Economie et cinéma - Etudes et informations économiques, financières, juridiques
Reference : 70556
n° 1 - Janvier-février 1955 - Gamma Film Internationale S.A. 13, place de la Palud Lausanne Suisse - in-8 broché - 88 pages
assez bon état
Tascabili bompiani Dos carré collé 1990 In-12 (11 x 18.5 cm), dos carré collé, couverture illustrée en couleur, 184 pages ; coiffes et coins frottés, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Ed: Arp Museum Bahnhof Rolandseck, Jutta Mattern. Text: Petra Spielmann, Jutta Mattern, B.De Bruyckere, Alain Platel, Romeu Runa.
Reference : 62698
, Walther and Franz Koenig Verlag, 2022 hardcover, 240 x 170 mm, 256 pages , throughout illustrations, ENG-DE edition, *NEW, . ISBN 9783753301839.
De Bruyckere s sculptures are testimonies to unique emotional depth. They touch with their vulnerability and melancholy, ranging between vitality and death, harmony and deformation, figurativeness and abstraction. They bear witness to visible and perceptible processes of transformation in human and animal life. Berlinde De Bruyckere endows them with an almost sacral aura. In her work, the artist abundantly explores ancient mythologies and Christian themes and adapts them to the present that could not be more vivid. The palette ranges from the shell that forms a body, to its fragmentation, to fully formed corporeality. In the process, the subject of sexuality, especially the female sex, comes into the artist's focus. Ed: Arp Museum Bahnhof Rolandseck, Jutta Mattern. Text: Petra Spielmann, Jutta Mattern, Berlinde De Bruyckere, Alain Platel, Romeu Runa. Berlinde De Bruyckere, born 1964 in Gent, lives and works in Gent
Un ouvrage de 454 pages, format 130 x 200 mm, illustré, relié cartonnage, publié en 1956, Librairie A. Hatier, bon état
Préface de M. P. Ronzy
Phone number : 04 74 33 45 19
A.HATIER. 1937. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Intérieur acceptable. 445 pages - illustration en noir et blanc en frontispice - adhésif entre la frontispice et la page de titre et le contre plat et la page de faux titre - tâches d'encres sur la tranche de gouttière - coins très frottés - dos manquant - quelques illustrations en noir et blanc - ouvrage en italien.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Ouvrage en italien. Classification Dewey : 450-Italien, roumain, rhéto-romain
COMPAGNIA DEL GIALLO. 1992. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 97 pages. Texte en Italien.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Classification Dewey : 450-Italien, roumain, rhéto-romain
Pontificia Università Lateranense, Roma. 2001. In-8. Broché. Très bon état, Couv. fraîche, Dos impeccable, Intérieur frais. 61 pages.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Pontificia Universitas Lateranensis, Facultas Iuris Civilis. Excerptum Theseos ad Doctoratum. Classification Dewey : 450-Italien, roumain, rhéto-romain
Ufficio Pubblicazioni. 2012. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 102 pages. Texte en italien.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Pontificia facolta teologica dell'italia meridionale sezione S. Tommaso d'Aquino, Napoli - Tesi di dottorato in teologia, estratti 44. Classification Dewey : 450-Italien, roumain, rhéto-romain
IT, Silvana , 2012 Hardback, 230x280mm, 240 pages , 150 colour illustrations, English edition. ISBN 9788836624638.
This monograph is dedicated to one of the greatest Italian masters, Piero della Francesca (San Sepolcro 1416/1417 approx. - 1492), whose towering multifaceted genius dominates the entire artistic and cultural panorama of the early Italian Renaissance. Each work, from the Baptism of Christ to the Nativity at National Gallery in London, is presented with full-page images and is analysed in depth from the historical point of view, as well as for its style and considering its critical fortune during the centuries. A specific focus is on the magnificent cycle of frescoes of the Legend of the True Cross, in the Basilica of San Francesco in Arezzo, which is considered as Piero's masterpiece. The author of the book, in charge of a conservation and restoration project of the Chapel, presents in her study the results of the conservation work on half of the painting surface, completed with the images of the frescoes after their cleaning. This book is intended as a compact up-to-date guide for readers wishing to find out more about one of the greatest artistic geniuses of all times, who was numbered among the greatest artists of his time and highly praised by his contemporaries, beginning with Vasari in the Life that he dedicated to the artist of excellence from Sansepolcro.
XIIe édition, traduit de l'Italien sur la 116e édition par Gérard Du PUY, illustrations de A. Ferraguti, E. Nardi, A.-G. Sartorio. La Chaux-de-Fonds F. Zahn, éditeur.
, Waanders Uitgevers, 2023 HB, 260 x 210 mm, 400 p., NL editie, NIEUW, illustraties, in kleur / z/w. ISBN 9789462624900.
Adriaen van de Venne (1590-1662) behoort niet tot de bekendste namen uit de Hollandse zeventiende eeuw. Toch is hij te beschouwen als een van de meest markante kunstenaarspersoonlijkheden uit die periode. Van de Venne was een multitalent: schilder, dichter n ontwerper van prenten en boekillustraties. In een groot deel van zijn werk staat de combinatie van woord en beeld centraal, gekoppeld aan een grote originaliteit en bijzonder gevoel voor humor. In dit rijk ge llustreerde boek wordt Van de Vennes geschilderde oeuvre voor het eerst uitgebreid en diepgaand onderzocht binnen de context van zijn gehele artistieke productie. Zo cre ert de auteur een levendig beeld van een kunstenaar die zijn eigen weg zoekt en vindt.
Edizioni Paoline. 1971. In-12. Broché. Bon état, Couv. convenable, Dos frotté, Intérieur frais. 286 pages. Etiquette de code sur le dos. Tampons et annotation de bibliothèque en page de titre.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Collana 'La Bibbia e i problemi dell'uomo d'oggi', n° 26. Classification Dewey : 450-Italien, roumain, rhéto-romain
Turnhout, Brepols, 2008 Hardback, XXXIV 628 p., 572 b/w ill. 17 colour ill., 220 x 280 mm. 2 VOLUMES FINE COPY ISBN 9781905375103.
Paintings, sculpture, and classical antiquities are the most valuable resources of any museum, and are the first objects to be published in each museum''s own collection catalogue or online inventory. Collection catalogues, however, have customarily included only a small sample of the riches to be found in Midwestern collections of master drawings. This volume of sixteenth-century drawings has been largely the work of Burton L. Dunbar (University of Missouri-Kansas City), director of the project and a specialist in the arts of northern Europe, and Edward J. Olszewski (Case Western Reserve University), co-editor for the series, a well-known authority on drawings of the Italian Renaissance. This volume covers the sixteenth century, including artists born as a rule between 1480 and 1580, with the exception of Giovanni Baglione (ca. 1573-1644) and the Carracci. This study represents a gathering of drawings from forty institutions between Ohio and Oklahoma based on a census of seventy-five museums and art centers. Jacob Burckhardt?s contention that the Renaissance was, in many respects, an age of paganism is readily belied here by the 471 Italian drawings, the great majority of which are religious subjects. Antiquity provided a veneer beneath which sixteenth century artists could cloak their Christianity to make it seem fresh, reminding believers of the origins of their faith, and reviving the purity of Christian doctrine in its early years. It is no surprise, then, to find numerous drawings of antiquities, and mythologies among the many subjects. A corpus this large can be representative in many ways, offering a cross-section of media, subjects, drawing types, and collectors. Of the 471 Italian drawings scattered across Midwestern America, here we reassemble many that were at one time in one or more prominent collections. Every drawing was examined for the following information: Artist, place of birth and death with dates, biography, title of drawing, date of drawing, dimensions in mm (and in inches), media, institutional credit line, accession number, technical condition, inscriptions, collectors? marks, watermark, provenance, exhibitions, bibliography, comments. New book.
EDIZIONI E/O. 2022. In-8. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 211 PAGES - en italien - avec jaquette, en bon état général. Avec Jaquette. . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Classification Dewey : 450-Italien, roumain, rhéto-romain
MISSIONE SAT.CIT.ANANDA / yoga meditation center/ aquinas hall mount mary hill. 1982. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 109 PAGES - en italien - un frontispice en noir/blanc + 4 planches dont 3 fac similes. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Classification Dewey : 450-Italien, roumain, rhéto-romain
Paris Le Musée des chefs-d'oeuvre. Vendôme 1948 in 8 (27x21) 1 volume broché, couverture rempliée, plat supérieur titré et illustée d'une vignette en couleurs contrecollée, non paginé, avec des reproductions tirées en héliogravure. Biographie sommaire, description et histoire du tableau, bibliographie sommaire. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Très bon
Pontificia Università Lateranense, Roma. 1971. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 212 pages. Etiquette de code sur le dos. Tampons et annotations de bibliothèque sur le 1er plat et en page de titre. Dos muet.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Pontificia Universitas Lateranensis, Theses ad Lauream in Theologia. Classification Dewey : 450-Italien, roumain, rhéto-romain
Vallecchi. 1975. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 442 pages. Premières pages légèrement tachées (marges).. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Autobiografia. Classification Dewey : 450-Italien, roumain, rhéto-romain
, V+K Publishing/Inmerc, 1997 256pp.; Conditie: Goed; Originele hardcover, stofomslag, veel (paginagrote) illustraties in kleur. ISBN 9789066116016.
Kunstnijverheid in Nederland 1880-1940
EDITORE BULGARINI FIRENZE. 2009. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 144 PAGES - en italien - nombreuses illustrations couleur dans le texte - texte sur deux colonnes - annotation en page de titre. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Classification Dewey : 450-Italien, roumain, rhéto-romain
, , 141 pp , 20 Planches Elizabeth della Santa Photos with Artifacts in it Catalogue de la salle N 90 Aux Mus es Royaux d Art et d Histoire de Bruxelles Soft Cover.
L'art de l'Oc anie ne peut tre abord en dehors d'un contexte conomique et g ographique, o les structures sociales, les croyances et les rites diff rent d'un lieu l'autre. Tous ces l ments, y compris le pass de la r gion, sont mieux connus depuis la premi re moiti du XXe si cle, gr ce au travail des ethnologues. Sur un fond de traits culturels communs, on d couvre en M lan sie une grande diversit dans la production artistique dont voici quelques exemples : - aux les Salomon, l'ornementation porte pour l'essentiel sur les pirogues utilis es pour les d placements c r moniels ; les motifs principaux renvoient la mer, la faune et aux divinit s marines ; - au Vanuatu (ex-Nouvelles-H brides), des ?uvres d'art, comme les tambours monumentaux, sont davantage li es aux rites qui ont pour th tre la place de danse et la maison des hommes ; - la Nouvelle-Cal donie a laiss des bas-reliefs de grande taille, des sculptures sur pied, de merveilleux assemblages de coquillages ou de serpentine verte. Un autre objet symbolique, la hache-ostensoir voit dispara tre sa fonction utilitaire et ne sert plus que pendant les c r monies aux chefs pour scander leurs discours.
, Brepols - Harvey Miller, 2022 Hardback, 384 pages, Size:225 x 300 mm, Illustrations:58 b/w, 90 col., 2 tables b/w., Language(s):English, Italian. ISBN 9781909400948.
Summary Pontormo's frescoes in San Lorenzo were the most important cycle of the sixteenth century after Michelangelo's Sistine frescoes.? They had an enormous impact on artists until their destruction in the eighteenth century, and their interpretation has also had a significant bearing not only on the reception of this artist, but also of late Renaissance art in Florence. Based on archival and historical research, this book determines a new date for the inception of the fresco cycle and reconstructs the day-by-day activity in the church that had an impact on Pontormo's project. ?It reveals Pontormo's painstaking working method. The new reconstruction corrects the visual order of the frescoed scenes, and conclusively demonstrates the orthodoxy of the choir's iconography.? It sets them into the artistic and architectural context of the church of San Lorenzo, relating them to works of art by Fra Bartolomeo and Michelangelo, as well as to complex liturgical and religious functions.? This study establishes the intentions of the Medici and the canons of the church in having Pontormo paint the specific space in the church where he painted, and the specific subjects that were included.? Finally, it reveals the unsuspected impact Pontormo's paintings had on other works of art. TABLE OF CONTENTS INTRODUCTION: The introduction explains the history and historiography of both Pontormo in general and this commission in particular. CHAPTER 1: LIFE AND DEATH IN THE CHOIR Can we re-imagine the day-to-day progress of the commission? Beginning with a re-dating of the project, I shall trace the practical realities of daily painting in the choir, the comings and goings of artists and people: the ?world? of the choir will be explored. The frequent trope of Pontormo as an isolated loner and painfully slow artist will be disproved. The close supervision of the major stakeholders for the project, the Duke and the church, will be demonstrated. CHAPTER 2: REVERSALS OF FORTUNE My discovery that Pontormo reversed his preliminary sketches when they were scaled up into full-scale cartoons has demonstrated that several of the extant drawings used to reconstruct the choir must be inverted. Adjusting the reconstruction to take this into account resolves issues of visual, thematic, and iconographic coherence which have perplexed scholars. Essential elements in my new reconstruction reveal new and unexpected functions and meanings for Pontormo's paintings. These functions and iconographical connections place the lost paintings in a new light in relation to the fabric of the church of San Lorenzo. CHAPTER 3: LAWRENCE'S ACTS and CHAPTER 4: CYCLES OF SALVATION In these two sections I explain the significance of the frescoes. The first chapter focuses on the end wall, which was the public view of the choir and on which Pontormo's painting of Saint Lawrence provided a personal message of salvation to viewers. The second of these two chapters explains the entire set of images. This is the first time a seamlessly cohesive and inclusive interpretation of the cycle has been found. The new textual associations supplied in these chapters establishe that far from being of questionable orthodoxy, Pontormo's frescoes were a brilliant encapsulation of the functions of the choir. CHAPTER 5: THEN AND NOW: PONTORMO'S PLACE IN HISTORY Vasari's comments about the San Lorenzo commission in the Life of Pontormo created a negative view. This chapter corrects that, and replaces it with an appreciation of the gigantic task he confronted, the brilliance of his solutions, and the positive reception he and his paintings received.
Arnoldo Mondadori. 1993. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 191 pages. Texte sur 2 colonnes.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
'Il Giallo Mondadori', 2338. Classification Dewey : 450-Italien, roumain, rhéto-romain
, New York, Hudson Hills Press, 1992 Hardcover, 367 pages, ENG. edition, 310 x 240 x 35 mm, Over 30 years "young" but in Perfect Condition !, illustrated dustjacket, almost 300 illustrations and plates in colour / b/w; index; bibliography ISBN 9781555950576.
First Edition. Fine cloth copy in an equally fine dw. Particularly well preserved; tight, bright titled, clean, and surprisingly sharp cornered. Abundantly illustrated with 32 full page color and numerous black and white plates. Complete with essays by Victor Carlson, Kathleen Erwin, Ann Sutherland harris, George Knox et. Ali. And an introduction by Ellen Sharp; Subjects: Detroit Institute of Arts --Catalogs --Drawing, European --Drawing --Michigan --Detroit. Series: The Collections of the Detroit Institute of Arts
Pontificia Università Lateranense, Roma. 1974. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 102 pages. Etiquettes de code sur le dos et le 1er plat. Tampons et annotation de bibliothèque en page de titre.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain
Pontificia Università Lateranense, Facoltà Teologica, Dissertatio ad Lauream. Classification Dewey : 450-Italien, roumain, rhéto-romain