‎TEXAS. 150 WORKS FROM THE MUSEUM OF FINE ARTS, HOUSTON. ‎

‎Harry Abrams, Museum of Fine Art, Houston, , 2000 , in-4 softcover, 279 pp, illustrations. Text in english. Ex-dono on title page. Used.‎

‎De monumenten van geschiedenis en kunst in de provincie Limburg. Eerst Stuk : De monumenten in de gemeente Maastricht. Eerste-vijfde aflevering.‎

‎ 'S Gravenhage, Algemeene Landsdrukkerij, 1926-1953. 5 livraisons en 1 très fort vol. in-4 rel. moderne, demi-veau bleu clair à coins, dos à 5 faux-nerfs orné, pièces de titre et de tomaison chagrin marine, titre et tomaison dorés, [2] ff.-III-826 pp., 31 planches dépliantes de plans en noir, 738 reprod. et ill. photogr. en noir dans le texte, des monuments de la ville de Maastricht, index. ‎

‎Ex. truffé de divers documents relatifs à l'architecture néerlandaise, insérés au gré des pages. Très bel ex. - Frais de port : -France 10,8 € -U.E. 13 € -Monde (z B : 23 €) (z C : 43 €) ‎

‎Rubens dall'Italia all'Europa : Atti Del Convinternazdi Studi ‎

‎, Neri Pozza, 1992, 1992 Paperback, 158 paginas, Italiano/English, 295 x 210 mm, . ISBN 9788873054016.‎

‎RETABLES. L'âge gothique et la renaissance.‎

‎Citadelles & Mazenod Paris 2001 In-4 ( 330 X 290 mm ) de 418 pages, pleine toile sous jaquette et étui illustrés en couleurs. Superbe et abondante iconographie en couleurs et en noir dans et hors-texte. Très bel exemplaire en superbe état.‎

‎CREUSE.‎

‎ 1934 P., Letouzey et Ané (Collection "Les églises de France"), 1934, in 4° broché, VII-207 pages ; carte dépliante. ‎

‎Bel exemplaire. ...................... Photos sur demande ..........................‎

‎Roman Names in the Cyclades. Part ?I‎

‎, Brepols, 2023 Paperback, 504 pages, Size:216 x 280 mm, Illustrations:47 col., Language: English. ISBN 9789603710776.‎

‎Summary The second volume of the study on the Roman names in the Cyclades completes the contribution to the social history of a marginal zone of the Roman world. It includes prosopographic catalogues of bearers of Roman names attested on Amorgos, Anaphe, Ios, Naxos, Oliaros, Paros, Pholegandros, Thera and attestations connected generally with the Cyclades, but not with a specific island. An extensive introduction presents the historical context and a synthetic overview of the diffusion of Roman names and citizenship in the Cyclades. The book is enriched by two synthetic contributions written by specialists. One of them (El. Sverkos) focuses on the origin of certain characteristic names and the other (P. Doukellis) on the study of 'spatiality' and the sociological parameters of the diffusion of the names as a method for perceiving the complex mechanisms for the construction of personal identities. This work is also a contribution to the epigraphy of the Cyclades, as the prosopographic catalogues were based on autopsy of the published and unpublished epigraphic material, relocation of stones and research in the archive of the Inscriptiones Graecae (Berlin). This method yielded hitherto unknown prosopographic data as well as new readings and interpretations of epigraphic texts which had not been studied for over a century. As part of the documentation, 47 plates include photos of several inscriptions or their squeezes, which are published here for the first time. TABLE OF CONTENTS Preface List of Abbreviations Map of the Cyclades Introduction The Cyclades in the 'Globalized' Roman Oecumene: Roman Names in a World of Diverse Isolated Places Connected by the 'Boundless Sea of Unlikeliness' South-eastern Cyclades: Catalogues of Roman Names Amorgos Anaphe Ios Naxos Oliaros Paros Pholegandros Thera Cyclades (non-specified) Remarks on Roman Names in the Cyclades: Tracing them in Italy and in other Parts of the Roman Oikoumene (El. Sverkos) Hybrid Names, Meandering Identities, Fluid Spatialities (P. Doukellis) Bibliography Indices Plates‎

‎Aubrey Beardsley A Catalogue Raisonne. box 2 volumes. ‎

‎, Yale University Press , 2015 Hardcovers with dusjackets, slipcase, ENGLISH, 1112 pages. fine condition ! Illustrated. ISBN 9780300111279.‎

‎This is the first book to bring together the recorded works of the English artist Aubrey Beardsley. Despite his early death from tuberculosis in 1898, at the age of 25, these amount to nearly 1100 completed works of art (plus many related sketches) as well as more than 100 sketches in his letters and the books he owned, and this book includes over 50 that have never previously been published. In his brief career Beardsley made a defining contribution to Art Nouveau in Britain and abroad. He also influenced the early history of modern art, attracting the attention of the young Picasso, for example. His distinctive and innovatory graphic style, combined with highly provocative, often sexual subject matter, outraged critics and led to a period of intense notoriety. Beardsley's drawings span the grotesque, the delicately beautiful, the subtly erotic, and the frankly bawdy, and challenged the moral norms of Victorian society. They enthralled artists and art lovers the world over and continue to enthral today. Linda Gertner Zatlin's text presents Beardsley's drawings with a full record of their making, provenance, exhibition history and references in the art historical literature. This material record is accompanied by often extensive discussions of their themes, motifs and symbolism, as well as their critical reception. Unprecedented in its scope and thoroughness, this study presents Beardsley's work and explores its meanings more comprehensively than any previous work on him; it is likely to remain definitive. This superbly illustrated two volume catalogue, beautifully presented as a boxed set, is both an essential reference for specialists and an accessible and enchanting delight for Beardsley enthusiasts. ‎

‎Christian, Jewish, and Muslim Preaching in the Mediterranean and Europe. Identities and Interfaith Encounters‎

‎, Brepols, 2019 Hardback, ix + 337 pages, Size:156 x 234 mm, Illustrations:9 b/w, Languages: English, French, Spanish. ISBN 9782503582719.‎

‎Summary This volume explores the sermons and activities of Christian, Jewish, and Muslim preachers who shaped ideas about religious and gendered identities and alterity throughout the Mediterranean and northern Europe. Preachers of all three traditions played a decisive role in defining the religious identities of their communities, often in response to negative images projected onto religious others. The studies cover a broad spectrum of premodern Europe and the Mediterranean and address the ways that preaching reflects transcultural contacts as well as social, intellectual, and hermeneutical encounters among diverse societies and religious communities. The essays are divided into three themes. Part One, 'Religious and Gendered Identities and Alterities,' examines how religious identity is inflected by the presence or the 'absent presence' of religious others and interrogates how gender informs religious identity, piety, and alterity. The chapters in Part Two, 'Hermeneutical Identities, Alterities, and Transcultural Relations in Christian and Jewish Preaching', offer contrasting interpretations of the impact of anti-Judaism in Christian preaching and analyse Jewish responses to Christian polemic. Part Three, 'Muslim and Christian Orators and Inter-faith Encounters,' explores these encounters from the dual perspectives of Crusade and military conflict and interreligious dialogue, disputation, and proselytization. The volume positions itself at the intellectual crossroads between comparative medieval sermons studies and transcultural Mediterranean and European studies. TABLE OF CONTENTS List of Illustrations List of Contributors Acknowledgments Introduction - LINDA G. JONES Part One: Religious and Gendered Identities and Alterities Giving Birth as a Metaphor: Eude de Ch teauroux's Preaching to the Nuns of Orvieto - JUSSI HANSKA AND SARI KATAJALA-PELTOMAA 'Penre am gran amor via de penedensa': la pr dication de Hugues de Digne et le mouvement p nitentiel Hy res dans la premi re moiti du XIIIe si cle - DAMIEN RUIZ La predicaci n aljamiada: en torno a la religiosidad mud jar y morisca - OLIVIER BRISVILLE-FERTIN Preaching Passions and Precepts: The Role of Jews and Muslims in East Norse Sermons - JONATHAN ADAMS Part Two: Hermeneutical Identities, Alterities, and Transcultural Relations in Christian and Jewish Preaching Anti-Jewish Preaching as Part of an Anti-Jewish Narrative in Late Medieval Spain - ORIOL CATAL N El Contra Judaeos de Isidoro de Sevilla en la predicaci n regular ib rica del final del siglo XII: Entre identidad confesional y estaturia - AM LIE DE LAS HERAS Addressed in Absentia: Meaning and Uses of Jewish Cultural References in Medieval Preaching: The Case of St Vincent Ferrer's Sermons - CAROLINA LOSADA Rabbi Isaac Nathan, Vincent Ferrer, Pope Benedict XIII, Thomas Connecte, and the Mendicants: Jewish Homiletics and Preaching as a Reflection of Jewish-Christian Encounters - RAM BEN-SHALOM Part Three: Muslim and Christian Orators and Interfaith Encounters Notes on the Speeches at the 1228 Corts in Barcelona to Debate the Conquest of Mallorca - XAVIER RENEDO St John of Capestrano's Crusade Preaching and the Ottoman-Italian Encounter - NIRIT BEN-ARYEH DEBBY Ab? Madyan, Shu'ayb al-?urayf?sh, and the Miraculous Conversion of Ten Monks to Islam: Reflections of Contacts between the Western and Eastern Mediterranean - LINDA G. JONES La Disputa de la Sagena de Marraqech entre Fray Pedro de Alc ntara y el Talb Abdal Ordopesa - C NDIDA FERRERO HERN NDEZ Index‎

‎Sources of Regionalism in the Nineteenth-Century Architecture, Art and Literature ‎

‎Be, university pers Leuven, 2008 hardback , 200pp. text in Engels . ISBN 9789058676498.‎

‎Architectural concepts and styles seem to flourish from the most local of contexts to the global. This book investigates the regional, often conceived today as a late nineteenth-century phenomenon, primarily on account of the preservation and restoration movements that arose. An interdisciplinary approach to regionalism, as manifested not only in architecture but also in art and literature, necessitates a more thorough examination of the complexity and multilayered quality of the phenomenon. The research is limited in time to the nineteenth century plus the years leading up to the First World War, and in place to Western Europe, with an emphasis on Belgium, France and England, and to a lesser extent on the Netherlands, Germany and Spain. Derived from the workshop ?The Sources of Regionalism? (Ghent, 2004) held by the FWO research group World Views, Cultural Identities and Architecture in Western Europe, 1815-1940, the essays in this book examine the meaning of regionalism in architecture, art, and literature, its sources, and its cultural and historical background. ‎

‎The Wright Style. The Interiors of Frank Lloyd Wright. Authentic Designs/Contemporary Interpretations.‎

‎ Thames and Hudson 1992 1 vol. relié in-4, cartonnage éditeur, jaquette, 224 pp., nombreuses reproductions en noir et en couleurs. TEXTE EN ANGLAIS. Très bon état.‎

‎GEFASCINEERD DOOR VOS‎

‎, Erfgoedbibliotheek Hendrik Conscience, 2022 HB, 260 x 210 mm, 208 pages , 150 illustraties. ISBN 9789464368062.‎

‎Wie er acht op slaat, kan niet anders dan vaststellen: de vos is terug van weggeweest. We ontmoeten de vulpes vulpes op het platteland n in de stad, in de media, in romans, po zie en kinderboeken. Maar waar komt die fascinatie voor de vos vandaan? Is het zijn wilde schoonheid die blijft fascineren? Of zit zijn grote succes eerder in zijn veelzijdigheid? In de collectie van de Erfgoedbibliotheek Hendrik Conscience duikt de vos in talloze gedaanten op, van de oudheid tot vandaag. Gefascineerd door vos probeert die vele facetten van het sluwe dier in dertig bijdragen te vangen. Naast de rijke Vlaamse en internationale traditie rond Reynaert verschijnt de vos in zeer uiteenlopende genres: boekillustraties, drukkersmerken, fabels, sprookjes, spreekwoorden, vroegmoderne leerboeken, natuurwetenschappelijke werken, schilderijen, gedichten en satirische kranten. Van de literatuur, beeldhouwkunst, mode en film tot het stijldansen: de vos laat zich op verrassende plekken zien.‎

‎Hygiène et sport. Rythme : revue trimestrielle N° 11, janvier 1952.‎

‎Bruxelles, Société Centrale d'Architecture de Belgique (S.C.A.B.), 1952. 24 x 30, 43 pp. + pages publicitaires, nombreuses illustrations en N/B, broché, état moyen (couverture fort défraîchie : piqûres).‎

‎Société Centrale d'Edition d'Architecture (S.C.E.A.), Bruxelles.‎

‎DE DERDE KANS‎

‎, Davidsfonds/ Literair 1999, 1999 Gebonden, 135 pagina's, Nederlands, 220 x 150 mm, boek in prima staat !. ISBN 9789065659224.‎

‎Op de viersprong moet het lukken voor Oscar Winkelman. Hij stottert heel erg, en daarom ging het op de vorige twee scholen telkens fout. Maar ook nu loopt het niet van een leien dakje. De meeste van zijn klasgenoten laten hem links liggenen een harde kern van pesters zit hem voortdurend op de hielen. Het liefst houdt Oscar zijn mond. Zelfs thuis. Er verandert pas als Tessa Boddhet, een meisje van zijn klas, hem een kort briefje toespeelt. Bovendien raakt Oscar betrokken bij spannende avonturen.‎

‎Kunsthaus Zürich - 8. August - 29. September 1974.‎

‎Zürich, Kunsthaus Zürich, 1974. Seriegrafie. Blattgrösse: 128 x 90 cm.‎

‎Gut erhaltenes Plakat.‎

‎Bauwerk und Umgebung. Formprobleme des Bauens in Landschaft, Dorf und Stadt.‎

‎Tubingen, Wasmuth, 1964 Orig. illustr. hard-cover, XXXV 112 pp., 22x27cm, illustr. b/w photogr., good cond.‎

‎Jeruzalem in de crypte. De muurschilderingen in de crypte van de Gentse Sint-Baafskathedraal ‎

‎Gent , Oost Vlaanderen, 2007 softcover 80pp. geillustreerd. in nieuwstaat!. ISBN 9789074311625.‎

‎boekje nodigt de lezer uit te kijken naar de muurschilderingen en stil te staan bij wat hij ziet. De auteur, Lindsay Vandenabeele, die op vraag van het provinciebestuur haar licentiaatsthesis verwerkte tot een goed leesbare tekst, schenkt aandacht aan de context waarin de schilderingen ontstonden en de wijze waarop ze functioneerden in het kader van de laatmiddeleeuwse devotie. De meeste muurschilderingen in de crypte van de Sint-Baafskathedraal ontstonden op het einde van de 15de of in het begin van de 16de eeuw en werden aangebracht voor didactische en devotionele doeleinden. Na kritiek uit vooral reformatorische hoek raakten ze echter al vlug in onbruik en weren ze overschilderd met witsellagen. Pas in de 20ste eeuw werden ze tijdens restauratiewerken herontdekt en weer vrijgelegd. ‎

‎Digital Gehry: Material resistance / Digital contruction, ‎

‎Langue anglaise, Birkhäuser, 2001, 93 pp., broché, bon état.‎

‎Cafés in-4,couverture souple,118 pages,abondamment illustré.‎

‎Sélection de Cafés réalisés dans les années 80 dans le monde entier.A chaque lieu correspond une fiche signalétique avec un descriptif du lieu parun texte, des photographies et des plans. Electa Moniteur 1988‎

‎Bon état petite tache sur la couverture.‎

‎Subtile Jagden.‎

‎Stuttgart, Klett-Cotta, 1995. 4°. 228 (4) S. Mit 10 farb. Tafeln nach Farbstiftzeichnungen von Walter Linsenmaier. Farb. illustr. Leinenband mit illustr. Vorsätzen.‎

‎Erschien in einer Auflage von 1000 Exemplaren.‎

‎L'insensé N° 16 - Charlotte Perriand, une vie de création (Frédéric Morvan) - Lumière de l'intime (Jean-Baptiste Huynh) - Liz Taylor (Jean-Jacques Bernard) - Howard Hughes, la tête dans les étoiles (Evelyne Pieiller) - Reflets de lumière (Gabrielle van Zuylen et Clair de Virieu) - Dans l'atelier du peintre (Jean Le Gac) - Patricia Koch et ses petites veilleuses - Plossu, l'extrêmement sensible (Brigitte Ollier) - Dous le ciel indigo de Mongolie (Homéric) - Au bout du monde avec Gisèle Freund - ...‎

‎ 1998 N° 16 - Printemps-été 1998 - Grand in-4 broché, couverture illustrée - revue illustrée, nombreuses reproductions photographiques - 98 pages‎

‎bon état - pli sur le haut de la couverture, couverture très légèrement frottée ‎

‎INDUSTRIA. Industria, architecture industrielle en Belgique - Industriele architectuur in Belgie - Industrial architecture in Belgium.‎

‎Liege, Mardaga, 1986. Hardcover in-4 carre, 232 pp., illustrations en noir et en couleurs, cartonnage editeur sous jaquette illustree.‎

‎Tres bel exemplaire [PIL-HA1@] Trilingue : francais-neerlandais-anglais - Text and descriptions in three languages: French, Dutch and English.‎

‎Arts of the South Seas. In collaboration with Rene d'Harnoncourt.‎

‎New York, The Museum of Modern Art, Simon and Schuster, 1946. Kl.-4°. 199 S. Mit 1 Frontispiz und zahlr. z.T. ganzs. Abb. sowie 4 farb. Tafeln nach Photographien von Miguel Covarrubias. Farbig illustr. Orig.-Broschur (leicht berieben, bestossen und gebräunt).‎

‎Schnitt leicht gebräunt.‎

‎Monographie architecturale de l'église de Champ-Le-Duc. (Vosges)‎

‎Saint-Dié, Cuny, 1904 in-8, 31 pp., ill. in et h.-t., broché. Qqs rousseurs.‎

‎Tiré à part du Bulletin de la Société Philomatique Vosgienne, année 1904-1905. - - VENTE PAR CORRESPONDANCE UNIQUEMENT‎

‎L'architête(S). Antony Béchu, Un Père Hors Pair (1921-2006)‎

‎Archives d’Architecture Moderne 2010 In-8 broché 24 cm sur 15. 310 pages. Couverture rempliée. Nombreux dessins et illustrations en couleurs et noir et blanc. Très bon état d’occasion.‎

‎ Très bon état d’occasion ‎

‎19 place Vendome - Une renaissance parisienne.‎

‎Bruxelles, Archives d'Architecture Moderne, 2010 Bound, 172 pages, ENG. / FR. edition; white boards with dustjacket, 290 x 240 x 20 mm, in very good condition ! ISBN 9782871432302.‎

‎The stunning H tel d' vreux - built on place vend me under Louis XIV - and the H tel Desvieux and the H tel Castanier - erected on rue des Capucines during his successor's reign - became home, in 1854, to the newly-founded Cr dit Foncier de France headquarters, set up to finance Baron Haussmann's ambitious construction projects during the Second Empire. Renovated in the 19th century, and extended into two office buildings in rue Cambon in the 20th century, this exceptional heritage site - sold to a private fund in 2003 - has been restored to its former glory after seven years of planning and works. Indeed, general contractors Vinci Immobilier, ADIM, Anthony B chu - Heritage Architect - and Alain-Charles Perrot - Chief Architect of Historical Monuments - laid out a vision for restoring the site, which was brought about by over five hundred colleagues and construction workers from seventy six companies, led by Vinci Construction. This book pays tribute to them by laying bare the many facets of this enterprising project which, in all its human and technical dimensions, seeks to support the Parisian ambition to remain the international capital of the arts.‎