1980, Office du Livre/ Société française du livre. In-4, relié avec jaquette. 306 pp. Nombreuses images en n&b
Excellent exemplaire, d'infimes frottements ainsi que quelques rousseurs sur la page de garde. Sinon interieur très frais et complet.
Paris, Filipacchi, 1971 (coll. "Septième face du dé"). In-4°, Relié, toile et jaquette d'éditeur. 87 pp. Illustré en couleurs et noir et blanc.
Livre en très bon état, intérieur frais et complet. Une légère déchirure sur la jaquette, sinon un excellent exemplaire
, Munchen, Hirmer Verlag, 2005., 2 Teilen, broschiert, 230 x 305mm., 300 + 96S., 315 Abbildungen, davon 308 in Farbe, 24 Fotografien, 23 Zeichnungen und 1 Karte. ISBN 9783777427058.
Camille ?? Modell, Geliebte und Ehefrau von Claude Monet steht im Mittelpunkt dieser Ausstellung, die die Frauenportraits der grossen Impressionisten aus aller Welt zu einer einmaligen Gesamtschau vereint. Weil sein Bild fur den Salon von 1866 nicht rechtzeitig fertig wurde, malte Monet das lebensgrosse Portrait der 19-jahrigen Camille Doncieux in eleganter Robe und in einer aussergewohnlichen Pose und Sicht. Das Gemalde brachte ihm den ersten grossen Erfolg. Doch nicht nur Monet, sondern auch Malerkollegen wie Auguste Renoir, Edouard Manet, James Abbott McNeill Whistler und Edgar Degas setzten die Tradition des reprasentativen Frauenportraits in ihre Bildsprache um. Mit ihnen zog Modernitat in die Kunst ein, konnte Mode zum Thema der Malerei werden. Wie sehr dies den kunstlerischen Absichten entsprach, wird in der Ausstellung durch Originalkleider, Kupferstiche aus zeitgenossischen Modezeitschriften, Zeichnungen und Fotografien veranschaulicht. Indem das Buch mit den Exponaten die stattliche Reihe der Bildnisse aus der Zeit des heraufkommenden Impressionismus versammelt, kann es die unkonventionellen Tendenzen jener beruhmten Phase der Kunstgeschichte belegen. Auf diese in den Bildern aufgezeigten Aspekte gehen die Katalogbeitrage der verschiedenen Autoren ein. So schafft das Buch die grundlegende Beschreibung der Voraussetzungen des franzosischen Impressionismus. Der Katalog fokussiert nicht nur ? Camille? , er weitet zugleich den Blick auf ein Stuck Mode- und Kunstgeschichte, das im Triumph der impressionistischen Malerei mundet. Neuer Zustand.
Koln-Bonn, Rheinland-Verlag / Dr. Rudolf Habelt, 1989 Bound, pictorial boards, 381pp., 20x26.5cm., ills. in col. and b/w., fine condition. ISBN 3792710919.
, London, Batsford, 1975., Bound, cloth, gilt title on spine, with original dust-jacket illustrated in color, 22,5x30,5cm, 243pp. ISBN 0713407166.
I. The Eighteenth Century.
, Brussel, Paleis voor Schone Kunsten, 1978., In suite, originele uitgeversomslag geillustreerd in kleur, 33pp + 31 platen z/w.
Werken uit de verzameling van het Metropolitan Museum of Art.
München, Hirmer 2000 467pp.richly illustrated in colour and in bl/w, 27cm., illustrated softcover, with ex-dono at titlepage, very good condition, [Exhibition catalogue: Gustav-Lübecke-Museum, Hamm, 15 Okt.- 14 Jan. 2001 & Landesmuseum Mainz, 4 März - 24 Juni 2001], S85126
, Davaco, Aetas Aurea, Vol. VII, 1989., Cloth bound, 4to., 260 pp. of text with a catalogue raisonne, 286 plates and illustrations from which 18 in color. fine condition. ISBN 9070288524.
This study establishes for the first time Adam Pynacker's place of origin, the formation and development of his style as well as his contribution to the field of Dutch Italianate landscape painting. Pynacker's early paintings, dating from around 1648, are shown to reinforce Houbraken's statement that he visited Italy during the second half of the 1640s. In an in depth study of the artist's output of the 1650s, it is also demonstrated that Pynacker was familiar with the work of his contemporary Dutch Italianates, among them Jan Both, Jan Asselyn and Nicolaes Berchem. His relation with them as well as with a number of other Dutch painters, including the Rotterdam artist Ludolf de Jongh, is explored throughout the book.
, New York, Random House/ Robert Hatfield Ellsworth, 1987**, 3 beautiful, illustrated cloth volumes in cloth decorated box, 260 x 365mm., golden edges, 399 + 369 + 281pp., illustrated.
The culmination of more than three decades of study and collecting, the three-volume item is one of the most important, sumptuous publications of Asian Art. Taking a period that has been ignored and undervalued by scholars, curators, and collectors, Robert Ellsworth has produced a work that not only forces us to re-examine all previous assessments of that tumultuous era in Chinese art, but promises to launch a new wave of interest in, and appreciation for, its unique achievements. Through more than 850 superb examples from his own collection, the author shows how exposure to Western art led, in painting, to an extraordinary new diversity and vitality, and how archeological discoveries in China fueled a dazzling renaissance in calligraphy.Two of the three volumes reproduce 550 paintings and 325 calligraphies, representing the work of every major artist of the period in full color. The extensive commentaries in the third volume include biographies of each artist. Every calligraphy, inscription, and seal is transliterated into precise English. The breadth and depth of fresh scholarship, the quality of the art, and the luxurious production combine to make this publication one of the monumental achievements in art book publishing: an essential source book for anyone interested in Asian art. New books.
, London, Scala Publishers, 2007, Bound, grey cloth, illustrated dustjacket, frontispice in colour, 250 x 310mm., 216pp., full colour illustration, biographic material.
The exuberant paintings and sculptures of maverick Texas artist David Bates combine exquisite technique with a deep understanding of American modernist traditions, resulting in a body of work that is at once sophisticated, soulful, and accessible. From his lush early paintings of the Arkansas nature conservancy Grassy Lake and the Texas Gulf Coast, to his figural reliefs and sculptures created at a bronze-casting foundry in Washington, to his most recent paintings depicting survivors of Hurricane Katrina, this catalogue provides an in-depth look at the life and work of a unique and significant American artist and serves as the first full monograph of Bates's work. This book is published in association with the Modern Art Museum of Fort Worth, which holds many of his works in its permanent collection, and features more than 160 colour reproductions of the artist's work. New book.
, Antwerpen, Artiestenfonds, 1968., Gebonden, originele stofomslag, 14x22cm, 103pp, geillustreerd z/w.
1 ex ** gesigneerd en handgeschreven opdracht door de auteur
, Antwerpen, Artiestenfonds, 1968., Gebonden, originele uitgeversomslag, 14x22cm, 103pp, geillustreerd z/w.
, Atrium, 1986.**, Gebonden, uitgeverslinnen versierd met vergulde titel op de voorplat en de rug, 33,5x25,5cm, 94pp, illustre en couleur et n/b., bibliographie. ISBN 9061132398.
Leven en werk, geillustreerd met 61 afbeeldingen. Tekst in het Nederlands, in goede staat,
, Brussels, Arcade, 1975, Bound, black cloth, illustrated dustjacket, + slipcase 180 x 265mm., 157pp. + 93 b/w plates. neuf/ fine condition.
volume X; The History of Achilles is a series of tapestries first commissioned by Rubens's second father-in-law Daniel Fourment, a tapestry-dealer in Antwerp. Very probably it was also Daniel Fourment who asked his famous son-in-law to provide the preparatory oil sketches, modelli and cartoons for the series. This cycle is not a very big project compared with other famous series designed by Rubens. Nevertheless, as Begemann puts is, " the excellence of the oil sketches and the modelli, and the sophistication of the artist's interpretation of the subject, make the series stand out as a major work ". In very good condition.
London, Tate Gallery, 1980 Paperback, 158pp., 24.5x16cm., ills. in col. and b/w., fine copy.
Turnhout, Brepols, 1997 Hardback, original editor's jacket, english, 19x25 cm., 343 pp., incl. 8 colour + 170 b/w illustrations. ISBN 9782503504438.
Pictura Nova PICT 3. Ruben's renderings of the Judgement of Paris mark every stage in his career, so that this survey, including familiar and unfamiliar works, allows an insight into his entire artistic development. The Judgement of Paris - the tale of the shepherd-prince who gave Venus the prize in a beaty competition - was variously treated by classical writers and became a favourite theme for artists. No painter seems to have responded to the ancient story with more intelligence and entousiasm than Peter Paul Rubens, who devoted at least eight pictures to it.
Hildesheim, Olms 1986 349pp.with 147 bl/w ills., 21cm., softcover, very good, S85370
Antwerpen-Wien, Galerij De Groote Witte Arend - Niederosterreich-Gesellschaft fur Kunst und Kultur., 1987 Softcover, no pag. (ca.75pp), 22.5x28cm., ills. in col. and b/w., fine condition.
, C.A.C. 1989 396pp.richement illustré en couleurs et en n/bl, reliure toile rouge d'éditeur, jaq. (qqs. déchirures restaurées), 31cm., bon état, S85348
1989 Paris, Éditions C.A.C., 1989, in-4 toile, jaquette illustrée éd. 396 pp. 100 planches en couleurs et ill. noir et blanc.Préface de Jean Tulard. Les salons; les artistes pendant la Révolution; catalogue des artistes et des oeuvres présentées aux salons de 1789 à 1799. Nombreuses illustrations. Bon état.
Index Biblio La réorganisation des Salons sous la Révolution permet de découvrir un grand nombre de peintres: index de 300 artistes; notices biographiques; liste des oeuvres exposées; localisation des peintures retrouvées. Edition, 1989, in-4°, 396 pp, b/w ills., extensive bibliography, red publisher's cloth with dustjacket. Alphabetical list of the painters who contributed to the Salon exhibitions during the revolutionary period with a minute description of their exhibited works with, when available , an illustration. Very interesting source book for French painting during this period.
Castagnola- Ticino, Villa Favorita, 1969 Gebunden, Leinen mit Schutzumschlag, 225 x 295mm., 318 Tafeln S/W und koloriert. Cassette.
Deutsche Meister - Niederlandische Meister - Italienische Meister - Spanische Meister - Franzosische Meister. Guter Zustand.
Turnhout, Brepols, 2003 Hardback, Originale Verlag, Deutsch, 19x25 cm., VIII+640 S., 180 S/W Abbildungen. 2 volumes. ISBN 9782503511436.
Pictura Nova PICT 9. Mit dieser monographischen Studie uber Thomas Willeboirts Bosschaert ruckt erstmals ein heute weitgehend vergessener Maler des 17. Jahrhunderts in den Blickpunkt, dessen uberkommenes Oeuvre ihn als einflussreichsten flamischen Reprasentanten der kunst Van Dycks ausweist. Die Publikation enthalt in ihrem zweiten Teil einen vollstandigen "catalogue raisonne" mit weit mehr als 100 Gemalden, der auch mehrere fur die Werkgenese relevante Zeichnungen.
Bonn, 1982 443pp., with 49 bl/w illustrations, 21cm., softcover, text in German, Doctoral dissertation (Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität zu Bonn), stamp at verso of title page, text is clean and bright, good condition, S109278
Liège, Imp. Poncelet 1903 xiv + 509pp. + 30 planches hors-texte, Nouvelle édition revue et considérablement augmentée, 31x22cm., jolie reliure moderne solide en demi-toile brune, plats décorés, titre doré au dos, brochure originale conservée et reliée, texte et intérieur sont frais (sauf très peu de rousseurs), avec ex-libris héraldique, très bon état, poids: 2.6 kg., S115806
Munchen, Hirmer Verlag, 1974 Gebunden, Leinen mit Umschlag, 240 x 285mm., 106S., illustriert in Farbe und S/W. ISBN 9783777426600.
Guter Zustand.