CBS. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Pochette en couleurs, petit texte à l'intérieur de la pochette avec quelques photos en noir et blanc.. . . . Classification : 410-33 Tours
Disque n° S 63 449 Classification : 410-33 Tours
Editions du Tambourinaire. Sans date [vers 1960]. In-4° broché. Couverture illustrée. 87 pages. E.O.
Bon état.
Albin Michel / l'Avant-Scène 1984. Bel exemplaire relié, gd in-8, 110 pages avec annexes.
Taurus Ediciones, S. A. 1964 Reliure éditeur pleine toile rouge, jaquette illustrée en noir & blanc, 104 pp., nombreuses photographies en noir & blanc, quelques-unes rapportées en couleurs. Jaquette légèrement effrangé, intérieur en très bon état.
Texte en espagnol. Antonio Ruiz Soler (1921-1996), connu comme Antonio el Bailarín, fut danseur de ballet et de flamenco, chorégraphe et directeur artistique. Bon état d’occasion
, Lier, Jozef Van In, 1942., Originele geillustreerde uitgeversomslag in bruinopdruk, rug onderaan licht beschadigd, 12x18,5cm, 224pp, geillustreerd met houtgesneden lettrines in roodopdruk.
Bibliotheek van den "Bode van het H. Hart".
, Bruxelles, Meddens & co, 1815., Broche, couverture d' editeur, 14x21,5cm, 158pp.
Burlington House broché Couverture Illustrée London 1927 96 pages de reproductions en format 18 - 24 cm - dos retouché
État Moyen
, Librero BV, 2000 Hardcover, 64 pagina's, NL, 195 x 155 mm, in prima staat, met stofomslag, mooie illustraties in kleur, Deel 1 en 2 apart aan 10 euro of de 2 delen samen aan 18 euro !. ISBN 9789057641008.
Deze praktische en uitgebreide gids voor het schilderen van 70 verschillende bloemen is de opvolger van 'Bloemen in aquarel deel 1'. In dit boekje staat opnieuw een collectie bloemen, bladeren en bessen afgebeeld. Er wordt dieper ingegaan op de technieken uit het eerste deel en u leert er bovendien een paar nieuwe bij. De gebruikte technieken worden stap voor stap gedemonstreerd. De kleurenmengsels die u nodig hebt voor de bloemen worden stuk voor stuk behandeld. Zowel de beginnende als de gevorderde schilder kan met BLOEMEN IN AQUAREL DEEL 2 zelfverzekerd aan de slag voor veel plezier bij het schilderen van bloemen.
Florence André, Jean-Marie Bailly, Claire Billen, Odile De Bruyn, Stéphanie de Courtois, Eric Hennaut, Michael Jakob, Philippe Nys, Anne-Marie Sauvat, Ursula Wieser Benedetti.
Reference : 62517
, CFC-Éditions , 2022 hardcover, 240 pages, TEKST IN HET NEDERLANDS , 275 x 210 mm, NOUVEAU, illustrations en couleur / n/b. ISBN 9782930391663.
Jules Buyssens (1872-1958) is een belangrijke figuur in de wereld van het tuin- en landschapsontwerp in België. Na een opleiding van een vijftiental jaren in binnen- en buitenland, die hij afsloot als bureauchef bij Édouard André in Parijs, crëerde hij meer dan duizend ontwerpen in België en in een tiental andere Europese landen (Frankrijk, Rusland, Zwitserland, Nederland, Monaco, Polen, Litouwen). Hij legde parken en tuinen aan voor de internationale aristocratie en rijke bourgeoisie (prins en prinses Napoléon te Ronchinne, de familie Solvay in Terhulpen en Brussel, Béatrice Ephrussi de Rothschild in Monte-Carlo, gravin de Pourtalès in Zwitserland?), werkte in opdracht van verscheidene gemeentebesturen en bedacht tijdens het interbellum charmante stadstuintjes, die het pittoreske verenigden met de art-decostijl. Behalve initiatiefnemer van de beweging en het tijdschrift Le Nouveau Jardin Pittoresque was hij tevens ook de landschapsarchitect van de stad Brussel (1904-1937) en de verantwoordelijke voor het landschapsontwerp van de Wereldexpo op de Heizel in 1935. Onder leiding van Eric Hennaut en Ursula Wieser Benedetti Auteurs: Florence André, Jean-Marie Bailly, Claire Billen, Odile De Bruyn, Stéphanie de Courtois, Eric Hennaut, Michael Jakob, Philippe Nys, Anne-Marie Sauvat, Ursula Wieser Benedetti.
, Stichting Riemers, Wim 2002, 2002 Hardcover, 94 pagina's / pages, NL / ENG, 260 x 220 mm, in prima staat / book in good order, with foto's / pictures in kleur. ISBN 9789080498914.
Het abdijplein in Middelburg, hedendaagse kunst op het plein in 2002
Belgique, Ministère de l'Education Nationale et de la Culture, 1964. 16 x 25, 87 pp., nombreuses illustrations en N/B, broché, bon état (couverture légèrement défraîchie).
FONDS MERCATOR sous la Direction de : Herman Liebaers / Valentin Vermeersch / Leon Voet / Frans Baudouin / Robert Hoozee.
Reference : ART345M
Non daté / 587 pages. Relié avec jaquette + emboitage cartonné au format : 26 x 33,5 cm. Editions Albin Michel.
EXCELLENT ETAT COMME NEUF !
FONTANA AMORETTI, Maria en PLOMP, Michiel; MEIJER, Bert W. ( ed. );
Reference : 24336
Florence/ Utrecht, Centro Di/ University, 1998 Bound, blue cloth, illustrated dustjacket in colour, 240 x 310mm., 286pp., profound colour illustration.
First volume in the series (edited by Bert W. Meijer) of nine volumes aimed at cataloguing and illustrating the over 10.000 Dutch and Flemish paintings in Italian Public Collections. The first publication of this important research project is dedicated to works of art in the region of Liguria; the over 450 paintings include masterpieces by Gerard David, Hans Memling, Jan van Scorel, Rubens, Antonie van Dyck. Forthcoming volumes: Piedmont, Lombardy, Veneto-Friuli, Tuscany-Sardinia. Book is in new condition.
Tielt (Belgique), Editions Lannoo, 1997. 26 x 30, 176 pp., très nombreuses illustrations en couleurs, reliure d'édition pleine toile + jaquette, très bon état.
"avant-propos de Lodewijk De Witte; quadrilingue : néerlandais, français, allemand, anglais."
Tielt, Lannoo, 1986 Gebonden, lichtgrijze linnen hardcover, originele uitgeveromslag met flappen in kleur, 25.5x34cm., 160 pp., talrijke illustraties in kleur en in z/w. ISBN 902091409x.
Het boek bevat naast een overzicht van honderd jaar keramiekkunst in Vlaanderen ook een bespreking van het werk van 41 hedendaagse vlaamse keramisten en een lijst van de gebruikte terminologie. English summary.
, Zurich, Rentsch Verlag, 1923., Gebunden, leinen, Original - Umschlag illustriert koloriert, 16x22cm,159pp + 32pp tafeln s/w.
Mit 49 Abbildungen.
, Rob Smeets, 2016 Hardcover, 53 pages, ENG / ITA, 270 x 245 mm, in New condition, with illustrations in colour., dustjacket has some scratches on the backside, but book itself is in New condition ISBN 9788889024812.
The painting on copper portraying David with the head of Goliath offers, for its outstanding quality, a significant addition to the catalogue of the Florentine painter Francesco Lupicini (Firenze 1591-Saragozza 1656). This artist is still obscure, even to specialists, and has been so far neglected by art historical investigation, despite the works emerged over the last three decades reveal an unusually creative originality and considerably high quality. Lupicini?s difficult emergence from obscurity could be related to the fact that Filippo Baldinucci (1625-1696), the official biographer of Florentine painters, fails to mention him, even briefly, in the pages of his Notizie. [Francesca Baldassari]
Francesco Caglioti, Rosario Coppel, Jeremy Howard, Peter Humfrey, Peter Marino, Jeremy Warren.
Reference : 59739
, Marsilio / Colnaghi, 2021 Hardcover, 160 pages, ENG, 310 x 250 mm, in New state, with pagefull illustrations in colour. ISBN 9788829714193.
Last November, audiences had the once-in-a-lifetime opportunity to experience rare and newly discovered masterworks by some of the greatest artists of the Italian Renaissance, including Donatello, Tintoretto, Antonio Lombardo, and Benedetto da Rovezzano, in a special exhibition at Colnaghi New York. Featuring five exquisite sculptures? including a recently rediscovered terracotta bust by Donatello?alongside a newly attributed portrait painting by the great Venetian master Jacopo Tintoretto, the exhibition marked a rare occasion in which such a significant number of museum-quality works from the Italian Renaissance appeared on the market at one time.
, Museum Plantin-Moretus 1990, 1990 Paperback, 127 pagina's, NL, 295 x 210 mm, goed, met illustraties in z/w.
, Yale University Press, 2000 Hardcover, 200 pages, ENG, 240 x 165 mm, in absolute New condition, dustjacket, with illustrations in b/w . ISBN 9780300085341.
When and why did large-scale exhibitions of Old Master paintings begin, and how have they evolved through the centuries? In this work, art historian Francis Haskell explores the beginning, history and significance of these international art exhibitions
, Artis-Naples, the Baker Museum 2014, 2014 Softcover, 150 pages, ENG, 240 x 205 mm, NEW, dustjacket, illustrated in colour and b/w, very rare , . ISBN 9780989549424.
Marcel Duchamp is considered the most influential artist of the 20th century. This reputation is due primarily to his introduction of the readymade, an alternative to the traditional art-making process wherein anything designated by an artist as a work of art?from a bicycle wheel mounted on a stool to a bottle rack purchased from a department store?automatically becomes art and should be treated as such. Whereas this radical notion has done much to alter the course of contemporary art, few realize that it can be traced to Duchamp?s involvement with his family, specifically, to objections expressed by his brothers to his Nude Descending a Staircase, a painting he submitted for display to the Salon des Indépendants in 1912. Rather than accept the reservations voiced by his brothers and substitute this painting for another, Duchamp chose instead to withdraw it, whereupon he made the momentous decision that he would no longer conform to accepted conventions of taste. At the time, Duchamp?s eldest brother Jacques Villon was a cubist painter and printmaker, and his older brother Raymond Duchamp-Villon was a modernist sculptor. In this context, a readymade can be understood as an open challenge to the art his family practiced and represented, namely, the traditional genres of painting and sculpture. Although books have been written about the three Duchamp brothers, The Duchamp Family of Artists is the first study devoted to the entire family, from their maternal grandfather Émile Nicolle, a painter and printmaker of some note in French art at the end of the nineteenth century, to their sister Suzanne and her husband Jean Crotti, who, in the early 1920s, established an art movement of their own called Tabu. The present exhibition and catalogue traces the career of these artists?from their earliest works to those for which they have become best known, emphasizing the phases of the artists? careers in which their paths either conjoined or intersected
, NAI Publishers 1998, 1998 Softcover, 48 pages, ENG, 190 x 190 mm, in good condition, illustrations b/w, . ISBN 907246950X.
Aldo van Eyck ; (16 March 1918 - 14 January 1999) was a Dutch architect. He was one of the most influential protagonists of the architectural movement Structuralism.
, Editions Francaises D'Art, 1947 Hardcover, 167 pages, Texte en Francais, 315 x 250 mm, bon etat, pas le jacquette, illustrations en couleur et n/b.
Pierre Bonnard (français : [bna] ; 3 octobre 1867 - 23 janvier 1947) était un peintre, illustrateur et graveur français, connu surtout pour les qualités décoratives stylisées de ses peintures et son utilisation audacieuse de la couleur. Membre fondateur du groupe postimpressionniste de peintres d'avant-garde Les Nabis, ses premiers travaux ont été fortement influencés par le travail de Paul Gauguin, ainsi que par les estampes de Hokusai et d'autres artistes japonais. Bonnard a été une figure de proue de la transition de l'impressionnisme au modernisme. Il peint des paysages, des scènes urbaines, des portraits et des scènes domestiques intimes, où les fonds, les couleurs et le style de peinture priment généralement sur le sujet.
, Walther and Franz Koenig Verlag, 2022 Hardcover, 256 pages, ENG, 285 x 225 mm, NEW, with 227 illustrations of which 215 in colour !. ISBN 9789464366907.
Mark Manders - Zeno X Gallery, 28 Years of Collaboration offers an overview of the long-standing collaboration between artist Mark Manders (°1968) and Zeno X Gallery in Antwerp. The publication appears on the occasion of his most recent solo exhibition at the gallery and highlights a number of important exhibitions and special projects for which Manders has been invited at home and abroad from the 1990s to the present. Since 1986, Mark Manders has been working on what he calls "self-portrait as a building". His oeuvre - consisting of installations, sculptures, works on paper and drawings - takes on the metaphor of a fictitious building, subdivided into separate rooms whose precise shape and size cannot be defined. There is no beginning and no end. Manders strives for timelessness and universality by using archetypal forms and familiar-looking materials such as clay, bronze and wood. His bronze sculptures and installations therefore appear more vulnerable than they actually are. With text contributions by Mark Manders, Frank Demaegd (Zeno X Gallery) and Marjolein Sponselee. Publication accompanying the exhibition at Zeno X Gallery, which will take place from September 3 to October 15, 2022. In-depth overview of the oeuvre of artist Mark Manders An astonishing overview of the long-term collaboration between artist Mark Manders and Zeno X Gallery
, Press at California State University, Fresno / CSUF, 1987 Hardcover, 207 pages, ENG, 235 x 160 mm, in good condition, dustjacket, ill. in b/w. ISBN 9780912201139.
Frank Lloyd Wright (June 8, 1867 ? April 9, 1959) was an American architect, designer, writer, and educator. He designed more than 1,000 structures over a creative period of 70 years. Wright played a key role in the architectural movements of the twentieth century, influencing architects worldwide through his works and hundreds of apprentices in his Taliesin Fellowship. Wright believed in designing in harmony with humanity and the environment, a philosophy he called organic architecture. This philosophy was exemplified in Fallingwater (1935), which has been called "the best all-time work of American architecture".