‎DE SCHOOL VAN BARBIZON.‎

‎, Gent, Museum voor Schone Kunsten Gent, 1985., Paperback, geillustreerde uitgeversomslag in kleur, 21x29,5cm, 216pp, geillustreerd in kleur en z/w, beknopte bibliografie. ISBN 9789067300193.‎

‎Franse meesters van de 19e eeuw. + suite met 5 facsimile-reproducties naar etsen van Charles Daubigny, Jean- Francois Millet en Theodore Rousseau.‎

‎EEN FEEST VAN KLEUR. POST-IMPRESSIONISTEN UIT PARTICULIER BEZIT,‎

‎Zwolle/ Zeist/ 's-Hertogenbosch, Waanders/ The Noro Group of Companies/ Noordbrabants Museum, 1990 Gebonden, rood linnen met goudopdruk, geillustreerde papieromslag in kleur, 225 x 285mm., 260pp., uitgebreide kleurillustratie. ISBN 9066302313.‎

‎Verschijnt bij gelegenheid van het 15-jarig bestaan van de Noro Group of Companies en begeleidde de gelijknamige tentoonstelling 15 september - 25 november 1990. In prima staat.‎

‎Toulouse-Lautrec. Biographie,‎

‎Tournai, La Renaissance Du Livre, 1998 Softcover, couverture carton illustree en couleurs, 21,5 x 12cm., 415pp. ISBN 9782804602086.‎

‎L'histoire de Toulouse-Lautrec appartient d'abord a celle de la peinture. Il fut le peintre le plus titre de l'histoire de l'art, issu d'une des plus grandes familles de l'aristocratie francaise. A dix ans, il cessa de grandir, restant ce nabot immortalise par les photographies d'epoque. Par son art, il est devenu le chasseur de tetes des nuits montmartroises, a l'epoque ou Montmartre devenait " l'usine a plaisir " de Paris et du monde entier. Toulouse-Lautrec a peint son propre mythe - genie, difformite, alcool - tout en jouant le role du protagoniste dans la construction du mythe de Paris (ville lumiere) et de Montmartre (haut lieu du plaisir). Toulouse-Lautrec n'a fonde aucune ecole, ni forge aucune theorie. Il s'est moule dans le flot meme de la vie. Il a fait ses tetes d'affiche de la chanteuse, de la danseuse, du clown, du comedien... et il a brule son existence a traquer la modernite fugitive et spectaculaire du cirque, du music-hall, du theatre et de la vie nocturne. ‎

‎MODERNISM & TRADITION.‎

‎, London, Whitford and Hughes, 1986., Paperback, originale wrappers illustrated color, 20x21cm, s.p., illustrated in color.‎

‎JULES FLANDRIN 1871-1947 THE OTHER FIN DE SIECLE.‎

‎, Oxford, Ashmolean Museum, 2001., Bound, gilt title on spine, with illustrated dust-jacket in color, 25,5x19cm, 160pp, illustrated in color and b/w, bibliography. ISBN 9040095337.‎

‎The other fin de siecle. Illustrated exclusively from private collections in Paris and Grenoble, this book provides a unique study of Flandrin's work in the context of the innovations which influenced him, and wich he, in turn, inspired.‎

‎LES PEINTRES HOLLANDAIS. A LA GALERIE NATIONALE DE PRAGUE.‎

‎Prague, Artia, 1961 Relie, sous jacquette originale d'editeur en demi-toile, 31.6x26.6 cm., IX + index des reproductions + 60 reproductions en couleurs commentariees.‎

‎Siqueiros: Through the Road of a Neo Realism or Modern Social Realistic Painting in Mexico; 215 Reproductions/ Por la via de une pintura neorrealista o realista social moderna en mexico / Sur la route d'une peinture neo-realiste ou Realiste sociale Modern‎

‎Mexico INBA Instituto Nacional de Bellas Artes 1951 In-4 carré Cartonnage toilé de L'éditeur ‎

‎Edition originale de cette importante étude, publiée sous la direction de Adolfo Orive Alba, Ramon Beteta, Manuel Gual Vidal et Adolfo Ruiz Cortines, et supervisé par Angelica Arenal de Siqueiros et J ose Luis Correa. Textes en espagnol, en français et en anglais. 215 photographies et reproductions en noir, certaines d'Alvarez Bravo. Très bon 0‎

‎Les Peintures Chinoises dans les Collections Américaines - Première Série - Planches 1 à 40‎

‎Bruxelles et Paris, Librairie Nationale d'Art et d Histoire G. Vanoest, Editeur, 1927. 1 volume in-folio, contemporary marocco half-binding, original covers kept inside, 41 pages of text and 40 full page prints, with the usual foxing, a very good copy of this first part (on 5 parts) on the famous Siren sudy on Chinese Paintings in American Collections,‎

‎Annales du Musée Guimet - Bibliothèque d'Art, Nouvelle Série II.‎

‎Histoire de la Peinture Chinoise - Des Origines à l'Epoque Song - L'Epoque Song et l'Epoque Yuan‎

‎Paris, Les Editions d'Art et d'Hitoire, 1934. 2 volumes in-folio, couverture papier orange sur supports cartonnés rigides, X-116 pp. , 102 planches en héliotypie (Tome I), 160 pp., 126 planches en héliotypie, non coupés, très bons exemplaires. 228 prints, a very good copy.‎

‎An academic and classical work on chinese painting, with 228 illustrations. Very heavy books, please inquire first about the extra-postage. REMISE POSSIBLE POUR ACHAT DIRECT - DISCOUNT OFFERED FOR DIRECT SALE - PLEASE CONTACT THE BOOKSELLER FOR MORE INFORMATION‎

‎Les Peintures Chinoises dans les Collections Américaines - Première Série - Planches 1 à 40‎

‎Bruxelles et Paris, Librairie Nationale d'Art et d Histoire G. Vanoest, Editeur, 1927. 1 volume in-folio, contemporary marocco half-binding, original covers kept inside, 41 pages of text and 40 full page prints, with the usual foxing, a very good copy of this first part (on 5 parts) on the famous Siren study on Chinese Paintings in American Collections,‎

‎Annales du Musée Guimet - Bibliothèque d'Art, Nouvelle Série II.‎

‎Alfred Sisley ‎

‎Lyon, Musée des Beaux-Arts/ Paris, Réunion des Musées Nationaux, 2002, 23,5 x 29,5, 416 pages cousues sous couverture rempliée illustrée. Iconographie noir & blanc et couleurs. Catalogue publié à l'occasion de l'exposition au Musée des Beaux-Arts de Lyon du 6 janvier 2003. BILINGUE français-anglais.‎

‎Avant-gardes, 1870 to the present. The collection of the Triton Foundation,‎

‎BE, Mercatorfonds, 2012 Hardback, 250x295mm, 268p, 420 colour illustrations, English edition. ISBN 9789061537816.‎

‎The expansive collection of the Triton Foundation (located in the Netherlands) contains approximately 250 paintings, drawings, and sculptures from more than 170 artists. The core of the collection consists of Western art dating from 1870 to 1970. Many important movements and artists from this century of creative production are represented, and the collection as a whole offers a fascinating overview of artistic developments from Impressionism to modern art.Avant-gardes, 1870-1970 features the diverse and celebrated artists of the Triton Collection, including works by Georges Braque, Paul Cezanne, Edgar Degas, Willem de Kooning, Lucian Freud, ... Kunsthal, Rotterdam Expo: 7/10/2012 - 20/1/2012.‎

‎Van Gogh and the colors of the night‎

‎Brussel, Mercatorfonds / Fonds Mercator, 2008 Hardcover, Bound with dusjacket, Pagina's: 160,Afmetingen: 27 x 23 cm,80 illustraties in kleur. . ISBN 9789061538295.‎

‎his very first letter sketch in 1876 until his last paintings in 1890. In many paintings, most of which are now considered to be key works in his oeuvre, he addressed the paradoxical task of representing night through color. Van Gogh and the Colors of the Night presents new insight on Van Goghs depictions of the twilight and dark hours, and is the first volume to focus on this aspect of the artists career. This book explores the different layers of content of these works: tradition and modernity, rest at the end of the day, the cycles of nature and rural labour, the poetry of the night, and artistic and literary influences. It also discusses in depth the stylistic and technical methods Van Gogh used to realize his effects of dark and light. This publication accompanies the exhibition of the same name at the MOMA in New York (from the 21st of September 2008 until the 5th of January 2009) and the Van Gogh Museum in Amsterdam (from the 13rd February until the 7th of June 2009). English (ISBN 978 90 61538 29 5)‎

‎Van Gogh et les couleurs de la nuit‎

‎Brussel, Mercatorfonds / Fonds Mercator, 2008 Hardcover, Bound with dusjacket, Pagina's: 160,Afmetingen: 27 x 23 cm,80 illustraties in kleur. . ISBN 9789061538288.‎

‎Les representations du crepuscule et de la nuit sont comme un fil rouge dans la carriere de Van Gogh et comptent pour la plupart parmi ses plus grands chefs d'oeuvre. 'Les mangeurs de pommes de terre' et la serie 'des semeurs au soleil' couchant en sont de celebres exemples. Avant meme de devenir artiste, Vincent van Gogh eprouvait deja une predilection pour l'ambiance du soir et de la nuit. Il l'associait a la poesie et a une impression de securite. Dans ce livre, le lecteur decouvre comment Vincent etudie les differents aspects des heures nocturnes et les combine avec d'autres themes, comme le combat mene par l'etre humain face a la durete de l'epoque moderne et l'emotion qui l'accompagne, ou encore le contraste entre la nature, grotesque et eternelle, et la vie insignifiante et ephemere de l'homme. Les sources litteraires qui ont influence l'artiste sont egalement abordees, ainsi que les procedes techniques et stylistiques qu'il a utilises pour rendre la lumiere et l'obscurite‎

‎Quartos imaginarios. Imaginary Rooms. 2011 - 2013.‎

‎ Scribe 2013, 295x215mm, 163páginas, encadernação de editor. Nova cópia ‎

‎ fotografias a cores, edição bilingue: português - inglês, ‎

‎Meister von Flemalle. Die Werkstatt Robert Campins und Rogier van der Weyden,‎

‎Turnhout, Brepols, 1997 Hardback, 210 p., incl. 5 colour + 208 bl/w. ills., 190 x 250 mm. ISBN 9782503505664.‎

‎This publication investigates the individual works ascribed to the Master of Flemalle, presenting new conclusions regarding division of hands and dating. The group of paintings ascribed to the Master of Flemalle is one of the most outstanding and at the same time most enigmatic of early Netherlandish painting. Influential throughout the 15th century, these works are nowadays regarded, together with those of the Van Eyck brothers, as a starting point of Northern renaissance art. Ever since these paintings were grouped together a hundred years ago, on the grounds of stylistical analysis, they have been the object of controversial scholarly debates, concerning the identity of the artist and the coherence and homogeneity of the oeuvre. This publication presupposes neither the most newly assumed identification of the artist with Robert Campin of Tournai nor the homogeneity of the oeuvre. Instead, the investigation concentrates on the individual works, starting with the eponymous paintings in Frankfurt. Using the whole range of art historical methods and the results of technical investigations, the study presents new conclusions regarding division of hands and dating. Furthermore, the sometimes complex relations between different works are investigated. Another important result of the study is the reconstruction of now dismembered ensembles. In the course of the study, the Flemalle group turns out to be the work of several artists rather than the oeuvre of one master. There seem to be two major sub-groups which are connected with each other and which may even have come from one workshop. In the light of these findings, the study gives a new evaluation of the roles of Robert Campin and Rogier van der Weyden. Languages: German.‎

‎La Peinture persane‎

‎Skira, 2008. In-4°, Relie avec jaquette illustre, 191 pp. ‎

‎Un excellent exemplaire en excellentes conditions. Livre comme neuf.‎

‎Frans Hals‎

‎Genève, éditions d'art d'Albert Skira, 1968, in 12°, couv. toile éd., 150 pp‎

‎T. Bel ex.‎

‎Rik Slabbinck‎

‎Antwerpen, Artiestenfonds, Rockoxhuis 1962 79pp.(waarvan 55 pagina's illustraties), 24cm., met geïll.stofwikkel, mooie staat‎

‎Kees Van Bohemen.‎

‎, Schelderode, Kunstpocket, 1977.**, Originele geillustreerde uitgeversomslag in kleur, 14x22,5cm, 56pp + 16 buitentekstplaten in kleur en z/w.‎

‎Serie 2, n 5.‎

‎Tributes to Jonathan J.G. Alexander, The Making and Meaning of Illuminated Medieval ‎

‎, Brepols - Harvey Miller, 2006 Hardcover. IX 532 p., 244 b/w ill., 210 x 275 mm, Languages: English, French, Italian, Including an index. Fine copy. ISBN 9781872501475.‎

‎Part One: Artists and Scribes Lilian Armstrong, A North Italian Drawing of Hercules and Antaeus in a German Incunable : Marco Zoppo(?) and Drawings in Renaissance Books ; Benjamin David, Sites of Confluence: The Master of the Yates Thompson Divine Comedy ; Albinia C. de la Mare with Xavier van Binnebeke, A List of Books from the Florentine Braccio Martelli ; Susan L'Engle, Outside the Canon: Graphic and Pictorial Digressions by Artists and Scribes ; Lawrence Nees, The Jonathan Gospels (Bibliotheca Apostolica Vaticana, Cod. Pal. lat. 46) ; Kathleen L. Scott, The Decorated Letters of Two Cotton Manuscripts ; Federica Toniolo and Gennaro Toscano, Per l'attivita giovanile di Girolamo da Cremona Part Two: Methods of Work and Production Francois Avril, Les copies a repetition. A propos de la circulation et de la dissimenation des modeles ; Bezalel Narkiss, Scribes and Artists of the Ashburnham Pentateuch ; Margot McIlwain Nishimura, The Grey Gospels : A Frankish Curiosity in Cape Town ; Myra Dickman Orth, The English Great Bible of 1539 and the French Connection ; Jane Rosenthal and Patrick McGurk, Author, Symbol and Word: The Inspired Evangelists in Judith of Flanders's Anglo-Saxon Gospelbooks ; Marina Vidas, Norway's French Connection: The Intended Reader and Subsequent Owners of the Christina Psalter Part Three: Marginalia Madeline H. Caviness, Unnatural Spectacles, Aristotelian Precepts and the Construction of Gender around 1300 ; Ruth Mellinkoff, Break a Leg ! ; Lilian M.C. Randall, Frontal Heads in the Borders of Parisian and South Netherlandish Books of Hours, ca. 1415-60 ; Lucy Freeman Sandler, Bared: The Writing Bear in the British Library Bohun Psalter Part Four: Text and Image Walter Cahn, An Illuminated Manuscript of Caesarius of Heisterbach's Dialogus miraculorum ; C. M. Kauffmann, The Iconography of the Judgement of Solomon in the Middle Ages ; Giordana Mariana Canova, L'antico nella miniatura padovana del Rinascimento: Un Plutarco alla Stiftsbibliothek di Linkoping ; Nigel Morgan, Pictured Sermons in Thirteenth-Century England ; Nancy Freeman Regalado, Picturing the Story of Chivalry in Jacques Bretel's Tournoi de Chauvency (Oxford, Bodleian Library, MS Douce 308) ; Kathryn A. Smith, Accident, Play and Invention: Three Infancy Miracles in the Holkham Bible Picture Book ; Alison Stones, The ?Terrier de l'Eveque? and Some Reflections of Daily Life in the Second Half of the Thirteenth Century Part Five: Cultural Context Paul Binski, John the Smith?s Grave ; Martha Easton, The Wound of Christ, the Mouth of Hell: Appropriations and Inversions of Female Anatomy in the Later Middle Ages ; Desiree Koslin, Under the Influence: Copying the Revelationes of St. Birgitta of Sweden ; Mary and Richard Rouse, A Cat Can Look at a King: an Illustrated Episode in the Grandes Chroniques ; Evelyn Birge Vitz, Liturgical versus Biblical Citation in Medieval Vernacular Literature ; William M. Voelkle, Liberale da Verona's North Wind Unraveled Part Six: Afterlives - Receptions Janet Backhouse, The Case of Queen Melisende's Psalter: An Historical Investigation; Paul Crossley, Anglia Perdita. English Medieval Architecture and Neo-Romanticism ; Karen Eileen Overbey, Locating the Book: The Domnach Airgid Shrine in Medieval Ireland ; Roger S. Wieck, Papal Fragments at Rosenbach‎

‎Dutch Painting 1600-1800‎

‎Yale University Press, New Haven and London, 1995. In-4, reliure pleine toile éditeur sous jaquette illustrée en couleurs, titre doré au dos, 378 pp. Preface - Part one : 1600-1675 - 1. Introduction. - 2. Historical Background. - 3. Late Mannerism and International Trends 1600-1625. - 4. Frans Hals. - Rembrandt. - 6. Rembrandt's Pupils and Followers. - 7. Genre Painting : Early High-Life, ...‎

‎Avec 432 illustrations en noir et blanc et en couleurs in texte. --- Plus d'informations sur le site archivesdunord.com‎

‎Vlaamse miniaturen van de 8ste tot het midden van de 16de eeuw. De middeleeuwse wereld op perkament‎

‎Leuven, Davidsfonds 1998 528pp. rijkelijk geïllustreerd in kleur, linnen band, stofwikkel, in linnen etui, mooie staat, gewicht: 4kg., S85381‎

‎Dirk Bouts, een Vlaams primitief te Leuven.‎

‎, Leuven, Peeters, 1998., Gebonden, uitgeverslinnen, originele geillustreerde omslagwikkel in kleur, 32x24,5cm, 584pp, geillustreerd in kleur en z/w. ISBN 9789042906617.‎

‎Tentoonstellingscatalogus, Sint-Pieterskerk en Predikherenkerk te Leuven (19 september-6 december 1998).‎

‎MANUSCRITS A PEINTURES EN FLANDRE 1475-1550,‎

‎Gand, Ludion, 1997 Broche, cartonnage illustree, 235 x 305mm., 223pp., illustration abondante en couleurs. ISBN 9055440892.‎

‎Le Breviaire Mayer van den Bergh - La musique sublime - Le culte supreme - L'art dans les villes. Bon etat.‎