Bruxelles, Editions La Boétie, 1946. In-12, 187 pages, broché.
Très bel exemplaire. [CL-4]
P., NRF / Gallimard, 1962, gr. in-8, br., non coupé, non rogné, 504 pp., notes et références, bibliographie. (DD20)
Essai sur la comédie de l'esprit. Thèse principale pour le Doctorat ès Lettres présentée à la Faculté des Lettres de l'Université de Paris. Envoi de l'auteur : "A Monsieur Vladimir Jankélévitch, Hommage de ma plus haute estime, Édouard Gaède". Ex. du S.P.Joint le Prière d'insérer. Collection Bibliothèque des idées. De la Bibliothèque de Vladimir Jankélévitch.
Paris, Club français du Livre, 1958. In-8 (215x140mm) relié en cartonnage d'éditeur ; 418 p. Bon état général. Petites tâches.
Paris, Gallimard, 1965. In-12 (175x115mm) relié en toile rouge d'éditeur sous rhodoid, 445 p. Très bon état.
Paris, Gallimard, 1970, In huit, 786 pp, broché,très bon état,
Traduction deJulien Hervier textes et variantes établis par G.Colli et M.Montinari.
GALLIMARD. 1978. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 155 pages.. . . . Classification Dewey : 100-PHILOSOPHIE ET DISCIPLINES CONNEXES
Texte établi par G. Colli et M. Montinari, Traduit de l'allemand par Jean-Claude Hémery. Classification Dewey : 100-PHILOSOPHIE ET DISCIPLINES CONNEXES
Leipzig, Verlag von C.G. Naumann, (1888.) Two works in one volume. (8), 144 pp.; (8), 57, (1) pp. 8vo. Contemporary half cloth, spine lettered gilt, marbled boards, corners. First work: Schaberg 56. First edition of the "Twilight of the Gods" and written during an incredibly productive six month period before Nietzsche's collapse in Turin. It was also the last book published during his lifetime. The title refers to an image in the preface: idols "are touched with a hammer and a tuning fork to determine whether they are hollow", which is of course a sarcastic allusion to Wagner, both personally and as a symbol of the German spirit. Nietzsche had 1,000 copies of this work privately printed. Originally to be called "A Psychologist at Leisure," Nietzsche changed the title at the suggestion of his friend, Gast and the book was released a few weeks after Nietzsche collapsed in Turin. The "Idols" that Nietzsche singles out here are those of the philosophers and the moralists. The Preface clearly states that the work at hand is to be "the revaluation of all values". Socrates and Christianity are particular targets although modern Germany and other contemporary ideas are also taken to task in the normally acerbic style of the author. (This book also contains some of Nietzsche's most frequently quoted phrases beginning with Aphorism #8: "What does not kill me only makes me stronger".)Second work: Schaberg 54.First edition, second issue. The book was published on 22 September 1888. Five hundred copies were printed, but 500 additional copies were printed at this time and falsely marked as second edition by the addition of "Zweite Auflage" in the middle of the ornamental rule and the deletion of the publication date. The true second edition of a 1000 copies was printed in October of 1891.The book is a critique of Richard Wagner and the announcement of Nietzsche's rupture with the German artist, who had involved himself too much, in Nietzsche's eyes, in the Völkisch movement and antisemitism. His music is no longer represented as a possible "philosophical affect," and Wagner is ironically compared to Georges Bizet. However, Wagner is presented by Nietzsche as only a particular symptom of a broader "disease" which is affecting Europe, that is nihilism. The book shows Nietzsche as a capable music-critic, and provides the setting for some of his further reflections on the nature of art and on its relationship to the future health of humanity.This work is in sharp contrast with the second part of Nietzsche's The Birth of Tragedy, wherein he praised Wagner as fulfilling a need in music to go beyond the analytic and dispassionate understanding of music. Nietzsche also praised Wagner effusively in his essay 'Wagner at Bayreuth' (part of the Untimely Meditations), but his disillusion with Wagner the composer and the man was first seen in his 1878 work Human, All Too Human. One of the last works that Nietzsche wrote returned to the critical theme of The Case of Wagner. In Nietzsche contra Wagner, Nietzsche pulled together excerpts from his works to show that he consistently had the same thoughts about music, only that he had misapplied them to Wagner in the earliest works. - First and last leaves a bit foxed, some scattered annotations in blue pencil and lead pencil.Provenance: from the library of A. Diepenbrock, with his signature on the first free endpaper (and date Jan. 1889) and second title-page (with the date Sept. 1888.) Alphons Diepenbrock was a Dutch composer, essayist and classicist. Although he showed musical ability he studied classics at the University of Amsterdam, gaining his doctorate cum laude in 1888 with a dissertation in Latin on the life of Seneca. The same year he became a teacher, a job which he held until 1894, when he retired from that position and decided to devote himself to music. As a composer, he had been completely self-taught from an early age. He created a musical idiom which, in a highly personal manner, combined 16th-century polyphony with Wagnerian chromaticism, to which in later years was added the impressionistic refinement that he encountered in Debussy's music. His predominantly vocal output is distinguished by the high quality of the texts used. Apart from the Ancient Greek dramatists and Latin liturgy, he was inspired by, among others, Goethe, Novalis, Vondel, Brentano, Hölderlin, Heine, Nietzsche, Baudelaire and Verlaine. As a conductor, he performed many contemporary works, including Gustav Mahler's Fourth Symphony (at the Concertgebouw) as well as works by Fauré and Debussy. Throughout his life, Diepenbrock continued his interests in the wider cultural sphere, remaining a classics tutor and publishing works on literature, painting, politics, philosophy and religion. Indeed during his lifetime his musical skills were often overlooked. Nonetheless, Diepenbrock was very much a respected figure within musical circles. He counted amongst his friends Mahler, Richard Strauss and Arnold Schoenberg.
Phone number : 31 20 698 13 75
Paris, Gallimard, s.d. (1951). 2 vol. in-8° br., 378 pp., (1) p.; 398 pp., (1) p. Papier jauni, déchirures à la couv. du tome II.
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Phone number : 02 47 97 01 40
Paris, Gallimard, 1974, In huit, 596 pp, broché,très bon état,
Traduction de Jean-Claude Hémery textes et variantes établis par G.Colli et M.Montinari.
DENOEL / GONTHIER. 1970. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 190 pages -. . . . Classification Dewey : 830-Littératures des langues germaniques
TRADUIT D'HENRI ALBERT. Classification Dewey : 830-Littératures des langues germaniques
Paris, Gallimard, 1967, In huit, 606 pp, broché,très bon état,
Traduction de Pierre Klossowski textes et variantes établis par G.Colli et M.Montinari.
L'Herne. 1992. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos fané, Intérieur acceptable. 213 pages.. . . . Classification Dewey : 210-Philosophie et théorie
"Collection ""Bibliothèque de philosophie et d'esthétique"". Classification Dewey : 210-Philosophie et théorie"
Paris, Le mercure de France, 1948. In-8 (190x120mm) broché, 351 p. Soulignures. Bon état général.
P., Mercure de France, 1934, 4ème éd., in-8, br., non coupé, non rogné, 336 pp., bibliographie. (GN22C)
Textes traduits avec introduction et notes par Henri Jean Bolle.
P., Société dImprimerie, 1904, in 12 broché, 363 pages ; couverture fanée.
...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
M. Aguilar. 1947. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos fané, Papier jauni. 436 pages. Texte en espagnol. Nombreuses rousseurs. Coins frottés. Quelques annotations au crayon in texte.. . . . Classification Dewey : 460-Langues espagnole et portugaise
Classification Dewey : 460-Langues espagnole et portugaise
A. Barion. 1924. In-8. Broché. Etat passable, Couv. défraîchie, Dos abîmé, Papier jauni. 174 pages. Texte en italien. Rousseurs. Un ex-libris et quelques annotations à l'encre sur la page de faux titre. Nombreuses annotations à l'encre dans le texte. Quelques pliures sur le 1er plat.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Classification Dewey : 450-Italien, roumain, rhéto-romain
M. Aguilar. 1947. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos fané, Papier jauni. 450 pages. Texte en espagnol. Couverture contrepliée. Coins et dos frottés.Nombreuses rousseurs.. . . . Classification Dewey : 460-Langues espagnole et portugaise
Classification Dewey : 460-Langues espagnole et portugaise
Francis Van de Velde 1979 1 vol. broché Attention : passages soulignés en rouge. Exemplaire du philosophe Bernard Sichère, avec son tampon d'ex-libris. In-8, broché, 255 pp. Traduit de l'allemand par Lucie Touzin-Bauer et Chantal Gaulin.
Paris, Mercure de France (« uvres complètes »), 1938. in-12, 259 pages, broche, couv.
Bel exemplaire. [CL-2]
S.l., Encre Marine, 1994. in-8°, 133 pages, broche, couv. à rabats.
Edition originale en langue française. Tres bel ex. [CL-3] Cours professés à Bâle entre 1869 et 1875.
, Paris / Bruxelles, Mercure de France / Les libertés belges, 1943, 197pp., très bon état
Bouquins (11/2023)
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782382924273
MERCURE DE FRANCE. 1946. In-12. Broché. Etat d'usage, 1er plat abîmé, Dos abîmé, Intérieur frais. 413 pages - 1er plat desolidarisé - Dos partiellement manquant.. . . . Classification Dewey : 830-Littératures des langues germaniques
TRADUIT PAR HENRI ALBERT . Classification Dewey : 830-Littératures des langues germaniques
Club Français du Livre 1958, in-8 cartonnage toilé bleu de l'éditeur, premier plat orné d'une vignette, 419 p. (bon état) Tirage limité à 8126 exemplaires numérotés sur bon papier, maquette de Jacques Daniel. L'évangile du surhomme en aphorismes et en paraboles, ici dans la nouvelle traduction de Marthe Robert.