A. ERLANDE-BRANDENBURG, A.-B. MÉREL-BRANDENBURGPhotographies de J.-F. AMELOT
Reference : 3951
(2011)
Paris Picard 2011 1 4° Broché couverture à rabats 126 pages Nombreuses photographies en couleurs avec explications. Frais d'envoi calculés par Mondial Relay, colissimo et étranger sur devis
L'église de Saint-Germain-des-Prés offre un témoignage unique, bien que largement méconnu, de la production artistique de l'an mil... Très bon état Remises possibles sur les achats en lot, achetez plusieurs objets à la fois ! Reçoit sur rendez-vous pour consultation des ouvrages.
, Koningshooikt : Kerkfabriek Sint-Jan-Evangelist , 1992, Oorspronkelijk uitgevers omslag, 72 pag. afbeeldingen z/w.
Wommelgem, De Gulden Engel, 1987 Geillustr. softcover, 213 pp. + register, 15.50x22 cm., talrijke z/w foto's, goede staat. ISBN 905035100x.
Fotografie: Jacques Sonck.
Berlin, Weidmannsche Bucchandlung 1888, 205x130mm, 153Seiten, broschiert. Stempel des Besitzers auf der Titel Seiten.
Vorwort und Notizen in Deutsch, Text in Altgriechisch,
Birkhaüser Birkhaüser, 1997. In-4 relié toile sous jaquette illustrée rempliée de 240 pages. Nombreuses illustrations et plans. Texte Anglais - allemand. Bel exemplaire
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
Paris, imp. Maulde et Renou, 1918, 1 affiche de 43 x 57 cm.
Phone number : 06 80 15 77 01
Eclassan, Michel Carlat, s.d. (années 60 ou 70), 1 affiche de 30 x 41, illustrée par Michel Carlat, petite tache dans la marge.
Phone number : 06 80 15 77 01
[Jean-Claude Castelli] - [Affiche] Castelli, Jean-Claude (ill.)
Reference : 4442
(1973)
Nancy Berger-Levrault 1973 aucune reliure (Nancy, imp. Berger-Levraut, 1973). 65 x 50,5 cm, affiche tirée en offset.
Petits accidents dans le centre de l'affiche. Bon
Paris Musée des arts décoratifs 1970 aucune reliure Paris, Musée des arts décoratifs, 1970. Aucune mention d'imprimeur. 66 x 52,5 cm, affiche en couleurs tirée en offset. sur papier fort et mat.
Peu commun. Trous de punaise dans les angles et larges traces d'adhésif au verso. Assez bon
Paris Marchand 1982 aucune reliure (Paris, Marchand), 1982. 59,5 x 42,5 cm, affiche tirée en offset.
Affiche réalisée par le groupe Grapus pour un concours organisé à l'Institut français d'architecture. Rare. Parfait état. Parfait
Nancy : Presses universitaires, Série médiévale, 1992. 214 p. ill.en noir et coul., cartes, plans, index. Dos et bord de première de couverture insolés.
Naissance et développement des bourgs castraux / Atlas.
Montbéliard, A.F.R.A.M., 1986. In-4 broché, couv. ill., 201 pp., tapuscrit, très nb. ill. en n/b. in t. (reprod. photogr., dessins, croquis, plans (dont 8 dépliants), cartes...), index des sites. Ouvrage épuisé chez l'éditeur.
Très bon ex. - Frais de port : -France 4,95 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €)
, Brepols - Harvey Miller, 2009 Hardcover with dusjacket, 245 pages., 199 b/w ill., 220 x 280 mm, Languages: English. ISBN 9781905375271.
This book presents in word and image the fa ade of Orvieto Cathedral, the reliefs of which are considered to be among the most beautiful and powerful of the Trecento. The town of Orvieto, located half-way between Rome and Florence, played an important and strategic role in the political struggles in Italy during the latter part of the thirteenth century. Frequently the place of residence for popes and their Angevins allies, it became the seat of the Curia under Pope Nicholas IV, which brought wealth and economic growth to the community. Moreover, it enabled earlier plans for a new cathedral, initiated around 1285, to be finally realised. It was Pope Nicholas himself who laid the foundation stone of the new Duomo in 1290, and although building activity continued until well into the seventeenth century, most of the main portion of the building was complete by 1308, creating a dazzling and unique Gothic structure. The fa ade of the Cathedral in particular, is a masterpiece of design and relief sculpture. Its rich decorative carving is of outstanding quality and the innovative, compelling iconographic programme spreads across all four piers of the lower fa ade. The corpus of photographs by David Finn, taken specially for this publication, shows the skill and narrative details of this vituoso display of relief carving, while the text by Anita Fiderer Moskowitz, Professor of Art History at the State University of New York, Stony Brook, explains the building in the context of related Italian Gothic architecture, and discusses the problems and controversies regarding the design and ornamentation of the fa ade as well as the puzzling question as to its artistic attribution. The author also interprets the basic iconography of the sculptures and provides full descriptions for the detail images.
, Brepols, 2023 Paperback, 168 pages, Size:216 x 280 mm, Illustrations:31 b/w, 52 col., Language: English. ISBN 9782503606200.
Summary The essays in this volume address the problem of three dimensions in architecture and the ways architects in the 16th century (and before and after) solved this problem during the design process. Two-dimensional drawings were used as the most helpful element in the design process, as well as for the presentation of designs. Those involved, not only patrons but also construction workers, should be able to understand what a two-dimensional design would turn out to result in three dimensions. Both drawings in two dimensions and three-dimensional models are well-known tools to architects, but the way in which they employed them together is not always clear. Sometimes architects limited themselves to the making of models only when they believed that these would suffice to communicate the design to others. In other instances, drawings and models were used jointly. Topics of study in this volume include examples of these practices in the work of the Sangallo, Raphael, Vasari, and others. TABLE OF CONTENTS Introduction Lex Bosman Drawings for Models Lex Bosman Baldassare Peruzzi's Projections Ann Huppert Combining the intrinsic and the extrinsic: Francesco di Giorgio's model drawings Elizabeth Merril ?Not as beautiful as those made by painters??: graphic innovations in carpenters' drawings in the early sixteenth century in the Low Countries Merlijn Hurx ?Accommodate the Stories to the Spaces and Not the Spaces to the Stories?. Plans, Models and Drawings for Giorgio Vasari's Decorations in the Palazzo Vecchio in Florence Laura Overpelt The Mellon Codex and the creation of space with drawings and models Lex Bosman ?Come praticarono molti?. The use of Paper Architectural Models in Early Modern Italy Giovanni Santucci
Paris Foyer brésilien 1930 Fort in-4 Cartonnage éditeur
Edition originale de cette publication richement illustrée de cartes, plans - 6 dépliants - , photographies et reproductions en noir et en couleurs, concernant l'architecture, l'urbanisation et les préocupations sanitaires de Rio de Janeiro depuis sa création. Un des 1500 exemplaires sur vélin teinté. Petite auréole angulaire en couverture, mais bon exemlaire bien complet de la grande carte dépliante, 94,5 x 144 cm, encartée in fine. Très bon 0
, Lannoo, 2024 Hardcover, 304 pag. NL / FR., 300 x 220 mm, Nieuw / Nouveau, stofomslag / jaquette, afb. / images in kleur / z/w. ISBN 9789401491068.
De beste hedendaagse toparchitecten van Belgi In deze bijzondere gebonden hardcover introduceert architectuurschrijver Agata Toromanoff de meest invloedrijke, hedendaagse architecten van Belgi en een selectie van hun meest gevierde gebouwen in full colour fotografie. Belgische architecten gooien al jaren hoge ogen en kennen internationale allure. Met de bekendste Belgische architect-designers, zoals Vincent Van Duysen en EPRICUM, tot opkomende architecten, zoals Oyo Architects. Aan elke architect zijn meerdere pagina's gewijd, waarin hun invloeden en idee n worden geschetst en de glorieuze ontwerpen worden getoond die hen bekendheid hebben gegeven. Met dit geweldige naslagwerk ontdekt u de ware omvang van de creatieve prestaties die binnen de carri res van deze architectonische reuzen liggen. Boeiende biografie n naast adembenemende foto's. Een boek dat zowel verhelderend als mooi is.
, Prestel Publishing, 2021 HB, 270 x 210 mm, 240 p, 250 Kleurenillustraties, ENG edition, Publication date: Nov. 21. ISBN 9783791388113.
From luxury apartment towers to offices, places of worship to museums, brutalist architecture is having a 21st-century moment-- and this book is here to explore the new interpretations of the style. Designed with the same bold aesthetic that informed Le Corbusier himself, this book features fifty recent examples of how architects around the world are embracing the principles of brutalism -- simplicity, functionality, and rawness -- reimagining them for today's standards and tastes. Drawing from the radical approach of the controversial architectural movement, today's Brutalist buildings are both sophisticated and elegant. As the hundreds of exterior and interior photos in this book reveal, architects have taken advantage of new technology to make concrete-based structures that are refined and alluring, as well as stylish and modish unlike their predecessors. Each chapter is dedicated to a different type of building and is introduced with a selection of iconic structures as an essential visual reference for Brutalism's new look. In some instances the overall strength of the aesthetic is paired with equally forceful materials such as glass, metal and brick; other examples show how classically brutalist lines are integrated into generously proportioned, light-filled spaces. An informative celebration of Brutalist architecture's legacy, this book is an exciting exploration of how today's most innovative architects are discovering the inherent beauty of powerful concrete volumes that was at the heart of Le Corbusier's original vision.
, Lannoo 2021, 2021 Hardcover, 272 pages, English, 285 x 245 mm, book is as New !, with very special photographs in colour !! gorgeous clothings and masks.. ISBN 9789401473644.
In Dark & Dystopian Post-Mortem Fairy Tales, Mothmeister - the two-headed alter ego of the anonymous Belgian artistic duo - pays tribute to the many muses that incited its unsettling and eccentric dreamworld. These range from artists around the globe, legendary figures and myths and a quirky taxidermy collection to desolate places where its most grotesque and often melancholic characters were born, such as the macabre Capuchin Catacombs of Palermo, the abandoned unearthly town of Pyramiden in Spitsbergen and the site of the Chernobyl disaster. All of this flows into a unique fairyland that flirts with the morbid, religious and often clownish, in which taxidermy animals are brought back to life in the most unusual ways.
Ajamar | Bruxelles 1852 in12. 1852. Relié. iconographie en noir et blanc
étiquette sur le dos couverture frottée bords frottés tranche ternie
H.Vial. 1922. In-4. En feuillets. Etat d'usage, Plats abîmés, Dos abîmé, Quelques rousseurs. Paginé de 145 à 238 - quelques planches en couleurs - nombreux dessins, illustrations, plans en monochrome dans et hors texte - déchirures sur les plats - 6 photos disponibles.. . . . Classification Dewey : 720-Architecture
Sommaire : Annexe du château de la Tuyolle à Taverny (Seine et Oise) - ferme Saint-Crépin à Soissons (Aisne) - ferme de fontenille à Wissignicourt (Aisne) - maisons économiques à Paris - ferme de moyenne culture dans le jura - logements ouvriers type gauthier deux logements - projet d'agrandissement de l'oeuvre pour l'enfance et la famille par l'aide sociale - propriété de M.L.M. à Anizy le Chateau (Aisne) - agrandissement du Manoir de Blosseville - un monument aux morts pour la ville de Marles - le pavillon du représentant à Addis-Abbeba - propriété de M.Mondaine à Anizy le château - habitation du ferme propriété de M.X. etc. Classification Dewey : 720-Architecture
Commission Française de la Culture de l'Agglomération de Bruxelles, 1983. 19 x 21, 63 pp., quelques croquis, 1 carte volante, broché, bon état.
IMPRIMERIE NORMANDE. NON DATE. In-8. Broché. Etat d'usage, Couv. partiel. décollorée, Dos satisfaisant, Intérieur frais. 48 pages. Quelques photos en noir et blanc dans et hors texte.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture