"WILLIAM HEINEMANN LTD. 1930. In-12. Relié toilé. Etat d'usage, Couv. partiel. décollorée, Dos fané, Quelques rousseurs. 990 pages. Ex libris ""The Book Society"" illustrée en noir et blanc.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne"
Comprising Aultralia Felix, the Way Home, Ultima Thule. Classification Dewey : 820-Littératures anglaise et anglo-saxonne
Henry Handel Richardson- GREER germaine (intro.)
Reference : RO20257370
(1993)
ISBN : 0860681793
VIRAGO MODERN CLASSICS. 1993. In-8. Broché. Etat d'usage, Couv. convenable, Dos plié, Quelques rousseurs. 233 pages - en anglais - petit in-8. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Classification Dewey : 420-Langue anglaise. Anglo-saxon
E. P. Dutton & Co.. 1962. In-8. Relié toilé. Etat d'usage, Couv. légèrement passée, Coiffe en tête abîmée, Intérieur frais. 308 pages. Jaquettes illustrée en couleurs. Frontispice et quelques illustrations en noir et blanc dans et hors texte. Carte dépliante en fin d'ouvrage. Texte en anglais. Jaquette abîmée.. Avec Jaquette. . . Classification Dewey : 950-Histoire générale de l'Asie
Classification Dewey : 950-Histoire générale de l'Asie
PLON FRERES / BRY J. AINE. XIXe SIECLE. In-4. Relié demi-cuir. Etat d'usage, Coins frottés, Dos satisfaisant, Rousseurs. 84 + 84 + 232 pages augmentées de nombreuses illustrations en noir et blanc in texte. Plats et contre-plats jaspés - Titre et roulettes dorés au dos - Reliure signée par H. HANROT.. . . . Classification Dewey : 398.2-Conte populaire
ILLUSTRE PAR FOULQUIER / TRADUCTION DE LA BEDOLLIERE / TRADUCTION NOUVELLE PAR ANDRE DE GOY (illustrée par Edouard Frère (1851)) Classification Dewey : 398.2-Conte populaire
Greenwich, New York Graphic, 1968, in-4 carré, br., couv. argentée ill., 143 pp., 80 illustrations en noir et en couleurs, bibliographie. (GH28)
Catalogue de l'exposition Hundertwasser à Berkeley, Santa Barbara, Houston, Chicago, New York et Washington. Texe en anglais.
[ Carlet] - Hélian Jacques - Mac Lean Ross,Richardson Arthur - Sareil Jean
Reference : 76624
(1948)
Francis Day 1948
Bon état Petit format
HARVEST BOOK. 1925. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 299 pages. Premier plat illustré en couleurs. Ouvrage légèrement plié.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
Classification Dewey : 820-Littératures anglaise et anglo-saxonne
1989 Seghers broché, 322p. Bon état.
Cahier de photo n&b au milieu de l'ouvrage.
Phone number : 04 76 97 79 28
DEUTSCHE BUCH GEMEINSCHAFT - BERLIN UND DARMSTADT. NON DATE. In-4. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. Environ 80 pages illustrées de niombreuses planches en couleur - en allemand. . . . Classification Dewey : 430-Langues germaniques. Allemand
Classification Dewey : 430-Langues germaniques. Allemand
London Gagosian 2017 In 4 broché, couverture à rabat en liège, 274 pages, 243 illustrations en couleurs. Bel exemplaire.
, Phaidon Press Ltd, 1998 Paperback, 128 pages, ENG, 300 x 225 mm, in very good condition, illustrated in colour / b/w. ISBN 9780714827551.
Edouard Manet (1832-83) was one of the greatest, as well as one of the most interesting, of nineteenth century French painters. Acute observation, an extraordinary skilful handling of paint and a feeling for exquisite harmonies of colour makes his work both vivid and enchanting. It is also of great significance in the story of European painting, since Manet, a pioneer in depicting modern life in a modern style, was a formative influence on the whole impressionist movement. Olympia and The Picnic are among the key works of the nineteenth century. These, and many other crucial points - among them Manet's personality, with its many contradictions - are fully discussed by John Richardson in his introductory essay, an abridged version of the brilliant text which was widely admired when it was first published in 1958 and which started a full-scale revival of Manet studies. Richardson's classic text was first revised in 1982, with notes to the forty-eight colour plates by Kathleen Adler and comparative illustrations to emphasize the quality, variety and character of Manet's work. This perfect introduction to the work of such an influential painter is now reissued in an attractive new design.
, Random House, 1996 Hardcover, 500 pages, ENG, 260 x 215 x 40 mm, dustjacket, book is in very good condition, illustrated in b/w. ISBN 9780394559186.
In the second volume of his definitive biography of Pablo Picasso, John Richardson draws on the same combination of lively writing, critical astuteness, exhaustive research and personal experience that made a bestseller out of the first volume and vividly re-creates the artist's life and work during the crucial decade of 1907-1917--a period during which Picasso and Georges Braque invented cubism and to that extent engendered modernism. Thanks to his friendship with Picasso and his family, mistresses, friends, dealers and other associates, Richardson has had unique access to untapped sources and unpublished material. By harnessing biography to art history, he has managed to crack the code of cubism more successfully than any of his predecessors. And by bringing fresh light to bear on the artist's too often sensationalized private life, he has succeeded in coming up with a totally new view of this paradoxical man and of his paradoxical work. Never before has Picasso's prodigious technique, his incisive vision and, not least, his sardonic humor been analyzed with such clarity. Richardson reveals that the young Picasso saw himself in the Baudelairean role of "the painter of modern life"--a role that stipulated the brothel as the noblest subject for a modern artist. Hence his great innovative painting Les Demoiselles d'Avignon, with which this book opens. As well as portraying Picasso as a revolutionary, the author analyzes the more compassionate side of his genius. The misogynist of posthumous legend turns out to have been surprisingly vulnerable--more often sinned against than sinning. Heartbroken at the death of his mistress Eva, the artist tried desperately to find a wife. Richardson recounts the untold story of how his two great loves of 1915-1917 successively turned him down; and how these disappointments, as well as his horror at the outbreak of World War I and the wounds it inflicted on his closest friends, Braque and Apollinaire, shadowed his painting and drove him off to Rome--back to the ancient world. For Picasso, art would always have a magic function. As Richardson reveals, the artist saw himself as a shaman who could use his art to cast spells, both good and bad, and play all manner of ingenious and sardonic games. This greatest of modern artists knew better than anyone how to outrage us, also how to fascinate, puzzle and disturb us. Above all, he makes us perceive reality afresh by re-energizing our minds as well as our eyes.
Her Majesty's Stationery Office. 1966. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 23 pages agrafées - fascicule en anglais - un plan dépliant en noir et blanc hors texte - quelques planches en noir et blanc - quelques phrases soulignées au stylo sans conséquence sur la lecture.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Fascicule en anglais. Classification Dewey : 420-Langue anglaise. Anglo-saxon
Her Majesty's Stationery Office. 1962. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 38 pages agrafées - fascicule en anglais - un plan dépliant en noir et blanc hors texte - quelques planches en noir et blanc.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Fascicule en anglais. Classification Dewey : 420-Langue anglaise. Anglo-saxon
PAUL ANDERSON. Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Affiche de cinéma 40 x 53 cm.. . . . Classification : 0-Affiches Cinéma
Classification : 0-Affiches Cinéma
[Frédérick RICHARDSON ] - LAFLAQUIERE Anne ( Adaptation française )
Reference : 024096
(1990)
Paris Fernand Nathan 1990 In Quarto A lire avec les petits . Merveilleuses Illustrations en couleurs et noir et blanc . Contes et Légendes . - 160 p. , 1 kg 200 gr.
Couverture rigide Très Bon État . 1ère Édition
Yale University Press 1966 in8. 1966. Cartonné.
livre en très bon état intérieur propre avec sa jaquette (abîmée en haut du 4e plat)
University of London / Institute of classical stud in4. Sans date. Broché. 6 volume(s).
Bon état couvertures un peu ternie intérieurs propres scotchs en bas des dos (un peu décolés) étiquette sur le premier plat annotations sur les pages titres
MacAdam (David), ed. - Plato - Aristotle - Isaac Newton- George Palmer - Thomas Young - Hermann Günter Grassmann - James Clerk Maxwell - Herman von Helmholtz - Johannes von Kries - Frederic Eugene Ives - Erwin Schrödinger - John Guild - Lewis Fry Richardson - Stephen Polyak - Sir Wilfried E. Le Gros Clark
Reference : 101511
(1970)
The MIT Press Malicorne sur Sarthe, 72, Pays de la Loire, France 1970 Book condition, Etat : Bon hardcover, editor's binding, under editor's pink printed dust-jacket grand In-8 1 vol. - 292 pages
a few black and white text-figures 1st edition, 1970 Contents, Chapitres : Contents, Preface, x, Text, 282 pages - Plato : Timaeus - Aristotle : On the soul ii - Sense and the sensible 2 - Meteorologica iii - Isaac Newton : New theory about light and colors - Opticks - George Palmer : Theory of colors and vision - Theory of light - Thomas Young : On the theory of light and colors - Hermann Günter Grassmann : Theory of compound colors - James Clerk Maxwell : Theory of the perception of colors - The diagram of colors - Theory of compound colors, and the relations of the colors of the spectrum - On color vision - Herman von Helmholtz : Physiological optics - Johannes von Kries : Contribution to the physiology of visual sensations - Chromatic adaptation - Influence of adaptation on the effects produced by luminous stimuli - Frederic Eugene Ives : The optics of trichromatic photography - Erwin Schrödinger : Outline of a theory of color measurement of daylight vision - Thresholds of color differences - John Guild : Some problems of visual perception - Interpretation of quantitative data in visual problems - Lewis Fry Richardson : Measurability of sensations of hue, brightness, or saturation - Stephen Polyak : Retinal structure and color vision - Sir Wilfried E. Le Gros Clark : Laminar pattern of the lateral geniculate nucleus considered in relation to color vision near fine copy, minor wear on the top of the dust-jacket, with very small missing of paper on the top of the spine, the D-J remains nearly complete and fine, inside is fine, no markings