Tielt (Belgique), Editions Lannoo, 1997. 26 x 30, 176 pp., très nombreuses illustrations en couleurs, reliure d'édition pleine toile + jaquette, très bon état.
"avant-propos de Lodewijk De Witte; quadrilingue : néerlandais, français, allemand, anglais."
, Zurich, Rentsch Verlag, 1923., Gebunden, leinen, Original - Umschlag illustriert koloriert, 16x22cm,159pp + 32pp tafeln s/w.
Mit 49 Abbildungen.
, Rob Smeets, 2016 Hardcover, 53 pages, ENG / ITA, 270 x 245 mm, in New condition, with illustrations in colour., dustjacket has some scratches on the backside, but book itself is in New condition ISBN 9788889024812.
The painting on copper portraying David with the head of Goliath offers, for its outstanding quality, a significant addition to the catalogue of the Florentine painter Francesco Lupicini (Firenze 1591-Saragozza 1656). This artist is still obscure, even to specialists, and has been so far neglected by art historical investigation, despite the works emerged over the last three decades reveal an unusually creative originality and considerably high quality. Lupicini?s difficult emergence from obscurity could be related to the fact that Filippo Baldinucci (1625-1696), the official biographer of Florentine painters, fails to mention him, even briefly, in the pages of his Notizie. [Francesca Baldassari]
Francesco Caglioti, Rosario Coppel, Jeremy Howard, Peter Humfrey, Peter Marino, Jeremy Warren.
Reference : 59739
, Marsilio / Colnaghi, 2021 Hardcover, 160 pages, ENG, 310 x 250 mm, in New state, with pagefull illustrations in colour. ISBN 9788829714193.
Last November, audiences had the once-in-a-lifetime opportunity to experience rare and newly discovered masterworks by some of the greatest artists of the Italian Renaissance, including Donatello, Tintoretto, Antonio Lombardo, and Benedetto da Rovezzano, in a special exhibition at Colnaghi New York. Featuring five exquisite sculptures? including a recently rediscovered terracotta bust by Donatello?alongside a newly attributed portrait painting by the great Venetian master Jacopo Tintoretto, the exhibition marked a rare occasion in which such a significant number of museum-quality works from the Italian Renaissance appeared on the market at one time.
, Museum Plantin-Moretus 1990, 1990 Paperback, 127 pagina's, NL, 295 x 210 mm, goed, met illustraties in z/w.
, Yale University Press, 2000 Hardcover, 200 pages, ENG, 240 x 165 mm, in absolute New condition, dustjacket, with illustrations in b/w . ISBN 9780300085341.
When and why did large-scale exhibitions of Old Master paintings begin, and how have they evolved through the centuries? In this work, art historian Francis Haskell explores the beginning, history and significance of these international art exhibitions
, Artis-Naples, the Baker Museum 2014, 2014 Softcover, 150 pages, ENG, 240 x 205 mm, NEW, dustjacket, illustrated in colour and b/w, very rare , . ISBN 9780989549424.
Marcel Duchamp is considered the most influential artist of the 20th century. This reputation is due primarily to his introduction of the readymade, an alternative to the traditional art-making process wherein anything designated by an artist as a work of art?from a bicycle wheel mounted on a stool to a bottle rack purchased from a department store?automatically becomes art and should be treated as such. Whereas this radical notion has done much to alter the course of contemporary art, few realize that it can be traced to Duchamp?s involvement with his family, specifically, to objections expressed by his brothers to his Nude Descending a Staircase, a painting he submitted for display to the Salon des Ind pendants in 1912. Rather than accept the reservations voiced by his brothers and substitute this painting for another, Duchamp chose instead to withdraw it, whereupon he made the momentous decision that he would no longer conform to accepted conventions of taste. At the time, Duchamp?s eldest brother Jacques Villon was a cubist painter and printmaker, and his older brother Raymond Duchamp-Villon was a modernist sculptor. In this context, a readymade can be understood as an open challenge to the art his family practiced and represented, namely, the traditional genres of painting and sculpture. Although books have been written about the three Duchamp brothers, The Duchamp Family of Artists is the first study devoted to the entire family, from their maternal grandfather mile Nicolle, a painter and printmaker of some note in French art at the end of the nineteenth century, to their sister Suzanne and her husband Jean Crotti, who, in the early 1920s, established an art movement of their own called Tabu. The present exhibition and catalogue traces the career of these artists?from their earliest works to those for which they have become best known, emphasizing the phases of the artists? careers in which their paths either conjoined or intersected
, NAI Publishers 1998, 1998 Softcover, 48 pages, ENG, 190 x 190 mm, in good condition, illustrations b/w, . ISBN 907246950X.
Aldo van Eyck ; (16 March 1918 - 14 January 1999) was a Dutch architect. He was one of the most influential protagonists of the architectural movement Structuralism.
, Editions Francaises D'Art, 1947 Hardcover, 167 pages, Texte en Francais, 315 x 250 mm, bon etat, pas le jacquette, illustrations en couleur et n/b.
Pierre Bonnard (fran ais : [bna] ; 3 octobre 1867 - 23 janvier 1947) tait un peintre, illustrateur et graveur fran ais, connu surtout pour les qualit s d coratives stylis es de ses peintures et son utilisation audacieuse de la couleur. Membre fondateur du groupe postimpressionniste de peintres d'avant-garde Les Nabis, ses premiers travaux ont t fortement influenc s par le travail de Paul Gauguin, ainsi que par les estampes de Hokusai et d'autres artistes japonais. Bonnard a t une figure de proue de la transition de l'impressionnisme au modernisme. Il peint des paysages, des sc nes urbaines, des portraits et des sc nes domestiques intimes, o les fonds, les couleurs et le style de peinture priment g n ralement sur le sujet.
, Walther and Franz Koenig Verlag, 2022 Hardcover, 256 pages, ENG, 285 x 225 mm, NEW, with 227 illustrations of which 215 in colour !. ISBN 9789464366907.
Mark Manders - Zeno X Gallery, 28 Years of Collaboration offers an overview of the long-standing collaboration between artist Mark Manders ( 1968) and Zeno X Gallery in Antwerp. The publication appears on the occasion of his most recent solo exhibition at the gallery and highlights a number of important exhibitions and special projects for which Manders has been invited at home and abroad from the 1990s to the present. Since 1986, Mark Manders has been working on what he calls "self-portrait as a building". His oeuvre - consisting of installations, sculptures, works on paper and drawings - takes on the metaphor of a fictitious building, subdivided into separate rooms whose precise shape and size cannot be defined. There is no beginning and no end. Manders strives for timelessness and universality by using archetypal forms and familiar-looking materials such as clay, bronze and wood. His bronze sculptures and installations therefore appear more vulnerable than they actually are. With text contributions by Mark Manders, Frank Demaegd (Zeno X Gallery) and Marjolein Sponselee. Publication accompanying the exhibition at Zeno X Gallery, which will take place from September 3 to October 15, 2022. In-depth overview of the oeuvre of artist Mark Manders An astonishing overview of the long-term collaboration between artist Mark Manders and Zeno X Gallery
, Press at California State University, Fresno / CSUF, 1987 Hardcover, 207 pages, ENG, 235 x 160 mm, in good condition, dustjacket, ill. in b/w. ISBN 9780912201139.
Frank Lloyd Wright (June 8, 1867 ? April 9, 1959) was an American architect, designer, writer, and educator. He designed more than 1,000 structures over a creative period of 70 years. Wright played a key role in the architectural movements of the twentieth century, influencing architects worldwide through his works and hundreds of apprentices in his Taliesin Fellowship. Wright believed in designing in harmony with humanity and the environment, a philosophy he called organic architecture. This philosophy was exemplified in Fallingwater (1935), which has been called "the best all-time work of American architecture".
Frank P. Wartenberg, Wolfgang Behnken, Enno Kaufhold , translation : John S. Southard
Reference : 60359
, Edition Stemmle, 1999 Hardcover, 144 pages , ENG , 335 x 255 x 19 mm, dustjacket , in perfect condition, full-page photographs in colour / b/w. Large Format ISBN 9783908161714.
With an unerring sense of the contemporary in photography, wartenberg stages dreams, emotions, and moods in his pictures, underscoring the beauty of the models while allowing the viewer room for imaginative interpretation. The central focus of the Hamburg photographer's work is the human being, whom he portrays masterfully and with considerable aesthetic appeal. His spectrum ranges from reduction of the subject to essential details, to opulently staged scenes in vivid color. A particularly remarkable aspect of Wartenberg's work is his unique sense of color and special effects, which he creates through masterful use of lighting manipulated with the sensitivity of a painter. He also employs a diverse selection of technical approaches, including 35mm shots "on location", medium- or large-format work in the studio, and Polaroid 50 x 60 exposures. Only his finished photos are digitized, and he employs the process for the purposes of communication and further processing only.
, Prestel, 1998 Paperback, 232 pages, Texte en Francais , 300 x 240 mm, bon etat, illustrations en couleur et n/b.
Marc Chagall, tait un peintre fran ais d'origine juive russe. Catalogue de l'exposition de 1998 Li ge, nombreuses illustrations en couleurs et en noir et blanc, dessins et photos
, Academia Press, 2015 Hardcover, 276 pagina's, NL, 305 x 215 mm, in Nieuwstaat !, met foto's en illustraties in kleur, zeer leerrijk !. ISBN 9789038222158.
Wat is de toekomst van wetenschap en van kunst? In vijftig essays beantwoorden vooraanstaande Vlaamse academici vragen over brandend actuele vragen uit de wetenschap. Hoe zit dat feitelijk met genetische manipulatie, evolutiebiologie, nanotechnologie, in steile opmars verkerende superintelligente computers? Moet je resoluut de groene kaart trekken of kies je juist kritisch de kant der klimaatsceptici? IJlen we naar een gestuurde wereldeconomie? De wereld draait almaar door, jazeker, maar staat de zon dan zelf stil? Dijt het weerzinwekkend lege heelal uit of krimpt het juist in? Wie wil niet volop genieten van vernieuwende hedendaagse muziek - maar komt niet verder dan de hits en toptiens van klassiek en pop? Heeft schilderkunst nog een toekomst; en een schilderij lezen: hoe doe je dat? Waarom reizen we overal rond, dorstig naar nieuw gebouwde kunsttempels vol voorwerpen en installaties die we per se willen begrijpen maar waar we geen weg mee kunnen? Een uniek wetenschapsboek, met de blik op de toekomst.
, John Gifford, London 1973, 1973 Hardcover, 160 pages, ENG, 240 x 170 mm, in good condition, 71 illustrations in b/w, 17 coloured. ISBN 9780707104638.
Mainly deals with older tapestries, although attention is also paid to the 19th century and later. Signs and symbols with extensive explanation.
, Kasterlee, Uitgeverij De Vroente, 1971 Gebonden, met foudraal, linnen, vergulde bandstempel, rug versierd met vergulde titel, 27x30,5cm, 333pp, geillustreerd in kleur en z/w, bibliografie, werkelijk in Prima staat !
Ingeleid door Dr. Emiel Willekens. Biografie. Kunst en levensvisie-persoonlijkheid. Kunstevolutie. Oud stede- en monumentenschoon. Landelijke en volkse taferelen. Lyrisme en poezie. De vrouw in het oeuvre. Brute klachten. Religieuze thematiek. Het visionaire. Het paard in de kunst van Ost. Zelfuitbeelding. Antwerpen.
, Casterman, 2021 Hardcover, 94 pages, Texte en Francais, 320 x 240 mm, bon etat, illustrations en couleur, . ISBN 9782203202771.
Tu veux savoir comment un peintre se bat ? 1793. C'est le temps de la Terreur, de l'incertitude et du chaos. Tandis que Louis XVI est guillotin , un peintre au regard tranchant fuit Paris pour gagner la campagne. Emport , loquent, redoutable l' p e comme au pistolet, Lazare Bruandet ne poursuit qu'un but : peindre et dessiner la v rit de la nature, loin de la soci t et de toute qu te de post rit .
, Nederlands Steendrukmuseum , 2022 Hardcover, 96 pagina's, NL, 245 x 175 mm, NIEUW, met illustraties in kleur. ISBN 9789080822665.
catalogus Expositie
, Marc Cr s, 2021 Hardcover, 146 pages, Texte en Francais, Tres belle exemplaire, 255 x 255 x 20 mm, jacquette, illustrations en couleur. ISBN 9782368691618.
Voici la v ritable enqu te que l'auteur a men e en foulant les pas du plus c l bre vad de France : Le comte de Monte-Cristo ! En s'appuyant sur des extraits du livre d'Alexandre Dumas, Fr d ric Presles retrouve les lieux fr quent s par le romancier lors de son rep rage pour documenter son histoire. Il nous les montre tels qu'ils sont devenus dans le Marseille d'aujourd'hui. Il se penche aussi sur la notori t que son h ros a apport e cette ville o se d roule la trame principale du roman. Comment est n le roman ? Qui sont les h ritiers du comte de Monte-Cristo ? Que sont devenus les d cors de ce r cit d'aventure mondialement connu ? Pourquoi se d place-t-on de Chine pour visiter le ch teau d'If ? Pourquoi le c l bre cigare a-t-il pris le nom du comte ? Comment le d fi Monte-Cristo a-t-il vu le jour ? Peut-on arpenter la cellule de Dant s et d couvrir le tunnel qui lui offrira la libert apr s quatorze ann es de d tention ? Autant d'explications apport es par les recherches men es par l'auteur et son clairage de n o-Marseillais sur la cit phoc enne. Fr d ric Presles a d couvert Marseille et ses d cors dignes des plus grands plateaux de cin ma lors d'un tournage consacr son v ritable h ros marseillais : Henri-Germain Delauze, le g nial cr ateur de la Comex. C'est apr s cette rencontre d terminante qu'il a d cid d'y d poser ses valises d finitivement. S duit par cette approche, Franz-Olivier Giesbert, que Fr d ric Presles a rencontr lors d'une s ance photo, a imm diatement r pondu favorablement pour imaginer la pr face de ce livre singulier.
Gand Imprimerie Vanmelle [ c. 1940] Un volume in-8 broché, couverture blanche, 193 pages. Envoi d'auteur. Tirage limité à 103 exemplaires. Exemplaire sur Featherweight, le n°80. Dos muet, plats et tranches légerement tachés, rousseurs.
La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné.
, Becht Amsterdam , 1967 ? Paperback met flappen, 60 pagina's, NL, 265 x 195 mm, in goede staat, met 57 afb. in z/w , deel van de Palet Serie : een reeks monografie n over Hollandse en Vlaamse schilders uit de 15e en 16e eeuw.
Hans Memling of Jan van Menninghen (Seligenstadt, ca. 1430-40 ? Brugge, 11 augustus 1494) was een kunstschilder afkomstig uit het keurvorstendom Mainz. Hij wordt algemeen beschouwd als een van de prominenten van de Oudnederlandse schilderkunst, beter bekend als de Vlaamse Primitieven.
Frits Scholten, Jan-Piet Filedt Kok, Reinier Baarsen, Bart Cornelis, Wouter Kloek
Reference : 59778
, Rijksmuseum / Waanders, 2002 Hardcover, 295 pages, ENG, 300 x 255 mm, the cover has had it's best times with scratches and traces of being used before, the book itself is in very good condition, dozens of illustrations in colour and b/w. ISBN 9780300089387.
The collections in Amsterdam's Rijksmuseum provide the framework for the unique picture of the art of the Golden Age presented in this book. The art produced in the Dutch Republic in the 17th century is illustrated by a wide variety of works by celebrated and lesser-known artists like Hendrick de Keyser, Paulus van Vianen, Frans Hals, Rembrandt van Rijn, Jan Steen, Artus Quellinus, Johannes Vermeer, Willem Kalf and many others. The book also takes a closer look at the historical context, artistic output and techniques, specialisation in painting, and the changing perception of the art of the Golden Age. The book has been compiled by Jan Piet Filedt Kok, Reinier Baarsen, Bart Cornelis, Wouter Kloek and Frits Scholten, with contributions from other art historians working at the Rijksmuseum.
, Nevers, J. Bellanger, 1897., Broche, couverture d' editeur, couverture endomagge et sali, 20,5x13,5cm, 15pp, illustre n/b.
Avec 2 planches, essayant de presenter les valeurs relatives des tons.
Paris, Garnier Frères, 1939. 12 x 18, xii + 410 pages, broché, bon état.
Nouvelle édition, avec préface, notice des peintres et notes par Maurice Allemand.
Bruxelles, Office de Publicité/Collection Nationale, 1944. 13 x 20, 79 pp., broché, bon état.
réunies et annotées par Armand Davesnes, 1ère série, N° 2.