Parenzo dal IV al VII secolo alla luce delle evidenze archeologiche Pascale Chevalier, Antonivs, Eufrasivs, Frvgifervs, Probinvs, Helias : des évêques bâtisseurs et leurs sceaux de pierre Ivan Josipovi?, Et Verbum caro factum est - Iconographic and Iconological Interpretation of the Mosaics of Euphrasian Basilica in Pore? in the Context of a Final Confrontation with Arian Heresy Ranko Starac, La basilica in località ?Mire? a Ba?ka sull'isola di Krk (Veglia) Morana ?au?evi? Bully, Sébastien Bully, Jessy Crochat, avec la collaboration de Pascale Chevalier, Quelques considérations sur l'architecture et les installations liturgiques de l'église paléochrétienne de Martin??ica (Punta Kri?a, île de Cres) Gian Pietro Brogiolo, Santa Giustina di Padova, sepolture presso il sacello Michelle Beghelli, On the Road and in the Tavern. Practical Aspects of the Master Builders' Mobility: Distances, Journey Durations, Stopovers and Hospitality, Costs (7th-9th c.) Miljenko Jurkovi?, Carolingian Istria - an Introduction to a Renaissance of the Late 8th Century Ivan Basi?, Patriarch or Bishop? Aemilianus of Pula at the Turn of the 9th Century Ante Milo?evi?, Early Medieval Belt Strap-end from Dubrovnik between the West and the East Josip Bani?, Marchionatus Istrie origo mythosque Wodalrici marchionis: (Re)interpreting the Genesis of the March of Istria and the Socio-Genealogical Background of its First Margraves (c. 1060 - c. 1100) Nikolina Marakovi? - Sun?ica Musta?, I capitelli della chiesa di S. Martino a San Lorenzo del Pasenatico nel contesto della scultura del primo romanico nel Nord Adriatico Nata?a Nefat, Due absidi per il professor Matej?i? - contributo allo studio del gruppo di chiese biabsidiali in Istria ?eljko Pekovi?, Fortification Architecture on the Islet of St. Mary on the Island of Mljet Jean-Pierre Caillet, La tavola Bembo attribuée à Paolo Veneziano : contextualisation hagiographique et typologique Nikola Jak?i?, Sant'Oronzo nei reliquiari medievali a Zara e Nona Zoraida Demori Stani?i?, The Icon of Virgin Glykofilousa in Vodnjan Marijan Bradanovi?, Andanti e in moleca per Ivan Matej?i? Danijel Cikovi?, Tre aggiunte al catalogo della bottega di Paolo Campsa Giovanna Valenzano, Primizie da un restauro in corso: le sante dipinte da Giotto sull'intradosso della cappella di Santa Caterina al Santo di Padova ?eljko Bistrovi?, Gotische Wandmalereien in der Kapelle der Hl. Dreifaltigkeit des ehemaligen Augustinerklosters des Hl. Hieronymus im mittelalterlichen Sankt Veit am Pflaum (heutiges Rijeka in Kroatien) Goran Nik?i?, Creation of the World on the Façade of the Kor?ula Cathedral Josip Belamari?, The Church of St Jerome on Marjan Hill - a Renaissance camera picta Predrag Markovi?, The Relief of St John the Evangelist from Marjan (Split) - At Least ?the First Consideration? Samo ?tefanac, Nuove osservazioni sull'architettura del duomo di Ossero Xavier Barral i Altet, Ravenne tardo-antique et médiévale comme nouvelle Jérusalem : à propos d'une vue de la ville de 1664 Radoslav Tomi?, Il pittore Giovanni Francesco Fedrigazzi: nuove opere a Traù Vinni Lucherini, Due lettere inedite per l'edizione muratoriana (1725) della Cronaca altomedievale dei vescovi di Napoli Jasenka Gudelj, Il cerimoniale e la storia: le committenze del vescovo Marino Bozzatini (1742-1754) a Cittanova e Buie Mirjana Repani?-Braun, Caspar Franz Sambach's Painting on the High Altar of the Cathedral of St Theresa in Po?ega‎

‎Questioning Pictorial Genres in Dutch Seventeenth-Century Art. Definitions, Artistic Practices, Market & Society‎

‎, Brepols, 2021 Paperback, 402 pages, Size:216 x 280 mm, Illustrations:130 col., 19 tables b/w., Language: English. ISBN 9782503596242.‎

‎Summary Church interiors, cortegaerdjes, scenes of everyday life, tronies, landscapes, spoockerijen, group portraits, bambocciate, hunting scenes, history paintings, sottoboschi, still lives and many other subjects: the wide variety of pictorial genres and sub-genres in which Dutch artists specialized is a key component in our perception of Dutch seventeenth-century art. Yet the epistemological framework constituted by genre definitions, conventions and hierarchies is far from self-evident, nor does it necessarily reflect how people in the seventeenth-century thought about artworks. In fact, art literature of the period is largely silent on these matters and artists do not appear to have followed an established set of principles. This volume examines the way pictorial genres can be, and have been, defined by artists, theorists, audiences and art historians; how individual artists conceived the subject matter of their artworks; and how society and the art market contributed to the development of certain subjects. As such, it embraces the complex and often messy reality of pictorial genres in seventeenth-century Dutch art. TABLE OF CONTENTS Questioning Pictorial Genres in Dutch Seventeenth-Century Art: Introduction Marije Osnabrugge (University of Geneva) I. Defining genre The So-Called Hierarchy of Genres in Seventeenth-Century Dutch Art Theory Jan Blanc (University of Geneva) Spotting Specialists: A Digital Approach to Contemporary Concepts of Genre and Specialisation Weixuan Li (University of Amsterdam / Huygens - KNAW) The Seventeenth-Century Dutch Portrait: An Unstable Genre Ann Jensen Adams (UC Santa Barbara) The Bambocciata: Investigating a "Would-be genre" Suzanne Baverez (ENS ULM/EPHE, Paris) From Genre Scenes à l'antique to genre sérieux : the Contribution of Gerard de Lairesse Tijana ?akula (Utrecht University) Definition through Appreciation: The Corporate Group Portrait from the Seventeenth until the Twenty-First Century Norbert Middelkoop (Amsterdam Museum) II. Artists and Genres Guns and Roses: Versatility and Variety in the Oeuvre of Jacques de Gheyn Susanne Bartels (University of Geneva / RKD The Hague) Otto Marseus van Schrieck and the Sottobosco Paintings: Hybrid Subject as a form of Automimesis. VE. Mandrij (Unversity of Konstanz) Rembrandt as Genre and History Painter: Picturing Pain Stephanie Dickey (Queen's University, Kingston) Defining the Hybrid Genre in the Context of Saenredam's Perspectives Helen Hillyard (Dulwich Picture Gallery, London) The 'Little Street' - Vermeer's Writing on the Wall Reindert Falkenburg (NYU Abu Dabi) III. The Market and Society The Dominance of History Painting: Social Class and Subject Matter of Paintings in Amsterdam, 1650-1700 Angela Jager (University of Geneva) Rethinking Swanenburg: The Rise and Fortune of New Iconographies of the 'Hell' in Italy and the Northern Netherlands Tania De Nile (MiBAC, Rome) La Scène de Corps de Garde comme Autoreprésentation Léonard Pouy (Haute École de la Joaillerie, Paris) Honour and Shame in Dutch Seventeenth-Century Art and Culture Wayne Franits (Syracuse University)‎

‎Philippe Van Snick the project‎

‎, S.M.A.K. - Stedelijk Museum voor Actuele Kunst Gent, 2019 softcover, 142 pag. met illustraties, 29.5x23.5cm. ISBN 9789075679571.‎

‎Philippe Van Snick (1946-2019) is een Belgisch kunstenaar die woonde en werkte in Brussel, waar hij jarenlang lesgaf aan de kunsthogeschool Sint Lukas.Hij was in de jaren 60 en 70 actief als een conceptueel en minimalistisch kunstenaar en werkte met diverse materialen zoals film, fotografie, en installaties. Weerkerende thema's zijn de ellips, het dualisme, en het decimaal systeem. Vanaf 1979 en vooral in de jaren 80 en 90 zal hij zich vooral wijden aan de abstracte minimalistische schilderkunst. Bekende motieven van Philippe Van Snick zijn dan het dag-nacht motief, gesymboliseerd in de kleuren blauw en zwart, en het tiendelige kleurenpalet met de kleuren rood, geel en blauw (als hoofdkleuren),oranje, groen en violet (als secundaire kleuren), goud en zilver (als kleuren met fysische waarde) en wit en zwart(als niet-kleuren). Aan dit boek werd heel geconcentreerd samengewerkt door de reeds terminaal zieke kunstenaar en grafisch ontwerpster Inge Ketelers. Helaas heeft hij de gedrukte publicatie niet meer in handen kunnen nemen.‎

‎FACE TO FACE WITH HUGO VAN DER GOES : Old Master, New Interpretation‎

‎, Hannibal Books, 2022 HB, 300 x 250 mm, 144 pages, illustr. *English edition. ISBN 9789464366716.‎

‎In this fascinating introduction to the work and life of Flemish Primitive Hugo van der Goes (c. 1440-1482/1483), several experts and researchers shed light on the virtuosity of the master himself. The Death of the Virgin is one of the most important works in Musea Brugge's world-renowned collection of Early Netherlandish painting. After an intensive five-year restoration the masterpiece has come into its own again, with many brilliant elements, a bright colour palette and newly uncovered details. Face to Face with Hugo van der Goes - Old Master, New Interpretation offers an insight into the timeless yet contemporary character of the masterpiece and pays attention to the iconic value of a work waiting to be discovered. With text contributions by Matthias Depoorter, Lieven De Visch, Marijn Everaarts, Sibylla Goegebuer, Griet Steyaert and Anne van Oosterwijk. This publication is issued on the occasion of the exhibition Face to face with Death. Hugo van der Goes, Old Masters and New Interpretations at the Sint-Janshospitaal in Bruges from 28 October 2022 to 5 February 2023.‎

‎Oog in oog met Hugo van der Goes, Oude meester, nieuwe blik‎

‎, Hannibal Books, 2022 Gebonden, hardcover, , 292 x 245 mm, 144 pages Nederlandse uitgave. . ISBN 9789464366723.‎

‎In deze fascinerende introductie tot het werk en leven van de Vlaamse primitief Hugo van der Goes (ca. 1440-1482/1483) belichten verschillende experts en onderzoekers de virtuositeit van de meester himself. Zijn Dood van Maria is een van de belangrijkste werken in de wereldbefaamde collectie Vlaamse schilderkunst van Musea Brugge. Na een intensieve restauratie van vijf jaar komt het meesterwerk weer volledig tot zijn recht met talloze schitterende elementen, een fel kleurenpalet en recent ontdekte details. Oog in oog met Hugo van der Goes ? Oude meester, nieuwe blik biedt een inkijk in het tijdloze en hedendaagse karakter van het topstuk en besteedt aandacht aan de iconische waarde van een te ontdekken oeuvre. Met tekstbijdragen van Matthias Depoorter, Lieven De Visch, Marijn Everaarts, Sibylla Goegebuer, Griet Steyaert en Anne van Oosterwijk. Publicatie naar aanleiding van de tentoonstelling Oog in Oog met de Dood. Hugo van der Goes, oude meesters, nieuwe blikken in het Sint-Janshospitaal in Brugge van 28 oktober 2022 tot 5 februari 2023.‎

‎WERKEN VAN BRUEGEL UIT NEDERLANDS EN BELGISCH OPENBAAR BEZIT.‎

‎Amsterdam / Brussel, Nederlandse Stichting Openbaar Kunst, 1969 Ingenaaid, beige linnen hardcover met goudopdruk, 27.4x23.8 cm., 88 pp., 55 illustraties in kleur en in z/w.‎

‎kunstcatalogi, Bruegel, Pieter, Stedenbouw, Architectuur, Kunst, Fotografie, Film, Radio, Televisie, Bruegel, Pieter (de Oude), schilderkunst, Schilderkunst‎

‎Dialogue avec l'Oeuvre Ravagee apres 250 Ans de Restauration ‎

‎BE - , Mercator/ Mercatorfonds , 1995 Couverture reliee sous jaquette + slipcase, 275 pp.; Texte en Francais, Illustrated. *Bon etat. ISBN 906153341.‎

‎Un examen approfondi de l'histoire de la conservation de l'art et de ses méthodes, ainsi que de certaines des ?uvres qu'elle a révélées et, ironiquement, de certaines des ?uvres qu'elle a endommagées. ----- An in-depth examination of the history of art conservation and its methods, as well as some of the works it has uncovered and, ironically, some of the works it has damaged.‎

‎BRUEGEL, Arcade, 1969 FR‎

‎, Brussel, Arcade, 1969 Relié, avec couverture, titre doré et cachet doré sur la planche avant, dos décoré de titre doré, couverture originale illustrée en couleur, 27x30,5cm, 387pp, illustrée n / b et en couleur.‎

‎Biographie. Le temps et le travail de Bruegel. Tableau synoptique. Le livre est en bon état.‎

‎BRUEGEL, Arcade, 1969 NL.‎

‎, Brussel, Arcade, 1969**, Gebonden, vergulde titel en vergulde bandstempel op de voorplaat, rug versierd met vergulde titel, originele geillustreerde stogomslag in kleur, 27x30,5cm, 387pp, geillustreerd z/w en in kleur.‎

‎Biografie. Bruegels Tijd en Werk. Synoptische tabel. Boek is in prima staat.‎