‎Le mariage‎

‎Librairie des bibliophiles / Imprimerie Jouaust Paris, 1872, Collection Bibliothèque récréative, petit in-32 broché sous couverture parcheminée, tirage à 500 exemplaires sur papier vergé. 60pp.-2ff. De catalogue.Traduction nouvelle de Victor Develay. Dos restauré, manque à l'angle du premier plat de couverture.‎

‎Le naufrage‎

‎Librairie des bibliophiles / Imprimerie Jouaust Paris, 1874, Collection Bibliothèque récréative, petit in-32 broché sous couverture parcheminée, tirage à 500 exemplaires sur papier vergé. 28pp.-1f. De catalogue. Exemplaire non coupé. Minimes manques en bordure de couverture.Traduction nouvelle de Victor Develay.‎

‎L'enterrement‎

‎Librairie des bibliophiles / Imprimerie Jouaust Paris, 1873, Collection Bibliothèque récréative, petit in-32 broché sous couverture parcheminée, tirage à 500 exemplaires sur papier vergé.Traduction nouvelle de Victor Develay. 76pp.-2ff. Vignette gravée sur bois en frontispice.‎

‎Les Hotelleries‎

‎Librairie des bibliophiles / Imprimerie Jouaust Paris, 1874, Collection Bibliothèque récréative, petit in-32 broché sous couverture parcheminée, tirage à 500 exemplaires sur papier vergé. 29pp.-1f. Tous petits manques au dos. Traduction nouvelle de Victor Develay‎

‎Les mendiants riches‎

‎Librairie des bibliophiles / Imprimerie Jouaust Paris, 1872, Collection Bibliothèque récréative, petit in-32 broché sous couverture parcheminée, tirage à 500 exemplaires sur papier vergé. 68pp.-2ff. De catalogue. Traduction nouvelle de Victor Develay. Une vignette gravée sur bois en frontispice. Petits manques au dos.‎

‎L'union mal assortie‎

‎Librairie des bibliophiles / Imprimerie Jouaust Paris, 1872, Collection Bibliothèque récréative, petit in-32 broché sous couverture parcheminée, tirage à 500 exemplaires sur papier vergé.Traduction nouvelle de Victor Develay. 48pp. Vignette gravée sur bois en frontispice.‎

‎ELOGE DE LA FOLIE D'ERASME. Troisième édition.‎

‎1876 / 247 pages. Relié. Editions Librairie des Bibliophiles. Numéroté sur Papier Hollande.‎

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‎EXCELLENT ETAT.‎

‎La louange de la sotise (sottise). Déclamation d'Erasme de Roterdam mise en françois‎

‎ 1643 La Haye, Théodore Maire, 1643, petit in-12 de (36)289-(22) pp., reliure de l'époque, de plein veau brun, dos à nerfs orné de fers dorés, pièce de titre de maroquin brun-orange, charnière du 1er plat fendu, usures aux coiffes, sinon bon exemplaire.‎

‎Rare édition de cette traduction en français de l'Eloge de la folie d'Erasme attribué à l'un de ses contemporains, Nicolas VOLCYR de Serrouville. (vers 1480-1541). ‎

‎Selecta Colloquia familiaria [...] [à la suite :] De civilitate morum pueriluim libellus [...].‎

‎ Rothomagi [Rouen], apud Richardum Lallemant, 1768. 2 parties à pagination continue reliées en un vol. au format in-16 (118 x 73 mm) de 214 pp. Reliure janséniste de l'époque de plein vélin ivoire, tranches mouchetées.‎

‎ L'ouvrage comporte deux parties ; chacune s'ouvre sur un portrait-frontispice gravé figurant Erasme. Reliure présentant un éclat légèrement altéré Marge supérieure des feuillets liminaires très légèrement effrangée ; les derniers présentent quant à eux quelques rares rousseurs. Du reste, belle condition. Peu courant. ‎

‎BELISARIO. Poema e Historia - textes bilingue: grec/espagnol‎

‎Bosch 1983 in12. 1983. Broché.‎

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‎Bon Etat de conservation couverture un peu défraîchie intérieur propre‎

‎PROPERCIO, POEMAS, CARMINA. TEXTOS BILINGUES‎

‎BOSCH. 1985. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Intérieur frais. 473 pages. Premier plat illustré en couleurs. Couverture plastifiée. Texte bilingue latin/espagnol.. . . . Classification Dewey : 870-Littératures des langues italiques. Littérature latine‎

‎Traduction de Pedro-Luis Cano Alonso. Classification Dewey : 870-Littératures des langues italiques. Littérature latine‎

‎ELOGIO DELLA FOLLIA.‎

‎Traduzione di Domenico Magnino. Presentazione di Silvio Berlusconi. Silvio Berlusconi, Milano, 1990. In-8 p., p. pergam. editoriale, pp. XI,325,(5). Testi in lingua italiana e latina. Edizione privata promossa da Publitalia 80, composta in Monotype coi caratteri Baskerville. Il libro, rilegato a mano da Mario Rigoldi, è stato composto e finito di stampare su carta avorio Sicaris. Allo stato di nuovo.‎

‎MORIAS EGKOMION SIVE STULTITIAE LAUS DES. ERASMI ERASMI ROT. DECLAMATIO CUM COMMENTARIIS GERARDI LISTRII, INEDITIS OSWALDI MOLITORIS, ET FIGURIS JOHANNIS HOLBENII DENUO TYPIS MANDAVIT GOTTL. BECKERUS ‎

‎BASILIAE TYPIS G. HAAS EX OFFICINA J. J. THURNEISEN 1780‎

‎Bella edizione del 1780 della celebre opera "Elogio della follia" di Erasmo da Rotterdam. Il testo è impreziosito da numerose incisioni su rame di Heinrich Heitz che riproducono le originali di Hans Holbein (1497-1543) pubblicate nell'edizione di Froben del 1515. "Ces dessins (de Hans Holbein) faits a la plume, se trouvent sur les marges d'un exemplaire de l'Eloge de la Folie, conserve au Musee de Bale, et aupres duquel des amateurs de tous les pays viennent chaque jour en pelrinage" (nota all'edizione francese del 1870). Testo in latino e greco con note a cura di Gerardus Listrius (1470?-1521). Il ritratto di Erasmo da Rotterdam in antiporta risulta mancante. In barbe. In ottime condizioni. Copertina in mezza pergamena coeva con titolo in oro su tassello al dorso in ottime condizioni generali con lievi usure ai margini e dorso. Legatura in ottime condizioni. Pagine in buone condizioni con fioriture. Il ritratto di Erasmo da Rotterdam in antiporta risulta mancante. In 8. Cm 22x14,5. Pp. (16)+355+(1).Beautiful edition of 1780 of the famous work "Elogio della follia" by Erasmo da Rotterdam. The text is enriched by different copperplates by Heinrich Heitz reproducing the original engravings by Hans Holbein (1497-1543) published in the edition of Froben of 1515. "Ces dessins (de Hans Holbein) faits a la plume, se trouvent sur les marges d'un exemplaire de l'Eloge de la Folie, conserve au Musee de Bale, et aupres duquel des amateurs de tous les pays viennent chaque jour en pelrinage" (nota all'edizione francese del 1870). Text in greek and latin with notes by Gerardus Listrius (1470?-1521). The portrait of Erasmo from Rotterdam in the frontspice is missing. Uncut copy. In very good conditions. Half parchment coeval cover with gilted title in the spine in very good general conditions lightly worn in the extremities. Binding in very good conditions. Pages in good conditions with foxing. The portrait of Erasmo from Rotterdam in the frontspice is missing. In 8. Cm 22x14,5. Pp. (16)+355+(1).‎

‎Elogio de la locura,‎

‎GLN-566, Unidad Editorial, El Mundo, 1999‎

‎Bon‎

‎DELLA TRASFIGURAZIONE DI RAFFAELE SANZIO ‎

‎ROMA TIPOGRAFIA MENICANTI ‎

‎Interessante studio sul quadro di Raffaele Sanzio "La Trasfigurazione" a cura di Erasmo Pistolesi. Tavola con la riproduzione del quadro. Volume della collana "Dei monumenti insigni di Roma riguardanti le belle arti" con elenco del pubblicato al contropiatto anteriore. Senza data ma del 1850 circa. In barbe. In buone condizioni. Copertina editoriale in buone condizioni generali con lievi usure marginali. Legatura in buone condizioni. Pagine in buone condizioni con rare fioriture. In 8. cm. 22,5x16. Pp. (6)+72.Interesting study about the painting of Raffaele Sanzio "La Trasfigurazione" by Erasmo Pistolesi. Plate witht he reproduction of the painting. Volume of the series "Dei monumenti insigni di Roma riguardanti le belle arti" with list of published work in the front counterplate. uncut copy. Not dated but of 1850 circa. In good conditions. Editorial cover in good conditions lightly worn in the extremities. Binding in good conditions. Pages in good conditions with occasional foxing. In 8. cm. 22,5x16. Pp. (6)+72.‎

‎Apologia respondens ad ea quae Iacobus Lopis Stunica taxaverat in prima duntaxat Novi Testamenti aeditione. Ed. by H.J. DE JONGE. Amst., Oxf., NHPC, 1983. p. 1-58 p. Wrs. (Offpr. of Opera omnia IX,2, the Introduction only) ‎

‎Bellum. Two statements on the nature of war. An essay on war written in 1545 by Erasmus. fifty Etchings created in 1923 & 1924 by Otto Dix.‎

‎Massachusetts, Imprint Society, 1972, in-4to, 46 p., + 50 plates, 1568 / of 1950 printed copies, ex-libris John-E. Ward, original cloth, slipcase. Fine.‎

‎Catalogus van geschriften over leven en werken van Desiderius Erasmus aanwezig in de Bibliotheek der gemeente Rotterdam. Rotterdam, 1936. 66 p. Wrs. 24 cm (Edges of cover sl. chipping; sl. dog-eared; name on frontcover) ‎

‎De correspondentie van Desiderius Erasmus. In een vertaling van M.J. STEENS. (Vol.) 1: Brieven 1-141. ‎

‎Rotterdam, Donker, 2004. ‎

‎326 p. Cl. 25 cm ‎

‎De klacht van de Vrede, die overal door alle volken verstoten en versmaad wordt. Inleiding J.J.M. Meyers. Vertaald door T. VAN LEEUWEN. ‎

‎Rotterdam, Donker, 1986. ‎

‎89 p. Stiff wrs. 21 cm (Somewhat used) ‎

‎De lof der zotheid. Vert. door J.B. KAN. Met prentjes naar penteekeningen van H. Holbein. 2e dr. ‎

‎Amst., Wereldbibliotheek, n.d. ‎

‎193 p. H.cl. ‎

‎De lof der zotheid. Vert. J.B. KAN. Pentekeningen H. Holbein. 11e dr. ‎

‎Amst., Antw., Wereldbibliotheek, 1947. ‎

‎191 p. H.cl. (Name on title) ‎

‎De lof der zotheid. (Vert. J.B. KAN. Pentekeningen H. Holbein). 14e dr. ‎

‎Amsterdam, Antwerpen, Wereldbibliotheek, n.d. ‎

‎191 p. Cloth. (3 small stains on the frontcover) ‎

‎Des. Erasmi Roterod. Colloquia, nunc emendatiora. ‎

‎Amsterdam (Amstelodami), Ex officina Elzeviriana, 1662. ‎

‎12mo. (XX),672 p. Overlapping vellum. 14 cm (Ref: Willems 1285: 'Réimpression ligne pour ligne de l'édition donnée par les Elzevier en 1655'; Berghman 1350; Rahir 1324; Brunet 2,1040) (Details: 5 thongs laced through the joints. Title engraved by Corn. Cl. Duysend, it depicts a standing Erasmus, who looks through a telescope into a clouded sky; from a cloud comes the hand of God, that bears the 'globus cruciger' (corss-bearing orb, in German Reichsapfel); the globe represents the earth, and he who holds the globe, owns the world. The motto on the title suits Erasmus: 'Vidit, pervidit, risit'. This engraved title was already used by Elsevier for the edition of the Colloquia of 1636. On the last of the preliminary pages a woodcut illustration, depicting both sides of a medal of Erasmus, on the recto his portrait, on the verso his motto: 'Concedo nulli'; around it the legend with Erasmus' interpretation of his motto: 'Mors ultima linea rerum') (Condition: Vellum age-tanned and somewhat soiled) (Note: 'The Colloquia, like the Adagia, were written over a period of years and constantly enlarged as edition succeeded edition. From their earliest form of short models of Latin conversation and formulae of etiquette (composed at Paris in 1497 for the use of some pupils and first printed in 1518) they grew into 'a rich and motley collection of dialogues, each a master piece of literary form, well-knit, spontaneous, convincing, unsurpassed in lightness, vivacity and fluent Latin, each one a finished one-act play' (Huizinga). The Colloquia, full of witty and penetrating observations on ordinary day-to-day happenings as well as on the basic weakness of Church and society, are an invaluable mine of information about 16th century customs, institutions and social problems. Besides, their success as a schoolbook was unrivaled and the stream of editions and translations flowed almost uninterruptedly down to modern times'. (Gilhofer & Ranschburg GmbH, Catalogue 50, Erasmus, published on the 500th anniversary of his birth', Luzern, ca. 1967, p. 34) The Colloquia are preceded by a short biography of Erasmus (last sentence: 'Discerptus est ab utraque, dum utrique studet consulere'), and a table of content) (Collation: *10, A-2E12) (Photographs on request) ‎

‎Desiderii Erasmi Roterodami Liber utilissimus de conscribendis epistolis, continens artificium & praecepta in earum compositione observanda. Editio nova, diligenter ab erratis expurgata. ‎

‎Amsterdam, Apud Henricum & Theodorum Boom, 1670. ‎

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‎12mo. 470,(33),(1 blank) p., frontispiece. Calf 13 cm The definitive work on the subject (Ref: Spoelder p. 644: Middelburg 5;) (Details: Prize copy, but without the prize. Back ruled gilt, with a red morocco letterpiece. The boards have gilt borders. In the center of both boards the gilt coat of arms of Middelburg. The frontispiece depicts Erasmus in his study, writing a letter. On the title a woodcut printer's mark, depicting Hercules, club at hand, and the Nemean lion under a tree, the motto reads: 'Virtus nescia vinci', 'Virtue doesnot know defeat') (Condition: Some wear to the extremes. Front flyleaf removed. The blank upper margin of the frontispiece slightly cut short) (Note: The genesis of the treatise 'De conscribendis epistolis' of the Dutch humanist and scholar Desiderius Eramus, 1566/69-1536, is rather complicated. The genuine edition, authorized by Erasmus, was first published in Basel by Froben in 1522. In the short preface to this work, repeated also in this edition of 1670, Erasmus explains that he feels obliged to publish this work, because a kind of pirate edition had been published in England recently (i.e. 'Libellus de conscribendis epistolis', published in 1521 by John Siberch, in Cambridge) without his knowledge and consent. It was pirated from a copy of an old manuscript work of him on the art of writing letters, which he wrote, he continues, about 30 years ago (annis abhinc ferme triginta, ca. 1492) in Paris at the request of a friend. Erasmus is very unhappy with this English edition, because it is 'non solum rude, sed & truncum et mutilum'. And now he offers the reader a completely revised and expanded treatment. The emphasis in the treatment remains clearly pedagogical. Erasmus gives an elaborate lesson on the presentation of the subject matter, illustrating how the teacher should give an outline of the subject to be treated, define it in some detail, provide material from the classical authors, and his own work) (Collation: A-X12 (leaf X12 verso blank)) (Photographs on request) ‎