‎Questioning Pictorial Genres in Dutch Seventeenth-Century Art. Definitions, Artistic Practices, Market & Society‎

‎, Brepols, 2021 Paperback, 402 pages, Size:216 x 280 mm, Illustrations:130 col., 19 tables b/w., Language: English. ISBN 9782503596242.‎

‎Summary Church interiors, cortegaerdjes, scenes of everyday life, tronies, landscapes, spoockerijen, group portraits, bambocciate, hunting scenes, history paintings, sottoboschi, still lives and many other subjects: the wide variety of pictorial genres and sub-genres in which Dutch artists specialized is a key component in our perception of Dutch seventeenth-century art. Yet the epistemological framework constituted by genre definitions, conventions and hierarchies is far from self-evident, nor does it necessarily reflect how people in the seventeenth-century thought about artworks. In fact, art literature of the period is largely silent on these matters and artists do not appear to have followed an established set of principles. This volume examines the way pictorial genres can be, and have been, defined by artists, theorists, audiences and art historians; how individual artists conceived the subject matter of their artworks; and how society and the art market contributed to the development of certain subjects. As such, it embraces the complex and often messy reality of pictorial genres in seventeenth-century Dutch art. TABLE OF CONTENTS Questioning Pictorial Genres in Dutch Seventeenth-Century Art: Introduction Marije Osnabrugge (University of Geneva) I. Defining genre The So-Called Hierarchy of Genres in Seventeenth-Century Dutch Art Theory Jan Blanc (University of Geneva) Spotting Specialists: A Digital Approach to Contemporary Concepts of Genre and Specialisation Weixuan Li (University of Amsterdam / Huygens - KNAW) The Seventeenth-Century Dutch Portrait: An Unstable Genre Ann Jensen Adams (UC Santa Barbara) The Bambocciata: Investigating a "Would-be genre" Suzanne Baverez (ENS ULM/EPHE, Paris) From Genre Scenes l'antique to genre s rieux : the Contribution of Gerard de Lairesse Tijana ?akula (Utrecht University) Definition through Appreciation: The Corporate Group Portrait from the Seventeenth until the Twenty-First Century Norbert Middelkoop (Amsterdam Museum) II. Artists and Genres Guns and Roses: Versatility and Variety in the Oeuvre of Jacques de Gheyn Susanne Bartels (University of Geneva / RKD The Hague) Otto Marseus van Schrieck and the Sottobosco Paintings: Hybrid Subject as a form of Automimesis. VE. Mandrij (Unversity of Konstanz) Rembrandt as Genre and History Painter: Picturing Pain Stephanie Dickey (Queen's University, Kingston) Defining the Hybrid Genre in the Context of Saenredam's Perspectives Helen Hillyard (Dulwich Picture Gallery, London) The 'Little Street' - Vermeer's Writing on the Wall Reindert Falkenburg (NYU Abu Dabi) III. The Market and Society The Dominance of History Painting: Social Class and Subject Matter of Paintings in Amsterdam, 1650-1700 Angela Jager (University of Geneva) Rethinking Swanenburg: The Rise and Fortune of New Iconographies of the 'Hell' in Italy and the Northern Netherlands Tania De Nile (MiBAC, Rome) La Sc ne de Corps de Garde comme Autorepr sentation L onard Pouy (Haute cole de la Joaillerie, Paris) Honour and Shame in Dutch Seventeenth-Century Art and Culture Wayne Franits (Syracuse University)‎

‎Bruegel, het volledig oeuvre. Breugel, Brueghel‎

‎, Antwerpen, Mercatorfonds, 1988 , Gebonden In linnen met goudopdruk,Omslagwikkel in kleur, 420pp, rijkelijk geillustreerd ISBN 906153190X.‎

‎Alle werken van de kunstenaar, vormen een mooi decoratief ensemble. Alle werken, met uitzondering van enkele spreekwoorden, zijn aanwezig.‎

‎LAATMIDDELEEUWSE SYMBOLIEK EN DE BEELDENTAAL VAN HIERONYMUS BOSCH.‎

‎, Brussel, Paleis der Academien, 1977., originele uitgeversomslag, 18x26cm, 54pp, geillustreerd z/w.‎

‎Avec un resume Francais. Mededelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie, Klasse der Schone Kunsten. Jaargang 39, nr. 1.‎

‎WERKEN VAN BRUEGEL UIT NEDERLANDS EN BELGISCH OPENBAAR BEZIT.‎

‎Amsterdam/Brussel, Nederlandse Stichting Openbaar Kunstbezit/Openbaar Kunstbezit in Vlaanderen/Prins Bernhardfonds, 1969 Ingenaaid, beige linnen hardcover met goudopdruk, 27.4x23.8 cm., 88 pp., 55 illustraties in kleur en in z/w.‎

‎WERKEN VAN BRUEGEL UIT NEDERLANDS EN BELGISCH OPENBAAR BEZIT.‎

‎HIERONYMUS BOSCH‎

‎, Brussel, Arcade, Gebonden, donkerblauw linnen met goudopdruk op rug, geillustreerde stofomslag, 265 x 305mm, 565pp., meer dan overvloedige illustratie in kleur en z/w; sommige platen uitplooibaar.‎

‎Foto's van M. Seidel. Boek is in prima staat.‎

‎Hieronymus Bosch‎

‎Brussel, Arcade 1972 565pp. rijkelijk geïllustreerd in kleur en zw/w, linnen band met geïll.stofwikkel, in zwart linnen etui, 30cm., mooie staat, [text in dutch], S52253‎

‎Hieronimus Bosch. (Jheronimus Bosch). (Edition francaise)‎

‎, ARCADE, 1972, text in French, Hardcover Fort in-4 pleine toile noire sous jaquette illustree en couleurs, 561 pages, tres nombreuses illustrations en heliogravure, en noir et en couleurs. Bibliographie, index‎

‎Monografie., het volledig oeuvre. Bevat een overzicht van de archivalia betreffende het leven van Bosch, een kritische catalogus, een overzicht van de interpretaties sinds de zestiende eeuw. TEXT IN FRENCH.‎

‎Hieronimus Bosch. (Jheronimus Bosch). (Edition francaise)‎

‎, ARCADE, 1972 Hardcover Fort in-4 pleine toile noire sous jaquette illustree en couleurs, 561 pages, tres nombreuses illustrations en heliogravure, en noir et en couleurs. Bibliographie, index, dans un manteau solide !!‎

‎ Monographie., L'?uvre compl te. Contient un aper u des archives concernant la vie de Bosch, un catalogue critique, un aper u des interpr tations depuis le XVIe si cle. ‎

‎VERDEGEM. MET EEN KATALOOG VAN HET GRAFISCH OEUVRE,‎

‎, Brussel, Arcade. 1977, Gebonden, bruin linnen met goudopdruk op rug, stofomslag, foto - frontispice, 260 x 300mm., 178pp., zeer uitgebreide illustratie in kleur en z/w; z/w catalogus.* IN PRIMA STAAT‎

‎Monografie over deze schilder van rauwe werkelijkheidszin en scherp sarcasme, doch ook van weekheid en tederheid. Boek is in goede staat.‎

‎BRUEGEL, Arcade, 1969 FR‎

‎, Brussel, Arcade, 1969 Reli , avec couverture, titre dor et cachet dor sur la planche avant, dos d cor de titre dor , couverture originale illustr e en couleur, 27x30,5cm, 387pp, illustr e n / b et en couleur.‎

‎Biographie. Le temps et le travail de Bruegel. Tableau synoptique. Le livre est en bon tat.‎

‎BRUEGEL, Arcade, 1969 NL.‎

‎, Brussel, Arcade, 1969**, Gebonden, vergulde titel en vergulde bandstempel op de voorplaat, rug versierd met vergulde titel, originele geillustreerde stogomslag in kleur, 27x30,5cm, 387pp, geillustreerd z/w en in kleur.‎

‎Biografie. Bruegels Tijd en Werk. Synoptische tabel. Boek is in prima staat.‎

‎Jérôme Bosch - Tout l'oeuvre peint et dessiné‎

‎Anvers, Fonds Mercator (& Albin Michel) 1987 513pp., avec de nombreuses illustrations dont la plupart en couleurs, reliure d'éditeur, jaquette illustrée, 34cm., très bon état, poids: 4kg., S107558‎

‎IL VALORE DEI DIPINTI DELL' OTTOCENTO E DEL PRIMO NOVECENTO XV EDIZIONE ( 1997-98 ),‎

‎Milano, Umberto Allemandi, 1997 Bound, green cardboard cover, green dustwrapper illustrated in colour, 210 x 310mm., 684pp., illustration in colour and b/w. . ISBN 9788844207243.‎

‎The celebrated annual of nineteenth- and twentieth-century painting in Italy, with the latest prices for paintings by 1100 artists. Carefully researched, in-depth information about market values and artistic worth for all the most important figurative painters of the nineteenth and twentieth centuries. This is the key guide to the fortunes of each painter among critics and collectors, with evaluations by period, subject, technique and format, and with the results of all the leading international auctions. Complete, top-quality, and up-to-date critical, historical and economic analyses make this work an internationally acclaimed classic trusted by scholars, collectors, dealers and experts. Acknowledged as the essential reference book for all those who need clear, up-to-date, objective, and fully verified information, it includes trends and projections for the future of collecting. Text in Italian. Good condition.‎

‎Frédérique Lucien : Introspectives‎

‎Frédérique Lucien LienArt Éditions / Galerie J. Fournier / Musée des beaux-arts de Vannes 30 Couverture rigide 2011 France 192 p.; illustrations en noir et blanc ; exposition au Musée Zadkine, Paris, 31 mars-4 septembre 2011 ; bilingue français-anglais ‎

‎Très bon ‎

‎Caspar Netscher and late seventeenth-century Dutch painting / catalogue raisonn of the paintings ‎

‎, Aetas Aurea, Vol. XVI , Cloth bound with dusjacket, as new !!, 2002. 4to., 542 pp. text, 378 ill. (33 full-page colourplts). ISBN 9070288370.‎

‎Caspar Netscher (1635/6-1684) was one of the most acomplished and successful artists active in the Netherlands during the latter part of the seventeenth century. Paradoxically, however, the same factors that made him so successful during his lifetime and into the eighteenth century also occasioned his exclusion from the modern canon of seventeenth-century Dutch painting, for his art represents a decisive move away from the hearty egalitarian aesthetic that prevailed during the earlier part of the century. Responding to (and helping define) his patrons' desire for international style and sophistication, Netscher's exquisite portraits and subject pieces are unmistakably Dutch, yet are imbued with an elegance more in keeping with progressive pan-European tastes.This is the first full-length study to examine the work of this important Dutch artist The text is complemented by an appendix of documents relevant to the artist (most previously unpublished), and concludes with an exhaustive catalogue raisonne of the paintings. The latter contains detailed information on 220 accepted paintings by the artist, 44 problematic attributions (including some compositions known only through copies and works that involve a significant amount of studio assistance); 470 rejected works; and 388 paintings mentioned in the literature prior to 1800 but presently untraced. ‎

‎ANTHONIS MOR VAN DASHORST ( ANTONIO MORO ).‎

‎Bruxelles, Palais des Academies, 1934 Broche, couverture papier bleue, 230 x 295mm., 119pp., plusieurs planches n/b.‎

‎Edition bilingue Fr/Nl. Academie Royale de Belgique. Classe des Beaux-Arts - Memoires. Collection in-4? . Deuxieme serie. Tome III - Fascicule 2. Etat satisfaisant.‎

‎Jan Stobbaerts 1838-1914‎

‎Bruxelles, De Lage Landen 1944 127pp. avec 35 ills. en n/bl, texte en français, 30cm., reliure toile d'éditeur, jaq., peu de rousseurs, bon état, S91940‎

‎JAN STOBBAERTS 1838 - 1914,‎

‎Bruxelles, De Lage Landen, 1944 Relie en toile couleur sable, titre en rouge, frontispice, 215 x 290mm., 127pp., illustrations en noir.‎

‎Premiere partie : Anvers. Deuxieme partie : Bruxelles. Table des illustrations. Bon etat.‎

‎LE LIVRE DES PEINTRES ET GRAVEURS, par Michel de Marolles, Abbé de Villeloin. Seconde édition de la Bibliothèque Elzévirienne, revue et annotée par M. Georges Duplessis ‎

‎Paris Paul Daffis, Editeur-Propriétaire 1872 in 12 (17x10,5) 1 volume reliure percaline rouge ornée de l'éditeur, dos lisse titré en lettres dorées et orné de la sphère elzevirienne dorée, XIV [1] 152 pages. Volume imprimé sur papier vergé avec les caractères elzeviriens de la Librairie Daffis. Bibliothèque Elzevirienne. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Reliure ‎

‎R flexions d'un vieux veneur sur la chasse du cerf.‎

‎Paris, Bibliotheqe des Introuvables, 2008 Relie, toile verte au vignette et a l'impression dore, 135 x 230mm., 218pp., illustration abondante en couleurs et en n/b. ISBN 9782845752016.‎

‎Cette ?uvre a t s lectionn e par les chercheurs comme tant culturellement importante et fait partie de la base de connaissances de la civilisation telle que nous la connaissons. Cette ?uvre a t reproduite partir de l?artefact original et reste aussi fid le que possible l??uvre originale. Par cons quent, vous verrez les r f rences originales du droit d'auteur, les cachets de la biblioth que (car la plupart de ces ?uvres ont t h berg es dans nos biblioth ques les plus importantes travers le monde) et d'autres annotations dans l'?uvre. Cette ?uvre est dans le domaine public aux tats-Unis d?Am rique et ventuellement dans d?autres pays. Aux tats-Unis, vous pouvez librement copier et distribuer cette ?uvre, car aucune entit (individu ou entreprise) ne d tient de droit d'auteur sur le corps de l'?uvre. En tant que reproduction d'un artefact historique, cette ?uvre peut contenir des pages manquantes ou floues, des images de mauvaise qualit , des marques errantes, etc. Les chercheurs estiment, et nous sommes d'accord, que cette ?uvre est suffisamment importante pour tre pr serv e, reproduite et mise la disposition du public. publique. Nous appr cions votre soutien au processus de pr servation et vous remercions de jouer un r le important dans le maintien de ces connaissances vivantes et pertinentes.‎

‎Sebastiano del Piombo and the Sacred Image. Mediating the Divine in the Age of Reform‎

‎, Brepols, 2022 Hardback, 270 pages, Size:220 x 280 mm, Illustrations:121 col., Language: English. ISBN 9782503594750.‎

‎Summary On account of the artists' collaborative practice, Sebastiano del Piombo's oeuvre is often misconstrued as a coloristic supplement to Michelangelo's disegno or as a mere extension of the older master's drawings and ideas. Marsha Libina's book complicates this narrative by offering a critical reevaluation of the devotional art of Sebastiano del Piombo (1485-1547), an important Venetian artist whose Roman work stands at the nexus of questions regarding art, religious reform and the largely unexplored history of artistic collaboration. Investigating new ways of understanding Sebastiano's interest in soliciting Michelangelo's drawings as catalysts of invention, Libina tells the story of a collaboration driven neither by a compliant imitation of Michelangelo nor the reconciliation of opposing regional styles but, rather, by an interest in hermeneutically productive difference - generating complementary yet divergent approaches to art as a vehicle of reform. This volume presents an in-depth exploration of how Sebastiano's experiments with the sacred image - like Michelangelo's - were formulated in response to the early years of Catholic reform. The years preceding the Council of Trent saw the rise of divisive investigations into the repercussions of an increasingly mediated knowledge of the divine. Libina reveals how these concerns converge in Sebastiano's new language of devotional painting, which embraces an aesthetic of figural stillness, isolation and psychological detachment. At a moment when religious debates and questions about the role of image-based devotion took center stage, Sebastiano's work offered a reflection on what it meant to view and meditate on the body of Christ in the Renaissance altarpiece. TABLE OF CONTENTS Introduction. Sebastiano del Piombo and Michelangelo. A Collaboration in Art and Reform Chapter I. Picturing Time and Eternity Chapter II. Mediation and Scripture's Interpreters Chapter III. Imitatio Christi and the Internal Image Chapter IV. The Holy Face and the Face of Art Conclusion. Mediated Truths after the Council of Trent Bibliography Index‎

‎Andrea Mantegna‎

‎, Olivetti/ Electa 1992 xi + 499pp.with numerous illustrations, text in English, hardcover (editor's grey cloth binding), illustrated dustwrapper, Exhibition catalogue (The Metropolitan Museum of Art New York & Royal Academy of Arts London, 1992), very good, S85339‎

‎MEDARD VERBURGH 1886-1957‎

‎, Centre cultural de la misericordia sala guillem mesquida 1990 ( dub), softcover jacquette d' editeur illustre en couleur, 28x23cm, 151pp. text French- SP. ISBN 9788486527327.‎

‎illustre monographie ‎

‎Discursos practicables del nobilismo Arte de la Pintura (Edicion, prologo y notas por Julian Gallego)‎

‎Barcelona, Selecciones Bibliofilas 1950 303 [9] pp., Edition limité et numéroté: exemplaire no.250/300 sur papier "La Gelidense", très belle reliure demi-cuir (plats marbrés, titre doré au dos), 21cm., texte en espagnol‎

‎LA MALADIE DE VAN GOGH. Le mystère d'une fin tragique ‎

‎Paris Buchet / Chastel 1994 in 8 (24x16,5) 1 volume broché, couverture à rabats illustrée en couleurs, 159 pages [2], avec des illustrations en noir et blanc. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) ‎

‎Très bon Broché ‎