Anonymus, Attilio Bartoli Langeli (ed), Eleonora Rava (ed), Filippo Sedda (ed)
Reference : 65451
, Brepols, 2021 Hardback, lxxii + 154 pages, Size:155 x 245 mm, Illustrations:13 b/w, 20 tables b/w., Language(s):Latin, Italian. ISBN 9782503589985.
Summary Le poche notizie che si hanno sulla vita e i miracoli di Rosa da Viterbo, la fanciulla nata attorno al 1233 e morta nel 1251 o 1252, che diede testimonianze della sua fede al tempo di Federico II, sono note da tempo. Tutti coloro che hanno scritto di Rosa da Viterbo hanno attinto, direttamente o pi spesso indirettamente, dal verbale del processo di canonizzazione svoltosi a Viterbo al tempo di papa Callisto III, a distanza di due secoli e poco pi dalla morte della beata. Questa fonte per non conosciuta in maniera scientifica. Gli atti del processo di canonizzazione del 1457 non sono mai stati pubblicati. La Vita che vi contenuta fu pubblicata (piuttosto malamente) per la prima volta nel 1742 dal canonico viterbese Feliciano Bussi nella sua Istoria della Citt di Viterbo. Migliore, naturalmente, ma perfettibile l'edizione che della Vita e dei Miracula fecero nel 1868 i padri Bollandisti nei loro Acta Sanctorum. Nel 1952 pubblic ottimamente la Vita Giuseppe Abate. Infine, la Vita e i Miracula di Rosa hanno fatto oggetto del primo anno di attivit (2016-2017) del Laboratorio di agiografia (sottotitolo: Filologia, edizione, interpretazione delle fonti) aggregato alla Scuola superiore di studi medievali e francescani della Pontificia Universit Antonianum, ed stato pubblicato un volume che riproduce il lavoro seminariale. Della Vita e dei miracoli di Rosa si hanno, per , altri due altri testimoni, uno conservato a Parigi e uno a Parma, certamente legati al processo. Questa edizione si basa per la prima volta sul trattamento contestuale di tutti i prodotti documentari e librari ad oggi connessi all'iniziativa del 1456-57.
, Brepols, 2019 Hardback, cx + 712 pages, Size:155 x 245 mm, Illustrations:3 b/w, 1 tables b/w., Languages: Latin, English. ISBN 9782503582283.
Summary In 1239 Pope Gregory IX wrote to kings and bishops across Europe, urging them to seize and examine the manuscripts of the Talmud in their dominions. As a result, a process against the Talmud took place in Paris in 1240. Though the Talmud went up in flames at the Place de la Gr ve in 1241/42, the controversy on the Talmud continued over the following years, since Gregory's successor, Pope Innocent IV, called for a revision of its condemnation. At the centre of this revision are the 'Extractiones de Talmud', a translation of hundreds of Talmudic passages prepared during the years 1244/45 for Odo of Ch teauroux, Legate of the Apostolic See, that served as the basis of his final condemnation of the Talmud in May 1248. This is the first edition of the Latin Talmud, which is a milestone in the long history of Christian-Jewish intellectual encounters.
, Brepols, 2023 Paperback, 191 pages, Size:156 x 234 mm, Language(s):English, Latin. ISBN 9782503596785.
Summary The Liber de ordine creaturarum is an anonymous Latin work with an Irish provenance that dates back to the seventh century. It presents the creation as the divine handiwork and is notable for serving as both a commentary on the Hexaemeron (Six-day Work) in Genesis and as one of the earliest works of systematic theology. Although previously attributed to Isidore of Seville, the Liber de ordine creaturarum is far more than a mere compilation of 'authorities.' Instead, it emphasizes the inherent order that exists within the creation itself. TABLE OF CONTENTS Introduction Summary Review of the Evidence for the Origin and Dating of De ordine creaturarum Spelling Influenced by the Irish Language Words with Characteristic Spellings Occurring Frequently in Hiberno-Latin Texts, but Comparatively Rarely in Other Contexts Reception Division into Chapters and Chapter Headings Latin Text with English Translation 1. The Doctrine of the Trinity 2. On Spiritual Created Beings 3. On the Waters Above the Firmament 4. The Celestial Firmament 5. The Sun and the Moon 6. The Higher Space and Paradise 7. The Lower Space and the Various Hemispheres 8. Concerning the Devil and the Nature of Demons 9. On the Nature of Water and the Behaviour of the Ocean 10. On Paradise, the First Dwelling Place of Man 11. The Disposition of the Terrestrial Orb Inhabited by Man 12. On the Nature of Man 13. On the Different Kinds of Sinners and their Places of Punishment 14. The Cleansing Fire 15. The Life to Come Appendix Notes Bibliography Abbreviations Previous Editions Ancient and Medieval Authors Modern Authors Indices Index of Biblical References Index of Patristic & Medieval Works and Councils Index of Modern Authors Index of Topics
Anonymus, Ulisse Cecini (ed), scar Luis de la Cruz Palma (ed), Alexander Fidora (ed), Isaac Lampurlan s Farr (ed)
Reference : 65140
, Brepols, 2021 Hardback, lix + 442 pages, Size:155 x 245 mm, Language(s):Latin, English. ISBN 9782503594934.
Summary In the year 1244/45, the first Latin translation of the Talmud was completed in Paris. This translation, which is known as the Extractiones de Talmud, is extant in two versions. While the first version, edited in CC CM 291 (2018), offers an apparently unbiased presentation of the Talmudic passages following the sequence of the Talmudic treatises, the second one, which may be called the thematic Talmud translation, organizes these texts along with other materials according to thirteen chapters. The titles of these chapters clearly betray the polemic intention of the thematic translation, namely: "On the authority of the Talmud and its praise"; "On the sages and teachers of the Talmud"; "On the blasphemies against Christ and the Holy Virgin"; "On blasphemies against God"; "On what is said against the Christians"; "On errors and heresies"; "On sorcery"; "On dreams"; "On the world to come"; "On the Messiah"; "On stupidities"; "On immoral and impure things"; and "On fables". It was this second version, which also incorporated additional materials from other Jewish sources, that led to the final condemnation of the Talmud in Paris in the year 1248.
Paris, Cerf 1966 158pp., 21cm., brochure originale, dans la série "Sources chrétiennes" tome 118 (série des textes monastiques d'occident, no.18), bilingue: latin-français, bon état, R103169
Leodii [Liège], H. Dessain 1859 335pp., 13cm., text in Latin, modern solid hardcover binding, spine in red cloth, text and interior are clean and bright (except for very few occasional foxing), good condition, R119403
ANSELMUS CANTUARENSIS O.S.B. (Anselm of Canterbury) (& EADMER & PICARD & GERBERON Gabriel & SELDEN John)
Reference : R119829
(1675)
Lutetiae Parisiorum [Paris], Sumpt. Ludovici Billaine et Joannis Du Puis 1675 [56] + 706 + [74] + 214 + [2] pp., with an engrvaing of Saxon seal and alphabet (on p.134, 2nd seq.), title in red and black, with printer's mark on title page, head and tail pieces, erased stamp on title page, text in Latin, 39x27cm., contemporary full leather binding (some loss of leather at corners and at ends of spine, gilt title and decorations on spine), text is clean and bright, some light staining on upper margin of text of some pages, overall a good copy, [Contains the complete of works of Anselm of Canterbury, together with "R.D. Iohannis Picardi ecclesiae S. Victoris Parisiensis Augustiniani canonic, annotations in S. Anselmi Cantuar. Archiepiscopi epistolas tribus libris prioribus contentas" (pp.550-582) & "Iohannis Seldeni in Eadmeri Historiam novorum notae" (pp.104-134, 2nd seq.), with indices], weight: 4.4 kg., cfr. OCLC 1015441124, R119829
TREVENAY Stephani. 1664. In-8. Relié plein cuir. Etat d'usage, Couv. défraîchie, Dos à nerfs, Intérieur acceptable. Ouvrage de 477 pages. Ex-Libris manuscrit sur la page de titre. Bandeaux, lettrines et culs-de-lampe. Reliure plein veau marron. Filets et fleurons dorés sur le dos à 4 nerfs. Tranches tachetées rouges. couverture muette. Ouvrage en latin. Epidermures sur le dos et les plats. Quelques annotations à la plume, en marges et sur la 2ème de couverture. Quelques traces d'humidité dans le texte. Petit manque sur la coiffe en pied.. . . . Classification Dewey : 470-Langues italiques. Latin
Classification Dewey : 470-Langues italiques. Latin
Comité de promotion Culturelle 1995. Edition originale tirée à 600 exemplaires sur Bouffant, préface de François léotard. In-8 broché de 25 x 17 cm, 82 pages, orné d'une carte dépliante.-200g.L. - Excellent état.
Blackfriars / Eyre & Spottiswoode / McGraw-Hill Book Company. 1966. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. XXIV + 253 pages - tampons + annotation sur la page de titre - annotation sur le 1er plat de la jaquette - étiquette collée en coiffe en pied sur la jaquette - ouvrage en latin et en anglais.. Avec Jaquette. . . Classification Dewey : 470-Langues italiques. Latin
Latin text and english translation introductions notes appendices and glossaries. Classification Dewey : 470-Langues italiques. Latin
Leipzig, Paul Gotthelf Kummer, 1791 in-4, XII-284 pp., index, demi-veau prune, dos lisse orné de filets et guirlandes dorés ainsi que d'un grand décor en long à froid, tranches marbrées (rel. du XIXe siècle). Dos insolé.
Cet ouvrage est un des textes qui ont été mis sous le nom du naturaliste et polygraphe grec Antigone de Caryste, qui vivait au IIIe siècle avant notre ère ; il se rattache au genre littéraire des Mirabilia. Actuellement, les travaux s'orientent vers la distinction de deux auteurs différents auxquels furent attribués des ouvrages de nature et de genre très différents.Brunet I, 17. - - VENTE PAR CORRESPONDANCE UNIQUEMENT
Lovanii [Leuven], apud J.P.G. Michel 1774 Complete work in 4 volumes: [20],370,[14] + 396,[12] + 425,[19] + 506,[14] pp., 18cm., uniform contemporary full leather bindings (all intact and in good condition), gilt title and decorations on spine, decorated endpapers, red edges, stain in upper and lower margin of text of some pages & and on six first pages of vol.2 (most probably due to colouring the edges in red) of some pages, text in Latin, text and paper clean and bright (except for the stains mentioned here before), else in good condition, [Content: Volume 1: Tractatus de conscientia, de legibus, de peccatis, & de virtutibus theologicis, vol.2: Tractatus de virtute religionis, de beneficiis ecclesiasticis, de virtutibus moralibus & de obligationibus specialibus certorum statuum & officiorum, vol.3: Tractatus de justitia & jure, de injuriis & restitutione & de contractibus, vol.4: Tractatus de sacramentis in genere & in specie, & de censuris & irregularitatibus], R96184
François Seguin, Avignon. 1818. In-8. Relié plein cuir. Etat d'usage, Couv. convenable, Dos abîmé, Déchirures. 6 tomes d'env. 400 pages chacun. Pièces de titre rouges et vertes sur les dos. Titres, tomaisons, caissons, roulettes et filets dorés sur les dos. Tranches jaunes. Etiquettes de code sur les couvertures. Quelques tampons de bibliothèque. Quelques trous de vers sur les dos. Nombreuses galeries de vers dans les ouvrages, altérant souvent la lecture (principalement les tomes I, II).. . . . Classification Dewey : 470-Langues italiques. Latin
Editio Novissima et Nitida. Multo Quam Antea Castigatius Edita. Classification Dewey : 470-Langues italiques. Latin
DERBAIX Fratrum. 1751. In-12. Relié plein cuir. Etat d'usage, Couv. défraîchie, Mors fendus, Intérieur frais. 706 pages. Bandeaux, lettrines et culs-de-lampe. Tranches rouges. Pièces de titre marron. Titre, tomaison et caissons dorés sur le dos, à 5 nerfs. Coiffes abîmées. Epidermures. Ouvrage en latin.. . . . Classification Dewey : 470-Langues italiques. Latin
Complectens omnia morum praecepta et principia decisionis omnium conscientiae Casuum. Classification Dewey : 470-Langues italiques. Latin
GANEAU Steph.. 1745. In-12. Relié plein cuir. Etat d'usage, Coins frottés, Dos à nerfs, Intérieur frais. 480 pages. Bandeaux et lettrines. Relié plein cuir marron. Titre, tomaison et caissons dorés sur le dos à 5 nerfs. Tranches rouges. Mors fendus en coiffes. Tranches des plats frottées. Epidermures. Ouvrage en latin.. . . . Classification Dewey : 470-Langues italiques. Latin
Complectens Omnia Morum Praecepta et Principa Decicionis, omnium Conscientae casuum suis quaeque momentis stabilita. Classification Dewey : 470-Langues italiques. Latin
GANEAU Ludovicum Steph.. 1736. In-12. Relié plein cuir. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 460 pages. Bandeau et lettrine. Relié plein veau. Titre, roulettes et caissons dorés sur le dos à 5 nerfs. Tranches rouges. Légères épidermures.. . . . Classification Dewey : 470-Langues italiques. Latin
Ouvrage en latin. Complectens Omnia Dogmata et Singulas Quastiones Theologicas quae in scholis tractari solent. Continens Tractatus de Deo trino, de angelis & de Peccatis. Classification Dewey : 470-Langues italiques. Latin
Roma, Istituot Luigi Sturzo - Edizioni di storia e letteratura 1991 207pp., 25cm., softcover, signed with dedication by G. De Rosa, G, [bilingual: Latin-Italian], R72799
Romae [Rome], Pontificuum Athenaeum Antonianum 1962 xxxv + 234pp., signed with handwritten dedication by the author, in the series "Studia Antoniana" volume 18, hardcover with gilt title, trace of two removed labels at the spine, 2 stamps at blanco endpaper and at verso of title page, text is clean and bright, text in Latin, R118517
Rome, Centro Nazionale del T.O.F. 1950 xii + 145pp. + some plates out of text, 25cm., softcover, text in Latin, few small stamps, good condition, R106541
EL MENSAJERO DEL CORAZON DE JESUS. 1942. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 661 pages. Non illustré.. . . . Classification Dewey : 470-Langues italiques. Latin
Classification Dewey : 470-Langues italiques. Latin
Rusand, Libraire-Editeur, Lyon. 1829. In-4. Relié demi-cuir. Etat passable, Tâchée, Dos abîmé, Quelques rousseurs. 233 pages. Pièce de titre rouge sur le dos, avec titre et filets dorés. Tranche marbrée. Etiquette de code sur la couverture. Quelques tampons de bibliothèque. Petits manques sur le dos. 2e plat partiellement insolé. Galeries de vers dans les marges intérieures, n'altérant pas la lecture.. . . . Classification Dewey : 470-Langues italiques. Latin
Editio 3a. Auctore A R.P. Fran. Antonio a Goritia. Opus Posthumum quod a Fr. Hieronymo a Gortita Correctum et ad Exactiora Principia Redactum Perfectumque. Classification Dewey : 470-Langues italiques. Latin
Parisiss, 1771. Format 10x17 cm, reliure plein velin, 474+(4) pages. Ouvrage en latin. Reliure en mauvais etat, page de titre maculee par une annotation a la sanguine en regard, pas de manque. Etat acceptable.
Dimension extérieure 35,9 x 50,5 cm, cuvette 27 x 43. Magnifique eau-forte de Venise, réalisée par Antonio Visentini, d’après Canaletto (1697-1768). Numéro 6. Gravure en excellent état, déchirures comblées. Dimensioni esterne 35,9 x 50,5 cm, ciotola 27 x 43. Bella acquaforte di Venezia di Antonio Visentini, da Canaletto (1697-1768). Incisione in ottime condizioni, lacrime riempite. External dimension 35,9 x 50,5 cm, bowl 27 x 43. Beautiful etching of Venice by Antonio Visentini, after Canaletto (1697-1768). Engraving in excellent condition, tears filled.
Antion Visentini, né à Venise en 1688 et mort en 1782 est un peintre, architecte et graveur italien de l’école vénitienne du XVIII ème siècle. Giovanni Antonio Canal (Canaletto) est un peintre vénitien justement célèbre pour ses magnifiques panoramas de Venise. C’est l’un des piliers fondateurs de la peinture de paysage italien. Envoi dans le monde entier. Nous possédons d’autres œuvres de cet artiste que vous pouvez trouver aux références allant de EST212T4 à EST218T4. Antion Visentini, nato a Venezia nel 1688 e morto nel 1782, è stato un pittore, architetto e incisore italiano della scuola veneziana del XVIII secolo. Giovanni Antonio Canal (Canaletto) è un pittore veneziano famoso per i suoi magnifici panorami di Venezia. È uno dei pilastri fondanti della pittura di paesaggio italiana. Abbiamo altre opere di questo artista che potete trovare sotto i riferimenti da EST212T4 a EST218T4. Antion Visentini, born in Venice in 1688 and died in 1782, was an Italian painter, architect and engraver of the 18th century Venetian school. Giovanni Antonio Canal (Canaletto) is a Venetian painter famous for his magnificent panoramas of Venice. He is one of the founding pillars of Italian landscape painting. We have other works by this artist which you can find under the references EST212T4 to EST218T4. Ships to anywhere in the world
Dimension extérieure 35,9 x 50,5 cm, cuvette 27 x 43. Magnifique eau-forte de Venise, réalisée par Antonio Visentini, d’après Canaletto (1697-1768). Gravure en excellent état, déchirures comblées. Planche 12. Dimensioni esterne 35,9 x 50,5 cm, ciotola 27 x 43. Bella acquaforte di Venezia di Antonio Visentini, da Canaletto (1697-1768). Incisione in ottime condizioni, lacrime riempite. External dimension 35,9 x 50,5 cm, bowl 27 x 43. Beautiful etching of Venice by Antonio Visentini, after Canaletto (1697-1768). Engraving in excellent condition, tears filled.
Antion Visentini, né à Venise en 1688 et mort en 1782 est un peintre, architecte et graveur italien de l’école vénitienne du XVIII ème siècle. Giovanni Antonio Canal (Canaletto) est un peintre vénitien justement célèbre pour ses magnifiques panoramas de Venise. C’est l’un des piliers fondateurs de la peinture de paysage italien. Envoi dans le monde entier. Nous possédons d’autres œuvres de cet artiste que vous pouvez trouver aux références allant de EST212T4 à EST218T4. Antion Visentini, nato a Venezia nel 1688 e morto nel 1782, è stato un pittore, architetto e incisore italiano della scuola veneziana del XVIII secolo. Giovanni Antonio Canal (Canaletto) è un pittore veneziano famoso per i suoi magnifici panorami di Venezia. È uno dei pilastri fondanti della pittura di paesaggio italiana. Abbiamo altre opere di questo artista che potete trovare sotto i riferimenti da EST212T4 a EST218T4. Antion Visentini, born in Venice in 1688 and died in 1782, was an Italian painter, architect and engraver of the 18th century Venetian school. Giovanni Antonio Canal (Canaletto) is a Venetian painter famous for his magnificent panoramas of Venice. He is one of the founding pillars of Italian landscape painting. We have other works by this artist which you can find under the references EST212T4 to EST218T4. Ships to anywhere in the world