1868 PARIS IMPRIMERIE NATIONALE. 1880. In-8 Broché.. 382 pages Lacouverture est muette et "bricolée" mais le texte est tres lisible et bien complet
New York, Alfred A. Knopf, 1962, in-8 cartonné sous jaquette, 739 pp + 35 pp d'index. En anglais. Bon état.
Editorial Seix Barral S.A 1998 11 2x1 4x18 4cm. 1998. Broché.
Très bon état
Nogent-surMarne, Editions Mentor, 1956-1965. Ensemble de 5 livres 15x23 cm, illustrés par Marcel Jeanjean et Marie-Laure Herzog pour le volume M.221, br.
1907 . Toulouse. Imp. Lib. Eduouard Privat. Toulouse. 1907. CIXpp.+238pp.in8, , broché, bon exemplaire, non coupé, dos un peu bruni (bibliotheque méridionnale )
Hachette 2012 13 6x0 4x19 4cm. 2012. Broché.
Bon état
E P Dutton 1991 11 2x5 4x14 2cm. 1991. Relié.
Etat correct
Editions Larousse 1991 8x3x10cm. 1991. Broché.
Etat correct
Editions Flammarion 2013 94 pages 12 4x0 6x17 2cm. 2013. pocket_book. 94 pages.
Bon état
, Brepols - Harvey Miller, 2006 softcover, . XII+761 p., 20 b/w ill., 165 x 240 mm, Languages: English, French, German. ISBN 9782503524207.
More than obstacles, medieval frontiers - whether geographical, political, military, intellectual or artistic - seem to have been bridges and points of contact. This volume brings together forty-four contributions by specialists of history, history of ideas, medieval philosophy, philology, linguistics, literature as well as manuscript and archival studies. The first uses of the term frontiere in thirteenth-fourteenth-century French were military, referring to the first line of troops in a battle. In architecture it meant the front of a building, and at the end of the fourteenth century it was first used as a geographical term, in Spain specifically about the divide between the Christians and the Muslims. More than obstacles, medieval frontiers - whether geographical, political, military, intellectual or artistic - seem to have been bridges and points of contact. Frontiers was the theme of the Third European Congress of Medieval Studies organised by the FIDEM in Jyvaskyla, Finland, in 2003. True to the nature of the FIDEM, it was highly interdisciplinary, bringing together scholars from all over the world, addressing problems ranging from Byzantine administration to Icelandic vernacular scribal culture, during a week of extraordinary intellectual excitement. This volume brings together forty-four contributions by specialists of history, history of ideas, medieval philosophy, philology, linguistics, literature as well as manuscript and archival studies.
Editions Denoël 2007 In-8 broché 20,8 cm sur 15. 889 pages. Très bon état d’occasion. Poids sans emballage : 921 grammes. - Préface de Claude Duneton
Très bon état d’occasion
Editions Stock, 1978, lexique, broché, 210pp. bon état, 220x130 . (p3)
Phone number : 33 05 49 26 70 36
Gallimard, Le Chemin, 1996, 547 pp., broché, traces d'usage, dos bruni, couverture partiellement brunie, rousseurs sur la tranche latérale, état correct.
Phone number : 0033 (0)1 42 23 30 39
in 12 broché,titre,182 pages,non coupé,Cahiers de la quinzaine neuvième cahier de la 23ème série en fin de volume,exemplaire n°205(sur 1000.Très bon état
Grasset and Fasquelle 2013 352 pages 13x2 6x20 2cm. 2013. Broché. 352 pages.
Bon état
Éditions Klincksieck In-8 Couverture souple Paris 1971
Très bon 246 pages. Tome 1 seulement.
BORDAS 2008 335 pages 19 4x1 6x26 8cm. 2008. Broché. 335 pages.
Meunier André Paul Joëlle Bourkaïb Anne-Marie Dauge Benoît Dubois Patrick
Reference : 500098128
(2005)
ISBN : 9782047298541
Editions de l'Université de Bruxelles,1990, 262 pp., broché, passages signalés au crayon, état très correct.
Phone number : 0033 (0)1 42 23 30 39
Turnhout, Brepols, 2009 Paperback, 220 pages., 20 x 25. ISBN 9788484801719.
Table of contents: I. Tintoretto and the Venetian Culture and Religious Environment Paul Hills, Tintoretto and Venetian Gothic ? Augusto Gentili, Tintoretto in contesto tra politica e religione Benjamin Paul, Archaism and Pauline Spirituality in Jacopo Tintoretto?s Crucifixion for SS. Cosma e Damiano ? Tom Nichols, False Gods: Tintoretto?s Mythologies as Anti-poesie ? Bernard Aikema, La casta Susanna II. Tintoretto and the Art of his Time Philip Cottrell, Painters in Practice: Tintoretto, Bassano and the Studio of Bonifacio de? Pitati ? Roland Krischel, Jacopo Tintoretto and Giulio Romano ? Miguel Falomir, Tintoretto y Tiziano ? David Rosand, Tintoretto and Veronese: Style, Personality, Class ? Jose Alvarez Lopera, Sobre Tintoretto y el Greco ? Stefania Mason, Domenico Tintoretto e l?eredita della bottega III. Connoisseurship Robert Echols and Frederick Ilchman, Toward a New Tintoretto Catalogue, with a Checklist of Revised Attributions and a New Chronology IV. Technique and Conservation Erasmus Weddigen, The Works of Tintoretto: Sewn, Designed, Patched and Cut. The Uncertainty of Canvas Measurements ? Ana Gonzalez Mozo, El concepto de dibujo en Jacopo Tintoretto: analisis de los recursos tecnicos utilizados en algunos cuadros del Museo Nacional del Prado ? Robert Wald, Tintoretto?s Vienna Susannah and the Elders. History, Technique and Restoration V. Theory and Collecting Maria H. Loh, Huomini della nostra eta. Tintoretto?s Preposterous Modernity ? Almuneda Perez de Tuleda, Coleccionismo de Tintoretto en Espana en torno a 1600 ? Linda Borean, Jacopo Tintoretto nelle collezioni veneziane del Sei e Settecento ? Leticia de Frutos, Tintoretto en las colecciones del marques del Carpio y del Almirante de Castilla. Languages : English.