‎L'Abbé Planchat. Conférence donnée dans une réunion populaire au Patronage Sainte-Anne, à Paris-Charonne [ Edition originale ]‎

‎1 brochure in-18, J. Mersch, Paris, 1894, 30 pp‎

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‎Père des Religieux de Saint Vincent de Paul, le père Mathieu-Henri Planchat fait partie des otages massacrés rue Haxo le 26 mai 1871, et il a été béatifié le 22 avril 2023. Bon état (annotation de l'époque en couv.)‎

‎Albrecht Durer : Masters of German Art ‎

‎, Konemann 1999, 1999 Hardcover, 140 pages, English, 320 x 280 mm, book in fine condition, with illustrations in colour, . ISBN 9783829025874.‎

‎Albrecht Durer embodied a new type of artist, one who represented a different attitude to art and enjoyed high social status. With his revolutionary innovations in painting he introduced the Renaissance to German art.‎

‎Mémorial des martyrs d'Avrillé.‎

‎ Rennes, L'Auteur, 1979, in 8° broché, 109 pages ‎

‎PHOTOS sur DEMANDE. ...................... Photos sur demande .......................... ‎

‎Romernes Rom. Glimt af romersk særpræg og lokale traditioner.‎

‎Kbh., 1969. Orig. helshirt. 284 pp., samt en foldet tavle. Illustreret.‎

‎Sociologues allemands - Etude de cas en sociologie historique et non-historique avec le dictionnaire de "l'Ethique protestante et l'esprit du capitalisme" de Max Weber‎

‎Neuchatel, A la Baconnière, coll. Langages, 1972 - in-8 broché, couv. à rabats, 315 pages - TBE, bords de couv. un peu frottés, intérieur impeccable‎

‎L'art scandinave. T.1 et 2. 'La nuit des temps'. 28 /29 Ens. 2 vols.‎

‎Zodiaque, 1969-1968, gr. in-8vo, 457 p. / 380 p. rich. ill. de photo. en héliogravure n/bl. et couleur, reliure en toile originale, jaquette ill.‎

‎Le livre et le journal chez les peintres.‎

‎Fondation pour l’ ecrit du Salon Interntional du Livre et de la Presse, 1996, in-8vo, 252 p. avec des illustrations, cartonnage original.‎

‎Le chateau de Coppet‎

‎Chateau de Coppet ,1973, in-8 de 44 pages ,illustrations in-texte ,broché ,Très bon état , .(1 photo sur mon site https://www.vieuxlivre.fr .Les frais de port pour la France sont offerts à partir de 25 euros d'achat (Mondial relay ). (colissimo suivi +6,90 ).‎

‎Geschichte des Abendlandes. Bildband. ‎

‎N.pl., Westermann, 1976. ‎

‎275 p., illustrations. & plates. Hardbound. 30 cm (Little text, many beautiful illustrations. The first 124 p. on antiquity and MA) ‎

‎World of David Morris The London Jeweler‎

‎, Rizzoli, 2024 Hardback with dust jacket, s 304 x 228 mm,200 Illustrations col.ill. ,256 Pages, Language; English ed *new. ISBN 9780847833955.‎

‎by Annabel Davidson, Phoebe Morris, Cecily Morris, Jeremy Morris Specializing in the most-prized gemstones, from Colombian emeralds to sapphires found in the remote hills of Kashmir, David Morris celebrates color, flawless craftsmanship, and unique creativity in jewelry design. This is the jewelry house's first major book. This monograph debuts some of the house's latest, most innovative designs as well as a large selection of its most famous pieces, and beautifully showcases the sophistication and creativity of one of the most masterful jewelers working today.‎

‎Nationen Christianorum Orientalium‎

‎ 1973 in8. 1973. Cartonné. Cet ouvrage académique analyse la perception et la compréhension des nations chrétiennes orientales dans l'historiographie latine de la moitié du XIIe siècle à la seconde moitié du XIVe siècle. Il est considéré comme un ouvrage de référence sur l'image que les Occidentaux avaient des chrétiens d'Orient au Moyen Âge‎

5 Images

‎Bon état bords frottés intérieur propre‎

‎L. Annaei Flori Rerum Romanarum Libri quatuor. Annotationibus in usum studiosae Juventu-tis, instar Commentarii illustrati. Auctore Johanne Min-Ellio.‎

‎ Roterodami, Typis Regneri Leers 1698, 145x95mm, cartonnage muet de l’époque, tranches non rognées. ‎

‎ titre gravé, 10 ff. - 405 p. - 49 ff. (index), Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal‎

‎MAX NORDAU - L'HOMME - LE PENSEUR - LE SIONISTE‎

‎DE LA TERRE RETROUVEE. 1948. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Non coupé. 318 pages. Nombreuses photos en noir et blanc hors texte.. . . . Classification Dewey : 940-Histoire générale de l'Europe‎

‎ Classification Dewey : 940-Histoire générale de l'Europe‎

‎Comme des chiens abandonnés - l'agonie du ghetto de Varsovie‎

‎Editions Rombaldi 1976 273 pages in8. 1976. Cartonné jaquette. 273 pages.‎

‎Bon état jaquette légèrement déchirée sur le haut avant tranches fânées intérieur propre‎

‎From Gypsy to Bohemian: A Study of the Musical Rhapsody‎

‎, Brepols, 2021 Hardback, xxii + 247 pages, Size:210 x 270 mm, Illustrations:15 b/w, 13 musical examples, Language: English. ISBN 9782503594873.‎

‎Summary This volume examines the concept of rhapsody through a broad lens. Beginning with a discussion of the meaning(s) of the term itself, it then traces the history and reception of the genre and its significance in European culture. It argues for a close relationship between the idea of rhapsody and the concept of Gypsiness by demonstrating that 'rhapsody' and 'Gypsiness' can be seen as manifestations of the same types of influence and preferences for certain aesthetic categories. The book pays special attention to the seminal role of Franz Liszt in its discussion of the instrumental rhapsody. Ultimately, it reveals the consequences of historiographical representations of the rhapsody (e.g. the ossification of the image of the European Gypsy musician as a bard/rhapsode, the fossilization of presumptions concerning the nature of so-called 'Gypsies') as well as unexpected similarities and differences between the rhapsody and the ballad as romantic genres with national implications. TABLE OF CONTENTS Acknowledgements Prolegomenon Chapter One Gypsy Musicians as Rhapsodes of the Nineteenth Century Chapter Two Gypsy Improvisation and the Idea of Rhapsody Chapter Three The Gypsy Character of Musical Rhapsody Chapter Fourth Gypsy, Hungarian, Romanian ? The National Element in Rhapsodies Chapter Five Between Rhapsody and Ballad Postscript: Continuations and Reactivations Bibliography Index of Names‎

‎Ives Maes - The Future Of Yesterday‎

‎, Ludion , 2013 Hardcover, 247 pages, English, 290 x 250 x 25 mm, good condition, with photographs in colour, . ISBN 9789461300867.‎

‎In this fascinating collection of photographs, the Belgian artist Ives Maes explores the architecture of world expos. He sets the faded glory of these sites against the ambitious and utopian project, full of promise, represented by the first world exhibition. Maes shows how time has taken its toll on these architectural monuments and pavilions, now decayed, abandoned, or torn from their original context. In this comprehensive book, Maes?s photographs are set alongside images of the Great Exhibition in London (1851) through to the most recent expo in Shanghai (2010). The images are accompanied by essays from Anna Jackson, Elena Filipovic and Catherine L. Futter on the history of world fairs, the role of photography and the sculptural character of Maes?s photographic work‎

‎HANS MEMLING IN BRUGES.‎

‎, Hannibal Books, 2024 HB, 292 x 245 mm, 208 p, throughout color illustrations, ENG edition ISBN 9789464666892.‎

‎Breathtaking work by Hans Memling, the Flemish Primitive in Bruges The Flemish Primitive artist Hans Memling (c. 1435-1494), who played a crucial role in early Netherlandish painting, is inextricably associated with Bruges. Among his most impressive creations are the St John Altarpiece and the St Ursula Shrine, which he created for St John's Hospital in the city. Seven more of this fifteenth-century master's finest works can also be seen in Bruges, at what is now the St John's Hospital Museum and at the Groeninge Museum. This book describes Memling's breathtaking paintings in close detail, while offering readers the opportunity to (re)discover his oeuvre as a whole. In a series of accessible essays, Anna Koopstra, curator of early Netherlandish painting at Musea Brugge, explores Memling's imagination, his technical brilliance and the cultural context in which the artist lived and worked. ‎

‎HANS MEMLING IN BRUGGE‎

‎, Hannibal Books, 2024 HB, 292 x 245 mm, 208 pages, met illustraties in kleur nieuw! NL tekst. ISBN 9789464666885.‎

‎Het adembenemende werk van Hans Memling, de Vlaamse primitief in Brugge De Vlaamse primitief Hans Memling (ca. 1435-1494), die een cruciale rol speelde in de vroege Nederlandse schilderkunst, is onlosmakelijk verbonden met Brugge. Tot zijn indrukwekkendste creaties behoren ongetwijfeld het Johannesaltaar en het Ursulaschrijn, die hij maakte in opdracht van het Sint-Janshospitaal. Daarnaast zijn nog zeven andere topwerken van de oude meester te bewonderen in het Brugse Museum Sint-Janshospitaal en het Groeningemuseum. Dit boek toont Memlings adembenemende kunstwerken tot in de kleinste details en biedt een unieke gelegenheid om zijn werk beter te leren kennen of te herontdekken. Anna Koopstra, conservator vroeg-Nederlandse schilderkunst van Musea Brugge, vertelt in toegankelijke essays over Memlings verbeeldingskracht, zijn technische meesterschap en de culturele context waarin de schilder leefde en werkte. ‎

‎HANS MEMLING À BRUGES‎

‎, Hannibal Books, 2024 HB, 292 x 245 mm, 208 pages, Illustrations en couleurs en noir & blanc nombreuses illustrations dans et hors texte .FR edition neuf. ISBN 9789464666908.‎

‎Ouvre époustouflante de Hans Memling, le Primitif flamand à Bruges Hans Memling (vers 1435-1494), artiste clé parmi les Primitifs flamands, est inextricablement lié à la ville de Bruges. Le Retable des deux saints Jean et la Châsse de sainte Ursule, qu'il a réalisés pour l'hôpital Saint-Jean, figurent parmi ses oeuvres les plus impressionnantes. Sept autres chefs-d'oeuvre de ce maître du xve siècle sont encore exposés à Bruges, au Musée Hôpital Saint-Jean et au Musée Groeninge, où l'on peut toujours les admirer. Cet ouvrage présente les peintures époustouflantes de Memling et les décrit dans leurs moindres détails. Il offre une occasion unique de mieux connaître ou de redécouvrir l'ensemble de son oeuvre. Anna Koopstra, conservatrice de la peinture flamande ancienne à Musea Brugge, explique, dans des textes accessibles à tous, la puissance de l'imagination de Memling, sa maîtrise technique et le contexte culturel dans lequel le peintre a vécu et travaillé. ‎

‎Jean Bellegambe (c. 1470-1535/36) Making, Meaning and Patronage of his Works‎

‎, Brepols - Harvey Miller, 2023 Hardback,Pages: 160 pages, Size:210 x 297 mm Illustrations:10 b/w, 105 col.Language(s):English. ISBN 9782503574370.‎

‎The book by Anna Koopstra about Jean Bellegambe adds an extremely careful, thorough, and beautifully produced study to the monographs on early Dutch painters. (...) More traditional art historical research?iconographic, stylistic, archival, and historiographic?is combined with modern technical research and a keen eye for drawings and graphics as visual sources for the artist. (?) The beautifully produced and clearly written book represents excellent and versatile art historical research that, through in-depth analysis of a small group of characteristic artworks, offers a new perspective on an important artist, his work and methods, as well as the impact of that distinctive body of work." Drs. Lidewij de Koekkoek (VNK, Frans Hals Museum) - Jury President - 2023 Karel van Manderprijs BIO Anna Koopstra (1980) studied art history at the University of Groningen (MA, 2004) and obtained her doctorate from the Courtauld Institute of Art (PhD, 2016). She has held curatorial positions and research fellowships at the Suermondt-Ludwig Museum (2005-08), The Metropolitan Museum of Art (Slifka interdisciplinary Fellow, 2008-10), The National Gallery (2015-17), and the Courtauld (Associate Caroline Villers Research Fellow, 2016/17). Her research focuses on the technical investigation of paintings, and in particular on the making and meaning of early Netherlandish paintings. SUMMARY Jean Bellegambe (c. 1470- 1535/36), whose career as far as we know spanned the first three decades of the sixteenth century, was a successful painter. His patrons included some of the most high-ranking clerics in the Habsburg-Burgundian Netherlands as well as members of the ruling class of Douai, the town where he lived and worked all his life. This is the first study to appear since Dehaisnes' 1890 monograph that is exclusively devoted to the artist. By reassessing primary evidence - archival documents and material evidence from the works of art themselves - it aims to highlight Bellegambe's artistic achievements. Close scrutiny of his paintings and investigation of the artist's working methods will show that Bellegambe visualised the concerns of his patrons by closely linking the physical characteristics of his works to their original imagery, function and use. This volume presents a series of five case studies of his works that were made for a monastic community, two individual clerics, a town hall and a bourgeois layman, thus providing rich evidence of patronage and audiences. The objective here is to examine how Bellegambe met the challenges posed by these commissions, and to gain further insight into the practice of a skilled artist who - rooted in a long line of craftsmanship and artistic tradition and in close collaboration with his colleagues and patrons - produced a body of highly original works. TABLE OF CONTENTS INTRODUCTION CHAPTER I The Artist?s Life and Career Life Works Posthumous legacy CHAPTER II Oeuvre and Patrons The Anchin Polyptych Similar patrons, similar commissions Other works CHAPTER III Preliminary Observations on Materials and Working Methods Panels and frames Underdrawing and painting technique Technical evidence and questions of attribution Workshop CHAPTER IV Jean Bellegambe and the Convent of Flines: Reconsidering The Cellier Altarpiece Monastic reform and the convent of Flines The evolution of the composition Interpreting the iconographic program Location, audience, date CHAPTER V Clerical Devotion and the Monastic Milieu: The Diptych of the Virgin and Child with Saint Bernard and an Unidentified Cistercian Monk The Virgin and child as an object of clerical devotion The abbess as exemplar CHAPTER VI Self-Representation and Piety for the Here and the Hereafter: Abbot William of Brussels and the Triptych of the Annunciation William of Brussels as a patron Function and location CHAPTER VII Painting as a Moral Compass: Triptych of the Last Judgment The Last Judgment, the Four Last Things, and visions of heaven and hell Function and audience CHAPTER VIII Civic Duty, Charitable Giving, and the Wish to Be Commemorated: The Pottier Triptych and the Pottier Family Reviewing the archival evidence Iconography and meaning Scenes of the life of Saint Anne, demi-grisaille, and the reality of giving CONCLUSION Bibliography ‎

‎Tributes to Maryan W. Ainsworth Collaborative Spirit: Essays on Northern European Art, 1350?1650‎

‎, Brepols - Harvey Miller, 2022 Hardback, Pages: 346 pages, Size:210 x 275 mm Illustrations:250 col. Language(s):English. ISBN 9781912554751.‎

‎This volume honors Maryan W. Ainsworth, curator emerita at The Metropolitan Museum of Art and former adjunct professor at Barnard College, whose work as a scholar, curator, and teacher has profoundly impacted the study of early northern European painting. Contributions by leading specialists from museums and academia, including former interns and fellows, reflect Ainsworth?s emphasis on the centrality of the object and on the interdisciplinary methods of technical art history, while also paying homage to the variety of Ainsworth?s research interests as a whole. The essays explore topics such as the working methods of individual artists, workshop practice, artistic collaboration, and patronage across a range of media?mainly painting, but also manuscript illumination, drawing, tapestry, sculpture, and stained glass. TABLE OF CONTENTS Acknowledgments Anna Koopstra, Christine Seidel, and Joshua P. Waterman Maryan W. Ainsworth: An AppreciationChronological Bibliography of Maryan W. Ainsworth Keith Christiansen The Fourteenth-Century Bohemian Virgin and Child Enthroned at The Met: Some Preliminary Thoughts Till-Holger Borchert Collaborator or Follower of Jan van Eyck? The Painter of the Simpson Carson Virgin Reconsidered Stephan Kemperdick Petrus Christus?s Altarpiece of 1452: A New Reconstruction Ron Spronk Jan Provoost before c.1500: The Documentary Evidence Molly Faries Maarten van Heemskerck?s Early Lamentation of Christ: The Beginning of a Long Career Maximiliaan P. J. Martens A Christ as the Man of Sorrows by Quinten Massys Julien Chapuis and Sophie Hoffmann From Wood to Silver: Michel Erhart and Heinrich Hufnagel at the Bode Museum Dagmar Eichberger The Cult of Mary Magdalene and Jacques de Saint-Nectaire?s Tapestry Series for the Abbey Church of La Chaise-Dieu (1518) Diane Wolfthal The Color of Money and Other Temporary Natural Alterations in Silver-Stained Windows Sandra Hindriks Optical Illusion as Epistemological Challenge: Konrad Witz?s Saint Christopher Peter Parshall Ad vivum: Observations on Hugo van der Goes?s Monforte Altarpiece in Berlin Alice Hoppe-Harnoncourt ?PRIMA TABVLA HABET IMAGINES?: A Reconsideration of Bernhard Strigel?s Family Portrait of Emperor Maximilian I Thomas Kren On the Role of an Early-Sixteenth-Century Drawing in Netherlandish Luxury Manuscript Production Daantje Meuwissen A Portable Artistic Resource: The Practical Uses of the Pocket-Size Sketchbook of Cornelis Anthonisz (c.1505?1553) Dan Ewing A Tale of Two Altarpieces: Jan de Beer?s Birmingham and Madrid Paintings Peter van den Brink The Stigmatization of Saint Francis by Joos van Cleve: A New Discovery Sophie Scully The Examination and Treatment of the Annunciation by Joos van Cleve at The Metropolitan Museum of Art Ronda Kasl Things They Do Not Have: Royal Spanish Gifts for the Emperor of China Melanie Gifford Rembrandt and the Rembrandtesque: The Experience of Artistic Process and Its Imitation ‎

‎Annales. Economies-Sociétés-Civilisations. Revue bimestrielle,11e année N° 3. Fernand Braudel : Lucien Febvre (1878-1956). Lucien Febvre : De la création en histoire. Jacques Berque : Cent vingt-cinq ans de sociologie maghrébine...‎

‎Couverture souple. Broché. Environ 120 pages.‎

‎Périodique. Editions Armand Colin, Juillet-septembre 1956.‎

‎Annales. Economies-sociétés-civilisations. Revue bimestrielle 21e année N° 4. Les excrétions de la déesse et l'origine de l'agriculture (Yoshida) - Au XVIII e siècle, une enquête sur les épidémies (J. Meyer) - Pour une sociologie de la démocratie (C. Lefort) - Vers une nouvelle méthodologie mécanographique (M. Couturier) - Problèmes économiques et sociaux de l'Amérique latine - L'évolution du parcellaire d'Annecy (P. Broise).‎

‎Couverture souple. Broché. 250 pages. Dos jauni.‎

‎Périodique. Editions Armand Colin, Juillet-Août 1966.‎

‎Annales. Economies-sociétés-civilisations. Revue bimestrielle 21e année N° 5. Classification hiérarchisée des numérations écrites (G. Guitel) - Allégorie de l'hiver (W. Endrei) - Origine arabe de l'art des troubadours (R. Lemay) - Cartes historiques des cultures vivrières - Le maïs dans les Balkans ( T. Stoianovich) - Dans la forêt québecoise (J. Rousseau) - La relation arabe d'Ibrahim b. Ya'qub (A. Miquel) - J.-C. Mariatégui et le modèle du communisme inca (R. Paris) - Le krach du marché du Wampum (J. Rousseau) ...‎

‎Couverture souple. Broché. 230 pages. Dos jauni.‎

‎Périodique. Editions Armand Colin, Septembre-octobre 1966.‎

‎Annales. Economies-sociétés-civilisations. Revue bimestrielle 23 e année N° 6. Hongrie - Danemark - Rouen…‎

‎Couverture souple. Broché. Environ 250 pages.‎

‎Périodique. Editions Armand Colin, Novembre-Décembre 1968.‎