Stuttgart, Stuttgarter Kunstkabinett, 1958. 4°. 139 S. Mit zahrl. Abb. Orig.-Leinenband mit Schutzumschlag.
Bern, Kornfeld, 1979. 4°. 388 S. Mit zahlr. Abb. Illustr. Orig.-Leinwandband mit Schutzumschlag.
Leichte Gebrauchsspuren. Gut erhaltenes Exemplar.
Bruxelles, C.G.E.R., 1995. 24 x 32, 96 pp., nombreuses illustrations en couleurs et en N/B, 1 grande illustration en couleurs dépliante, broché, très bon état.
Accompagné du grand plan dépliant en couleurs et du livret catalogue.
, Brepols, 2022 Hardback, 480 pages, Size:225 x 280 mm, Illustrations:7 b/w, 230 col., 2 maps b/w, Language: English. ISBN 9782503594514.
Summary Urnes is the oldest and best known of the Norwegian stave churches. Despite its rich sculptural program, complex building history, fine medieval furnishings, and UNESCO World Heritage Site status, Urnes has attracted scant scholarly attention beyond Scandinavia. Broadly speaking, the church has been seen to exemplify Nordic traditions, a view manifest in the frequent use of ?Urnes style? to designate the final phase of Viking art. While in no way denying or diminishing the importance of local or regional traditions, this book examines Urnes from a global perspective, considering how its art and architecture engaged international developments from across Europe, the Mediterranean, and Central Asia. In adopting this alternative approach, the articles collected in this volume offer the most current research on Urnes, published in English to reach a broad audience. The aim is to reinvigorate academic interest and debate in not only what is one of the most important churches in the world, but also in the rich cultural heritage of Northern Europe. TABLE OF CONTENTS Acknowledgments - Contributors and Editors Introduction Kirk Ambrose, Margrete Syrstad And s, and Griffin Murray List of Illustrations - The Plates Part One: Situating Urnes Chapter 1 Urnes Stave Church: A Monument Frozen in Time? ystein Ekroll Chapter 2 Urnes: Some Current Research Issues Leif Ank er Chapter 3 The Landscape of Urnes: Settlement, Communication, and Resources in the Viking and Early Middle Ages Birgit Maixner Part Two: The Eleventh-Century Church Chapter 4 The Decoration of Buildings in the North in the Late Viking Age: A Tale of Bilingualism, Code-Switching, and Diversity? Margrete Syrstad And s Chapter 4A Appendix: Alphabetical List of Fragments from Eleventh-Century. Decorated Buildings in the North Margrete Syrstad And s Chapter 5 The European Significance of Urnes: An Insular Perspective on Urnes and the Urnes Style Griffin Murray Chapter 6 ?Who is this King of Glory??: The Religious and Political Context of the Urnes Portal and West Gable Margrete Syrstad And s Part 3: The Twelfth-Century Church Chapter 7 Soft Architecture: Textiles in the Urnes Stave Church Ingrid Lunnan N dseth Chapter 8 Trueing the Capitals at Urnes Kirk Ambrose Chapter 9 Norse Encounters with the Mediterranean and Near Eastern Worlds in the Capitals of Urnes Kjartan Hauglid Chapter 10 Plants, Beasts, and a Barefoot Cleric Elizabeth den Hartog Chapter 11 Monstrosity, Transformation and Conversion: The Program of the Urnes Capitals in Its European Context Thomas E . A . Dale Bibliography Index
, Brepols, 2020 Hardback, vi + 182 pages, Size:152 x 229 mm, Illustrations:219 b/w, 3 tables b/w., Language: English. ISBN 9780897223652.
Summary The dirhams of M ngke Kh?n represent the first major emission of silver coinage in Georgia following the Mongol conquest roughly a generation previously. Struck in the Georgian capital city of Tiflis (modern Tbilisi) from the middle of AH 652 to perhaps as late as the first month of AH 660 (AD 1254-1261), these coins circulated widely throughout the South Caucasus and adjacent areas. This coin type was the first in Georgia to provide a date formula with both the month and year of the Islamic calendar. The placement of the date formula in the four marginal segments of the reverse of the coin means that parts of it are often struck off the flan or effaced on individual specimens. The problem is compounded by poor Arabic calligraphy on many coins, leading to much confusion in the literature about the extant dates. However, using secondary design features such as the varying central obverse and reverse decorative elements, this book creates a systematic framework for dating these dirhams, identifying previously unpublished dates and varieties in the process. The first in-depth monograph on this popular and historically important coin series, this book will be a valuable resource for both scholars and collectors interested in Georgian, Mongol, and Islamic numismatics. TABLE OF CONTENTS Chapter 1. Introduction Chapter 2. Identification Guide Bibliography
, IMAS - International Museum of Art and Scienc 2006), 2006 Hardcover, 140 pages, English/ Spanish, 236 x 236 mm, book in perfect condition, with lots of pictures in colour, with a personal word from the author, ISBN 9780977493500.
The beautifully assembled book captures the story of the Clark family, family photographs, full-color artwork and poetry by Kirk Clark, a fascinating interview with Mr. Clark by Yvonamor Palix conducted via email, essays by Thom Wheeler and Anne Clark, and gallery photographs of the Celebration of Spirit exhibit at the International Museum of Art and Science?s newly renovated Charles and Dorothy Clark gallery in March of 2006.
Bern - Berlin, Gachnang & Springer, 1986. 4°. 419(1) S. Mit 436 Abb. Orig.-Brosch mit transp. Schutzumschlag.
Einbandrücken gebräunt.
, Snoeck-Ducaju & Zoon 1991, 1991 Softcover, 268 pages, English, 230 x 170 mm, Fine copy. ISBN 9789067300810.
1979. Serigrafie. Blattgrösse: 128 x 90 cm.
Gut erhaltenes Plakat.
, Distributed Art Pub Inc 2002, 2002 Softcover, 560 pages, English, 255 x 220 x 35 mm, book in good order, with dozens of pictures / illustrations in colour and b/w. ISBN 9780870704079.
MoMA
ELECTA MONITEUR. 1987. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 133 pages augmentées de nombreuses photos et plans en noir et blanc in et hors texte - Jaquette en bon etat et illustrée en couleurs.. Avec Jaquette. . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
Ed. du Moniteur - 1982 - Livre réalisé à l’occasion de l’exposition organisée par l’Institut Français d’Architecture Sommaire : Présentation – Imprécision, ambiguïté et zones intermédiaires - Architecture des gris - Œuvres et projets, Gravures sur bois et bronzes
Couverture souple illustrée - 102 pages - Nombreuses illustrations en N&B – Format 22x24 Bon état, une petite déchirure à la couverture
Kiso Kurokawa ; Sawako Takeuchi ; Toshiko Isa ; translation : Jeffrey Hunter
Reference : 60938
, Academy Editions/St. Martin's Press, 1992 Hardcover , 311 pages, ENG, 340 x 265 x 30 mm, dustjacket, Perfect condition, illustrated in colour / b/w., **with signature and dedication of Kiso Kurokawa to Raymond Georis 1935-2007. ISBN 9781854901194.
Focuses on the life and work of Kiso Kurokawa, one of the world's most active architects both in Japan and internationally. His recent work includes: Hiroshima City Museum of Contemporary Art; Victoria Central, Australia and the Japanese-Chinese Youth Centre, Peking.
Küssnacht am Rigi, Fritz Lindner, 1931, gr. in-4°, 426 S. illustr. + 15 Tafeln + Geschäfts-Empfehlungen bewährter Firmen, handschriftl. anmerkungen in Bleistift, (Textes en allemant, français & italien. Testi in francese & italiano), Original-Leinenband.
Phone number : 41 (0)26 3223808
1. Aufl. München, Diederichs, 1988. 4°. 71 S. Mit 14 doppels. farbigen Illustrationen von Kitagawa Utamaro (1763–1806). Orig.-Leinenband als Leporello in illustr. Orig.-Schuber.
Illustrationen zu den Gedichten von Ehon mushi erabi. – Der Schuber eingerissen.
Bâle, Trad. populaires, Impr. Krebs, 1929, gr. in-8°, II + 107 p., bien illustré, dédicace ms. signé par l’auteur sur titre, brochure originale ill. Qqs traces d’usage.
Phone number : 41 (0)26 3223808
Vilnius, Mokslas, 1989. In-8 cartonnage éditeur sous jaquette, 231 pp., 212 ill. en noir et coul. dans le texte, bibliogr.
Ex-libris manuscrit. Texte en lithuanien, résumé en russe et en anglais. Good condition. - Frais de port : -France 6,9 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €)
Berlin, Hatje Cantz, 2019, Gr.-4°. 376 S., mit zahlreichen z.T. farbigen Illustrationen. Orig.-Pappband mit Deckel- und Rückentitel.
Herausgegeben von Udo Kittelmann für die Fondation Beyeler, Riehen / Basel. – Sehr gut erhaltenes Exemplar.
, Walburg Pers, 2022 Hardcover, 328 pagina's ,NL, 305 x 250 x 25 mm , illustraties in kleur / z/w, NIEUW ISBN 9789462498266.
In de Nederlanden ontstaan aan het einde van de zestiende eeuw speciale glazen waarmee drankspelletjes gespeeld kunnen worden. Ze zorgen voor saamhorigheid, een hoop vermaak en natuurlijk uiteindelijk grote dronkenschap. Schertsglazen zijn glazen die de drinker op een of andere wijze verrassen. Als je niet weet hoe je ze moet gebruiken, krijg je bij sommige glazen een plens wijn over je heen. Andere glazen zijn zo ingenieus gemaakt dat je ze moet bestuderen voordat je berhaupt begrijpt hoe je eruit kunt drinken. Ook zijn er glazen met een bijzondere vorm - de bekende laars, maar ook een fabeldier, een hoorn of zelfs een pistool. Weer andere maken vreemde geluiden als eruit gedronken wordt. Juist het speelse karakter maakt de fopglazen tot technische hoogstandjes, het toppunt van wat glasblazers toentertijd konden maken. Deze glazen werden gebruikt in alle lagen van de bevolking. Glasexpert Kitty Lam ris en meesterglasblazer Marc Barreda deden grootschalig onderzoek naar het gebruik en de geschiedenis van de fopglazen, hun gebruikers en de maakwijze. Het leidde tot baanbrekende nieuwe inzichten. 'Dit boek biedt een ongekende schat aan informatie over deze wonderlijke gebruiksvoorwerpen van glas. Het is bijna het mooiste dat ik ooit gezien heb.' - Herman Pleij 'Zeer dorstig word ik ervan' - Pieter van den Blink, journalist
, Fondation Roi Baudouin, 1992 Hardcover, 2 volumes : 1633 pages, Texte en Francais / Tres belle exemplaire !, pas jaquette, 280 x 210 x 85 mm, .
M decine et hygi ne en Afrique centrale de 1885 nos jours
Paris, La Bibliothèque des arts, 1986 1 volume 16,5 x 16,5cm Cartonnage éditeur aux 2 plats illustrés couleurs et plan au verso. 145p., 1feuillet; nombreuses illustrations en noir in texte, frontispice et vignettes, 24 planches dont 12 en couleurs (sur papier couché mais comprises dans la pagination). Très bon état.
"Nouvelle édition entièrement mise à jour" d'un ouvrage publié en 1967 par l'historien d'art Pierre KJELLBERG: historique puis description "pas à pas" du quartier avec historique des rues et constructions, par ordre alphabétique des noms des rues; reproductions de gravures anciennes et très nombreuses photos (façades, détails d'architecture, intérieurs); index des hôtels historiques, églises, musées et monuments divers. Exemplaire en reliure éditeur.
Paris, Editions de l'Amateur, 1991 Reli sous jaquette illustr , 591 pages, 26,0 x 33,0 x 5,5 cm. * tat parfait. ISBN 9782859171131.
Le meuble fran ais et europ en du Moyen ge nos jours
Brussels, Palais des Beaux-Arts, 1984 Oorspronkelijk uitgevers omslag, niet gepagineerd, 21 x 20 cm. Nederlands/Fran ais. Goede staat.
tentoonstellingscatalogus. Karel Appel: ?uvres r centes / Recent werk / 1980?1983
K., 1881. Folio. 2 orig.hshirtbd. 30 pp. samt planchebind m.75 tavler i fotolitografi.
, Brepols 2020, 2020 Hardcover, 358 pages with 122 coloured illustrations, English, 275 x 220 mm, perfect condition, . ISBN 9782503585482.
This books describes the life of Elisa ben Abraham Cresques, known to many as the author of the Catalan Atlas, and focuses on the Jewish aspects of his fascinating career, his professional profile, and his scholarship. This book presents a small chapter in the intellectual history of the Jews of Majorca. Its key figure is Elisha ben Abraham Bevenisti Cresques (1325?1387) a cartographer in the service of King Peter IV of Aragon and a scribe and illuminator of Hebrew books. Elisha Cresques? career evolves at a point in time when some of the most fascinating threads of methodological interests relevant to intellectual history meet. He emerges as a hub, so to speak, where mapmaking converged with scribal work, miniature painting with scientific knowledge, and the culture of a minority with that of the majority. How he was able to negotiate his patron?s expectations and his own cultural identity and frame them within the political, cultural, and religious discourses of his time is the subject of this book.