, Norma ditions, 2023 HB, 305 x 230 mm, FR. edition, 288 pages, Nouveau, illustrations en couleur / n/b. ISBN 9782376660682.
Nestor Perkal est un artiste polyvalent ayant multipli ses activit s depuis les ann es 70. Designer de mobilier, d'objets et de luminaires, architecte d'int rieur, sc nographe, commissaire d'expositions et directeur artistique, il porte lui seul, plus de 45 ans de savoir-faire et de recherches. Cette premi re monographie r alis e son sujet pour dessein de retranscrire ce parcours hors-norme, de la mani re la plus exhaustive possible. C'est en 1978 et tout juste dipl m que Nestor Perkal quitte sa terre natale, l'Argentine afin de s'installer en France. Il s' panouit d'abord Paris en tant que cr ateur ind pendant en ditant ses propres pi ces de mobilier. En parall le, il ouvre une galerie et est le premier repr senter Memphis. Ses cr ations personnelles sont pr sent es en 1985, l'exposition Vivre en couleurs de la Fondation Cartier. Limoges, ensuite, il est au service de l'institution publique, directeur du Craft, centre de recherche sur les arts du feu et de la terre. Une communaut artistique se fait jour autour de lui. Il collabore et entretient des relations fid les avec nombre de cr ateurs, designers, artistes, mais aussi fabricants, commanditaires et collectionneurs. Durant presque dix ans, il travaille par exemple, en bonne entente avec le photographe Didier Cazabon. Riche de ces exp riences, qui l'ont men d velopper ses diff rentes pratiques, Nestor Perkal a forg un savoir-faire coh rent et en accord avec son poque. Plus encore, il a jou et joue encore un r le essentiel dans la promotion et la production contemporaines de designers, architectes et artistes.
, Jeannine de Beleyr, 2007 Hardcover, geen pagina-nummering, +- 150, NL, 240 x 240 x 15 mm, in prima staat, illustraties in kleur / z/w. ISBN 9789028948884.
Bij het ter perse gaan was het nog niet verschenen, toch willen we het hier al even signaleren: het boek Haiti. Ti Soley Leve, met teksten van Jeannine de Beleyr, reeds twintig jaar werkzaam in Ha ti, en foto?s van Jan Bierkens. We plukken enkele gegevens van de hieronder vermelde website: ?Dit kunstvol boek wil een hommage zijn aan alle Ha tianen, zichtbaar en onzichtbaar aanwezig. Een feestelijk boek is het, een dankwoord voor allen die, op welke manier ook, Jeannine en ?Ti sol y leve? hebben aangemoedigd en gesteund.? Tussen haakjes: Ti soley lev is het educatieve centrum waarvoor Jeannine de Beleyr zich reed vele jaren inzet. Er is blijkbaar gekozen voor een stevig boek, ingenaaid en gedrukt op het vereiste papier voor foto?s. De prijs bedraagt 35 euro. Info over bestellingen enz. op de hieronder vermelde website.
, Konemann, 2000 Hardcover, 640 pag. NL.,300 x 260 mm, in prima conditie, stofomslag, tal van illustraties in kleur / z/w. ISBN 9783829025928.
Walter Gropius Bauhaus-stijl Bauhaus-meubels Bauhaus-gebouwen Bauhaus-docenten Bauhaus-studenten Bauhaus-theorie Bauhaus-werkplaatsen Bauhaus-experimenten Bauhaus-erfgoed
Morcelliana. 1949. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 486 pages. Etiquette de code sur le dos. Tampons et annotation de bibliothèque en pages de garde et de titre.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Concilio e riforma dal Concilio di Basilea al Quinto Concilio Lateranense. Perché cosi tardi ? La preistoria del Concilio di Trento (1517-1545). Classification Dewey : 450-Italien, roumain, rhéto-romain
Pontificia Universitas Gregoriana, Roma. 1980. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 82 pages. Etiquette de code sur le dos. Tampons et annotation de bibliothèque sur le 1er plat et en page de titre. Dos muet.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Excerpta ex Dissertatione ad Doctoratum in Facultate Philosophiae Pontificiae Universitatis Gregorianae. Classification Dewey : 450-Italien, roumain, rhéto-romain
A. Vallardi. 1984. In-8. Broché. Bon état, Couv. convenable, Dos plié, Intérieur frais. 197 pages. Illustré de nombreuses photos en noir et blanc dans et hors texte.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Le Guide 'Hobby'. Alimentazione. Igiene. Cura. Razze... Classification Dewey : 450-Italien, roumain, rhéto-romain
Parma, Ugo Guanda, 1957. 8°. 228 S. Originalbroschur.
Mit handschriftlicher Widmung vom Autor für Cristoforo Motta, datiert 1958. - Rücken im Gelenk eingerissen.
, Silvana Editoriale, 2023 PB, 240 x 170 mm, 240 p, 200 illustrations in colour, EN-IT edition, NEW, . ISBN 9788836656097.
The volume accompanies the major exhibition - the first in Italy - that the National Cinema Museum dedicates to Tim Burton (1958). A journey into the visionary universe and creativity of the Californian director through original works of art, photographs, film material - storyboards, costumes, sketches, maquettes - and precious documents, many of which come from his personal archive. The volume retraces Tim Burton's thirty-year production from his beginnings, with Beetlejuice and Batman, up to the recent great success of Wednesday, highlighting the evolution of his singular imagination, which draws not only from the most varied forms of popular culture - such as fairy tales , comics, television films - but also to classic illustrators such as Edward Gorey, Charles Addams, Don Martin and Theodore Geisel, to expressionist cinema, to the horror catalog of Universal Studios and the masters of suspense William Castle and Vincent Price. Likewise, it emerges how ideas, themes and even some images peculiar to his art have flowed into the most iconic films that we today associate with the sumptuous cinema spectacle.
Rizzoli. 1950. In-16. Broché. Etat d'usage, Tâchée, Dos fané, Intérieur acceptable. 190 pages.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Trad. di Alberto Graziani. Classification Dewey : 450-Italien, roumain, rhéto-romain
, Taschen, 2023 Hardcover , 520 pages, ENG edition, 250 x 180 x 50 mm, NEW, illustrated in colour / b/w. ISBN 9783836585644.
The power of plants throughout history Celebrating the magick of the natural realm, Volume IV of The Library of Esoterica, delves into the symbolism, ceremony, and our ritual relationships with the botanical world. A visual journey through our interdependent evolution with nature, Plant Magick celebrates botanicals as creative muse ? from ancient Greek sculptures to Renaissance paintings to visionary art inspired by psychoactive plants, cacti, and mushrooms. Our myths, beliefs, and shared stories are continually reflected in nature; purity represented by the white lily or spiritual awakening by the bloom of the lotus. Our joys and laments are mirrored in the cycle of the seasons, in the seed birthing sprout, or in the dead leaf falling softly from winter branches. Plants, trees, and flowers as signifiers of transition are also deeply embedded within rites of passage rituals across global cultures. Rose petals strewn along the wedding aisle mark the evolution into womanhood and marriage. A wreath of lilies stands sentinel over an open grave. A lover?s bouquet awaits on the doorstep. The wooden May Day pole is circled by girls wearing crowns of woven daisies, celebrating the coming of spring. Birth, unions, and burials ? cycles of joyful celebration and deep grieving, all are marked symbolically with herbs, flowers or branches of a tree ? the integration of nature into ceremony our method of signifying catharsis. Since time immemorial, plants have also served as potent symbols within the religions of the world; Buddha attaining enlightenment under the Bodhi Tree, Eve plucking the Apple of Knowledge in the Garden of Eden. From root to vibrant blossom, Plant Magick explores the fertile, interconnected history between plants and people, the multitude of ways in which we embrace plants in spiritual ceremony, as healing medicine, as creative muse and as gateways into deeper explorations of consciousness.
Pontificia Università Lateranense, Roma. 2000. In-8. Broché. Très bon état, Couv. fraîche, Dos impeccable, Intérieur frais. 402 pages. Dos muet.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Pontificia Universitas Lateranensis, Institutum Utriusque iuris, Theses ad Doctoratum in Utroque Iure. Classification Dewey : 450-Italien, roumain, rhéto-romain
Gembloux (Belgique), Duculot, 1974. 16 x 22, 85 pp., nombreuses illustrations en couleurs et en N/B, 2 cartes, reliure d'édition carton imprimé, très bon état.
Pontificia Universitas Gregoriana, Roma. 1996. In-8. Broché. Bon état, Couv. convenable, Dos plié, Intérieur frais. 271 pages. Dos muet.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Pontificia Universitas Gregoriana, Facultas Philosophiae. Dissertatio ad Doctoratum. Classification Dewey : 450-Italien, roumain, rhéto-romain
, Brepols - Harvey Miller, 2021 Hardback, xvi + 360 pages, Size:215 x 280 mm, Illustrations:0 b/w, 110 col., Language: English. ISBN 9781912554423.
Summary This book is the first study to provide a comprehensive historical and theoretical account of the Academia Leonardi Vinci. Pederson brings together literary sources to offer a new interpretation of the academy not as one singular entity, but as a collection of academic modalities in Renaissance Milan. Eventually these various modalities converged around their namesake Leonardo da Vinci, as well as the architect Donato Bramante. This group drew together not only humanists, as in other early Italian academies, but also practitioners of a range of disciplines that ultimately gave way to a new kind of group. This collective of creative personages generated forms of expression that explored the liminal spaces between art, geometry, architecture, and the natural world, which in turn stimulated conversation and debate. This activity made it different from other early Italian academies, and in this way it offered something entirely new.
, Ludion, 2023 HB, 295 x 235 mm, 528 pages .,ENG edition, illustrated in colour. fine! ISBN 9789493039988.
Hiroshige: Nature and the City is the most extensive overview of the career of the famed Japanese print artist, Utagawa Hiroshige (1797-1858) in the English language to date. Based on the largest collection of Hiroshige in private hands outside Japan, - the Alan Medaugh collection - the catalogue consists of 500 entries, with an emphasis on urban and rural landscapes, fan prints and prints of birds and flowers. Grouped chronologically by subject it presents Hiroshige's interpretation of the urban scenes from his hometown Edo (present-day Tokyo), the great series documenting travel along the famous highways of Japan, and the idylls of nature as represented in his bird-andflower prints. Hiroshige often incorporated poetry in his works and for the first time all textual content is transcribed and translated. Additionally, the catalogue pays due attention to the differences between variant editions of his prints. Thus, it provides essential comparative material for every scholar, dealer, and collector. Five essays precede the catalogue section, each written by specialists in the field. Rhiannon Paget (Curator of Asian Art at The John and Mable Ringling Museum of Art) provides a general introduction to Hiroshige's life and career. Andreas Marks (Curator Minneapolis Museum of Art) contributes two essays: on the publishers of Hiroshige's prints and on Hiroshige's collaborative works designed with his colleagues. Shiho Sasaki (conservation specialist at the Asian Art Museum of San Francisco) discusses the pigment use in Hiroshige's prints while John Carpenter (Curator of Japanese Art at the Metropolitan Museum of Art) investigates the source of the poetry of Hiroshige bird-and-flower prints.
, Ludion, 2023 Hardcover, 256 pages, ENG, 295 x 240 mm, NEW, illustrated in colour. ISBN 9789493039902.
Women and men - strong, proud, tragic or beautiful - from the heyday (1765-1865) of Japanese printmaking are this book's subject. It seeks to dig below the surface of the prints to describe the often subtle iconography employed in these masterful creations by the most famous artists of their time. It begins with Suzuki Harunobu's subdued and introverted scenes of women seated on verandas. The book then moves on to the spectacular 'big face' (okubi-e) portraits of prostitutes and Kabuki actors by artists like Kitagawa Utamaro, Toshusai Sharaku and Utagawa Kunimasa. Frail 'streetwalkers', forced by circumstance into the lowest ranks of prostitution, are transformed into elegant beauties, obscuring their tragic existence. The spectacle of heroes from Japan's rich mythological and pseudo-historical past crowd the printed sheet. Stern-faced actors drawn by the confident hands of Utagawa Toyokuni and his pupil Kunisada demonstrate the economy of line and powerful expression of the woodblock medium. Each print is explored in the finest detail in order to explain the riddles of Ukiyo-e -the intriguing and captivating mode of visual expression that would have such a profound influence on Western art.
PRIVAT-DIDIER. 1933. In-12. Cartonné. Etat d'usage, Coins frottés, Dos frotté, Intérieur frais. 96 pages. Quelques pages détachées. Quelques écritures au crayon n'altérant pas la lecture.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Classification Dewey : 450-Italien, roumain, rhéto-romain
, Brepols, 2022 Hardback, 439 pages, Size:216 x 280 mm, Illustrations:159 b/w, 10 col., Language: English. ISBN 9782503578835.
Summary When Saint Dominic (c. 1174-1221) came to Rome to seek papal approval of the Order of Preachers, he founded two houses on the periphery of the city ? a nunnery at S. Sisto, in structures rebuilt by Pope Innocent III, and a priory next to the early Christian basilica of S. Sabina. The Dominicans modified and enlarged the existing buildings, according to their needs. Saint Francis of Assisi (c. 1182-1226) also came to consult the Pope, but he did not make any foundations in Rome. In 1229, Pope Gregory IX ordered the Benedictine monks of SS. Cosma e Damiano in Mica Aurea to cede to the Franciscans their hospice of S. Biagio in Trastevere, where Saint Francis had stayed. The friars built the church and friary of S. Francesco a Ripa there. Later, Gregory IX took over the Benedictine monastery itself, where he established the Franciscan nunnery of S. Cosimato in 1234. Moving into the more densely inhabited parts of the city, the Friars Minor built a new friary and church at S. Maria in Aracoeli on the Capitoline Hill from c. 1248-1252 onwards. The Dominicans, in 1266, acquired a convent near the Pantheon, where they constructed the Gothic church of S. Maria sopra Minerva. In 1285, the Colonna family established a Franciscan nunnery at S. Silvestro in Capite. In the context of the origin and evolution of the two Mendicant Orders, this book traces the history of these thirteenth-century Dominican and Franciscan foundations, focussing on their location in Rome, the history of each site, their architecture, and the medieval works of art connected with them. Popes and cardinals, members of important families, and Franciscan Tertiaries contributed generously to their construction and decoration. The book ends with Saint Catherine of Siena, who lived near S. Maria sopra Minerva, where she was buried. TABLE OF CONTENTS List of Illustrations Preface Abbreviations Colour Plates Introduction Part I. The First Dominican and Franciscan Foundations in Rome Chapter 1. The Dominican Nunnery at S. Sisto (now S. Sisto Vecchio), founded c. 1218-1221 Chapter 2. The Dominican Priory at S. Sabina, founded c. 1220-1222 Chapter 3. The Franciscan Church and Friary of S. Francesco a Ripa, founded in 1229 Chapter 4. The Franciscan Nunnery of SS. Cosma e Damiano (S. Cosimato), founded in 1234 Part II. A New Generation of Dominicans and Franciscans and their Foundations in Rome Chapter 5. The Friars Minor at S. Maria in Aracoeli, founded c. 1248-1252 Chapter 6. The Friars Preachers at S. Maria Sopra Minerva, founded c. 1266-1276 Chapter 7. The Franciscan Nunnery at S. Silvestro in Capite, founded in 1285 Chapter 8. Medieval Dominican Penitents from c. 1286 and Catherine of Siena (1347-1380) Conclusion Glossary
Joan Didion, Vincenzo Mantovani (Traduction)
Reference : RO20260007
(2006)
ISBN : 8842813826
IL SAGGIATORE - NARRATIVA. 2006. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 217 pages - fenetre sur le 1er plat - couverture rempliée - en italien - dos/2e plat insolés. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Classification Dewey : 450-Italien, roumain, rhéto-romain
Paris, Librairie Hachette et Cie, 1891, pt. in-8vo, 180 (publicités ill.) + 68 (index alphabétique) + LXXXIV + 287 p., ill. de 6 cartes, 2 plans et 3 panoramas, reliure en toile originale, avec titre doré légèrement effacé sur le plat,
Phone number : 41 (0)26 3223808
APUD PERISSE FRATRES. 1853. In-16. Relié demi-cuir. Bon état, Couv. convenable, Dos fané, Intérieur frais. XIII + 591 pages - Auteur, titre, file, tomaisont et fleurons dorés au dos - Plats et contre-plats jaspés - EX LIBRIS MANUSCRIT EN TETE DE LA PAGE DE FAUX-TITRE. dos insolé.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
OUVRAGE EN LATIN. / 5e EDITION. Classification Dewey : 450-Italien, roumain, rhéto-romain
, Biblioth que de l'Image, 2002 Paperback, 95 pages, Texte en Francais, Tres belle exemplaire, 290 x 250 x 10 mm, illustrations en couleur. ISBN 9782914239691.
Hiroshige est surtout connu pour sa s rie de paysages au format horizontal The Fifty-three Stations of the T?kaid? et pour sa s rie de paysages au format vertical One Hundred Famous Views of Edo. Les sujets de son travail taient atypiques du genre ukiyo-e, dont l'accent tait g n ralement mis sur les belles femmes, les acteurs populaires et d'autres sc nes des quartiers de plaisir urbains de la p riode Edo au Japon (1603?1868). La s rie populaire Thirty-six Views of Mount Fuji de Hokusai a eu une forte influence sur le choix du sujet d'Hiroshige, bien que l'approche d'Hiroshige soit plus po tique et ambiante que les estampes plus audacieuses et plus formelles d'Hokusai. L'utilisation subtile de la couleur tait essentielle dans les estampes d'Hiroshige, souvent imprim es avec plusieurs impressions dans la m me zone et avec une utilisation intensive du bokashi (gradation des couleurs), qui taient toutes deux des techniques plut t laborieuses.
, Scolar Press, 1980 Hardcover, 157 pages, ENG.,285 x 225 x 20 mm, dustjacket, book is in very good condition, illustrated in colour / b/w. ISBN 9780859676311.
Augustus Earle (1793?1838) was born to travel and to paint. Living in the era before photography, Earle was one of the world?s most irrepressible travel artists. His paintings are valuable both as works of art and as documentary records of historic and ethnographic significance. This publication gives an overview of some of Earle?s most significant works held by the National Library of Australia.
Henningsfchen Buchhandlung. 1798. In-12. Relié. Etat d'usage, Coins frottés, Dos satisfaisant, Quelques rousseurs. VIII + 438 pages - annotation sur le 1er contre plat - annotation, tampon sur la page de garde - livre en italien - tranches rosées - couverture jaspée.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Livre en italien - Il pastor fido tragicomedia pastorale - del cavalier Giovan Battista Gvarini - mit einemerklärenden wortregister zum selbstunterricht. Classification Dewey : 450-Italien, roumain, rhéto-romain
, Norton, 2000 Hardcover, 230 pages, ENG, 275 x 210 mm, dustjacket, in very good condition, illustrated in colour / b/w., ***With greeting & Signatures of both authors !!*** ISBN 9780393047653.
The information-packed yet spirited text about one of the most famous rail terminals in the world is well supported by abundant illustrations. Coauthor Belle was the principal architect of the $400 million Grand Central restoration project, which concluded with the station's rededication in October 1998. Belle and Leighton's lively chronicle of the history of the station and its rescue from the wrecking ball offers not only a fascinating microcosm of the rise and fall of rail transportation in this country but also a view of the restoration project as a watershed in the landmark preservation movement. Grand Central was built in the early twentieth century, and it quickly became a crossroads of rail travel. In 1947, for instance, more than 65 million people passed through its halls and corridors, a number that represented the equivalent of 40 percent of the U.S. population at the time. This book glowingly touts Grand Central Station's architectural significance and its place in American business and culture