Carla Varela Fernandes, Catarina Fernandes Barreira, Jo o Lu s Ingl s Fontes, Maria Joao Branco, Mario Farelo (eds)
Reference : 63067
, Brepols, 2024 Paperback, xvii + 594 pages, Size:165 x 240 mm, Illustrations:12 b/w, 115 col., 9 maps b/w, Language(s):English, French, Spanish. ISBN 9782503606583.
Throughout the Middle Ages, the choice of a particular burial place remains a fundamental question in someone's life. Summary Assembling the contributions of twenty-two authors, this volume aims at revisiting the question of the choice of burial sites throughout the Middle Ages, in their political, emotional, and devotional dimensions, across a wide chronology and in a vast palette of different social statuses. The choice of a burial site inevitably reflets very important statements, made by the living persons, not only regarding what they wished the memory of their passage on Earth to be, but equally enlightening us on what their concern for the future of their souls was and how it should be cared for, in the afterlife. The first part of this volume is devoted to royal pantheons, considering their development and relevance in the construction of royal legitimacy. Kings and Queens were not the only ones considering their lineage and personal memory: noblemen, ecclesiastics, rich tradesmen, and their wives and daughters, were also involved in a world of changing tendencies, which are dealt with in the second part of the book. The third and last part looks at the strategies and interconnection between building a burial site and constructing collective memories, whether in stone or in writing through the performing influence of rituals, images, or symbols. This book proposes, therefore a whole new set of approaches on the subject, addressed either in interdisciplinary and all-around syntheses or via analysis of specific case-studies, looking at panteons and other burial sites as the important witnesses of the lives, emotions, and devotions of the medieval society they served. Contributors to this volume are Xavier Barral i Altet, Catarina Fernandes Barreira, Thiago Jos Borges, Maria Helena Cruz Coelho, Frederica Cosenza, Antonio Pio de Cosmo, Lorenzo Curatella, M rio Farelo, Jos Rom n Gonz lez de la Cal, Linsy Grant, Laurent Hablot, Orlindo Jorge, Emma Lano Mart nez, Christian de M rindol, Sonia Morales Cano, Jorge Mor n Pablos, Pedro Redol, Martina Saltamacchia, Isabel S nchez Ramos, Lydwine Scordia, Rosa Smurra and Christian Steer. TABLE OF CONTENTS Preface I - Royal Pantheons (5th-15th century) - Emma Lia o Martinez (Profesora Catedr tica de Historia del Arte. Universidad de Tarragona), El Pante n Real de Poblet. Afirmaci n de la monarquia e innovaci n art stica - Sonia Morales Cano (Profesora Universidad de Castilla-La Mancha), Discursos de la memoria: la catedral primada de Espa a como pante n real en la Baja Edad Media y su repercusi n en los mausoleos de prelados y nobles - Pedro Redol (Senior Official Monastery of Batalha), Orlindo Jorge (Independent researcher), The royal funerary chapels of Batalha: prestige, innovation, and identity (1415-1515) - Christian de M rindol (Ancien Conservateur au Mus e des monuments fran ais), La Necropole de Saint-Denis de Louis VII Saint Louis. Nouvelle synth se. - Lindy Grant (Professor of Medieval History, University of Reading), Blanche of Castile, St Louis and the concept of the family mausoleum in Capetian France: Saint-Denis, Royaumont and Maubuisson. - Lydwine Scordia (Ma tre de conf rences HDR, Universit de Rouen), Le tombeau de Louis XI Notre-Dame de Cl ry: un unicum dans l?histoire de l?art fun raire royal II. Burial strategies: from rural to urban contexts - Isabel S nchez Ramos (University College London, Institute of Archaeology), Jorge Mor n Pablos (AUDEMA. Auditores de Energ a y Medio Ambiente, Madrid) and Jos Ram n Gonz lez de la Cal (Escuela de Arquitectura de Toledo, UCLM), El edificio funerario tardoantiguo de Los Hitos en Arisgotas (Toledo, Espa a). Un pante n de poca visigoda - M rio Farelo (Assistant Researcher, NOVA FCSH), Une cit de Saints. La ville de Lisbonne comme lieu de sacralisation de la guerre, XIIe-XVe si cles - Federica Cosenza (Postgraduate, Universit degli Studi La Sapienza), Sepolture di Prestigio a Roma nel Medioevo: La Media Elite - Lorenzo Curatella (PhD, Universit degli Studi La Sapienza), Sepolture di prestigio a Roma nel Basso Medioevo: Gli Ecclesiastici - Rosa Smurra (Associate Professor, University of Bologna), Social mobility and funerary monuments in the first half of the fourteenth-century in Santa Chiara, Naples - Martina Saltamacchia (Associate Professor, Charles & Mary Caldwell Martin Professor of History), Snakes, Razas, and the Prince?s Tomb: Gian Galeazzo Visconti and the Cathedral of Milan - Christian Steer (Visiting Fellow, University of York), Bones of Benefactors: Burying the Dead in Grey Friars Church London III ? Memory, Representations and Texts - Maria Helena da Cruz Coelho (Professora Catedr tica, Universidade de Coimbra), A morte e a ltima morada dos reis: paradigma e mem ria - Xavier Barral i Altet (Professeur des Universit s, Universit Rennes 2), Le r le m morial et fun raire de la broderie de Bayeux : propos du tombeau-mausol e de la sc ne d?Aelfgyva et le clerc. - Laurent Hablot (Directeur d' tudes, EPHE), L?h raldique et la mort. Formes et fonctions de l?h raldique dans le contexte fun raire - Catarina Fernandes Barreira (Research Fellow, NOVA FCSH), Requiescant in pace. Death and memory in the Monastery of Alcoba a based on its liturgical codices - Antonio Pio de Cosmo (Universit di Modena e Reggio Emilia, Italia / ISACCL, Bucarest, Romania), I riti in limine vitae degli Augusti. 'Manipolazione rituale' e partecipazione corale nelle cerimonie del trapasso dell?imperatore celebrate fra IV e VI secc. - Thiago Jos Borges (Doutor em Hist ria, docente do Instituto Federal de Bras lia), De Locis Sanctis: textualidade, tradi o e formas de representa o.
1980. Paris Éditions Maspéro 1980 - Broché couv. à rabat 13 5 cm x 22 cm 260 pages 46 figures (plans dessins photos ...) in et hors-texte - Texte de Carl-Axel Moberg adaptation du suédois par l'auteur avec la collaboration de Serge Cleuzion Annie et Alain Schnapp bibliographie index des noms et des idées- Très bon état
, Uitgeverij Hannibal, 2014 Hardcover.239 pages, Illustrated. Nederlandstalig. 30x333x248 mm ISBN 9789492081063.
Carl De Keyzer & David Van Reybrouck. Het fotoboek van de Eerste Wereldoorlog: Magnum fotograaf Carl De Keyzer selecteerde en bewerkte honderd originele glasplaten uit de Eerste Wereldoorlog uit diverse archieven in binnen- en buitenland.
, , 2012 Hardcover in slipcase, + original Photo signed 1/40 copies.; 'forty copies of this edition have been signed by Carl De Keyzer and numberd 1/40. Each book is accompanied by an original copy of a photograph, wich bears the sam number as the book'. 320 mm x 320 mm, 250 illustrations colour. ISBN 9789401400251.
**LUXE edition + PHOTO / signed. Een visueel monument, dat op indringende wijze vastlegt hoe Europa omgaat met de dreiging van de klimaatopwarming. Vier jaar lang heeft Carl De Keyzer vier maanden per jaar de kusten van Europa afgereisd, van het hoge noorden tot het zuiden. Hij fotografeerde vervreemdende landschappen, desolate stranden, verlaten hotels, winterse pieren en dramatische wolkenpartijen: prachtige maar onheilspellende beelden met een hoog David Lynchgehalte. Moments before the Flood is bij uitstek een fotografie van het wachten. Carl De Keyzer portretteert de unheimlichkeit van het onbestemde en het onzekere, met een meesterlijk oog voor de schoonheid ervan en met een weergaloos gevoel voor ironie. --- A visual monument that poignantly records how Europe deals with the threat of global warming. For four years, Carl De Keyzer traveled the coasts of Europe for four months a year, from the far north to the south. He photographed alienating landscapes, desolate beaches, deserted hotels, wintry piers and dramatic clouds: beautiful but ominous images with a high David Lynch content. Moments before the Flood is pre-eminently a photography of waiting. Carl De Keyzer portrays the uncannyness of the indefinable and the uncertain, with a masterly eye for its beauty and an unparalleled sense of irony.
, Self published. , 2024 Hardback, 192 pages, high quality reproductions, 297 x 235 mm, 180 images. First edition : 500 copies. Signed. As new. .
In 1997, the Russian chess grandmaster Garri Kasparov lost to the chess computer Deep Blue and regarded his loss as a tremendous success of human ingenuity. That moment marked a historic turning point in the development of artificial intelligence, although Alan Turing and David Champernowne had already designed the Turochamp in 1948, the first algorithm that assigned a value to chess pieces and was supposed to determine the best possible chess move. AI has been closely intertwined with everyone?s existence for much longer than we realize. Just think of the smartphone, the search engines on the internet, the translation software, even washing machines use AI to increase efficiency, to save energy,? Certain AI applications detect fake news and disinformation. When Carl De Keyzer was about to travel to Russia in 2021 as a kind of revisiting of Homo Sovieticus (1989) and had received the official permission to do so, had already arranged his tickets, visa and guide, tensions quickly rose and tanks were suddenly amassed at the border. Fortunately, De Keyzer decided not to travel there after an attempt that had already been postponed due to Covid, because war broke out shortly after. With Putin?s Dream, Carl De Keyzer shows us in an innovative way that remains true to his oeuvre and his artistic personality, how photography and AI can form and become a symbiosis. Although AI is used and the photographer?s gaze is absorbed by the algorithmic data of the computer, De Keyzer remains the designer, the builder and the user of AI. He directs, decides, creates and makes choices based on the computer images, as befits an artist who works with available material and new technology. He not only feeds the machine with his own images (such as from Zona, 2003), with photographs of previous projects for which he traveled abroad, he ultimately adjusts AI by, for example, teaching the system to think asymmetrically. This is how AI learns from what De Keyzer decides and does as a photographer. The power and the essence of documentary photography, which De Keyzer has been associated with for decades and in which he is a grandmaster, is like hyperrealism: collecting and revealing (the truth of) the reality that the photographer was confronted with at a certain time in the given circumstances, without staging, as a kind of statement against fake news. But now the computer has become the camera as a journey through the virtual that Carl De Keyzer can make in his living room, so to speak, without having to travel and while he can visit locations repeatedly on the screen. Independent of time and circumstance, the image/imagination is created. A new reality emerges, while at the same time that reality reveals what may be unfolding in Putin?s head as a fictional story. War, power and politics (common threads in De Keyzer?s oeuvre) are propaganda and are directed, manipulated, and play with the (un)reality and eroticism. They are guilty of spreading incorrect messages. Even in war there is often a kind of unreality in all the horror. In Putin?s Dream, Carl De Keyzer takes us into the horror and unreality of this fairytale, aesthetic seductiveness, which often borders on perfection and contemporary cinematography of an image. We see, as it were, perfect people ? with white teeth, beautiful blond hair, blue eyes ? in flawlessly composed settings, as every dictator might want. We get a suggestion of how Putin wants to see the victory in and from Russia, how he dreams his Russia. Not only in the past and present, but also in the future. At the same time, De Keyzer?s critical, ironic view is omnipresent. There are not only the counterattack in Crimea, but also the gay community, the penthouses in Moscow, the private yachts and parties, the postcards of an idealized Kremlin,? Of a reality that simultaneously exists there and is nonetheless non-existent. Like the beauty of another world, no matter how gruesome the subject. Paul Val ry stated in his notebooks (Cahiers), which were published in 1973 and 1974, that works of art that were created with the greatest compulsion to regulate are also the works that require and provide the greatest freedom of mind. Just as important as coincidence, as the artist?s idea, is the making of the choice, the feeling of the look and the thoughts, linked to the consciousness for a specific moment. More specifically, art is a means of making the invisible real. And that is precisely what Carl De Keyzer does in Putin?s Dream. Inge Braeckman
(Wien, Joh. Peter v. Gehlen, 1739). Folio. (45,5 x 28,5 cm.). Contemp. full speckled calf. A bit rubbed. Lower spine-end worn. (26) pp. One leaf with some stains, otherwise fine, printed on good paper.
Carl de Vinck (1859-1931) - Préface de M.P.A. Lemoisne, Conservateur du Cabinet des Estampes
Reference : 45766
(1931)
1931 A Paris - Société d'Iconographie Parisienne / Chez Maurice Rousseau - Première édition 1931 - In-4 (25,5 x 33 cm) - Poids : 1560 gr. - (viii) 83 pages + 72 Planches en Héliogravure, hors texte en fin de volume & 8 Figures dans le texte + 1 Frontispice et quelques Culs-de-Lampe - Broché - Couverture cartonnée verte - Très bon état - envoi rapide et soigné
Créée en 1908, la Société d'Iconographie Parisienne avait pour objet de rechercher, répertorier et publier les représentations figurées de Paris et de ses habitants aux diverses époques de lhistoire, et de contribuer à létablissement dune méthode critique qui permette de déterminer dans quelle mesure ces représentations répondent à la réalité des choses Cnformément à nos conditions générales de vente :Les frais de port sont affichés à titre indicatif. Il se peut que nous devions vous contacter pour vous informer du coût de laffranchissement supplémentaire en fonction du poids et du nombre de livres, surtout pour les envois internationaux Cependant vu l'augmentation des tarifs postaux à l'internationale, nous pouvons expédier les ouvrages en point relais MONDIAL RELAY pour les pays suivants : Allemagne, Autriche, Belgique, Espagne, Italie, Luxembourg, Pays-Bas, Pologne, et Portugal. Merci de nous indiquer en retour le point relais choisi ainsi que votre numéro de téléphone mobile & adresse Courriel pour assurer le suivi du colis.N'hésitez pas à nous interroger.In accordance with our general terms and conditions of sale:Shipping costs are displayed for informational purposes only. We may need to contact you to inform you of the additional postage costs depending on the weight and number of books, especially for international shipments.However, given the increase in international postal rates, we can ship books via Mondial Relay to the following countries: Germany, Austria, Belgium, Spain, Italy, Luxembourg, Netherlands, Poland, and Portugal. Please provide us with your chosen Mondial Relay point, as well as your mobile phone number and email address to ensure package tracking.Please feel free to contact us with any questions
1936 albums du crocodile,Revue LE CROCODILE;1936. in-8 br.
bon état,cachet medecin sur la couverture, Remise de 20% pour toutes commandes supérieures à 200 €
Se trouve à Paris Se trouve à Paris, à la Société Littéraire de France, 1916. In-8 oblong, relié pleine toile prune, vignette illustrée en couleurs contrecollée sur le plat. 56 pages. Texte et dessins de Carlegle. Avis aux jeunes coloristes : Le papier sur lequel cet album est imprimé supporte les couleurs à l'aquarelle. Il est recommandé aux jeunes amateurs qui voudraient s'amuser à colorier ce livre, de n'employer que des teintes franches et vives ainsi qu'on l'a fait pour le dessin de la couverture. Non colorié, Très bon état.
Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.
1934 Paris, Calmann-Lévy (Collection "Pour Nos Enfants"), 1934, petit in 4°, cartonnage illustré de l'éditeur, 32 pages ; petits frottis aux coins.
Charmantes illustrations de CARLEGLE, reproduites en lithographie par Mourlot Frères Fermeture du 1er au 23 Août
Phone number : 04 77 32 63 69
Brig, Rotten-Verlag, 1982, gr. in-4to, 340 p. reich ill., + 3 Tafeln, Original-Leinenband mit OU.
Phone number : 41 (0)26 3223808
Blätter aus der Walliser Geschichte, 1963, gr. in-8vo, 264 S., reich ill. mit s./w. Fotogr, ex libris récent, Original-Broschüre.
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Lyon, Frères Duplain 1749, 185x120mm, Cartonnage muet, en attente de reliure. Anciennes etiquettes de titres manuscrits sur le haut des dos. Nom du possesseur sur le haut des pages de garde supérieures. Intérieur propre.
XVI - 3 ff. - 379 pages - 1ff. + 1 ff. - 372 pages + 2ff. - 368 pages + 1ff. - 268 pages - XC (table des matieres) - 2 ff., 4 frontispices, 4 titres gravés, lettrines, bandeaux, culs-de-lampe, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal
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Bordeaux, Imp. Taffard 1981 417pp., br.orig., 24cm., 2e édition considérablement augmentée, bon état, R78748
Herman Frères, Editeurs Paris S.D. (1842) In-8 ( 220 X 135 mm ) de 369 pages, demi-veau fauve, dos lisse orné de filets et palettes dorés, pièce de titre de maroquin olive ( Reliure de l'époque ). Portrait de SAVONAROLE lithographié par Maurin Aîné EN FRONTISPICE. Edition originale rare. Bel exemplaire, pur.
Wien & Leipzig, Wilhelm Braumüller, 1893-94. Bound in 7 contemporary half calf bindings, all with slight shelfwear and library labels on spines. Volume 7 (maps) lacks front cover. With numerous frontisp., maps, plans, and illlustrations. Library stamps.
Archduke Carl Ludwig Johann Joseph Lawrence of Austria, Duke of Teschen (September 5, 1771 in Florence, - 30 April 1847 in Vienna) was a general and a member of the House of Habsburg-Lorraine. He is remembered for the fact that he was the first to inflict defeat on Napoleon at the Battle of Aspern, 21/22. May 1809.
SEUIL. 1983. In-8. Broché. Bon état, Couv. convenable, Dos plié, Intérieur frais. 378 pages avec de nombreux dessins en noir et blanc.. . . . Classification Dewey : 940-Histoire générale de l'Europe
Classification Dewey : 940-Histoire générale de l'Europe
HACHETTE. 1958. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Non coupé. 220 pages. Quelques planches d'illustrations et de photos en noir et blanc, hors-texte.. . . . Classification Dewey : 508-Histoire naturelle
Classification Dewey : 508-Histoire naturelle
1945 Editions Masson & Cie - 1945 - Petit in-8, broché - 338 pages
Bon état - Menus frottements sur la couverture - Petit départ de fente en bas du premier "mors" - Plis au dos avec petite déchirure sans manque en bas du dos - Feuillets non coupés (ouvrage jamais lu)
Montpellier Imprimerie du ''Petit Méridional'' 1906 in 8 (21,5x13,5) 1 fascicule broché, 42 pages. Bouillies bordelaises, bourguignonnee, à la colophane, au sel marin, etc. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Bon Broché
Montpellier Causse, Graille & Castelnau, Imprimeurs-Editeurs 1955 in 8 (24x15,5) 1 volume broché, couverture imprimée, 284 pages [1], avec des dessins de Maurice Carles. Préface de M. Gabriel Buchet. 15ème édition. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Très bon
Montpellier Causse, Graille & Castelnau, Imprimeurs-Editeurs 1949 in 8 (24x15,5) 1 volume broché, couverture imprimée, 254 pages [1], avec des dessins de Maurice Carles. Préface de M. Gabriel Buchet. L'organisation du travail; Le personnel; La cavalerie; Le matériel; Les produits et les engrais; Les plantations; Les façons culturales; L'économie de l'exploitation; Conclusions. Dixième édition. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Très bon Broché
Montpellier Causse, Graille & Castelnau, Imprimeurs-Editeurs 1968 in 8 (24x16) 1 volume broché, couverture illustrée en couleurs, 338 pages [1]. Mis à jour et augmenté par Maurice Carles. Préface de M. Gabriel Buchet. L'organisation du travail; Le personnel; La cavalerie; Le matériel; Les produits et les engrais; Les plantations; Les façons culturales; L'économie de l'exploitation; Comment on doit acheter un domaine viticole; Conclusions. Vingtième édition. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Très bon
Lyon, Impression de M.Audin et Cierue Davout, 3, 1934. Publié sous la direction de M. Le Docteur Carle, Administrateur-Directeur de La Charité. Fort volume au format in octavo, XX-440 pp, 47 ill. HT en noir, très bel exemplaire, couvert et renforcé sur le papier japonais. Bien complet du feuillet d'errata.
Bon Etat Mise à jour du Samedi 27 Juin 2026. Paiement PayPal immédiat, Mondial Relay pour : France, Allemagne, Autriche, Belgique, Espagne, Italie, Portugal, Luxembourg, Pays-Bas, Pologne (Communiquer votre point ou locker si connu). Une participation supplémentaire peut être demandée pour les colis lourds hors France où les envois compris entre 5 et 25 kg sont dégressifs : 2 à 4 kilogrammes - 7.99 / 5 à 10 kg - 15.99 / 15 -25 kg - 25.99. Certaines de nos collections ( Vian, Céline, Camus (...) peuvent être expédiées en Franco de port. Pour linternational hors Europe (Suisse, Canada, Japon, Etats-Unis, les frais dexpéditions peuvent varier selon le poids (mise à jour : 1 juin 2026).