Basel, Birkhäuser, 1967, in-4°, XII + 576 S., mit 396 Abbildungen, Original-Leinen.
Phone number : 41 (0)26 3223808
Introduction à l'histoire de la théorie architecturale . 1991 . Publié par les Presses Univ. Romandes , In 8° br. 266 pp.Illustrations en noir .
Germann Georg, Stultz Werner, Gubler Jacques, Rebsamen Haspeter:
Reference : 21122
(1982)
Société d'Histoire de l'Art en Suisse / Orell Füssli, 1982. In-4, cartonnage photographique.
L’Inventaire suisse d’architecture 1850–1920 INSA illustre le développement fulgurant de quarante importantes villes suisses, au cours d’une période riche en contrastes. Grâce à leurs chapitres introductifs et à de nombreuses illustrations historiques, ces volumes offrent une vision approfondie de l’histoire urbaine et architecturale des villes inventoriées. Trilingue allemand-français-italien.
Zürich, Orell Füssli 1982, 260x190mm, 464pages, reliure d'éditeur.
photos n/b,
, Silvana Editoriale, 2015 Paperback,220 pages Illustrated.28 x 23,3 x 2,5 cm. ISBN 9788836630844.
The book will accompany a traveling exhibition having a first venue at Bonnefanten Museum in Maastricht and then going to Berlin, Lausanne and Rome. Few architects were as intensely occupied with making architecture itself the subject as Aldo Rossi (1932-1997). Drawing was second nature to him, as shown by his unending stream of drawings, which were often very poetic, colourful and humorous, and always recognisable in a continual interplay of visual analogies.
, silvana, 2016 Flexi (Paperback luxe), 240x170mm, 240p, 400 colour illustrations, English edition . ISBN 9788836633579.
Expo: 07/04/2016 - 18/09/2016, Museo di Santa Giulia, Brescia Installation on Lake Iseo : "The Floating Piers" The catalogue will include Christo and Jeanne-Claude?s realized and not realized large-scale projects from 1961 to 2016. Besides the famous wrapped monuments, from the Kunsthalle in Bern (1967-1968) to the Reichstag in Berlin (1971-1995), the publication also includes the barriers made with barrels or with fabric, from Wall of Oil Barrells - The Iron Curtain in Paris (1961-62) to Valley Curtain in Rifle, Colorado (1960-62), the great inflatable objects, from 42,390 Cubic Feet Package of Minneapolis (1966) to 5600 Cubicmeter Package, Project for documenta IV in Kassel (1967- 1968), and the fabric pathways, such as Wrapped Walk Ways in Kansas City (1977-1978), or doors, such as The Gates in New York (1979-2005). The seven Water Projects ? Christo and Jeanne-Claude?s installations sharing a connection with water ? are considered in further depth. In these projects, from Running Fence, Sonoma and Marin Counties, California (1972-1976) to Over the River, project for the Arkansas River, State of Colorado (dal 1992), the artists worked establishing a close connection with natural, suburban and urban landscapes which all share a relation with water, be it an ocean, a sea, a lake or a river. Among the Water Projects we must mention The Floating Piers, an installation opening June18 to July 3, 2016, which will allow visitors to walk across Lake Iseo and along its shores on a 3-kilometre route. By means of modular floating piers covered in shimmering yellow fabric, the installation will link the town of Sulzano on the lake?s shores, to Monte Isola, also reaching the Island of San Paolo. Every work included in the catalogue will be accompanied by an explanatory text with all the relevant technical and historical information, along with preparatory drawings, collages, scale models, and photographic documentation of the project?s phases of ideation, preparation and realization. The catalogue, besides a rich photographic section, includes an introductory text by Germano Celant and a dialogue between the curator and Christo. The volume also comprises the artists? biography and a complete list of projects, bibliography and filmography.
Napoli, Electa 2007, 2007 Hardcover, 395 pages, English, 290 x 250 mm, cover has some scratches but book itself is in new condition, lots of illustrations in colour and b/w, . ISBN 9788837051754.
Ten years after his last anthological exhibition, a new reading of his creative path through the different phases of his brief but nevertheless intense career (1956-1963). English edition. The 250 works on display document Piero Manzoni?s production, from the canvases covered with tar of 1956-57, to the Achrome (French word for ?colourless?) of 1958 in which the use of materials unusual in painting is combined with the research of rigorous formal structures. At the same time he creates objects involving the materiality of human body, such as Fiati d?artista and the tins of Merda d?artista. The expositive path is enriched by the presentation of the international artistic and historical context in which Manzoni worked and with which he had to deal, highlighting his decisive contribution.
, Thames and Hudson, 1996 Hardcover , 351 pages, ENG, 275 x 240 x 30 mm, dustjacket, with 249 illustrations of which 160 in colour, in good condition,. ISBN 9780500237236.
The world-renowned British sculptor Tony Cragg is an intriguing combination of artist and scientist, chemist and alchemist, believer and sceptic, whose work has had an immense influence on a whole younger generation of post-formalist sculptors. Born in Liverpool in 1949, Cragg abandoned his scientific background to pursue a career as an artist, and has, over the course of some twenty-five years, evolved a prodigious oeuvre, exhibiting widely and earning international acclaim. His remarkable and extensive body of sculpture, astonishingly diverse, ranges from early works in natural elements to large-scale plastic and wood assemblages, from metal-spiked pieces to smooth, sensual bronzes. This exceptional study of Cragg's sculpture, the fullest and most comprehensive to date, provides a thorough visual survey of work dating from the early 1970s to the present day, tracing the artist's development from his formative years at the Wimbledon School of Art through his conceptual, rather than stylistic, evolution of a sculptural vernacular. Following an introductory critique from Germano Celant, there is an extensive plates section focusing on individual works, bringing out the unique shape, colour and texture of each piece. Interwoven with the photographs are reflections from the artist himself, lending insight and understanding to his methods and motivations. A full reference section, with a short biography, a list of works, an exhibition history and select bibliography, concludes the monograph.
GERMER-DURAND ( Louis-Eugène-Germer Durand, Dit ) - François GERME
Reference : 820169
Imprimerie Et Librairie Edouard Privat Toulouse 1893 Fort in-8 ( 210 X 140 mm ) de XV-1100 pages, broché. Exemplaire débroché mais complet, non coupé, à relier.Sous les auspices de la Commission Archéologique de Nîmes.Notice ou Introduction. Dieux & Déesses ou inscriptions religieuses. Inscriptions gauloises, publiques, municipales, religieuses, privées. Supplément général. Noms gentilices, nomenclature des surnoms, noms géographiques, noms des dieux et déesses, Empereurs & familles impériales, tribus, Cultes & fonctions religieuses. Fonctions civiles supérieures, fonctions & choses militaires, Fonctions municipales, collèges, bains, jeux, métiers. Divers & chrétiennes. errata. Liste des donateurs du Musée épigraphique.
André Delcourt, coll. “Construction + Architecture” 1988 In-4, couv. cartonnée illustrée en coul., 160 pp. Nb photos en n & b et en couleurs. Texte sur 3 colonnes. Coins legerement emoussesTrès bon état d’occasion.
L’architecture de l’Himalaya, les édifices et leurs origines restent encore méconnus. Pourtant, les fondements des constructions des pays des célèbres montagnes du Sud-Asie sont intemporels. A la frontière de l’Inde et du Tibet, qu’il s’agisse de l’architecture islamique au Cachemire, de l’architecture bouddhiste tibétaine, des édifices des Mahométans et des Hindous, des constructions du Transhimalaya ou de la vallée du Népal, des monastères ou des villages, des chortens, des pagodes… : quelle rencontre, quelles intéractions entre l’architecture et les religions ? Quel choix de matières premières pour les maisons des hommes ou des Dieux? QuellesL’architecture de l’Himalaya, aux édifices et origines méconnus dont les fondements des constructions de ces pays des célèbres montagnes du Sud-Asie sont intemporels. A la frontière de l’Inde et du Tibet, qu’il s’agisse de l’architecture islamique au Cachemire, de l’architecture bouddhiste tibétaine, des édifices des Mahométans et des Hindous, des constructions du Transhimalaya ou de la vallée du Népal, des monastères ou des villages, des chortens, des pagodes… : quelle rencontre, quelles interactions entre l’architecture et les religions ? Quel choix de matières premières pour les maisons des hommes ou des Dieux? Quelles sont les influences des mandalas sur les structures hindouistes ou bouddhistes, quels principes expriment les édifices sacrés ? Très bon état d’occasion
"1992. Paris/Utrecht Centre Georges Pomidou/Central Museum 1992. Cartonné bien complet de la jaquette 24 5 cm x 25 5 cm 396 pages 681 illustrations in et hors-texte couleur et noir & blanc). Texte de Gerrit Th. Rietveld Marijke Küper et Ida van Zijl biographie bibliographie publications et textes inédits de l'artiste index. Etat neuf"
Antwerp, BAI, 2021 HB, 215 x 165 mm, 128 pages, English edition. ISBN 9789085868095.
Plantin traveled a lot, to Paris, where he had a bookstore and lace trade, to Leiden where he had a second business, to Frankfurt for the buchmesse, ... He was on his way almost half of the year. He was an experienced traveler. How did people travel in a time without motorways, GPS, smartphone or trip advisor? Plantin had tables available that calculated how long the trajectories lasted. Unfortunately, he did not keep track of where he slept, ate, and how much he spent. Fortunately, there are other contemporaries, such as D rer and Montaigne who did take extensive notes during their travels. In the wake of Plantin, we send young photographers on different journeys with various means of transport. How do travel distances and travel times differ from journeys in the sixteenth century?
Antwerpen , BAI, 2021 HB, 215 x 165 mm, 128 pagina's NL edition. ISBN 9789085868088.
Plantin reisde veel, naar Parijs, waar hij een boekenwinkel en kanthandel had, naar Leiden waar hij een tweede bedrijf had, naar Frankfurt voor de buchmesse, ... Bijna de helft van het jaar was hij onderweg. Hij was een ervaren reiziger. Hoe reisden mensen in een tijd zonder autowegen, gps, smartphone of tripadvisor? Plantin had tabellen ter beschikking die uitrekenden hoelang de trajecten duurden. Helaas hield hij niet nauwgezet bij waar hij sliep, at en hoeveel hij uitgaf. Gelukkig zijn er andere tijdgenoten, zoals D rer en Montaigne die wel uitgebreide notities namen tijdens hun reizen. In het kielzog van Plantin sturen we onder meer jonge fotografen op reis met verschillende vervoersmiddelen. Waarin verschillen reisafstanden en reistijden met de reizen in de zestiende eeuw?
, Prestel Verlag 2012, 2012 Hardcover, 144 seiten, Deutsch, 265 x 235 mm, buch ist wie neu, mit staubmantel, . ISBN 9783791346656.
Die Filmikone Marilyn portr tiert von weltbekannten Fotografen Marilyn Monroe war nicht nur ein gro er Filmstar, sie wusste auch genau, was es bedeutet, vor der Kamera eines Meisterfotografen zu stehen. In diesem neuen Fotoband zum 50. Todestag (5. August 1962) werden neben bekannten, auch viele unbekannte und bisher unver ffentlichte Bilder zu sehen sein. Das Buch zeigt 70 Aufnahmen von der Fotoagentur Magnum, die hochkar tige Fotok nstler wie Henri Cartier-Bresson, Elliott Erwitt und Eve Arnold beheimatet. Eine ansprechende Mischung aus Farb- und Schwarz-Wei -Fotografien, die Marilyn Monroe in unvergesslichen Momenten ihres Lebens zeigen.
Tel-Aviv, Association of Engineers and Architects in Israel, 1976, in-4 carré (22,5x22,5cm), agrafé, (20p.) Good condition. 43 projects photographed in b/w. Text is in English and in Hebrew.ARCHITECTS: ADIV AFEK-SHPAK S. AMARIO M. AMITAI ANEKSTEIN ARMONI Z. ARMONN E. AVERBOUCH G. AZMANOV M. BARELY A. BARON Z. GEN-HORIN M. BIXON BLATT Y. BLUM BLUMENFELD R. BRUCK J. BUCHMAN COHEN L. COHEN MEN. DEKEL Z. DUNSKY-FEUERSTEIN R. ELDAR I. EYTAN D. ELHANANI ABA ENAV Z. EPSTEIN A. & SONS FAUST Y. FELD S. FREIBERGER A. FRUCHTER H. GAMERMAN G. GEBER K. GENDLER S. GIL Y. GILEAD S. G LASE R A. GONEN GOSHEN E. GROSS GRUNDMAN S. GRYNHAUS M. GUR GWIRZMAN E. HAREL M. HARUVI D. HAVKIN D. HERSHMAN S. HERTZ J. IDELSON B. IWANIR M. JAIR R. M. KAHN L. I. KANNER E. KAPLAN BEN KARMI R. KARMI-MELAMEDE A. KATZ K. KATZEFF H. KISSELOV T. KIRSCHNER Y. KOLODNY J. KOREN G. LANDAU LAVY LESHCINER LEVY M. LISSAR TS. LOFENFELD M. MAJUS E. MANSFELD AL. MAZOR A. MAYSLITZ A. MEGHIDDO RUTH MEGHIDDO RE. MILLER MITTE LMAN MOCHLY J. MUTLU NACHMANI Y. NADLER NADLER OMER H. PELEG M. PELLEG B. PERI PERLSTEIN I. POLLAK W. POWSNE R S. PRESSER HANZER RAPAPORT A. RATNER J. RECHTER Y. REZNIK D. RISKIN ROMEM H. ROSOFF A. ROSOFF S. RUTTENBERG J. SCHALLINGER G. SCHRAGENHEIM SEGALL J. SHAKED S. SHAPIRA SHARON A. SHARON E. SHILON M. SHILONI Y. SHIMONI F. SHIMSHAS SHOSHANI SI VAN Y. STEIN SOFER D. TALMOR M. TINTNER M TOLEDO A. TURETZ VENTURA A. VOS Y. WITTKOWER YAAR O. YAAR Y. YAHALOM L. YARON S. YASHAR Y. YASKI A. ZARHY M. ZERUBABEL U. ZIPPOR G. ZOLOTOV N ZUR D A.M.Y. THE JEWISH AGENcY KIBBUTZ PLANNING DEI'AI4TMENT MUNICIPALITY OF HAIFA MUNICIPALITY OF HERZLIA NATIONAL PARKS AUTHORITY PUBLIC WORKS DEPARTMENT RASTROM RASSCO TAGIV ISASBEST TAMBOUR TICHNUN LTD.
Harmondsorth, Penguin Books 1960 236pp.+ 160pp.of bl/w illustrations, hardcover (editor's red cloth), dustwrapper, 27cm., in the series "The Pelican History of Art", with cart. slipcase, good condition, S85144
Delémont, Imprimerie du “Démocrate” S. A. 1961, 260x200mm, 19pages, reliure demi-basane. Plats papier marbré. Bel exemplaire.
photos n/b,
GERSTER, Alban. - RAIS, André (Collaboration). - GERSTER, Lorenzo (Coordination).
Reference : 100786
Porrentruy, Editions du Faubourg 1983, 295x210mm, 378pages, broché. Très bel exemplaire.
photos n/b,
La Pierre-qui-Vire, Zodiaque 1968. 325x250mm, 148pages, reliure d'éditeur sous jaquette. Très bel exemplaire.
192 planches dont 67 en couleurs,
Zodiaque 1968 Traduit par Elisabeth SOLMS
Très bon état d’occasion
2 Bände. 1984. 4°. Leoporellobindung mit 52 und 58 Seiten. Schwarze Orig.-Leinenbände in Pappschuber.
Sehr gut erhalten.
Phone number : 41 (0)44 261 57 50
Stuttgart, Deutsche Verlags-Anstalt, 1981. 1981. 225 S. Mit zahlr. farb. Abb. Orig.-Leinenband mit Schutzumschlag.
Titelblatt mit Widmung.
Leiden, Primavera Pers, 2009 Paperback, 190 blz, Nederlands, Illustraties. ISBN 9789059970755.
Dit boek vertelt het verhaal van de welgestelde bankierszoon Lorenzo Tornabuoni en zijn vrouw Giovanna degli Albizzi, beiden afkomstig uit aanzienlijke, invloedrijke Florentijnse geslachten. Lorenzo was een veelzijdig getalenteerde neef van Lorenzo de Medici, de machtigste man van de stad. Giovanna was een van de knapste dochters van de welvarende patrici r Maso di Luca degli Albizzi. Hun huwelijk in 1486 werd zo uitbundig gevierd, dat er honderd jaar later nog over geschreven werd. Vanwege hun sterke banden met de Medici-familie maakten beide hoofdpersonen de glorie en turbulenties van de Florentijnense renaissance van dichtbij mee. In de dagelijkse leefwereld van het jonge echtpaar zijn de tegenstellingen van de Italiaanse renaissancecultuur goed zichtbaar: een hoogstaand geestesleven en een verfijnd esthetisch gevoel gingen ongehinderd samen met maatschappelijke zelfverheffing en list. De auteur laat zien hoe kunstwerken van wereldberoemde kunstenaars vervlochten waren met het leven van de echtelieden: een leven dat voor beiden kort was en een dramatisch einde kende
1989. Serigrafie. Blattgrösse: 128 x 90 cm.
Gut erhaltenes Plakat.
Zürich, Kunsthaus Zürich, 1980. Serigrafie. Blattgrösse: 128 x 90 cm.
Gut erhaltenes Plakat.