‎Democratieen sterven liggend kritiek van de tactische rede‎

‎, Houtekiet, 2014 Paperback 214 pagina's. ISBN 9789089242839.‎

‎Aan het einde van de 18de eeuw stelde Immanuel Kant een aantal pertinente vragen. Wat kunnen we weten? Wat mogen we hopen? Wat kunnen we doen? Na twee eeuwen zijn die actueler dan ooit: wat kunnen we met zekerheid weten, vooral nu de Grote Verhalen van het christendom, het liberalisme, het socialisme en zelfs de democratie hun aantrekkingskracht verloren hebben? Mogen we nog hopen op een andere, betere samenleving, zowel lokaal als internationaal? Anders gezegd: kunnen we nog nieuwe maatschappijmodellen ontwerpen die het beste van de emancipatietraditie bewaren en toch vernieuwend zijn? En zo ja, kan deze vernieuwing voor de eerste keer in de geschiedenis gedragen worden door een meerderheid van gewone burgers? En wat zijn daar de noodzakelijke voorwaarden van? Democratieën sterven liggend begint daarom met een aantal reflecties over de betrouwbaarheid van onze kennis. Daarna pleit Ludo Abicht voor 'een christendom zonder God' en 'een communisme zonder leiders'. Tot slot schetst de auteur een geloofwaardige en haalbare tactiek om een stap naar een ondubbelzinnig democratisch project te zetten.‎

‎Henri Van Straten, 100ste geboorteverjaardag 1892 1944 oeuvrecatalogus‎

‎Antwerpen , 't Elzenveld, 1992 Oorspronkelijk uitgevers omslag, 93 pagina's, 29 x 22 cm, Nederlandstalig.‎

‎Catalogus bij overzichtstenstoonstelling van ex-librissen, tekeningen, litho's, schilderijen e.a‎

‎Toutankhamon - L'Or de l'au-delà : Trésors funéraires de la Vallée des Rois‎

‎, Uitgever:Antikenmuseum und Sammlung Ludwig de Bâle, 2004 Paperback, 383 pages, Texte en Francais, 290 x 245 x 30 mm, Tres belle exemplaire.Illustrations en couleur / n/b. ISBN 9783905057188.‎

‎réussi un véritable tour de force: faire venir en Suisse des chefs-duvre du patrimoine culturel mondial qui n'avaient pas quitté l'Égypte depuis plus de vingt ans, certains n'ayant même jamais été montrés hors de leur pays d'origine. Le temps d'une exposition, ces trésors sont accessibles à un large public. La culture de l'ancienne égypte n'a jamais cessé de nous fasciner; ; cela fait des générations qu'elle inspire artistes et intellectuels. Si elle fait partie de l'héritage culturel mondial, elle marque également de son empreinte l'art visuel contemporain. Il est désormais possible d'admirer à Bâle de fabuleux témoins de cette civilisation raffinée. L'exposition « Toutankhamon - L'or de l'au-delà" rassemble des pièces inestimables provenant de la Vallée des Rois. Dès le premier regard, nous sommes frappés par la perfection et la beauté de ces uvres et voulons en savoir plus sur le contexte culturel dans lequel elles ont vu le jour. L'exposition apporte un éclairage nouveau sur la civilisation et l'art égyptiens, sur lesquels la présente publication nous fournit des informations détaillées‎

‎ Aachener Kunstblätter. Band 39/1969 ‎

‎, Schwann Verlag , 1969 Softcover, 238 seiten, Deutsch, 300 x 210 mm, mit abbildungen, .‎

‎Die agglutinierende Bauweise im italienischen Mittelmeerraum‎

‎Berlin, 1971 99pp. + 54 bl/w plates out of text, 29cm., text in German, Doctoral Dissertation ("Vom Fachbereich 8 - Bauplanung und -fertigung der Technischen Universität Berlin zur Verleihung des akademischen Grades Doktor-Ingenieur genehmigte Dissertation"), softcover, stamp at verso of title page, text is clean and bright, good condition, S113254‎

‎LANGUEDOC roman : le Languedoc méditerranéen.‎

‎ Zodiaque La Nuit des Temps 1975 Zodiaque, Coll. la Nuit des Temps, 1975, reliure toile éditeur sous jaquette, avec son étui en carton gris. Bon état.‎

‎ Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

‎Languedoc Roman, le Languedoc méditerranéen. Traduction allemande de G. Schecher. Traduction anglaise de P. Veyriras et John P. Britz. Avec le concours d’André Burgos. Photographies inédites de Zodiaque. Collection: la nuit des temps, n°. 43.‎

‎ La Pierre-qui-Vire (Yonne), Zodiaque 1975, 220x175mm, 419pages, reliure d'éditeur sous jaquette. Très bel exemplaire ‎

‎ 158 photos en héliogravure, 6 planches en couleurs, illustrations n/b in et hors texte: cartes, plans, croquis, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Languedoc Roman - Le Languedoc méditérranéen‎

‎Ed. Zodiaque - Coll. "La nuit des temps" vol. 43 - 1975 - grand in-8 - couv. cartonnée, pleine toile, jaquette éditeur illustrée - 421 pages - nbses photos couleurs et N&B hors texte - première éditionExcellent état malgré petite salissure sur le dos de la jaquette‎

‎Languedoc roman ‘La nuit des temps‘, 43. ‎

‎Zodiaque, 1975, gr. in-8vo, 419 p., ill. de très nombreuses photos n/b + couleur, reliure en toile originale avec jaquette ill.‎

‎Languedoc roman. Le Languedoc méditerranéen. ‘La nuit des temps‘, 43. ‎

‎Zodiaque, 1975, gr. in-8vo, 421 p., ill. de nombreuses photos en héliogravure, reliure en toile originale avec jaquette ill. et étui (étui abîmé).‎

‎Le Discours idéologique des architectes et urbanistes.‎

‎ P., Copedith, 1972, gr. in-8°, 152 pp, notes, broché, bon état (Système économique urbain - Document de travail - Action concertée des recherches urbaines)‎

‎Bernhard Luginbühl Figuren 1947-1989. Katalogbuch zur Ausstellung in der Reithalle und im Kunstmuseum Bern.‎

‎Bern, Benteli, 1989. 8°. 511 Seiten. Mit zahlreichen, teils ganzseitigen farbigen und s/w Abbildungen. Illustr. Orig.-Pappband mit Schutzumschlag.‎

‎Mit einer Bleistiftzeichnung, Signatur und Datierung (9.10.1994) von Bernhard Luginbühl. - Leichte Gebrauchsspuren.‎

‎Buminell. für Ursi eine Zwergrenaissance.‎

‎Thun, Casserini (Drucker), 1967. 1 Beilage. Mit 18 Originallithographien (ein-/zwei- und dreiseitig) und 9 Fotolithographien. Leinenband in Leinenschuber.‎

‎N°. 162 von 220 Exemplaren. Vom Künstler signiert. Für die Galerie Renée Ziegler in Zürich gedruckt.‎

‎La Cathédrale Notre Dame de Sion.‎

‎ Sion, Imprimerie Constantin SA 1995, 310x180mm, 120pages, reliure d'éditeur. Bel exemplaire.‎

‎ photos couleurs et n/b, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎Palazzi e fontane di Roma con 64 incioni‎

‎Frank & C° in16. Sans date. Broché.‎

‎jaqette défraîchie ternie intérieur propre circa 1900‎

‎Before and After Wyclif: Sources and Textual Influences‎

‎, Brepols - Fidem, 2021 Paperback, xxix + 266 pages, Size:165 x 240 mm, Language: English. ISBN 9782503594064.‎

‎Summary In the almost twenty years between the two international conferences on John Wyclif organised by the University of Milan, the most recent of which (September 2016) lies to some extent at the origin of the present volume, an increasing number of studies have been devoted to this great English thinker, theologian and reformer. These have enhanced our knowledge of his philosophical, theological and pastoral work, which had long remained in the shadows. The essays collected in the present book take further steps along this path, through the contribution of a range of specialists who have been called to further reconstruct Wyclif's place in his intellectual milieu from the standpoint of his textual and doctrinal dependence and influence: the collected essays deal with the antecedents of Wyclif's thought, his sources, and his role as a source for countless followers and opponents. The following authors have contributed to the volume: Mark Thakkar, Alessandro Conti, Aurélien Robert, Stephen E. Lahey, Ian Christopher Levy, Sean Otto, Kantik Ghosh, Jind?ich Marek and Graziana Ciola. TABLE OF CONTENTS Luigi CAMPI - Stefano SIMONETTA, Introduction Mark THAKKAR, Wyclif's Logica and the Logica Oxoniensis Alessandro CONTI, Oxford Realists' Criticism of Walter Burley's Last Theory of Proposition Aurélien ROBERT, Atomism at Oxford after John Wyclif. The Cases of Robert Alyngton and Roger Whelpdale Stephen E. LAHEY, Stanislaus of Znojmo and the Ecclesiological Implications of Wyclif's Divine Ideas Ian Christopher LEVY, The Words of Institution and Devotion to the Host in the Wake of Wyclif Sean OTTO, Anti-fraternalism and the Sources of John Wyclif's Sermones Kantik GHOSH, After Wyclif: Philosophy, Polemics and Translation in The English Wycliffite Sermons Jind?ich MAREK, Jakoubek of St?íbro as a Wycliffite. The Testimony of His Sermon Collections Graziana CIOLA, The Apologue of the Birds Bibliography Index of Names Ancient and Medieval Authors Modern and Contemporary Authors Index of Manuscripts‎

‎Geographies of Sound. Sounding and Listening to the Urban Space of Early Modern Italy with a Contemporary Perspective‎

‎, Brepols, 2023 Hardback, x + 286 pages, Size:210 x 270 mm, Illustrations:34 b/w, Language(s):English, Italian. ISBN 9782503606767.‎

‎Summary Sound is an essential element of human experience. It is part of the complex semiotic system that enables human communities to orient themselves in time and space, to be informed, to participate in social life as conscious listeners, capable of deciphering and giving meaning to the collective action of the urban space in which they live. Deeper sound horizons reverberate at different levels on the sonic dimension of reality, contributing to a more complex semantic process of the collective civic rituality and the construction of institutional and individual sound identities. In order to investigate the urban soundscape, it is important to define the nature of the sound phenomena to be examined, but also the dynamics concerning their perception as part of complex anthropological processes. These perspectives can be considered from a historical point of view. The studies collected in this volume aim to investigate sound as an element of urban space in early modern Italy. They consider different phenomenologies investigated through innovative methodological perspectives. Particular importance is given to the sound of urban rituality, to its declinations and local connotations, to its ability to interact with public and private dimensions, to the social and aesthetic dynamics that regulate it, and to the definition of the sonic identity of early modern urban space. TABLE OF CONTENTS LUIGI COLLARILE & MARIA ROSA DE LUCA, Introduction VALERIA DE LUCCA, Regulating Sound and Noise in Seventeenth-Century Rome LUIGI COLLARILE, «Ephemerides itineris romani»: Experiencing the Sound of Italy in two Swiss Travel Diaries of the Seventeenth-Century UMBERTO CECCHINATO, Suoni pericolosi. Musica sacra, emozioni e disciplinamento dello spazio sonoro nelle chiese venete della prima età moderna ANGELA FIORE, Suoni, spazi, identità della Modena estense GIOVANNI FLORIO, Celebrating the Prince from Afar: Echoes of the Jubilant «Terraferma» in the Orations to the Newly Elected Doges (XVI-XVII Century) NICOLA USULA, Traditional Music in Seventeenth-Century Operas 'alla Veneziana': Intersections in the Italian Soundscape ELIA PIVETTA, Forms of Circulation of Musical Knowledge in Eighteenth-Century Italy: Giambattista Martini's «Risposta» to «abate Pavona friulano» ANGELA FIORE, Urban Spaces and Sound Practices in Neapolitan Female Monasteries Between the Seventeenth and Eighteenth Centuries MARIA ROSA DE LUCA, Ritualizing a Resilient City: Soundscape, Collective Performances and Construction of Urban Imaginary GIUSEPPINA LA FACE BIANCONI, La musica come persecuzione. L'inquinamento musicale nelle città odierne‎

‎Piranesi The Complete Etchings ENG / FR / D‎

‎, Taschen 2022, 2022 Hardcover, 788 pages, ENG / FR / D, , 350 x 260 mm, NEW, dustjacket, illustrations in colour and b/w. ISBN 9783836587617.‎

‎Explore the complete etchings of Giovanni Battista Piranesi, the 18th-century engraver famed for his architectural views of Rome and his imaginary prisons. In this edition, you?ll find all the extraordinary detail and fantasy with which Piranesi shaped not only the European image of Italy, but also an impressive artistic legacy, from Edgar Allan Poe to the moving staircases at Hogwarts.‎

‎Spazio, Rassegna delle Arti e dell'Architettura - Luigi Moretti SPAZIO NRS. 1 à 7 complet.‎

‎, Luigi Moretti , 1950-1953 NRS. 1 à 7 complet, 33x25cm .‎

‎SPAZIO NRS. 1 à 7 complet. 1950-1953 Rome. Réd. : Luigi Moretti. Textes importants de Moretti (Eclecticism and unity of language, Structures and sequences of spaces, Transfigurations of wall structures, etc.). Série des 7 num. publiés between 1950-1953 qui rendirent célèbre la revue, qui paru ensuite de manière plus sporadique. // Spazio, Rassegna delle Arti e dell'Architettura è una rivista d'arte edita dal 1950 al 1953 a Roma con l'intento di proporre collegamenti fra le diverse forme d'arte (dall'architettura alla scultura, dalla pittura al cinema e al teatro). Fu fondata dall'architetto romano Luigi Walter Moretti, che non a caso apriva il primo numero con l'articolo Eclettismo e unità di linguaggio. Attraverso di essa pubblicò i suoi saggi più importanti: oltre al già citato Eclettismo e unità di linguaggio del 1950, Genesi di forme della figura umana (1950), Forme astratte nella scultura barocca (1950), Colore di Venezia (1950), Trasfigurazioni di strutture murarie (1951), Discontinuità dello Spazio in Caravaggio (1951), Valori della modanatura, (1951), Strutture e sequenze di spazi (1953). La rivista, stampata a Milano prima dalla tipografia E. Barigazzi e quindi dalla tipografia Lucini, aveva la sede amministrativa a Roma e uffici a Milano e Parigi. Luigi Moretti ne fu direttore e principale redattore, direttore responsabile era Felicia Abruzzese, collaboratrice dello studio Moretti. La rivista ebbe una certa continuità dal 1950 al 1953, periodo in cui uscirono i sette numeri che resero celebre la testata tra gli addetti ai lavori. Nei decenni successivi Moretti fece uscire la rivista in maniera sporadica, in un numero del 1957 pubblicò il suo saggio Forma come struttura; nel gennaio febbraio 1959 uscì un numero contenente articoli di Fernand Léger, Alberto Gatti, Giampiero Giani e un'Antologia di Spazio dedicata allo scultore Pietro De Laurentiis, articolo che venne poi estratto e pubblicato - sempre a cura delle edizioni Spazio - come catalogo di una mostra tenutasi quello stesso anno; nell'aprile del 1963 pubblicò il saggio Strutture di insiemi e, nel 1964, il saggio Significato attuale della dizione architettura. È del luglio del 1968 un numero in cui compare il saggio Capogrossi dedicato al celebre pittore romano.‎

‎Teatro Antico di Siracusa. Pars altera‎

‎Padova, Editoriale Programma, 1990 Illustrated softcover, 320 pages + plates, 28.5 x 19.5 cm, Italian text. *Fine condition. ISBN 8871231155.‎

‎Questo secondo volume sul teatro antico di Siracusa, che appare nove anni dopo l'esegesi archeologica e storica oggetto del primo, concerne l'esposizione di alcuni problemi specifici di quel monumento: la geomorfologia del sito, gli edifici della terrazza superiore, la necropoli tardoromana, la thyméle, i santuari a valle. ‎

‎Hemba, master carvers of the Hemba culture in southeastern Congo ‎

‎, 5 Continents, 2017 Hardcover with dusjacket, 144 pages, Texte en Francais, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte. TEXT ENGLISH/ French, *NEW. ISBN 9788874398034.‎

‎Expressing one of many Luba sub-styles, the tall, standing male figures created by master carvers of the Hemba culture in southeastern Congo since at least the mid-1800s arguably rank among the noblest sculptural depictions of the human figure in sub-Saharan Africa. With their serene gaze and meditative expression, they exude a tranquillity and dignity that befits these idealized likenesses memorializing esteemed leaders of the past. Infused with a life-force or vital energy, these spirit-invested objects were able to communicate between the living and the dead. Thanks to their inner power they had the capacity to impact the material sphere by allowing the ancestors to positively influence the well-being of their surviving relatives. In this publication, through the perceptive lens of art photographer Luigi Spina, we discover nine of the most accomplished Hemba creations whose classical style has triggered comparisons with some kouroi sculptures of ancient Greece. Spina?s photographic interpretations help us understand why these proportionally balanced and symmetrically conceived ancestral figures have earned the admiration of African art lovers around the world. These personal readings of the beloved Hemba commemorative portraits also confirm why these sensitive renderings of the human anatomy deserve inclusion in the universal history of artistic creativity and a place in André Malraux?s ?Museum Without Walls.? After a tenure of more than fourteen years at the Cleveland Museum of Art, Constantine (Costa) Petridis joined the Art Institute of Chicago on November 1, 2016, as Curator of African art and Chair of the Department of the Arts of Africa and the Americas. A prolific editor and writer specialized in arts of Central Africa, Petridis most recently also contributed various essays to Frank Herreman?s Mumuye Sculpture from Nigeria: The Human Figure Reinvented, which was published by 5 Continents Editions in 2016. Luigi Spina (b. 1966) is a photographer from Naples. He participated in the ninth International Photography Festival in Rome and at MIAFAIR 2013 with his book-project The Buchner Boxes. With 5 Continents Editions he has published: The Buchner Boxes, The Dancers from the Villa dei Papyri, Memorie del Vaso Blu, Amazzonomachia, and Centauri He began his photographic portrayal of the Farnese collection of Classical sculptures for the Archaeological Museum of Naples in 2002.‎

‎Jacopo Bassano Renaissance Painter of Venetian Country Life‎

‎, Mercatorfonds, 2024 PB+, 280 x 240 mm, 176 pages, 125 colour illustrations, ENG edition. ISBN 9789462303768.‎

‎This publication presents a new perspective on Jacopo Bassano (c. 1515-1592) and the remarkable success of his workshop. Bassano, although widely appreciated in his lifetime, was later overshadowed by the immense fame of the Venetian masters Titian, Tintoretto, and Veronese. Located outside the artistic center of Venice, Jacopo Bassano and his sons were able to produce masterpieces of outstanding quality. They achieved widespread popularity in a variety of genres including biblical-pastoral paintings, portraits, and altarpieces. The purpose of this book is to present a fresh insight into the innovative, artistic practices of Jacopo Bassano and his workshop. The volume consists of insightful essays by specialists on Jacopo Bassano, including Luisa Attardi, Alessandro Ballarin, Claudia Caramanna, and Kirsi Eskelinen. Special attention is given to Jacopo Bassano's career in his native town Bassano and his strategies for expanding the activities of his workshop in Venice. Furthermore, the articles highlight his relationship to nature and the Venetian countryside and his pioneering work in depicting the changing light during different times of the day. Through interdisciplinary research on two paintings in the collection of the Sinebrychoff Art Museum, Finnish National Gallery, the book offers a deeper understanding of Jacopo Bassano's working methods and painterly techniques. The book accompanies the exhibition organized by the Sinebrychoff Art Museum / Finnish National Gallery‎

‎Titian‎

‎, Silvana Editorale, 2013 Paperback with flaps / SIZE23 x 28 cm / PAGES264 / 113 colour illustrations / English./ Very Good Condition ! ISBN 9788836625857.‎

‎Titian (c. 1490?1576) is the artist who best illustrates the revolution and triumph of color, and hence the very art of the 16th century and beyond. His work represents the point of arrival for a whole pictorial tradition: his early emphasis on color developed into the art of a mature and then elderly painter seeking to explore night and darkness, to dim hues, and to push the use of liquid and dusky tones to the very limit. A prolific painter and the head of a well?organized workshop, Titian was at the same time capable of perfectly meeting new tastes. By renewing and setting the standard for the official images and aesthetics of the ruling class of his day, he became the first truly European artist, praised to high heaven by his admirers. Particularly revealing is Ludovico Dolce?s panegyric: ?the greatness and the power of Michelangelo, the sweetness and beauty of Raphael and the very colors of Nature herself.? Highly sought after by collectors, disputed by royal courts and pontiffs, the master from Cadore created works that are now on display in museums across the world. This volume exceptionally brings together some of Titian?s greatest masterpieces, including his large altarpieces, in such a way as to illustrate the whole span of his career.‎

‎MONASTERIO DE SANTES CREUS‎

‎H. DE J.THOMAS. NON DATE. In-16. Broché. Bon état, Couv. légèrement passée, Dos fané, Intérieur frais. 28 pages de texte avec deux plans illustrés en noir et blanc + 48 planches illustrées en noir et blanc. Jaquette contrepliée, illustrée en couleurs.Texte en espagnol. Ouvrage de bibliothèque avec étiquette au dos et bandeau sur la page de titre.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎Frida Kahlo. The Complete Paintings of Frida Kahlo in an XXL edition ‎

‎, Tasch, 2021 Hardcover, 29 x 39.5 cm, 5.42 kg, 624 pages. Fine. English. ISBN 9783836574204.‎

‎The complete paintings of Frida Kahlo in an XXL edition. Among the few women artists who have transcended art history, none had a meteoric rise quite like Mexican painter Frida Kahlo. One of the key figures in Mexican revolutionary modern art, she was also a pioneer of the politics of gender, sexuality, and feminism. This XXL monograph combines all of Kahlo's 152 paintings with rarely seen photographs, diary pages, letters, and an illustrated biography to form the most extensive study of her work and life to date. The complete paintings of Frida Kahlo in an XXL edition Among the few women artists who have transcended art history, none had a meteoric rise quite like Mexican painter Frida Kahlo (1907?1954). Her unmistakable face, depicted in over fifty extraordinary self-portraits, has been admired by generations; along with hundreds of photographs taken by notable artists such as Edward Weston, Manuel and Lola Álvarez Bravo, Nickolas Muray, and Martin Munkácsi, they made Frida Kahlo an iconic image of 20th century art. After an accident in her early youth, Frida became a painter of her own free will. Her marriage to Diego Rivera in 1929 placed her at the forefront of an artistic scene not only in the cultural Renaissance of Mexico, but also in the United States. Her work garnered praise from the poet André Breton, who added the Mexican painter to the ranks of international surrealism and exhibited her work in Paris in 1939 to the admiration of Picasso, Kandinsky, and Duchamp. We access the intimacy of Frida?s affections and passions through a selection of drawings, pages from her personal diary, letters, and an extensive illustrated biography featuring photos of Frida, Diego, and the Casa Azul, Frida?s home and the center of her universe. This large-format XXL book allows readers to admire Frida Kahlo's paintings like never before, including unprecedented detail shots and famous photographs. It presents pieces in private collections and reproduces works that were previously lost or have not been exhibited for more than 80 years, forming the most extensive study of Kahlo's work and life to date.‎