‎Esquisse d'une theorie des emotions‎

‎HERMANN. 1969. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 67 pages - signature sur le 1er contreplat. . . . Classification Dewey : 100-PHILOSOPHIE ET DISCIPLINES CONNEXES‎

‎ Classification Dewey : 100-PHILOSOPHIE ET DISCIPLINES CONNEXES‎

‎ESQUISSE D'UNE THEORIE DES EMOTIONS‎

‎Paris, LE LIVRE DE POCHE, Hermann, Références, 2000, in-12 broché, 123 pp. TRES BON ETAT‎

‎ Nombreux titres disponibles en Philosophie. ‎

‎ESQUISSE D'UNE THEORIE DES EMOTIONS‎

‎Paris, HERMANN, L'Esprit et la Main, 1965, in-8 broché, 64 pp. Quelques notes au crayon/stylo en marge, sinon BON ETAT. ‎

‎ Nombreux titres disponibles en Philosophie. ‎

‎Esquisse d'une théorie des émotions.‎

‎Deuxième édition, Actualités scientifiques et industrielles 838-1035, Essais philosophiques publiés par Jean Cavaillès. Paris, 1948, Hermann & Cie Editeurs, 50 p., 16,5x25 cm, titre typo 2 coul., couv. avec encadrement.‎

‎Bon ex‎

‎Esquisse d'une théorie des émotions.‎

‎Paris, Hermann, 1965. in 8 : 68 pp. ‎

‎Bon ex. Dos collé cassé.Quelques soulignages (crayon de papier).‎

‎Esquisse d'une théorie des émotions‎

‎Hermann, Actualités scientifiques et industrielles, 1960, 68 pp., broché, couverture un peu défraîchie, état très correct.‎

‎Esquisse d'une théorie des émotions.‎

‎Paris Hermann, coll. "Essais philosophiques" 1939 1 vol. Broché gr. in-8, broché, non coupé, 52 pp. Edition originale sans grand papier.‎

‎Esquisse d'une théorie des émotions. ‎

‎ Paris, Hermann & Cie, 1948 [1939 en page de titre]. Un vol. au format gd in-8 (255 x 167 mm) de 52 pp., broché.‎

‎ ''Ce magistral exposé a formé à la réflexion psychologique des générations d’apprentis-philosophes au lycée ou en faculté. On y trouve l’un des textes introductifs les plus sûrs qui aient été écrits pour faire connaître en France la phénoménologie allemande – et tout particulièrement la pensée de Husserl – qui devait profondément rénover les conceptions puis l’enseignement de la philosophie. A partir d’une critique des théories psychologiques traditionnelles, Sartre en vient à définir l’émotion non comme un simple mécanisme affectif mais comme un « mode d’existence de la conscience ». Se réclamant ainsi ouvertement de la phénoménologie, Sartre entend restituer l’unité et la cohérence des comportements humains à partir d’un exemple privilégié. Cette perspective rationnelle et globalisante annonce déjà les grands thèmes de la pensée sartrienne.'' Petit défaut affectant chacune des coiffes. Du reste, très belle condition. ‎

‎Esquisse d'une théorie des émotions‎

‎Hermann Broché 1961 In-8 (14x19 cm), broché, 66 pages, un article en supplément ; l'ouvrage est équipé d'un protège-livre, coiffes et bords frottés, rares annotations au stylo à l'intérieur frais, bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎ESQUISSE D'UNE THÉORIE DES ÉMOTIONS. [Édition originale]‎

‎ Hermann 1939 Paris, Hermann et Cie éditeurs, collection Actualités scientifiques et industrielles, n° 2 de la série Essais philosophiques, 1939. Édition originale dont il n'a pas été tiré de grands papiers. Grand in-8 broché de 52 pp., orné d'un bandeau et de culs-de-lampe. Couverture brun clair marbré, imprimée en rouge et noir. Couverture très légèrement usagée, sans manque. Intérieur bien frais et en très bon état. ‎

‎ très bon ‎

‎Existentialisme est en humanisme. - [EXISTENTIALISM IS A HUMANISM]‎

‎(Paris), Les éditions Nagel, (1946). 8vo. Uncut and in the original printed wrappers, w. black and blue printing. A very nice and clean copy with almost no markings . 141, (3) pp.‎

‎First edition (43e mille, on back wrapper), the regular issue (not one of the 500 numbered copies) of the second of Sartre's two main philosophical works, which have both influenced 20th century philosophy greatly, and contributed immensely to the development of existentialism in general. ""Existentialism is a Humanism"" became one of Sartre's most widely read and most criticized works, and it caused great controversies and uproar at the time of its appearance"" -as opposed to his ""L'Être et le Néant"", all of Sartre's critics actually read this work, and so did huge parts of the population, causing the book to appear in huge numbers after the publication of the first edition.The work is the literary re-working of an exposition given by Sartre at a conference in October 1945, where he caused a scandalous discussion, which among other things led to the fact that all references to the existentialist T.E. Lawrence were omitted from the work when it appeared in print. ""Cette conférence marqua une date dans l'histoire anecdotique de l'existemtialisme..."" (Contat & Rybalka p. 131).""L'Existentialisme est un Humanisme"" fut l'un des ouvrages les plus lus et les plus critiqués de Sartre et suscita de considérables malentendus. Comme l'a bien vu M.-A. Burnier dans ""Les Existentialistes et la politique"" (p. 31), ""l'importance prise par ces pages semble due à la paresse d'un bon nombre de critiques qui hésitant à lire ""L'Être et le Néant"" et qui furent heureaux de pouvoir attaquer Sartre sans grande fatique et avec bonne conscience après avoir parcouru 141 pages."" Il est bon de rappeler cependant que l'ouvrage constitue une assez mauvaise introduction à la philosophie de Sartre, surtout pour un public non averti..."" (Contat & Rybalka p. 132). Sartre himself also disowned great parts of this work, which makes it all the more interesting, since it is the only one of his works of which he has done so. The work was reprinted numerous times during the first years, and the first edition (on vellum-paper) is very difficult to come by. This copy states ""Achevé d'imprimer en février 1946..."" and ""(1946 1er trimestre)"" on colophon, as with the numbered issue.Contat & Rybalka 46/88.‎

‎Existentialisme est en humanisme. - [EXISTENTIALISM IS A HUMANISM]‎

‎(Paris), Les éditions Nagel, (1946). 8vo. Uncut and in the original printed wrappers, w. black and blue printing. A very nice and clean copy. Old owner's name to front free end-paper. 141, (3) pp.‎

‎First edition (17e édition, on back wrapper), the regular issue (not one of the 500 numbered copies) of the second of Sartre's two main philosophical works, which have both influenced 20th century philosophy greatly, and contributed immensely to the development of existentialism in general. ""Existentialism is a Humanism"" became one of Sartre's most widely read and most criticized works, and it caused great controversies and uproar at the time of its appearance"" -as opposed to his ""L'Être et le Néant"", all of Sartre's critics actually read this work, and so did huge parts of the population, causing the book to appear in huge numbers after the publication of the first edition.The work is the literary re-working of an exposition given by Sartre at a conference in October 1945, where he caused a scandalous discussion, which among other things led to the fact that all references to the existentialist T.E. Lawrence were omitted from the work when it appeared in print. ""Cette conférence marqua une date dans l'histoire anecdotique de l'existemtialisme..."" (Contat & Rybalka p. 131).""L'Existentialisme est un Humanisme"" fut l'un des ouvrages les plus lus et les plus critiqués de Sartre et suscita de considérables malentendus. Comme l'a bien vu M.-A. Burnier dans ""Les Existentialistes et la politique"" (p. 31), ""l'importance prise par ces pages semble due à la paresse d'un bon nombre de critiques qui hésitant à lire ""L'Être et le Néant"" et qui furent heureaux de pouvoir attaquer Sartre sans grande fatique et avec bonne conscience après avoir parcouru 141 pages."" Il est bon de rappeler cependant que l'ouvrage constitue une assez mauvaise introduction à la philosophie de Sartre, surtout pour un public non averti..."" (Contat & Rybalka p. 132). Sartre himself also disowned great parts of this work, which makes it all the more interesting, since it is the only one of his works of which he has done so. The work was reprinted numerous times during the first years, and the first edition (on vellum-paper) is very difficult to come by. This copy states ""Achevé d'imprimer en février 1946..."" and ""(1946 1er trimestre)"" on colophon, as with the numbered issue.Contat & Rybalka 46/88.‎

‎Existentialismen är en humanism. - [PRESENTATION-COPY]‎

‎Stockholm, Bonniers, (1946). All edges uncut in original printed wrappers w. some minor edge-wear. Internally nice and clean. 137 pp.‎

‎First Swedish edition, presentation-copy: ""A Carl Ericsson/ avec toute ma sympathie/ JPaulS."" Printed the same year as the first edition.""L'Existentialisme est un Humanisme"" is the second of Sartre's two main philosophical works, which have both influenced 20th century philosophy greatly, and contributed immensely to the development of existentialism in general. ""Existentialism is a Humanism"" became one of Sartre's most widely read and most critcized works, and it caused great controversies and uproar at the time of its appearance"" -as opposed to his ""L'Être et le Néant"", all of Sartre's critics actually read this work, and so did huge parts of the population, causing the book to appear in huge numbers after the publication of the first edition.The work is the literary re-working of an exposition given by Sartre at a conference in October 1945, where he caused a scandalous discussion, which among other things led to the fact that all references to the existentialist T.E. Lawrence were omitted from the work when it appeared in print. ""Cette conférence marqua une date dans l'histoire anecdotique de l'existemtialisme..."" (Contat & Rybalka p. 131).""L'Existentialisme est un Humanisme"" fut l'un des ouvrages les plus lus et les plus critiqués de Sartre et suscita de considérables malentendus. Comme l'a bien vu M.-A. Burnier dans ""Les Existentialistes et la politique"" (p. 31), ""l'importance prise par ces pages semble due à la paresse d'un bon nombre de critiques qui hésitant à lire ""L'Être et le Néant"" et qui furent heureaux de pouvoir attaquer Sartre sans grande fatique et avec bonne conscience après avoir parcouru 141 pages."" Il est bon de rappeler cependant que l'ouvrage constitue une assez mauvaise introduction à la philosophie de Sartre, surtout pour un public non averti..."" (Contat & Rybalka p. 132). Sartre himself also disowned great parts of this work, which makes it all the more interesting, since it is the only one of his works of which he has done so. The work was reprinted numerous times during the first years, and immediately translated into several languages. The first edition (on vellum-paper) is very difficult to come by. First edition: Contat & Rybalka 46/88.‎

‎Explication de l'Etranger [ Edition originale ]‎

‎Exemplaire hors commerce sur vélin de Lana, 1 vol. in-18 carré br., Aux dépens du Palimugre, 1946, 31 pp.‎

‎Etat très satisfaisant (rouss. sur couv.) pour cette édition originale qui constituerait le premier ouvrage publié par Jean-Jacques Pauvert.‎

‎Galgenfrist. Frihedens Veje. [i.e. ""Le Sursis"" - in Danish]. - [PRESENTATION-COPY FOR HIS LOVER]‎

‎København [Copenhagen], 1964. 8vo. Original printed yellow wrappers with green and black lettering. Minor soiling and minor creasing to wrappers. Internally near mint condition. Uncut and unopened. 371 pp.‎

‎Signed presentation-copy for Michelle Léglise (A Michell/ 11 Janvier 66/ Jean Pauls S"") of the first edition of the first Danish translation of ""Le Sursis"". This is a higly interesting presentation-copy, since Michelle Léglise (or Michelle Vian as she was named at the time), was both the wife of a close friend of Sartre, herself a close friend, and eventually - around the time of this presentation - his lover.In 1940 Michelle Léglise had met the French multi-artist and author Boris Vian, whom she married already in 1941. Boris Vian (1920-1959) is best known today for his novels (many of which were published under the pseudonym Vernon Sullivan). He was also of great importance to the French jazz-scene and served as liason for Duke Ellington and Miles Davis in Paris. He was also a popular musician in his own time. When he met Michelle, she taught him English and introduced him to American literature. They had a son together in 1942. In the middle of the 40'ies, Vian was struggling to have his novels acknowledged, but those that he published in 1945 were not very successful. He did, however, in 1946 have the luck of meeting, and later befriending Jean-Paul Sartre and Simone de Beauvoir, as well as Albert Camus, and he began publishing in ""Les Temps Modernes"". Thus, also Michelle got acquainted with the most famous couple in France at the time - and very well acquainted with Sartre! In fact the two became lovers and began an affair that lasted throughout Sartre's life, in 1980. Michelle and Boris Vian thus divorced in 1951 under messy circumstances. Both Beauvoir and Sartre were very fond of Boris Vian and had promoted him often, but the messy divorce seems to have created spite between the different parties involved - Sartre sided with Michelle, and Simone de Beauvoir with Boris Vian. ""Le Sursis"" originally appeared in 1945 as part II of ""Chemins de la liberté"". When the first Danish edition appeared in 1965, Sartre and Michelle were still lovers.‎

‎La Nausée. 131e édition. ‎

‎ P., NRF, Gallimard, 1938, in 12 broché, 222 pages. ‎

‎ Fermeture du 1er au 23 Août‎

‎La Nausée. Roman. ‎

‎ P., NRF, Gallimard, 1960, in 12 broché, 222 pages. ‎

‎ Fermeture du 1er au 23 Août‎

‎L'Ange du morbide (Conte). [In: La Revue sans titre. Organe de Défense des Jeunes. Deuxième èdition]. - [SARTRE'S FIRST PUBLICATION]‎

‎(Paris, 1923). Lex 8vo. Entire issue present, with the original printed wrappers. Some tears to spine and a bit of wear to extremities. A fagile publication. Ff. (6-7). [Entire issue: 8 ff.).‎

‎Sartre's extremely scarce first publication, in the also exceedingly scarce first number of the ""La Revue sans titre"", here in the second edition from the same year, which is of equal scarcity to the first. When Contat and Rybalka were making the bibliography of the writings of Sartre, they had great difficulty in finding the interesting rebellion publication ""La Revue sans titre"", which was - and is - not present in any French library. In fact, they finally borrowed a run of the magazine from M. Jean Gaulmier, professor of literature in Strasbourg, who possessed the only collection of the periodical that they could track down. The ""L'Ange du morbid"" had been reproduced in 1947 by Marc Beigbeder in his ""L'Homme Sartre"", but not quite in its entirety, and Contat and Rybalka thus printed the text again, for the second time since 1923, at the back of their Sartre-bibliography (1970) as the first part of the second appendix, which has the half-title ""Textes retrouvés"" (rediscovered texts). This interesting story which constitutes Sartre's first publication was published when he was merely 18 years old. In a strongly satirical tone Sartre tells the story of a mediocre professor's adventure with a young patient who has tuberculoses. The main character, the professor of a small provincial school, constitutes the pre-figuration of the highly unsympathetic character that occupies his following publications. The ""Revue sans titre"", of which we here have number one in its entirety, is also in itself interesting. The director of the publication is Charle Fraval, and the editorial secretary is Roger Letac. The publication claims to be ""in defense of the Young"", and on the front wrapper it states ""Those who suffer from the mercantilism of literature, those whose talent is suppressed by the literary magnates, in short all the Young, have reason to read ""REVUE SANS TITRE"", the only organ in defense of the Young"" (own translation, original: ""Ceux qui souffrent du mercantilisme de la literature, ceux don't le talent est étouffé par les magnats des letters, tous les jeunes en un mot, ont intérêt à lire la ""Revue sans titre"" seul organe de defense des Jeunes."" ‎

‎La Putain respectueuse. - [PRESENTATION-COPY]‎

‎Paris, Nagel, 1946. 8vo. Original printed wrappers. Uncut copy. The spine shows light wear, with a small tear to lower front hinge, but remains fully intact. The corners are slightly bumped, and there is minor edge wear to the covers. Internally clean and well-preserved throughout. ‎

‎First edition, presentation-copy, of one of the most significant plays. Inscribed and signed by Sartre to front free end-paper: ""Les extrêmes se touchent toujours. / C’est pourquoi je dédie / cet ouvrage à Madame / Tage Hansen, laquelle n’est / ni putain ni respectueuse. / Paul S."" Jean-Paul Sartre's La Putain respectueuse is one of the most significant plays in his vast literary oeuvre, first published in 1946, just after World War II, during a time of profound social and political change. This play is not only a compelling dramatic work but also a profound exploration of existentialist philosophy, a hallmark of Sartre’s writing. Sartre masterfully weaves his philosophical ideas into La Putain respectueuse, using it to examine the complex intersection of race, class, and moral integrity—themes that resonate powerfully both in their historical context and in contemporary discussions. Sartre was inspired in part by his relationship with Simone de Beauvoir, a prominent philosopher and writer. Their intellectual partnership greatly influenced Sartre's exploration of themes such as gender and morality, as Beauvoir's work often challenged traditional notions of femininity and societal roles. This context deepens the understanding of Sartre's characters and moral dilemmas. Set in the deeply segregated American South, the play offers a sharp critique of racial injustice, centering on a Black man falsely accused of rape. This accusation reflects the pervasive systemic racism of the time, which remains largely unchallenged by society. The protagonist, Lizzie, a prostitute, finds herself at the heart of a moral and ethical dilemma. Her testimony could either condemn an innocent man or align with the corrupt powers that seek to manipulate her. Lizzie’s struggle embodies a broader existential question: How can one maintain individual freedom and moral integrity when society pressures them to comply with injustice? In La Putain respectueuse, Sartre’s meditations on freedom and responsibility come to life. Lizzie’s plight encapsulates the existential challenge of living authentically—staying true to oneself and one’s values—while being caught in the web of societal expectations and moral compromise. Sartre’s existentialist philosophy argues that individuals are ""condemned to be free,"" meaning that freedom carries the unavoidable weight of choice. Lizzie’s decision becomes a powerful commentary on the human condition, the burden of ethical choices, and the often painful consequences of moral courage. Beyond its philosophical depth, La Putain respectueuse stands as an exemplary representation of Sartre’s ability to merge political commentary with dramatic intensity. His critique of systemic racism and class exploitation remains highly relevant, offering both a historical reflection and a mirror to contemporary issues of inequality and oppression. This work remains a cornerstone of French theatre and existentialist thought, emblematic of Sartre’s enduring intellectual legacy. La Putain respectueuse continues to offer profound insights into the social conflicts of its time while maintaining a timeless relevance in its exploration of the human condition.‎

‎"La transcendance de l'ego - Esquisse d'une description phénoménologique - ""Bibliothèque des textes philosophiques"""‎

‎Lib. Philosophique J. Vrin. 1978. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 134 pages.. . . . Classification Dewey : 100-PHILOSOPHIE ET DISCIPLINES CONNEXES‎

‎Intro, notes et appendices par Sylvie Le Bon. Classification Dewey : 100-PHILOSOPHIE ET DISCIPLINES CONNEXES‎

‎La transcendance de l'ego esquisse d'une description phénoménologique Introduction, notes et appendices par Sylvie Le Bon‎

‎P., VRIN, 1965, broché, 134 p.p., 17.3 x 11.1 x 1 cm, livre ayant subi une déformation (pliure parallèle à la grande tranche sur la couverture et répercutée sur le livre dans son ensemble).‎

‎Le Mur. 56e édition.‎

‎ P., NRF, Gallimard, 1947, in 12 broché, 223 pages ; couverture défraichie et tachée, petits manques au dos. ‎

‎PHOTOS sur DEMANDE. Fermeture du 1er au 23 Août‎

‎Le Mur. 56e édition.‎

‎ P., NRF, Gallimard, 1947, in 12 broché, 223 pages. ‎

‎PHOTOS sur DEMANDE. Fermeture du 1er au 23 Août‎

‎Les chemins de la liberté I)l’âge de raison ‎

‎in 12 demi toile rouge chagrinée à la bradel, 145x200mm, titre doré, faux titre, titre, 309 pages, Gallimard 15 mars 1945 ‎

‎LES COMMUNISTES ONT PEUR DE LA REVOLUTION‎

‎John Didier. 1969. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 62 pages.. . . . Classification Dewey : 100-PHILOSOPHIE ET DISCIPLINES CONNEXES‎

‎'Controverses'. Le 'J'Accuse' de J.P. Sartre. Classification Dewey : 100-PHILOSOPHIE ET DISCIPLINES CONNEXES‎