‎ALFONS VERMEIR monografie.‎

‎Antwerpen, A. Vermeir, 1980 Linnen, bruin met goudopdruk, 24,5x29,5cm, 288pp.met stofomslag, in goede staat, ‎

‎Omvangrijke monografie met veel afbeeldingen en bijdragen. Tentoonstellingen, verkochte schilderijen, kritieken, beknopte bibliografie. Boek is in goede staat. ‎

‎Dutch landscape painting of the seventeenth century‎

‎London, Phaidon 1968 x + 494pp.with 369 bl/w illustrations out of text, 2nd edition, hardcover (editors cloth), dustwrapper, few foxing at edges, else in very good condition, S84608‎

‎Dutch landscape painting of the seventeenth century.‎

‎, Edingburgh, Phaidon, 1968** , Bound, original cloth, gilt title on plate and spine, dust - jacket illustrated n/b, 19x27cm,‎

‎The Dutch Scene. Foreign Lands. Nocturnes. Book is in good condition.‎

‎Het Lam Gods ; een recent onderzoek met verrassende resultaten. De echo van het "Lam Gods" van de gebroeders van Eyck in Spanje & "Hier sagh men schilders jongh en oudt en alle constbeminders omtrent swermen"‎

‎Maaseik, 1990 91pp.geïllustreerd, 25cm., gebroch., in de reeks "RAM - Rapport" nr.4, goede staat, S85252‎

‎Getijdenboek voor Etienne Chevalier - Jean Fouquet (Musée Condé, Chantilly)‎

‎Utrecht-Antwerpen, Het Spectrum 1971 128pp. met 47 ingekleefde kleurenillustraties van miniaturen, 28cm., linnen band, in linnen etui, goede staat, R97512‎

‎IMPRESSIONISME EN SYMBOLISME. DE BELGISCHE AVANT-GARDE 1880 - 1900,‎

‎, Antwerpen / Londen, Pandora / Royal Academy of Arts, 1994, Gebonden in blauw linnen onder geillustreerde stofomslag, frontispice in kleur, 245 x 290mm., 295pp., zeer uitgebreide illustratie in kleur en z/w. ISBN 9053250182.‎

‎Deze catalogus werd gepubliceerd naar aanleiding van de gelijknamige tentoonstelling in The Royal Academy of Arts, Londen, 7 juli 1994 - 2 oktober 1994 en behandelt de evolutie van impressionisme naar symbolisme en de veelheid van benaderingen en accenten van stijlen en kunstenaars ertussenin. ‎

‎VLIEGHENDE VAENDELS., Wenceslas Cobergher.‎

‎, Hulst, Uitgeverij 'De Maelstede', 1994., Originele geillustreerde uitgeversomslag z/w, 17x24cm, 48pp, geillustreerd in kleur en z/w. ISBN 9080163422.‎

‎Hulst in 1596 geschilderd door Wenceslas Cobergher.‎

‎COBRA. GESCHIEDENIS, VOORSPEL EN BETEKENIS VAN EEN BEWEGING IN DE KUNST VAN NA DE TWEEDE WERELDOORLOG.‎

‎Amsterdam, De Bezige Bij., 1985/1990 Originele geillustreerde uitgeversomslag in kleur, 18x21,5 cm., 412 pp., geillustreerd in z/w en kleur, bibliografie, register, naschrift auteur. ISBN 9023451597.‎

‎Gothic Manuscripts: 1260-1320. Part One , two volumes. A Survey of Manuscripts Illuminated in France. ‎

‎, Brepols - Harvey Miller, 2013 hardback, cloth. with dusjackets, 2 volumes., 1130 pages ., 838 b/w ill. 77 colour ill., 230 x 330 mm, Languages: English, A Survey of Manuscripts Illuminated in France. ISBN 9781872501956.‎

‎This book traces the cultural context of book illustration, its production, owners, and makers in the various regions of France in the last third of the thirteenth and beginning of the fourteenth centuries. The period c. 1260-1320 marks the emergence and the flowering of what has come to be known as the ?courtly style? in French painting, whose dynamic vitality is manifest throughout the region we now call France. By the end of this period French art had assimilated a rich variety of regional works and styles. New texts had been introduced to a range of patrons, and patterns to be played out in the following centuries were in place. This book traces the cultural context of book illustration, its production, owners, and makers in the various regions of France in the last third of the thirteenth and beginning of the fourteenth centuries. While the royal, courtly, academic and ecclesiastical patrons were critical to the cultural and artistic production of the capital, books made in provincial centres manifest an independence and originality that can be attributed to fruitful interaction with neighbouring cultures?the linguistic, literary, and artistic traditions of England in the north and west, Navarre, Aragon, the county of Barcelona and the Kingdom of Majorca in the Pyrenean regions, and the Empire along the eastern borders, from the principalities of North Italy and the Alpine regions to Burgundy, Hainaut and Flanders. Ecclesiastical boundaries cut across political divisions, contributing different sets of allegiances that impacted upon book culture in other ways. The Provinces of Reims and Tarantaise included fiefs of Empire, while Narbonne (to 1317) encompassed dioceses in Aragon, and the Provinces of Bordeaux and Tours lay in part in lands held by the English. The religious orders and the universities offered other sets of governing structures and vehicles of influence and reception. Royal and courtly patrons took their place in this period alongside churchmen and women and layfolk from the burgeoning bourgeois class, many of whom are known from ownership notes or inventories. Yet some of the finest books of the period were made for people whose identity remains obscure. Similarly the names of craftsmen?scribes, decorators, illuminators?are often known from their signatures in the books they made or from payments and other records, yet many distinguished works are the products of anonymous creators. These years witnessed an explosition in the range of texts that were deemed worthy of illustraton, extending far beyond the usual liturgical and devotional material to include works of science, medicine, law, philosophy, history and literature in verse and prose, offering a wealth of material for comparative study which is only beginning to be exploited in modern scholarship. This book is organized according to production in regional centres based on stylistic analysis and by comparative tables of the illustration of liturgical and devotional books, and a selection of romances, legal and historical works. Part 1 comprises the Introduction, the Lists of the Producers (scribes, illuminators and decorators) and Patrons whose names are known, followed by a Catalogue of Manuscripts made in the North (Paris and the Province of Sens, Normandy, the Province of Reims). Part 2 contains the Catalogue of Manuscripts made in the East, South-East, South-West, West and Centre, followed by the Comparative Tables and Index of Manuscripts Cited. Alison Stones is Professor of History of Art and Architecture at the University of Pittsburgh, a Fellow of the Society of Antiquaries of London and a membre correspondant etranger of the Societe nationale des antiquaires de France. ‎

‎SEPTEMBER. A HISTORY PAINTING BY GERHARD RICHTER,‎

‎UK, Tate Trustees, 2010 Paperback, 180 x 222mm., 96pp., 80 colour illustrations. ISBN 9781854379641.‎

‎Gerhard Richter is one of the most influential artists of the second half of the twentieth century and is still at the forefront of painting today. His painting September is a response to the bombing of the World Trade Centre on September 11, 2001, made some four years after the event. The eminent American critic and curator Robert Storr, who has had a long working relationship with Richter, explores both the painting and the event itself, through a very personal account of his experience of being in New York on the day of the bombing. Storr shows, both through words and comparative illustrations, how this painting is part of a current running throughout Richter s career responding to traumatic and controversial events, including works based on the bombing of cities in World War II and the capture of the Baader-Meinhof terrorist group. With a foreword by Sir Brian Urquhart. English edition. New book.‎

‎Albrecht Durer / Fonds Mercator‎

‎, Anvers, Fonds Mercator. 1982, reliure en toile avec sous jaquette, emboitage,25,5x33cm, 398pp. tres bon etat. Illustre royalment en couleur et en b/n. Texte en Francais‎

‎Monograph, Avec les contributions de Gisela Goldberg, Joseph Harnest et Matthias Mende.text in French. ‎

‎Een Aalsterse landschapsschilderschool‎

‎Aalst, 1988 240pp., met illustraties in zw/w en enkele in kleur, 34cm., geïll. omslag, catalogus van tentoonstelling (Galerij Hedwig Van De Steen, 9-17 december 1988), goede staat, S97220‎

‎ALBERT SAVERYS.‎

‎, Antwerpen, Standaard-Boekhandel, 1944., Gebrocheerd, originele geillustreerde uitgeversomslag z/w, 13,5x19,5cm, 29pp, geillustreerd met 8 buitentekstplaten z/w.‎

‎P.P. RUBENS.‎

‎, Antwerpen, Standaard-Boekhandel, 1927., Originele uitgeversomslag vergeeld, frontispice (Portrait van Rubens op zestigjarige leeftijd) z/w, 28,5x22,5cm, 114pp, geillustreerd z/w.‎

‎Uitgave verlucht met 10 buitentekstplaten z/w. N? 159 van de 325 genummerde exemplaren op Engels Featherweight.‎

‎RUBENS, P.P.‎

‎, Antwerpen, Standaard-Boekhandel, 1929., Originele uitgeversomslag geillustreerd met een wapenschild in kleur ( beduimeld), frontispice (van Rubens en Isabella Brant), roestvlekkige bladen, 17,5x21,5cm, 125pp geillustreerd z/w.‎

‎Tweede druk. Inhoud: het geschiedkundig midden, het kunsthistorisch ogenblik, leven en kunstschepping, karakteristieken, geestelijke betekenis.‎

‎Paintings by Su Baozhen‎

‎ 1986 Jiang Nengwei / Southwest Normal University Press (Beibei, Chongqing) / Chongqing Xinhua Printing Factory - 1986 - Première édition en juillet 1986, Premier tirage à Chongqing en juillet 1986 - ISBN unifié : 8405.2 - In-folio, cartonné sous jaquette illustrée de l'éditeur, dans son emboitage cartonné - 80 pages - Très nombreuses illustrations en couleurs hors texte - Texte en anglais et en chinois - Contient :Chrysanthemum, White Rose, Paeonia Albiflora, Lotus, Morning-Glory, Purple Wistaria, Camellia, Myriad Rose-Red Clouds overflowing with spring sweet, Broad Bean Flower, Magpies and Willow, Lotus and Kingfisher, Rape-Seed Flowers and Chickens, Red Leaves and Si Xi Bird, Chrysanthemums and Pair of Doves Loquats,...‎

5 Images

‎Bon état - Infimes frottements sur la jaquette ‎

‎HOLLANDSE STADSGEZICHTEN uit de Gouden Eeuw‎

‎Zwolle, Waanders, 2008 softcover 256pp., 28x25.5cm, 100 illustraties waarvan 50 zwart-witfoto's. Zeer mooi boek. ISBN 9789040085482.‎

‎De Hollandse samenleving in de Gouden Eeuw was bij uitstek een stedelijke samenleving. De steden in de jonge Republiek waren vanaf 1600 snel gegroeid en beleefden een periode van ongekende bloei. De trots van de burgers op schoonheid en voorspoed van de eigen stad, met haar oude en nieuwe monumenten, lijkt zijn weerslag te hebben gevonden in de populariteit van het stadsgezicht. Stedelijke overheden lieten al in het begin van de eeuw portretten van hun stad schilderen; profielgezichten waarbij de gehele stad in beeld werd gebracht. Daarnaast namen landschapschilders steeds vaker stadsgezichten op in hun schilderijen. In deze werken speelt de ligging van een stad, dikwijls aan een rivier, een belangrijke rol. Na 1650 legden veel meer kunstenaars zich toe op het stadsgezicht. Zij begaven zich nu ook binnen de stadsmuren en schilderden gezichten op grachten, straten en pleinen. Deze schitterende uitgave biedt een overzicht van het genre, waarvan Vermeers Gezicht op Delft van het Mauritshuis ongetwijfeld het hoogtepunt is.‎

‎Die Wandmalereien des Ioannes Pagomenos in Kirchen der ersten Hälfte des 14. Jahrhunderts auf Kreta‎

‎Bonn, 1994 174 + [19] pp. + 209 illustrations out of text, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde vorgelegt der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität zu Bonn), stamp at verso of title page, text is clean and bright, good condition, S109288‎

‎FRANZ MARC 1880-1916.‎

‎1991 / 96 pages. Broché. Editions Taschen.‎

‎Très bon état.‎

‎Jan Gossart: The Documentary Evidence,‎

‎Turnhout, , 2012 Hardback, VI 177 pages ., 90 b/w ill., 220 x 280 mm. fine! ISBN 9781905375691.‎

‎For the catalogue of the 1965 monographic exhibition in Rotterdam and Bruges on Jan Gossart (ca. 1472-1532) a compilation was made of 68 documentary references pertaining to the artist's life and works. Now, forty-five years later, there has been a reassessment of Gossart and his oeuvre which has resulted in a new catalogue raisonne, Man, Myth, and Sensual Pleasures: Jan Gossart's Renaissance. The present text, Jan Gossart: The Documentary Evidence accompanies this volume. This tome covers more than 130 documents, including inventories, accounts, biographies, descriptions and other records about Gossart's life and works, up until the mid-18th century. These mainly archival records have been re-examined and transcribed anew, and subsequently discovered documents have been added. Each transcription is accompanied by a short description and comment as well as published references. The book includes photographs of original records. Additionally, two of Gossart's works for which most of our knowledge is based on documentary evidence are discussed: the so-called Salamanca Triptych and the famous, now lost, Middelburg Altarpiece. English.‎

‎Die Bildinhalte des Alessandro Magnasco 1667-1749‎

‎Hamburg, 1965 173pp. + 42 bl/w illustrations out of text, 24cm., text in German, Doctoral dissertation (Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Universität Hamburg), stamp at verso of title page, softcxover (a small label on front cover), text is clean and bright, S110426‎

‎PARIS-MONTMARTRE. : Les artistes et les lieux 1860-1920‎

‎Paris Terrail 1996. Broché, In-4°. 206 pp. + 1, plus de 180 illustrations en couleurs et en n/b. ‎

‎Bon état général. Intérieur agréable et frais. Quelques marques de stockage, mais sinon bel exemplaire.‎

‎TINTORETTO. THE GONZAGA CYCLE.‎

‎, Ostfildern - Ruit, Hatje Cantz, 2000., Pictorial softcover, frontispice, 220 x 275mm., 255pp., profoundly illustrated in color and b/w. ISBN 377570888X.‎

‎Jacopo Tintoretto is one of the most famous 16th century Venetian painters alongside Tizian and Veronese. His Gonzaga Cycle, now in the Alte Pinakothek in Munich, belongs among the most important 16th century history cycles even if it has not been properly appreciated yet. It was Duke Guglielmo Gonzaga who commissioned Tintoretto to paint a series of eight paintings for two - still existing - rooms in the Palazzo Ducale at Mantova. The first part, completed in 1579, is dedicated to the four markgraves of Mantovia, the second, completed in May 1580, to the dukes Federico II and Francesco III. This publication features an extensive analysis of the finished paintings as compared to radiographic images, thus providing new insights into Tintoretto?s method and allowing for new assessment of the complete cycle. With well-researched yet easily accessible articles about aspects of the cycle's history, style, iconography and technique, this monograph and its critical catalog will make a significant contribution to extending our present knowledge of Tintoretto and the Gonzaga Cycle. New book. ‎

‎Gulacsy Lajos.‎

‎ Budapest, Corvina 1969, 300x250mm, 21pages, + 24 illustrations en couleurs collées, hors texte, reliure toile sous jaquette. ‎

‎CASPAR DAVID FRIEDRICH UND UMKREIS,‎

‎Hamburg, Galerie Hans, 2006 Broschiert, kartonniert, 225 x 295mm., 106S., illustriert.‎

‎Guter Zustand.‎