Rothomagi [Rouen], apud Richardum Lallemant, 1768. 2 parties à pagination continue reliées en un vol. au format in-16 (118 x 73 mm) de 214 pp. Reliure janséniste de l'époque de plein vélin ivoire, tranches mouchetées.
L'ouvrage comporte deux parties ; chacune s'ouvre sur un portrait-frontispice gravé figurant Erasme. Reliure présentant un éclat légèrement altéré Marge supérieure des feuillets liminaires très légèrement effrangée ; les derniers présentent quant à eux quelques rares rousseurs. Du reste, belle condition. Peu courant.
Bosch 1983 in12. 1983. Broché.
Bon Etat de conservation couverture un peu défraîchie intérieur propre
BOSCH. 1985. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Intérieur frais. 473 pages. Premier plat illustré en couleurs. Couverture plastifiée. Texte bilingue latin/espagnol.. . . . Classification Dewey : 870-Littératures des langues italiques. Littérature latine
Traduction de Pedro-Luis Cano Alonso. Classification Dewey : 870-Littératures des langues italiques. Littérature latine
COLONIAE AGRIPPINAE APUD PETRUM HORST 1578
Bella edizione del 1578 della celebre opera "Colloquia familiaria" di Erasmo da Rotterdam secondo l'edizione di Froben. L'opera, pubblicata per la prima volta nel 1518, è un manuale con esercizi di comprensione dal latino ai giovani studenti sotto forma di dialoghi. Bella marca editoriale al frontespizio e capilettera decorati. Antiche note manoscritte al contropiatto anteriore datato 1623 e all'ultima carta bianca. In buone condizioni. Copertina in piena pergamena con titolo manoscritto al dorso e decorazioni a secco ai piatti in ottime condizioni generali con lievi usure ai margini e dorso. Legatura in buone condizioni. Pagine in buone condizioni con fioriture. In 16. Cm 16,5x10,5. Pp. (16)+784+(16).Beautiful edition of 1578 of the famous work "Colloquia familiaria" by Erasmo da Rotterdam according to the edition of Froben. LThe work, published for the first time in 1518, is a manual with exercises of comprehension from latin tot he young students in form of dialogue. Beautiful editorial mark in the title page and decorated initial letters. Antique handwritten notes in the front counterplate dated 1623 and in the last blank page. In good conditions. Parchment coeval cover with handwritten title in the spine and embossed decorations in the front plate in very good general conditions lightly worn in the extremities. Binding in good conditions. Pages in good conditions with foxing. In 16. Cm 16,5x10,5. Pp. (16)+784+(16).
Einaudi Gallimard ,2002, in-12 de 1534 pages ,relié plein cuir, étui ,Très bon état ,texte latin et traduction en italien .Isbn : 8844600501.(3 photos du livre sur mon site https://www.vieuxlivre.fr) .Les frais de port pour la France sont offerts à partir de 20 euros d'achat (Mondial relay )et 30 d'achat (colissimo suivi ).
Traduzione di Domenico Magnino. Presentazione di Silvio Berlusconi. Silvio Berlusconi, Milano, 1990. In-8 p., p. pergam. editoriale, pp. XI,325,(5). Testi in lingua italiana e latina. Edizione privata promossa da Publitalia 80, composta in Monotype coi caratteri Baskerville. Il libro, rilegato a mano da Mario Rigoldi, è stato composto e finito di stampare su carta avorio Sicaris. Allo stato di nuovo.
BASILIAE TYPIS G. HAAS EX OFFICINA J. J. THURNEISEN 1780
Bella edizione del 1780 della celebre opera "Elogio della follia" di Erasmo da Rotterdam. Il testo è impreziosito da numerose incisioni su rame di Heinrich Heitz che riproducono le originali di Hans Holbein (1497-1543) pubblicate nell'edizione di Froben del 1515. "Ces dessins (de Hans Holbein) faits a la plume, se trouvent sur les marges d'un exemplaire de l'Eloge de la Folie, conserve au Musee de Bale, et aupres duquel des amateurs de tous les pays viennent chaque jour en pelrinage" (nota all'edizione francese del 1870). Testo in latino e greco con note a cura di Gerardus Listrius (1470?-1521). Il ritratto di Erasmo da Rotterdam in antiporta risulta mancante. In barbe. In ottime condizioni. Copertina in mezza pergamena coeva con titolo in oro su tassello al dorso in ottime condizioni generali con lievi usure ai margini e dorso. Legatura in ottime condizioni. Pagine in buone condizioni con fioriture. Il ritratto di Erasmo da Rotterdam in antiporta risulta mancante. In 8. Cm 22x14,5. Pp. (16)+355+(1).Beautiful edition of 1780 of the famous work "Elogio della follia" by Erasmo da Rotterdam. The text is enriched by different copperplates by Heinrich Heitz reproducing the original engravings by Hans Holbein (1497-1543) published in the edition of Froben of 1515. "Ces dessins (de Hans Holbein) faits a la plume, se trouvent sur les marges d'un exemplaire de l'Eloge de la Folie, conserve au Musee de Bale, et aupres duquel des amateurs de tous les pays viennent chaque jour en pelrinage" (nota all'edizione francese del 1870). Text in greek and latin with notes by Gerardus Listrius (1470?-1521). The portrait of Erasmo from Rotterdam in the frontspice is missing. Uncut copy. In very good conditions. Half parchment coeval cover with gilted title in the spine in very good general conditions lightly worn in the extremities. Binding in very good conditions. Pages in good conditions with foxing. The portrait of Erasmo from Rotterdam in the frontspice is missing. In 8. Cm 22x14,5. Pp. (16)+355+(1).
ROMA TIPOGRAFIA MENICANTI
Interessante studio sul quadro di Raffaele Sanzio "La Trasfigurazione" a cura di Erasmo Pistolesi. Tavola con la riproduzione del quadro. Volume della collana "Dei monumenti insigni di Roma riguardanti le belle arti" con elenco del pubblicato al contropiatto anteriore. Senza data ma del 1850 circa. In barbe. In buone condizioni. Copertina editoriale in buone condizioni generali con lievi usure marginali. Legatura in buone condizioni. Pagine in buone condizioni con rare fioriture. In 8. cm. 22,5x16. Pp. (6)+72.Interesting study about the painting of Raffaele Sanzio "La Trasfigurazione" by Erasmo Pistolesi. Plate witht he reproduction of the painting. Volume of the series "Dei monumenti insigni di Roma riguardanti le belle arti" with list of published work in the front counterplate. uncut copy. Not dated but of 1850 circa. In good conditions. Editorial cover in good conditions lightly worn in the extremities. Binding in good conditions. Pages in good conditions with occasional foxing. In 8. cm. 22,5x16. Pp. (6)+72.
Massachusetts, Imprint Society, 1972, in-4to, 46 p., + 50 plates, 1568 / of 1950 printed copies, ex-libris John-E. Ward, original cloth, slipcase. Fine.
Phone number : 41 (0)26 3223808
Rotterdam, Donker, 2004.
326 p. Cl. 25 cm
Rotterdam, Donker, 1986.
89 p. Stiff wrs. 21 cm (Somewhat used)
Amst., Wereldbibliotheek, n.d.
193 p. H.cl.
Amst., Antw., Wereldbibliotheek, 1947.
191 p. H.cl. (Name on title)
Amsterdam, Antwerpen, Wereldbibliotheek, n.d.
191 p. Cloth. (3 small stains on the frontcover)
Amsterdam (Amstelodami), Ex officina Elzeviriana, 1662.
12mo. (XX),672 p. Overlapping vellum. 14 cm (Ref: Willems 1285: 'Réimpression ligne pour ligne de l'édition donnée par les Elzevier en 1655'; Berghman 1350; Rahir 1324; Brunet 2,1040) (Details: 5 thongs laced through the joints. Title engraved by Corn. Cl. Duysend, it depicts a standing Erasmus, who looks through a telescope into a clouded sky; from a cloud comes the hand of God, that bears the 'globus cruciger' (corss-bearing orb, in German Reichsapfel); the globe represents the earth, and he who holds the globe, owns the world. The motto on the title suits Erasmus: 'Vidit, pervidit, risit'. This engraved title was already used by Elsevier for the edition of the Colloquia of 1636. On the last of the preliminary pages a woodcut illustration, depicting both sides of a medal of Erasmus, on the recto his portrait, on the verso his motto: 'Concedo nulli'; around it the legend with Erasmus' interpretation of his motto: 'Mors ultima linea rerum') (Condition: Vellum age-tanned and somewhat soiled) (Note: 'The Colloquia, like the Adagia, were written over a period of years and constantly enlarged as edition succeeded edition. From their earliest form of short models of Latin conversation and formulae of etiquette (composed at Paris in 1497 for the use of some pupils and first printed in 1518) they grew into 'a rich and motley collection of dialogues, each a master piece of literary form, well-knit, spontaneous, convincing, unsurpassed in lightness, vivacity and fluent Latin, each one a finished one-act play' (Huizinga). The Colloquia, full of witty and penetrating observations on ordinary day-to-day happenings as well as on the basic weakness of Church and society, are an invaluable mine of information about 16th century customs, institutions and social problems. Besides, their success as a schoolbook was unrivaled and the stream of editions and translations flowed almost uninterruptedly down to modern times'. (Gilhofer & Ranschburg GmbH, Catalogue 50, Erasmus, published on the 500th anniversary of his birth', Luzern, ca. 1967, p. 34) The Colloquia are preceded by a short biography of Erasmus (last sentence: 'Discerptus est ab utraque, dum utrique studet consulere'), and a table of content) (Collation: *10, A-2E12) (Photographs on request)
Amsterdam, Apud Henricum & Theodorum Boom, 1670.
12mo. 470,(33),(1 blank) p., frontispiece. Calf 13 cm The definitive work on the subject (Ref: Spoelder p. 644: Middelburg 5;) (Details: Prize copy, but without the prize. Back ruled gilt, with a red morocco letterpiece. The boards have gilt borders. In the center of both boards the gilt coat of arms of Middelburg. The frontispiece depicts Erasmus in his study, writing a letter. On the title a woodcut printer's mark, depicting Hercules, club at hand, and the Nemean lion under a tree, the motto reads: 'Virtus nescia vinci', 'Virtue doesnot know defeat') (Condition: Some wear to the extremes. Front flyleaf removed. The blank upper margin of the frontispiece slightly cut short) (Note: The genesis of the treatise 'De conscribendis epistolis' of the Dutch humanist and scholar Desiderius Eramus, 1566/69-1536, is rather complicated. The genuine edition, authorized by Erasmus, was first published in Basel by Froben in 1522. In the short preface to this work, repeated also in this edition of 1670, Erasmus explains that he feels obliged to publish this work, because a kind of pirate edition had been published in England recently (i.e. 'Libellus de conscribendis epistolis', published in 1521 by John Siberch, in Cambridge) without his knowledge and consent. It was pirated from a copy of an old manuscript work of him on the art of writing letters, which he wrote, he continues, about 30 years ago (annis abhinc ferme triginta, ca. 1492) in Paris at the request of a friend. Erasmus is very unhappy with this English edition, because it is 'non solum rude, sed & truncum et mutilum'. And now he offers the reader a completely revised and expanded treatment. The emphasis in the treatment remains clearly pedagogical. Erasmus gives an elaborate lesson on the presentation of the subject matter, illustrating how the teacher should give an outline of the subject to be treated, define it in some detail, provide material from the classical authors, and his own work) (Collation: A-X12 (leaf X12 verso blank)) (Photographs on request)
Amsterdam, Wereldbibliotheek, n.d.
LXVIII,176 p. Cloth. 18 cm
Amst., Wereldbibliotheek, n.d.
205 p. Cloth
Amsterdam, Wereldbibliotheek, n.d.
205 p. Half cloth
Leuven, Leuven University Press, 1986.
315 p., illustrations. Stiff wrappers 24 cm (Exhibition catalogue)
Apud Franciscum Hackium., Lugd. Batavorum [Leiden] ,1655, in-8 de 1067721 pages ,relié plein veau d'époque ,Etat correct ,reliure usée .(5 photos du livre sur mon site https://www.vieuxlivre.fr) .Les frais de port pour la France sont offerts à partir de 20 euros d'achat (Mondial relay )et 30 d'achat (colissimo suivi ).
Zutphen, Walburg Pers, (1986).
4to. 184 p.; illustrations. Cloth. 29 cm (Including dustjacket (6 articles, in which Erasmian topics are discussed, his biography, his politcal theories, his view on education, music, and an article on Erasmus in art)