, Brepols, 2026 Hardback, Pages: xxviii + 974, Size:230 x 280 mm, Illustrations:96 b/w, 969 col., 14 tables b/w., Language: English. ISBN 9782503624945.
Summary Tablature is a generic term for music written as a table or a score, most often using letters or numbers instead of conventional music notation. It was mainly used for solo instruments such as keyboards, lutes and guitars and was a mainstream notation until the mid-eighteenth century. Tablatures were also used for many single-line instruments-strings, winds, and brass-as well as the human voice. Composers and choir masters were among the other musically bilingual musicians who used tablature in their professional lives. Tablature was the most natural way to write music in score until conventional notation was gradually adapted for score writing during the seventeenth century. Tens of thousands of tablature works survive from the early modern period until c.1750. Often dismissed as eccentric and impenetrable, tablature has frequently been seen as an obstacle, and often overlooked in music history studies. One of the principal aims of this book is to break down the barriers that have hindered the general assimilation of tablature repertories into the way we understand music of the past. Chosen from among thousands of surviving sources, this book presents a representative group of 435 tablatures selected by a team of leading international scholars to show the beauty, diversity, and practicality of the notation. For each chosen work, a facsimile shows the original notation and is accompanied by a modern transcription and commentary to demystify music that has too frequently been regarded as obscure or enigmatic. TABLE OF CONTENTS List of Works Introduction Acknowledgements Instruments & Tablatures Angelique Bandora and Orpharion Bandurria Baryton Calichon and Mandora Cimbalom Citrinchen Cittern Guitar Harp Hunting horn Keyboard Lira da braccio Lirone Lute Mandolino Mandore Musette Recorder and Flageolet Sordellina / Buttafuoco Theorbo Tromba marina Trumpet Vihuela Viola da gamba and Lyra viol Violin Voice Bibliography Image credits
, Brepols 2018, 2018 165 p., 110 x 180 mm, Texte en Francais, Paperback, . ISBN 9782503579627.
Ce livre est une invitation au voyage dans le temps, un voyage en musique dans le Moyen ge. Comme le chant m di val semble loin ! Ce voyage, forc ment, il nous faut le commencer l o nous sommes, assaillis par le vacarme des temps modernes. chants vanouis ! Chants d?hommes et surtout de femmes dans leur besogne quotidienne, dans leurs gu risons, divinations et danses ! Voix f minines puissantes, voix envo tantes reliant la vie la mort ! Chants retentissant pendant les si cles du Moyen ge, vous ne retentirez plus jamais ! Mais la trace de votre symphonie immense demeure avec nous, p le murmure, dans les harangues de l?homme contre les chants du diable. Ce livre est une invitation voyager dans le temps, entendre tous les chants du Moyen ge et non seulement ceux du grand homme. En partant du vacarme des temps modernes, le lecteur d couvrira une panoplie de musiques quotidiennes que les autorit s eccl siastiques nommaient jadis les chants du diable . John Haines is Professor of musicology and medieval studies at the University of Toronto, where he holds a joint appointment at the Faculty of Music and Centre for Medieval Studies.
Arts Council of Great Britain, London, 1973. In-8, broché sous couverture illustrée en noir et blanc, 232 pp. Preface - Foreword - Chronology - Catalogue note - Part I. Jones in the Making : The early years : 1573-1605. - The festival tradition. - The architectural tradition. - The jacobean romantic : Jones and Robert Cecil, Earl of ...
Nombreuses illustrations en noir et blanc in texte. --- Plus d'informations sur le site archivesdunord.com
B.T. BATSFORD LTD. 1963. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 187 pages. Premier plat illustré en couleurs. Texte en anglais.. . . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
Relié, 290 pages, paru en 1985 chez Zodiaque, livre avec coffret, très bon état général.
Relié, 290 pages, paru en 1985 chez Zodiaque, avec son coffret, très bon état général.
, Fonds Mercator 1985, 1985 Hardcover, 401 pages, Texte en Francais, 305 x 240 mm, dans un manteau solide, Tres belle exemplaire. ISBN 9789061531489.
Elsevier Sequoia 1976 in4. 1976. Cartonné jaquette. illustré en noir et blanc et couleurs
Bon état rousseurs sur tranche intérieur propre avec sa jaquette (petit accroc en bas du 4e plat) annotation au crayon à papier sur la page titre
, Matthew Marks Gallery, 2009 Softcover in slipcase, 80 pages. 35 images, 10 3/4 x 8 3/5 inches. *Fine condition. ISBN 9781880146477.
Essay by John Kelsey, an interview by Michael Fried, and text by Charles Ray on each work of art. Charles Ray is a catalogue of the artist s work since his retrospective exhibition that opened at the Whitney Museum of American Art in New York in 1998 and traveled to The Museum of Contemporary Art, Los Angeles, and the Museum of Contemporary Art, Chicago. Fully illustrated in color throughout, the catalogue includes pieces such as Father Figure, 2007, a large-scale sculpture of a toy tractor, and a selection of works from the series of untitled flower drawings that was featured in the 2010 Whitney Biennial. Includes custom-made slipcase that was designed under the supervision of the artist.
, Plug in Inc, 2003 Softcover, 91 pages, 30 x 21 cm, NL/EN. *NEW. ISBN 9780921381228.
John Krmeling is certainly one of the most zany and inspiring artist-architects to come out of Holland in many years. The documented projects in this first comprehensive book on Krmeling are a sheer delight. The book features sketches and photographs of Krmeling's output over the last 12 years, including a stripped-down square car, dog suits for cars, a public park installation of fake clouds with artificial sunlight, and many others. Includes Krmeling's notes and extensive photo travel diary of failed and successful modernist architectural sites and urban landscapes in Europe, the Americas, and Asia.
London 1999 Phaidon Incorporated Limited Hardcover
Relié, 30 x 30 cm, 180 pp., Anglais, Illustrations, état du livre : Très Bon Faisant partie d'une série qui place les bâtiments dans leur contexte historique, ce texte considère le bâtiment du département d'ingénierie de l'Université de Leicester, le bâtiment Willis Faber Dumas et le bâtiment Lloyd's. Il comprend des dessins techniques spécialement produits qui expliquent comment les bâtiments ont été conçus et assemblés. En examinant les bâtiments ensemble, le lecteur peut analyser et cartographier le développement de l'architecture britannique moderne et examiner les approches distinctes adoptées par trois partenariats différents. [Cette description peut avoir été traduite par une IA.]
, Brepols, 2021 Hardback, 324 pages, Size:156 x 234 mm, Illustrations:6 b/w, 1 col., Language(s):English, French. ISBN 9782503589909.
Summary This interdisciplinary collection examines the notion of sedition in the period of the French Wars of Religion (1560-1600) and focuses not only on France itself, but also on Scotland during the reign of the French-born Mary Queen of Scots. Composed of eleven chapters written by an international team of experts, this volume concentrates on the political aspects of sedition rather than religious heresy, and covers writings and publications in a wide range of fields: politics, history, law, literature, and gender. A complementary feature of this collection is the spectrum of writings studied; they include edicts and treatises, pamphlets, broadsides, legal documents, dialogues, and satirical prose and poetry. Several chapters also address visual representations of sedition. An Introduction and a Conclusion provide synthetic analyses of the material studied in the individual chapters. This is a collection which will appeal to readers with interests in the history of political ideas and thought, the comparative study of monarchical government, and concepts of tyranny and resistance, discord, rebellion, and revolt. TABLE OF CONTENTS Acknowledgements, List of Figures Introduction Sedition: From Disobedience to Revolt - John O'Brien and Marc Schachter The Language of Sedition La s dition pendant les guerres civiles (France, 1560-1600): une histoire sans v nement - Paul-Alexis Mellet The Language of Religious Conflict: Seditions, Assemblies, Emotions, Violences? - George Hoffmann Sources of Sedition Heresy and Sedition in Pierre de Ronsard's Discours des mis res de ce temps (1562) and Pierre Boton's La France divis e (c. 1595) - Andrea Frisch The Role of John Knox and his Seditious Writings in the Outbreak of the French Wars of Religion - ric Durot Cicero the Revolutionary: Some Seditious Motifs in the Literature of the French Wars of Religion - John O'Brien Genre and the Question of Sedition 'Books with Sharp Teeth': The Perception of Seditious Books in Early Modern France - Natalia Wawrzyniak How Not to Be (and Sound) Seditious: The Prince de Cond 's Justifications for Starting the First War of Religion (1562-63) - Ullrich Langer Political Crime in the Wars of Religion: Fran ois Brigard's Sedition - Tom Hamilton Gender, Sedition, and Literature The Sempill Ballats: Gendering Sedition and Rebellion - Armel Dubois-Nayt The Seditious Pleasures of the Prince in the Reveille-matin's Denunciation of Tyranny - Marc Schachter Styling Sedition in The Island of Hermaphrodites (L'Isle des hermaphrodites, 1605) - Kathleen Long Conclusion The Several Faces of Sedition - Mark Greengrass (with D nes Harai) Index
, Brepols, 2020 Hardback, 417 pages, Size:156 x 234 mm, Illustrations:10 col., Languages: English, Latin. ISBN 9782503585116.
Summary This is the first translation in any language of John of Garland's poem about the historical events of his lifetime (c. 1195- c. 1258), together with revised Latin text, introduction and notes. This work gives a vivid picture of Anglo-French relations, of studies in Toulouse after the Albigensian Crusade, and of the need for faith following Louis' catastrophic defeat in the Seventh Crusade. John gives us insights into his own life, and a stream of stories, holy and profane. The translation and notes bring to life for a wide range of medievalists this eye-witness account by an Englishman in France of major events of the age, especially 1242-52. They make clear John's debts to classical authors and to contemporaries, especially Alan of Lille and Matthew Paris. Through re-ordering the lines, this edition now generates clarity from the single manuscript. It also offers fresh insights and a new perspective on John of Garland himself. TABLE OF CONTENTS Introduction Chapter 1. Life and Works of John of Garland Chapter 2. The Manuscript Tradition and Previous Scholarship Chapter 3. De triumphis Ecclesie Chapter 4. Literary Influences and Sources Chapter 5. John's Teaching and Preaching Chapter 6. 'Arma crucemque cano': Church and Crusade Chapter 7. The Main Political Sub-Plots Chapter 8. Countering the 'Other': Heretics, Mongols, Jews, and Muslims Chapter 9. The Seenth Crusade (1248-54) Chapter 10. Conclusions Critical Edition (with translation on facing pages) Guide to the text Preface Prologue Book 1-8 Bibliography
, National Gallery of Art 1994, 1994 Hardcover, 215 pages, ENG, 295 x 230 mm, in fine order, with illustrations / images in colour and b/w. ISBN 9780521450935.
This catalogue contains entries on fifteenth- and sixteenth- (and one seventeenth-) century German (and Austrian) paintings in the National Gallery of Art, Washington DC, both German and Austrian. Entries are arranged alphabetically by artist and there is a short biography and bibliography for each artist. Individual entries follow the model established by earlier systematic catalogues and full scholarly and technical information is provided for each painting. Questions of attribution, iconography, and social and religious function and context are discussed and, where relevant, comparative examples, reconstructions of altarpieces, x-radiography and infra-red reflectogram assemblies are included. The catalogue also contains the results of dendrochronological examinations of the paintings.
Editions du Moniteur, 1982. Format 22x24 cm, broche, 119 pages.Bon etat, petites traces d'usage sur un livre d'occasion.
, Phaidon, 1979 Softcover, 128 pages, English, 335 x 255 mm, Many Illustrations, In Fine Condition !. ISBN 9780714820156.
Brilliant reproductions and magnified details of the newly restored Garden of Earthly Delights let readers enter Bosch's fantastic world and leave with a beautiful poster. This poster-and-book combination provides clear evidence of why Bosch's triptych continues to fascinate and intrigue us nearly five hundred years after its creation. The book offers stunningly close examination of the work after its recent restoration. Accompanied by a brief, fascinating essay that offers cultural and historical background on Bosch and his art, these numerous details allow readers to appreciate fully the breadth and magnificence of Bosch's achievement. A detachable poster of the painting, suitable for framing, makes this package an extraordinary gift for the artist's many devotees.
JARROLD AND SONS LTD. NON DATE. In-8. Cartonné. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 32 pages. Couverture et jaquette illustrées de photos en couleurs. Nombreuses photos couleurs et noir et blanc dans et hors texte. Jaquette légèrement passée.. Avec Jaquette. . . Classification Dewey : 720-Architecture
Classification Dewey : 720-Architecture
, Landshoff, 1979 Hardcover with dusjacket, 263 pages, fine !. ISBN 9029080612.
Five themes--the village of Vitebsk, avant-garde Paris, love, the theater, and the message of the Bible--provide the organizing framework for a work that combines Chagall's prose and poetry with the paintings, drawings, prints, and etchings to which theyrelate Chagall by Chagall. With an introduction by the artist, edited by Charles Sorlier and translated from the French by John Shepley.
, Van Spijk , 1981 Paperback, 30-40 pagina's, geen nummering, NL, 255 x 255 mm, in prima staat, illustraties in kleur en z/w. ISBN 9062169155.
Flammarion, 2003 - Grand In 8°, broché couv rempliée souple solide et glacée, 192 pages, bibliographie, ensemble raisonné richement illustré à pp en couleurs, recto.
Très Bon Etat à Neuf Mise à jour du Samedi 27 Juin 2026. Paiement PayPal immédiat, Mondial Relay pour : France, Allemagne, Autriche, Belgique, Espagne, Italie, Portugal, Luxembourg, Pays-Bas, Pologne (Communiquer votre point ou locker si connu). Une participation supplémentaire peut être demandée pour les colis lourds hors France où les envois compris entre 5 et 25 kg sont dégressifs : 2 à 4 kilogrammes - 7.99 / 5 à 10 kg - 15.99 / 15 -25 kg - 25.99. Certaines de nos collections ( Vian, Céline, Camus (...) peuvent être expédiées en Franco de port. Pour linternational hors Europe (Suisse, Canada, Japon, Etats-Unis, les frais dexpéditions peuvent varier selon le poids (mise à jour : 1 juin 2026).
Thunder Bay Press 2008 In-4 cartonné 33,5 cm sur 31,2. 48 pages. Très bon état d’occasion.
Très bon état d’occasion
Le bélial " Une heure Lumière ", 2016 - In-12°, broché, couverture souple élégante rempliée illustrée pont, rappel du graphisme en manière de frontispice, 124 pages.
Mise à jour du Samedi 27 Juin 2026. Paiement PayPal immédiat, Mondial Relay pour : France, Allemagne, Autriche, Belgique, Espagne, Italie, Portugal, Luxembourg, Pays-Bas, Pologne (Communiquer votre point ou locker si connu). Une participation supplémentaire peut être demandée pour les colis lourds hors France où les envois compris entre 5 et 25 kg sont dégressifs : 2 à 4 kilogrammes - 7.99 / 5 à 10 kg - 15.99 / 15 -25 kg - 25.99. Certaines de nos collections ( Vian, Céline, Camus (...) peuvent être expédiées en Franco de port. Pour linternational hors Europe (Suisse, Canada, Japon, Etats-Unis, les frais dexpéditions peuvent varier selon le poids (mise à jour : 1 juin 2026).
Rome, Editions Gremese 1997. 27 x 30, 224 pp., très nombreuses illustrations en couleurs, reliure d'édition pleine toile + jaquette, très bon état.
A+U publishing 1979 1 vol. broché in-4, broché, couv. illustrée à rabats, 301 pp., nombreuses photos en couleurs. Textes en japonais et en anglais. Numéro spécial de cette revue japonaise entièrement consacré à l'architecte précurseur américain.
New York, The Museum of Modern Art 1988, 305x225mm, 101pages, paperback.
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