‎LE PANTHEON. GUIDE ILLUSTRE.‎

‎CH. MASSIN. NON DATE. In-8. Broché. Etat d'usage, Couv. légèrement passée, Coiffe en pied abîmée, Intérieur frais. 66 pages. Premier plat illustré en couleurs. Frontispice et nombreuses illustrations en noir et blanc, dans et hors texte.. . . . Classification Dewey : 720-Architecture‎

‎ Classification Dewey : 720-Architecture‎

‎ED VAN DER ELSKEN Een liefdesgeschiedenis in Saint-Germain-des-Pr s‎

‎, ludion, 2015 Gebonden, Hardcover met stofomslag compleet. HB, 270 x 195 mm, 115 pages, NL edition. ISBN 9789491819360.‎

‎Een liefdesgeschiedenis in Saint-Germain-des-Pr s is een van de belangrijkste boeken uit de geschiedenis van de Nederlandse fotografie. Het verscheen voor het eerst in 1956, bij De Bezige Bij, en betekende de doorbraak van fotograaf Ed van der Elsken. Door middel van een filmische opeenvolging van tekst en korrelige zwart-witfoto's vertelt Van der Elsken ons een semiautobiografisch liefdesverhaal: dat van Manuel en Ann, gesitueerd in de grimmige sfeer van het naoorlogse Parijs van de jaren 1950. Van der Elsken volgt Ann met zijn camera op haar zwerftocht door Parijs, terwijl ze danst, drinkt, flirt, vecht, slaapt, verliefd wordt... Ann is eigenlijk de legendarische bohemienne Vali Myers, een Australische kunstenares die bevriend was met Cocteau en Genet. Maar Van der Elsken geeft van bij het begin aan dat 'de handeling van het boek en de karakters die er een rol in spelen, ontsproten zijn aan de fantasie van de auteur'. Een liefdesgeschiedenis in Saint-Germain-des-Pr s is een cultboek geworden, dat tot nu toe bijna onvindbaar was.‎

‎Grafikk fra 1896. - Prints from 1896. Prints from 1896.‎

‎Katalog vom Munch - Museet. Oslo, 1996. 158 Seiten. Durchgehend illustriert.‎

‎Text in englisch und norwegisch.‎

‎Graven van Vlaanderen 861-1384‎

‎, DAVIDSFONDS, 2013 hardcover 352 pag. met prachtige illustraties, 29CM. PRIMA STAAT. ISBN 9789058269010.‎

‎Boudewijn de IJzeren schaakte een koningsdochter, Judith, en werd zo de eerste graaf van het drassige Vlaanderen aan de Noordzee. Het zou meer dan 500 jaar duren vooraleer het graafschap overging in Bourgondische handen. In die lange periode ontwikkelde Vlaanderen zich tot een van de rijkste en dichtstbevolkte gebieden van West-Europa, overdekt met een dicht netwerk van kloosters, jaarmarkten en steden, waar handel en nijverheid hoge toppen scheerden en Brugge uitgroeide tot de grootste handelsstad ten noorden van de Alpen. Lees over de 25 opeenvolgende graven en gravinnen die Vlaanderen bestuurden en maak kennis met een wereld van hartstocht, heerszucht en wraak, maar tegelijk van rechtvaardigheid, beschaving en commerci le flair. Reis mee naar de Artesische heuvels of het verre Jeruzalem en beleef van op de eerste rij de spectaculaire toernooien, de Guldensporenslag of de moord op Artevelde. Voel mee met de gravinnen, die dikwijls als gewonde leeuwinnen moesten vechten voor het behoud van hun kroost en van hun vaderland. Edward De Maesschalck is doctor in de middeleeuwse geschiedenis.‎

‎Herfsttij en ondergang van het Romeinse rijk ‎

‎, Bruna, 1988 Gekartonneerd met stofomslag, 256 pagina's, 31 x 24 cm, NL. *Goede staat. ISBN 9781197400804.‎

‎Edward Gibbon (Londen, 1737) studeerde in Oxford en raakte daar gefascineerd door godsdienstgeschiedenis. Verval en ondergang van het Romeinse Rijk is zijn meesterwerk. De meest gerenommeerde verkort editie, van D.M. Low is de basis voor de Nederlandse vertaling. Op bol.com vind je alle boeken van Edward Gibbon, waaronder het nieuwste boek van Edward Gibbon.‎

‎Marcus Gheeraerts the elder of Bruges, London, and Antwerp ‎

‎Utrecht, Haentjens Dekker & Gumbert,, 1971 Linen binding, 86 pages + plates, 26 x 17 cm, EN. *Fine condition.‎

‎Marcus Gheeraerts the elder of Bruges, London, and Antwerp ‎

‎Ronde : Inside the World's Toughest Bike Race‎

‎, Simon & Schuster, 2018 Paperback, 292 pages, ENG. edition, 235 x 155 mm, NEW, illustrated with photos in color / b/w. ISBN 9781471169274.‎

‎The Tour of Flanders ? known to cycling fans as the Ronde ? is the biggest one-day bike race in the world. It is a potent mix of grit, cobbles, steep climbs, narrow roads, national pride, beer, brutal weather and the maddest, most passionate fans in the sport. It?s the Tour de France boiled down into a single day of non-stop action ? the Belgian equivalent of the Grand National, Wimbledon and the FA Cup final. And there?s yet more to it than that. Edward Pickering tells the story of the Tour of Flanders, its history, culture and meaning, through the prism of the 2011 Ronde, an incredible edition that was one of the most exciting bike races of the past half-century. He weaves the narrative of that day into a broader study of the race, with eyewitness accounts from the key locations of the Ronde and dozens of interviews with the riders. The Ronde is a textured portrait of a race, but it also explores the deep links between bike races and the landscape and culture in which they take place, and explains how cycling works, with the most detailed analysis of a single event ever seen.‎

‎Collecting, Collectors, and the Book Trade. Essays in Honour of Richard A. Linenthal‎

‎, Harvey Miller, 2026 Hardback, Pages: xii + 518, Size:200 x 280 mm, Illustrations:10 b/w, 159 col., Language: English. ISBN 9781915487605.‎

‎Summary Presented on the occasion of Richard A. Linenthal's seventieth birthday in June 2026, this book is a tribute to his learning, his passion, his friendship, and his capacity to enthuse and inspire others. In a 50-year career as an antiquarian bookseller, first with Bernard Quaritch Ltd., then latterly under his own name, Richard has found a home for many of the most important books to have passed through the trade. Equally happy working with institutions and private collectors, Richard's enthusiasm and friendship have been central to building collections around the world. His influence and impact can be seen in libraries across the UK and the US, but also in Japan, where he was central to the development of both academic and private libraries. Among the contributors are collectors, friends, family, colleagues, librarians, curators, and scholars and the contributions are as varied as Richard's own interests, encompassing book history, the book trade, antiquities, manuscript studies, provenance research and library history. An important and exciting collection of 45 essays which contribute much to our understanding of the collecting of the written and printed word. TABLE OF CONTENTS For Richard A. Linenthal Edward Potten & Satoko Tokunaga Introduction Nicholas Poole-Wilson 1 ILLUMINATED MANUSCRIPTS Images of the Destruction, Salvage, and Restoration of Books in the Bible moralis e Lucy Freeman Sandler Greater than the Sum of its Parts: A Previously Unstudied Sequence of Miniatures Illustrating Jean Mielot's Romul on Scot McKendrick The Powis Hours and the Daughters of Henry Percy, 4th Earl of Northumberland Michelle P. Brown The Fitton Hours at Keio University Library Takami Matsuda Iconographic Disjunction in the Ruskin Psalter/Collect-Hours: A Flemish Illuminated Manuscript of c. 1470?1480 James H. Marrow 2 MANUSCRIPTS, TEXTS, AND SCRIBES A Man of Sound Mind: The Last Will and Testament of Julius Pompeianus Gifford Combs Tracing Modifications in a Script: The Maurdramnus Script of Corbie David Ganz An Illustrated Riddle and the Teaching of Vergil in Twelfth-Century Gembloux Robert Babcock A Poet-Prince's Payment to a Scribe Henri Schiller The Benedictional of Robert de Clercq, Abbot of Les Dunes (Cambridge University Library, MS Nn.4.1) Patrick Zutshi A Newly Discovered Work by Mellin de Saint-Gelais: 'Espitre de la vertue d'amitie et de paix Au Roy mon souverain seigneur' Eugenio Maria Donadoni Philip Absalom: A Nineteenth-Century Scribe and Artist A. S. G. Edwards 3 FRAGMENTS AND BINDINGS Fragments of Virgil Christopher de Hamel An Early Eleventh-Century Musical Fragment from Christ Church, Canterbury Susan Rankin Fragments and Waste Leaves of Incunabula in Eton College Library John Goldfinch Stationery Bindings: A Law Story Paul Halliday Printed Fragments in Sixteenth- and Seventeenth-Century Cambridge Bookbindings David Pearson Thomas Hearne's Manuscript and Printed Fragments H. R. Woudhuysen 4 XYLOGRAPHY AND EARLY PRINTING Dating Single Leaf Prints: The Mount of Olives of the Mazarine Bible Edward Potten Spending Fragments of Time with Early Proof Corrections Lotte Hellinga Exemplaires disparu: In Search of Maffeo Pinelli's Mainz Bible of 1462 Eric Marshall White On Profit and Gatherings: Reading a Colophon of Nicolaus Wola and Badius Ascensius Kristian Jensen Escape from San Zanipolo Martin Davies English Xylographic Folded Almanacs Kathleen Doyle Gutenberg Portraiture in Pre-War Monuments Margaret Lane Ford 5 COLLECTING AND COLLECTORS To Found an Academic Library in the Isle of Man: The Catalogue of Lord Fairfax's Shipment of Printed Books in 1659 Nicholas Poole-Wilson The Right Honourable Thomas Grenville and the 'Perfect Book' Karen Limper-Herz The Gift of Books after the Great Kanto Earthquake Satoko Tokunaga The Acquisition and Deaccession of Two and a Half Tons of Sir Thomas Phillipps' Manuscripts Martin Schoyen Medieval, Renaissance, and Modern Manuscripts: A Handlist of the Collection of C. H. St John Hornby William P. Stoneman 6 THE BOOK TRADE An Unrecorded English Frankfurt Fair Catalogue, 1617 Giles Mandelbrote Dear Mr Harper, Dear Mr Goldschmidt Felix de Marez Oyens Bindings under the Hammer Mirjam Foot William H. Scheide's Purchase of a Forged Columbus Letter Paul Needham 7 ADVERSARIA A Medieval Seal Matrix Nicolas Barker On Origins, Memories, and Marbles Amy Linenthal Halliday Where Did it Come from? Larry Wallace Recollections of an Only Child Justin G. Schiller A Tokyo Memoir: A First Folio, but No American Football Toshiyuki Takamiya Memories of Life at Bernard Quaritch Celia Cammarota & Dinah Swayne Noel MS1: The Dring-Linenthal-Noel Staunton Land Deed of 1378 Lynn Ransom with Edward Potten The Oracle of Hastings Speaks Michael Zinman List of Contributors Indices‎

‎Lisa Spilliaert Time and Tide‎

‎, Posture Editions Nr 13, 2014 HB, 297 x 210 mm, 104 pages, EN-NL edition Illustrated. ISBN 9789491262135.‎

‎In selecting the photographs for this publication, Lisa Spilliaert (b.?1990) was adamant that the image of a sunrise should be among the first in her book. It is, indeed, an emblematic image. For anyone with a camera, such a splendid sunrise is an irresistible trope: a visual motif that simply begs to be captured and fixed on film. In reality, however, the magic of this scene resides in the fleeting, subtle changes in colours and vibrations. This is the dynamic that captivates us. Photography is usually understood as a technique for ?stopping? the flow of time. But as Spilliaert here demonstrates, the impact of photography can also be used to manifest an awareness of time and transience. By accentuating the photographer?s fixed position vis- -vis the endlessly changing light source, Spilliaert evokes a correlation between stasis and movement, between the cosmic and the mundane. This duality is echoed again in the confrontation of the two equivalent silhouettes: that of the photographer and of his alias or ?partner?: a life-size technical camera.? From ?Time and Tide? Edwin Carels‎

‎Chinese Garden Architecture A collection of photographs of minor Chinese Buildings‎

‎New York 1931 The Macmillan Company Hardcover 1st Edition ‎

‎Relié, 31 x 24 cm, pages non numérotées pp., Anglais, 1ère édition, Illustrations, état du livre : Très Bon [Cette description peut avoir été traduite par une IA.]‎

‎Latemse School‎

‎Sint-Martens-Latem, Galerie Oscar De Vos, 2018 Softcover, pagina's niet genummerd, catalogus, 29.5 x 21 cm, NL. *Prima staat.‎

‎Galerie Oscar De Vos - De Latemse School‎

‎Change in Medieval and Renaissance Scripts and Manuscripts. Proceedings of the 19th Colloquium of the Comit international de pal ographie latine (Berlin, 16-18 September, 2015)‎

‎, Brepols, 2019 Paperback, 340 pages, Size:216 x 280 mm, Illustrations:94 b/w, 8 col., 17 tables b/w., Languages: English, French, German. ISBN 9782503578750.‎

‎Summary Palaeographers and codicologists have gradually developed concepts and terms to analyse change in medieval and Renaissance scripts and manuscripts. Some of these endeavour to offer explanatory models, either for specific phenomena or for general trends. Others are essentially descriptive, typological and chronological, referring to implicit (traditional) theories of historical evolution. The papers in this book offer a wide range of palaeographical and codicological case-studies describing and analysing "change". Several papers offer the outlines of a theoretical framework, bringing out the conditions for the evolution of scripts as well as for progress in the production and distribution of texts and manuscripts. TABLE OF CONTENTS Preface Teresa De Robertis, Nicoletta Giov , Come cambia la scrittura Ainoa Castro Correa, The Regional Study of Visigothic Script: Visigothic Script vs. Caroline Minuscule in Galicia Peter A. Stokes, Change and Variation in Eleventh-Century English Script Walter Koch, Schriftwandel bei Notaren in der hochmittelalterlichen Reichskanzlei Irene Ceccherini, Cursivit et institutions. L' criture de la chancellerie de France entre la fin du XIIe et la fin du XIIIe si cle Elena E. Rodr guez D az, El origen del libro g tico en los reinos de Castilla y Le n. La diferente ubicaci n de las iniciales secundarias y may sculas Vladimir I. Mazhuga, Le changement d'aspect de la page dans les manuscrits juridiques italiens la p riode pr accursienne (d'apr s les manuscrits et les fragments conserv s Saint-P tersbourg) Dominique Stutzmann, R sistance au changement ? Les critures des livres d'heures dans l'espace fran ais (1200-1600) Martin Schubert, The Invention of Space. Verses and the Line Break in Medieval German Manuscripts Nata?a Golob, Painted Key-Words: Accessing Contents by Images Laura Albiero, Le br viaire, de l'autel la poche. Quelques consid rations propos des br viaires portatifs Chiara Ruzzier, Les changements dans la fabrication du livre aux XIVe et XVe si cles d'apr s les manuscrits des abbayes b n dictines des Pays-Bas m ridionaux Laura Regnicoli, David Speranzi, Mutamenti, continuit e interazioni delle scritture distintive librarie latine e greche nel Quattrocento fiorentino Martin Wagendorfer, Universit tsakten anders gelesen. Kulturtransfer, Transformation und die Humanistica n rdlich der Alpen Francisco M. Gimeno Blay, Muestrario gr fico del oto o medieval: Ars litteraria y Ars alphabetica de Hartmann Schedel. De N remberg a Padua Session APICES Colleen M. Curran, Standardization Through Hybridization: The Morphology of English Caroline Script Matilde Silla Sgarbi, Codicologia d'archivio. I pi antichi registri di imbreviature dell'Archivio di Stato di Firenze Ren ta Modr kov , The Change of Historical Periods. Manuscripts and Scribes from St George's Convent at Prague Castle in the Thirteenth and Fourteenth Centuries Marco Antonio Siciliani, Scritture di frontiera. Alcune riflessioni su cultura grafica, luoghi e sistemi di produzione libraria ad Avignone nel XIV secolo Elisabetta Sciarra, Codici e libri stampati postillati: note di possesso, note di lettura, note di studio nella base dati dei possessori della Biblioteca Nazionale Marciana di Venezia‎

‎Meisje in het gras, Roof & Restitutie Deel II‎

‎, Waanders Uitgevers, 2025 Hardback, 192 pagina's, Dimensions 240 x 170 mm, 60 Illustrations col.ill Dutch (NL) ed. *new. ISBN 9789462625938.‎

‎Gedurende de Duitse bezetting moest een Joods Nederlands echtpaar een schilderij verkopen om te kunnen onderduiken. De speurtocht naar het schilderij bleef lang vruchteloos, totdat Bureau Herkomst Gezocht ontdekte dat het in een Duits museum was terechtgekomen. Het Duitse museum en de erven kwamen overeen dat het schilderij, een werk van Camille Pissarro uit 1882, in het museum zou blijven.‎

‎Hans Memling‎

‎, Meddens 1970, 1970 Hardcover, 65 pages, Texte en Francais, 295 x 265,.‎

‎ crivain public, en Fran ais et en Flamand/Den openbaeren schryver, in 't Fransch en in 't Vlaemsch.‎

‎Brussel, M.E. Rampelbergh, 1832 Half-lederen band met goudopdruk, 216 pagina's, 15.5 x 9.5 cm, FR/NL. *Het boek bevindt zich in goede staat. rug en kaft zijn afgeleefd.‎

‎L' crivain public, en Fran ais et en Flamand/Den openbaeren schryver, in 't Fransch en in 't Vlaemsch.‎

‎(URBANISME - ARCHITECTURE) Plaisance. Etude d'aménagement. Rapport constituant un instrument de travail pour la rénovation du quartier comprenant une analyse générale de la physionomie du quartier (30 pages), "puis une proposition de zoning sur l'ensemble du secteur ainsi qu'une étude de plans-masse concernant les groupes d'îlots" (7 pages), enfin, en annexe, un répertoire des 61 îlots étudiés. ‎

‎Paris, 1959, fort in-4, Pleine toile grise légère marque de mouillure en tête., np. Bon état. ‎

9 Images

‎CE CRAPAUD DE GRANIT BAVANT DU GOEMON‎

‎Gallimard, Paris, 1971.‎

‎Un volume in-12°, broché, couverture souple rempliée de l’éditeur, 107 pages, édition originale, (tirage à 3585 exemplaires + 200 exemplaires “réservés à l’auteur et marqués de sa main aux initiales de ses amis”. Notre exemplaire relève d’une catégorie supplémentaire, celle des exemplaires de passe, c’est à dire des exemplaire “en plus” et en nombre indéterminé. En effet, il est présenté comme un “exemplaire imprimé spécialement pour”... , mais à l’emplacement prévu pour des “initiales” éventuelles on ne trouve aucune initiale... Ce qui n’empêche pas que, sur la page “faux-titre”, on puisse trouver un de ces petits dessins originaux caractéristiques de Jean EFFEL (un oiseau tenant une fleur dans son bec), sa signature bien connue, et un ENVOI bien précis : “A Claude MAURIAC”.Exemplaire en TRES BON ETAT.‎

‎Les Mémoires du grand architecte. Premier album‎

‎Editions de l'architecture française Agrafé 1955 In-8 (16 x 22 cm), agrafé sous couverture, non paginé, illustrations en couleurs ; usures sur les bords du premier plat, trace de rouille aux agrafes sur les plats et à l'intérieur, deux feuillets désolidarisés, état moyen. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Les Mémoires du Grand Architecte. Premier album.-‎

‎Paris. Éditions de l'Architecture Française. 1955. In-8 (159 x 220mm) broché, couverture blanche, titre en violet et en noir, 18 ff.n.ch. 17 illustrations en rouge et noir à pleine page de Jean Effel avec publicités liées à l'architecture en regard. Couverture un peu tachée sinon bel exemplaire.‎

‎Les Mémoires du Grand Architecte. Troisième album.-‎

‎Paris. Éditions de l'Architecture Française. 1957. In-8 (154 x 220mm) broché, couverture blanche, titre en bleu et noir, 20 ff.n.ch. 18 illustrations en rouge et noir à pleine page de Jean Effel avec publicités liées à l'architecture en regard. Bel exemplaire.‎

‎Byzanz - die Macht der Bilder‎

‎Berlin, Staatliche Museen, 1998 Softcover, 168 pages, 28.5 x 21 cm, GERMAN. ISBN 9783886094066.‎

‎Catalog of the exhibition at the Dom-Museum Hildesheim.‎

‎La Tour, der Pastellmaler Ludwigs XV. 89 Nachbildungen von Kunstwerken in St. Quentin. Mit einer Einführung und biographischen Anmerkungen von Hermann Erhard.‎

‎Zweite Aufl. 3.–6. Tausend. München, Korpsverlagsbuchhandlung Bapaume (R. Piper & Co.), 1918. Gr.-8°. 4 Bl., XXIV S., 62 Bl. Mit 89 Portraits auf Tafeln, einige farbig. Mit je einem Blatt Begleittext. Orig.-Halbleinenband.‎

‎Aus der Reihe "Französische Kunst", hrsg. von einem deutschen Reservekorps. – Mit eigenhd. Widmung auf Vortitel "Der kleinen Kunstmäzenin in liebster Dankbarkeit. Tante Els Baronin Ardenne. Bad Münster October 1917". Das Schicksal von Elisabeth Baronin von Ardenne (Zerben 1853-1952 Lindau) diente Theodor Fontane als Anregung für seinen Roman Effi Briest (1895). Die Sammlung La Tour wurde von der deutschen Armee aus dem bombardierten St. Quentin in Sicherheit gebracht. Der Herausgeber widmete das Buch Wilhelm II., König von Württemberg. – Buchdeckel gebräunt und etwas fleckig.‎

‎GIORGIO MORANDI - Morandi. Disegni. Catalogo generale, ‎

‎, Electa - Mondadori, 1994 hardcover with slipcase, cart. edit. ill. con cofanetto - 302 pages, 25x28cm. 770 ill. b/n n.t. - 770 b/w ills . TEXT italiano - Italian . ISBN 8843543431.‎

‎Recognition of the authenticity of the works of Efrem Tavoni and Maria Teresa Morandi. Finding and archiving by Efrem Tavoni and Iliana Guidi. Scientific cataloguing by Marilena Pasquali and Lorenza Selleri. This volume devoted to Giorgio Morandi's graphic works completes the systematic cataloging of the Bolognese artist's oeuvre. For the drawings, a census of all the works was carried out in agreement with Maria Teresa Morandi, entrusting their cataloguing to a scientific committee. All works are reproduced and analyzed in chronological order, indicating title, date of creation, technique and dimensions, signature and autograph inscriptions on the back or frame, location, provenance, auctions, exhibitions, critical commentary and bibliography. Biography, general bibliography and list of exhibitions complete the volume. (T-CA)‎

‎Un si cle d' clairage, 1824-1924 (signed)‎

‎Anvers , Ratinckx , 1925 Softcover, 164pp et 18pp, 17.5 x 26cm, Fran ais. *En bon tat, avec d dicace de l'auteur.‎

‎Cet ouvrage retrace un si cle d' volution de l' clairage artificiel, de 1824 1924. Il explore les avanc es technologiques majeures, les innovations industrielles et leur impact sur la soci t . travers des illustrations d taill es et des descriptions pr cises, les auteurs examinent comment l' clairage a transform les environnements urbains et domestiques, influen ant les modes de vie et les habitudes culturelles.‎

‎Egeria, Journey to the Holy Land‎

‎, Brepols, 2021 Paperback, 124 pages, Size:156 x 234 mm, Languages: English, Latin. ISBN 9782503592817.‎

‎Summary The Itinerarium Egeriae is the travel diary of a late-fourth-century visit to Egypt and Palestine by a Christian woman from Western Europe. As well as stopping at many sites of biblical significance, she spent three years in Jerusalem and recorded in detail its liturgical practices throughout the yearly cycle. This is the first ever edition of the Latin text to be accompanied by an English translation in parallel. The volume includes an introduction, notes, and a substantial bibliography. There are also appendices containing recent fragmentary textual discoveries and the text and translation of the seventh-century letter of the Spanish monk Valerius which first identified the author.‎